Exposing What Really Happened with Stephanie Soo

00:33:00
https://www.youtube.com/watch?v=vvbY54cbiwQ

Zusammenfassung

TLDRIn this video, a YouTuber discusses their past fallout with fellow creator Stephanie Sue, known as Rotten Mango. They express feelings of being misrepresented in Stephanie's narrative, which framed their interaction as a serious conflict. The speaker reflects on their character development on YouTube, their immature reactions during the fallout, and the emotional impact of Stephanie's video, which they believe exaggerated the situation and misused serious themes for dramatic effect. They apologize for their own actions but also call for accountability from Stephanie for her portrayal of events, emphasizing the need for both sides to be heard in order to heal and move forward.

Mitbringsel

  • 🎥 The video addresses a past fallout with Stephanie Sue.
  • 🗣️ The speaker feels misrepresented in Stephanie's narrative.
  • 😔 They apologize for their immature reactions during the fallout.
  • 📈 The speaker shifted their content focus after the incident.
  • 📝 They emphasize the importance of both sides being heard.
  • 💔 The fallout has had a lasting emotional impact on the speaker.
  • 🔍 The speaker calls for accountability from Stephanie.
  • 📖 They reflect on their character development on YouTube.
  • ⚖️ The speaker seeks to clarify the truth and heal from misrepresentation.
  • 🎭 The video critiques the use of serious themes for dramatic effect.

Zeitleiste

  • 00:00:00 - 00:05:00

    The speaker reflects on a past experience with Stephanie Sue, known as Rotten Mango, which has been misunderstood and taken out of context online. They discuss how Stephanie's portrayal of their fallout has led to ongoing discussions and misconceptions about their relationship, particularly after the speaker's recent weight loss video went viral.

  • 00:05:00 - 00:10:00

    The speaker explains their background as a YouTuber who developed a chaotic online persona, which made them an easy target for criticism. They recount the initial interactions with Stephanie, expressing regret for their immature reactions when she canceled a collaboration, acknowledging their unprofessional behavior and apologizing to her.

  • 00:10:00 - 00:15:00

    The speaker shares how the fallout with Stephanie prompted a personal transformation, leading them to shift their content focus away from involving others in drama. They recognize their past mistakes but also highlight how Stephanie's response felt like a preemptive strike to control the narrative, using emotional language and imagery to frame their conflict in a misleading way.

  • 00:15:00 - 00:20:00

    The speaker critiques Stephanie's use of dramatic storytelling techniques in her video about their fallout, arguing that she manipulated the narrative to portray them as a villain. They emphasize the importance of accurately representing experiences and the harm caused by equating their disagreement with serious issues, such as the #MeToo movement.

  • 00:20:00 - 00:25:00

    The speaker addresses specific claims made by Stephanie, particularly regarding their first meeting and the context of their interactions. They clarify that they did not know about her past traumas and that her portrayal of their relationship was exaggerated and misleading, which has had lasting consequences on their reputation.

  • 00:25:00 - 00:33:00

    In conclusion, the speaker expresses a desire for healing and accountability, urging Stephanie to acknowledge her role in distorting the truth. They emphasize the need for both sides to be heard and the impact of her narrative on their life, seeking a resolution that allows them to move forward.

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Mind Map

Video-Fragen und Antworten

  • What is the main topic of the video?

    The video discusses a past fallout between the speaker and Stephanie Sue, addressing misunderstandings and misrepresentations.

  • Why does the speaker feel misrepresented?

    The speaker believes Stephanie exaggerated their interaction and used serious themes to frame them negatively.

  • What does the speaker apologize for?

    The speaker apologizes for their immature reactions and venting about Stephanie's absence during a collaboration.

  • What does the speaker want from Stephanie?

    The speaker hopes Stephanie will acknowledge her part in misrepresenting the events.

  • How has this fallout affected the speaker?

    The fallout has impacted the speaker's reputation and emotional well-being, leading to a desire for healing and truth.

  • What changes did the speaker make after the fallout?

    The speaker shifted their content focus to avoid dragging others into drama and to create more personal, authentic content.

  • What does the speaker think about Stephanie's video?

    The speaker views Stephanie's video as a calculated narrative that misused serious themes for emotional impact.

  • How does the speaker describe their character on YouTube?

    The speaker describes their character as chaotic, loud, and messy, which contributed to misunderstandings.

  • What does the speaker want to achieve by sharing their side of the story?

    The speaker aims to clarify the truth and heal from the public misrepresentation.

  • What is the emotional tone of the video?

    The video has a reflective and serious tone, addressing themes of accountability and emotional impact.

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Untertitel
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Automatisches Blättern:
  • 00:00:00
    Here we go. Hi everyone. We're going to
  • 00:00:03
    do this. We are going to talk about it
  • 00:00:05
    today. I want to talk about an
  • 00:00:07
    experience from my past. An experience
  • 00:00:10
    that's been deeply misunderstood online.
  • 00:00:13
    An experience that was taken out of
  • 00:00:15
    context in ways that felt deliberate.
  • 00:00:18
    And one that cost me a lot. This video
  • 00:00:20
    is about Stephanie, also known as Rotten
  • 00:00:22
    Mango. What happened between us took
  • 00:00:24
    place over half a decade ago. We're
  • 00:00:26
    talking like five or six years back. But
  • 00:00:29
    people still talk about our fallout to
  • 00:00:32
    this day. Stephanie Sue told the
  • 00:00:34
    internet about our real life interaction
  • 00:00:37
    together in a way that seemed less like
  • 00:00:39
    a personal story and more like a true
  • 00:00:41
    crime special. She took moments between
  • 00:00:44
    us and magnified them into something way
  • 00:00:47
    bigger. Weaving it in and out of an
  • 00:00:49
    emotionally charged narrative that in
  • 00:00:51
    the end felt designed to hurt me. The
  • 00:00:54
    reason I'm bringing this up now is
  • 00:00:55
    because my weight loss got 50 million
  • 00:00:58
    views and it sparked a lot of interest
  • 00:01:00
    in who I am. Millions of people are
  • 00:01:03
    coming in. They're watching old content
  • 00:01:05
    and this includes videos made about me
  • 00:01:08
    and Stephanie. Back in 2019, she put out
  • 00:01:11
    why I'm afraid of Nikocado. It went
  • 00:01:14
    viral. It's got like 17 million views. I
  • 00:01:17
    made a response to that years ago, but
  • 00:01:19
    it only got four. That means that the
  • 00:01:22
    vast majority of people coming in aren't
  • 00:01:24
    hearing my side. So, this video will be
  • 00:01:26
    a shortened recap of exactly what
  • 00:01:29
    happened between me and Stephanie. And
  • 00:01:31
    it will also be the truth because if you
  • 00:01:33
    want to hold people accountable, both
  • 00:01:36
    sides deserve to be heard. I am an actor
  • 00:01:39
    and for the past 8 years, I was on a
  • 00:01:41
    character development for my YouTube
  • 00:01:43
    channel. I was intentionally gaining
  • 00:01:45
    weight. I was intentionally acting like
  • 00:01:48
    a buffoon. I was developing an online
  • 00:01:51
    persona. In the earlier years of this, I
  • 00:01:54
    leaned very heavily into covering drama
  • 00:01:57
    from other YouTube creators. I'd spill
  • 00:01:59
    the tea on them, even holding a kettle
  • 00:02:01
    prop. Sometimes I'd stir the pot, throw
  • 00:02:04
    the shade. I literally injected myself
  • 00:02:06
    into any drama. And a lot of people
  • 00:02:08
    couldn't separate that character from
  • 00:02:10
    the real me. And this is how this is how
  • 00:02:13
    things started to develop in the very
  • 00:02:15
    beginning. By the time Stephanie and I
  • 00:02:17
    crossed paths, I had already gained over
  • 00:02:19
    a 100 pounds and built a reputation for
  • 00:02:22
    having a character that was chaotic,
  • 00:02:25
    loud, and messy. We have a few things to
  • 00:02:27
    discuss.
  • 00:02:29
    The tea is steaming hot.
  • 00:02:34
    Then I don't tell someone. You eat. I
  • 00:02:36
    have some receipts. Sit down. You these
  • 00:02:39
    clowns. Your [ __ ] Everything about me
  • 00:02:41
    is
  • 00:02:43
    no or anything. You actually sit down
  • 00:02:45
    sticking her nose in drama, acting like
  • 00:02:47
    she doesn't want drama.
  • 00:02:49
    [Applause]
  • 00:02:52
    I was not always seen as credible. And
  • 00:02:55
    this made me an easy target the perfect
  • 00:02:57
    fall guy. I mean, who's going to believe
  • 00:03:00
    or even take seriously the man throwing
  • 00:03:02
    food on his face and shirt? Probably no
  • 00:03:05
    one. And Stephanie Sue knew it. She
  • 00:03:08
    leaned into it and she leveraged it. I
  • 00:03:12
    want to tell you the quick 30se
  • 00:03:14
    secondond summary of what exactly
  • 00:03:16
    happened between us. I wanted Stephanie
  • 00:03:18
    Sue to sit down and gossip with me in
  • 00:03:20
    one of these types of videos to spill
  • 00:03:22
    the tea about drama happening in our
  • 00:03:25
    mukbang community. Nick said it very
  • 00:03:27
    assertively. We're going to talk about
  • 00:03:29
    Veronica and we're going to spill all
  • 00:03:30
    the tea. I freaked out and again I
  • 00:03:32
    wanted to defend myself by sharing my
  • 00:03:35
    story which is I think what he wanted
  • 00:03:37
    and that made her uncomfortable. I
  • 00:03:40
    clearly didn't pick up on that well
  • 00:03:41
    enough and that was my first mistake.
  • 00:03:43
    And then as a result, she didn't show up
  • 00:03:45
    to one of her collabs and gave me what I
  • 00:03:48
    perceived at the time to be a flimsy
  • 00:03:50
    excuse. So, I reacted poorly. I sent her
  • 00:03:52
    angry text messages. I vented about it
  • 00:03:54
    with my friends and I made it pretty
  • 00:03:57
    clear that I was going to bring up the
  • 00:03:59
    situation in my next drama video. I'm
  • 00:04:01
    this effing close to making an video.
  • 00:04:04
    That was the core of what happened
  • 00:04:07
    between us. And that was 100% my fault.
  • 00:04:11
    I was immature. I was unkind. I was
  • 00:04:13
    unprofessional. I was childish. I was
  • 00:04:15
    wrong. Stephanie, I am genuinely sorry.
  • 00:04:19
    You were not obligated to sit and gossip
  • 00:04:21
    with me on camera. You didn't owe me
  • 00:04:24
    that. And I was totally out of line for
  • 00:04:26
    reacting the way I did when you didn't
  • 00:04:28
    show up to film. I was too wrapped up in
  • 00:04:31
    trying to get juicy content for my
  • 00:04:32
    channel. I clearly lacked the maturity
  • 00:04:35
    to handle the situation the right way. I
  • 00:04:37
    also want to apologize to you,
  • 00:04:39
    Stephanie, for saying I would call you
  • 00:04:41
    out for ghosting me. You know, plans
  • 00:04:43
    change. It happens. Looking back, the
  • 00:04:46
    way I treated you, the way I responded
  • 00:04:48
    to you was not okay. Like I said, I was
  • 00:04:50
    caught up in trying to get juicy content
  • 00:04:52
    for my channel that I wasn't being
  • 00:04:54
    considerate of how I was making you
  • 00:04:56
    feel. You didn't deserve that, and I am
  • 00:04:58
    sorry. And there's something that I've
  • 00:05:00
    never actually shared with anyone until
  • 00:05:02
    now. That situation with Stephanie
  • 00:05:05
    changed me. It made me take a hard look
  • 00:05:07
    at myself, how I was using my platform,
  • 00:05:09
    how I was creating content, how I was
  • 00:05:12
    making people feel. And I realized if I
  • 00:05:14
    was going to keep this going, if I was
  • 00:05:16
    going to keep putting myself out there
  • 00:05:17
    in this way, trying to make edgy
  • 00:05:19
    content, I had to go about it
  • 00:05:21
    differently. Not overnight, but around
  • 00:05:24
    that time, I made a choice. No more
  • 00:05:27
    dragging other people into my drama. So,
  • 00:05:30
    I started to shift. It would be my own
  • 00:05:32
    mess, my chaos, my circus. Smashing pies
  • 00:05:36
    in my face, bouncing on scooters with my
  • 00:05:39
    belly hanging out, screaming and crying
  • 00:05:41
    and laughing like a lunatic. It was
  • 00:05:43
    absurd,
  • 00:05:44
    but it was mine. I didn't need to bring
  • 00:05:47
    other people into that tent. And sure,
  • 00:05:49
    every now and then I would clap back at
  • 00:05:51
    someone or throw a little shade here and
  • 00:05:53
    there, but overall, there was a real
  • 00:05:56
    shift to the content I was making
  • 00:05:58
    because deep down I didn't want to hurt
  • 00:05:59
    anybody. I just wanted to put on a show.
  • 00:06:02
    With that said, two things can be true
  • 00:06:05
    at the same time. Yes, I was wronged egg
  • 00:06:07
    on drama during my collab with
  • 00:06:09
    Stephanie. Yes, I was out of line for
  • 00:06:11
    getting upset over text. And yes,
  • 00:06:13
    venting about it on social media wasn't
  • 00:06:15
    okay either. But what happened next
  • 00:06:18
    didn't feel like a response. It felt
  • 00:06:21
    like a preemptive strike. You see,
  • 00:06:24
    before we filmed together, Stephanie
  • 00:06:26
    wasn't exactly the persona many knew her
  • 00:06:29
    as. Off camera, she talked poorly about
  • 00:06:32
    other creators in our community. It was
  • 00:06:34
    bad. She wasn't actually that shy about
  • 00:06:37
    throwing shade. And to be honest, that's
  • 00:06:39
    okay. A lot of YouTubers have a more
  • 00:06:41
    professional front for the camera and
  • 00:06:43
    then a more relaxed, candid one off
  • 00:06:45
    camera. That's just real life. I don't
  • 00:06:47
    fault her for that. But when our collab
  • 00:06:49
    fell apart, she panicked. She knew I was
  • 00:06:52
    upset. She knew she said things that she
  • 00:06:54
    didn't want going public. So before I
  • 00:06:56
    could say anything, she got ahead of the
  • 00:06:58
    story and she rewrote the story.
  • 00:07:01
    Stephanie opened her video about me with
  • 00:07:04
    what looked like security footage, her
  • 00:07:07
    shaking on a couch, visibly distressed,
  • 00:07:10
    with someone holding on to her. It was
  • 00:07:12
    dramatic. It was intense. And for the
  • 00:07:14
    millions of people unfamiliar with
  • 00:07:15
    either of us at the time, it planted a
  • 00:07:18
    powerful impression that the person in
  • 00:07:20
    that footage was me and where she
  • 00:07:23
    wouldn't clarify who the man was until
  • 00:07:25
    30 minutes into the video when many
  • 00:07:28
    people had already clicked out. From
  • 00:07:29
    there, she invoked language and imagery
  • 00:07:32
    that directly echoed the med a movement
  • 00:07:35
    created to support the survivors of
  • 00:07:39
    in and out of sleep. getting out of
  • 00:07:42
    sleep.
  • 00:07:43
    # She repurposed the emotional weight of
  • 00:07:46
    that cultural reckoning and redirected
  • 00:07:49
    it at me. Not only did this lend her
  • 00:07:51
    story immediate credibility, but it also
  • 00:07:54
    cast me in the role of a within the
  • 00:07:56
    first 10 seconds before even having to
  • 00:07:59
    say it directly. That movement isn't for
  • 00:08:01
    you to use as a prop. It's not a
  • 00:08:03
    storytelling device for dramatic effect.
  • 00:08:06
    It's not meant to be used as emotional
  • 00:08:08
    currency. But in Stephanie's video, it
  • 00:08:11
    became all those things. I feel like
  • 00:08:13
    I've been at fear that I can't say no to
  • 00:08:17
    him. I just want to take back my power
  • 00:08:20
    to say no. I think when someone shows me
  • 00:08:22
    a pattern of behavior, I'm not going to
  • 00:08:25
    not listen. #2
  • 00:08:28
    and feeling like framing our fallout
  • 00:08:30
    with references like that shifts how
  • 00:08:33
    people understand it. She said that my
  • 00:08:35
    interaction with her was at a similar
  • 00:08:38
    degree to when she was and the only way
  • 00:08:41
    that I've ever felt like this to any
  • 00:08:43
    degree in my life prior to Nick. It was
  • 00:08:46
    one where I felt
  • 00:08:48
    [ __ ] I was as in my own home. Felt like
  • 00:08:52
    no really didn't have a lot of power.
  • 00:08:54
    Stephanie literally co-opted the me to
  • 00:08:57
    intensify and distort the nature of her
  • 00:09:00
    conflict that was at its core about
  • 00:09:02
    gossiping on camera, cancing a collab,
  • 00:09:04
    and venting about it through texts. She
  • 00:09:06
    used dark imagery to connect us to a
  • 00:09:09
    serious cause. I think when someone
  • 00:09:11
    shows me a pattern of I told myself I
  • 00:09:14
    would never ever ever feel like that
  • 00:09:16
    again. And I'm sorry that's a terrible
  • 00:09:19
    thing to do to a person. And I'm not
  • 00:09:20
    saying that Stephanie didn't feel uneasy
  • 00:09:23
    or that she wasn't allowed to set her
  • 00:09:25
    own boundaries. Of course, she was. But
  • 00:09:27
    there's a major difference between being
  • 00:09:30
    uncomfortable with gossiping on camera
  • 00:09:32
    and equating that to serious
  • 00:09:35
    lifealtering viations of her video about
  • 00:09:39
    me wasn't just sharing her experience.
  • 00:09:41
    It was about turning me into a real
  • 00:09:43
    villain and doing it through the lens
  • 00:09:45
    that guaranteed public outrage. In the
  • 00:09:48
    video, she claimed that she lost the
  • 00:09:50
    power to say no. Your basic human
  • 00:09:52
    fundamental rights to say no. Can't say
  • 00:09:55
    no to him. I just want to take back my
  • 00:09:58
    power to say no. Lost the power to do
  • 00:10:00
    what? To say, hey, change the subject. I
  • 00:10:03
    don't want to talk about that on camera.
  • 00:10:05
    Or, hey, I don't want to come to the
  • 00:10:06
    next collab. Sorry. Not feel like
  • 00:10:08
    someone's holding this thing over me.
  • 00:10:10
    That's performative. She even dug up
  • 00:10:13
    anecdotes about me, ones totally
  • 00:10:15
    unrelated, and repurposed them to make
  • 00:10:17
    our situation seem 10 times scarier.
  • 00:10:20
    What was the purpose of all of this? To
  • 00:10:22
    hurt Veronica? To hurt me, to get your
  • 00:10:26
    sucked? Uh, yeah. Our mukbang had
  • 00:10:29
    nothing to do with that. Why did
  • 00:10:31
    Stephanie evoke themes that resonated
  • 00:10:33
    with the YouTube climate? Why use those
  • 00:10:35
    emotional cues? This was a takedown, a
  • 00:10:37
    carefully constructed, emotionally
  • 00:10:40
    charged hit piece. Whether it was to
  • 00:10:42
    protect her own image or grow her true
  • 00:10:44
    crime brand or control the narrative of
  • 00:10:47
    our fallout, this was the strategy she
  • 00:10:50
    chose. And I hope we can be honest about
  • 00:10:52
    what that choice looked like and what it
  • 00:10:55
    cost me. I think one of the most hurtful
  • 00:10:57
    and harmful things that Stephanie said
  • 00:10:59
    was that I already knew about her being
  • 00:11:02
    in the past. I told him about
  • 00:11:06
    the one thing that I don't talk to
  • 00:11:07
    anyone about. That was not true.
  • 00:11:10
    Stephanie and I had met just one time in
  • 00:11:13
    person before filming. One time at a
  • 00:11:16
    restaurant. We didn't know each other
  • 00:11:17
    very well. We weren't close. We were
  • 00:11:19
    just trying to break the ice before
  • 00:11:21
    filming. Telling me about the times she
  • 00:11:23
    was in the past was never one of those
  • 00:11:26
    ice breakers. I promise you we didn't
  • 00:11:29
    talk about anything like that. And why
  • 00:11:30
    would we? We just met each other. I had
  • 00:11:33
    set up this dinner with me, Zach, and
  • 00:11:35
    Nick at Hot Pot. Honestly, immediately
  • 00:11:37
    going in, I was nervous. I definitely
  • 00:11:39
    had a guard up. Does it even make sense
  • 00:11:42
    that someone who describes herself as
  • 00:11:44
    being an anxious person and hesitant to
  • 00:11:46
    meet me, as she said in her own words,
  • 00:11:48
    that this person would suddenly open up
  • 00:11:50
    about the most private, deeply personal
  • 00:11:53
    experiences of her entire life that, as
  • 00:11:55
    she said, most the world never knew. And
  • 00:11:58
    to do this on the very first day that we
  • 00:12:00
    met, surrounded by friends, surrounded
  • 00:12:02
    by strangers eating at tables next to
  • 00:12:04
    us, it doesn't make sense because it's
  • 00:12:06
    simply not true. The truth is, we were
  • 00:12:09
    two YouTubers meeting for the first
  • 00:12:11
    time, trying to break the ice before our
  • 00:12:13
    job. So, we talked about our job. We
  • 00:12:15
    talked about the things we liked, the
  • 00:12:17
    things we didn't that led to gossiping,
  • 00:12:19
    who we liked, who we didn't. It wasn't
  • 00:12:21
    some deep emotional exchange. But later,
  • 00:12:24
    she told the internet that I knew these
  • 00:12:27
    personal things about her and I was
  • 00:12:28
    nervous. I definitely had a guard up. I
  • 00:12:30
    ended up opening up about something that
  • 00:12:33
    I don't even talk about on YouTube. I
  • 00:12:35
    was that in my own home. It was somebody
  • 00:12:38
    that I had to let into my home. I told
  • 00:12:41
    him about
  • 00:12:42
    the one thing that I don't talk to any
  • 00:12:45
    that was strategic so that she could
  • 00:12:47
    paint me in the worst possible light and
  • 00:12:50
    then turn people against me in the worst
  • 00:12:53
    possible way. And you've probably heard
  • 00:12:55
    the phrase in and out of sleep. It's
  • 00:12:57
    something that people say when they're
  • 00:12:59
    tired. And that's exactly how Stephanie
  • 00:13:01
    used it with me when she texted me when
  • 00:13:03
    she didn't show up to our collab last
  • 00:13:04
    minute. I was in and out of sleep. Hey
  • 00:13:06
    guys, sorry I've been in and out of
  • 00:13:08
    sleep. I remember thinking really in and
  • 00:13:10
    out of sleep. I mean, I cleared my whole
  • 00:13:12
    schedule to be here. I flew to her
  • 00:13:14
    state. I was really upset and I ranted
  • 00:13:17
    about it. Just been in and out of sleep
  • 00:13:19
    and I don't know what's like in and out
  • 00:13:20
    of sleep, in and out of sleep. But in
  • 00:13:23
    her video, she reframed the phrase in
  • 00:13:26
    and out of sleep in the context of but
  • 00:13:29
    only after telling people that I knew
  • 00:13:31
    she had been in the past, which I
  • 00:13:33
    didn't. You knew why I'm so paranoid.
  • 00:13:36
    You know why. Was it wrong for me to
  • 00:13:38
    vent about it with my friends? Yes. Was
  • 00:13:40
    it wrong for me to vent about it online?
  • 00:13:42
    Yes. But we weren't joking or laughing
  • 00:13:45
    about her being.
  • 00:13:47
    I didn't know that. My friends didn't
  • 00:13:49
    know that. None of us knew that. We were
  • 00:13:52
    reacting to what felt like being ghosted
  • 00:13:54
    before a major collaboration. A major
  • 00:13:56
    collaboration. In and Out of Sleep was
  • 00:13:58
    the only context we had. It's the only
  • 00:14:01
    reason she gave me. And honestly, I felt
  • 00:14:03
    blindsided. I felt stood up. In and Out
  • 00:14:05
    of Sleep, we turned something that
  • 00:14:07
    really bothered me into something that
  • 00:14:08
    we could laugh about. It's just you have
  • 00:14:09
    to laugh about things to get over. And
  • 00:14:11
    my friends were honestly just trying to
  • 00:14:13
    cheer me up. You know, I got things to
  • 00:14:14
    do. I just got I got things to do.
  • 00:14:17
    You've been Have you been in and out of
  • 00:14:19
    sleep? In and out of sleep. Oh my gosh.
  • 00:14:21
    In and out of sleep, right? And so I was
  • 00:14:23
    mocking her excuse. But Stephanie, who
  • 00:14:26
    was afraid I might speak up about what
  • 00:14:28
    really happened or the things she told
  • 00:14:30
    me off camera, got ahead of the story
  • 00:14:32
    and repackaged that moment into
  • 00:14:34
    something it never was. And then
  • 00:14:36
    thousands of people made emotional
  • 00:14:38
    interpretations linking the in and out
  • 00:14:40
    of sleep thing to her history,
  • 00:14:42
    concluding that I had been mocking a
  • 00:14:44
    survivor. And that's what hurt the most.
  • 00:14:47
    not just being misunderstood, but being
  • 00:14:49
    deliberately misrepresented. But
  • 00:14:52
    Stephanie didn't just rely on her words
  • 00:14:54
    to sell this story. She relied on
  • 00:14:56
    performance. The trembling voice, the
  • 00:14:59
    sudden tone shifts, even moments where
  • 00:15:01
    she appeared to cry only for the emotion
  • 00:15:03
    to vanish seconds later. It just all
  • 00:15:06
    felt calculated, like a script meant to
  • 00:15:08
    feel raw without actually being raw. And
  • 00:15:11
    once you see it for what it is, it's
  • 00:15:14
    hard to unsee. Is there anything else
  • 00:15:16
    you'd like to say? And I just remember
  • 00:15:19
    feeling so gutted, like my heart had
  • 00:15:22
    dropped to the ground because I thought
  • 00:15:24
    it was going to be another
  • 00:15:26
    interrogation. That's performative. Real
  • 00:15:28
    emotion is messy. It shows up physically
  • 00:15:31
    on the body, the swelling of the face,
  • 00:15:33
    the mucus, the vocal cords being blocked
  • 00:15:35
    by mucus, the tears that come that don't
  • 00:15:38
    wait for a cue. But in her video, it was
  • 00:15:40
    like flipping on a light switch. And
  • 00:15:42
    it's not the little movement. How dare
  • 00:15:45
    you discredit an entire movement that
  • 00:15:50
    the sole purpose was giving people a
  • 00:15:52
    voice because you had a bad date in New
  • 00:15:55
    York City. No one's going to believe you
  • 00:15:57
    because a flip of a switch, two shaky
  • 00:16:00
    sentences, and then she's back to
  • 00:16:01
    baseline. Almost like that emotion
  • 00:16:03
    wasn't lived. It was timed, designed to
  • 00:16:06
    land a punch. And the editing only makes
  • 00:16:09
    the case that much stronger where the
  • 00:16:11
    most intense moments were stitched
  • 00:16:13
    together with jump cuts as if they had
  • 00:16:14
    to be assembled just right to maximize
  • 00:16:18
    impact. I feel like I've been manipated
  • 00:16:20
    by that I can't say no to him. I just
  • 00:16:24
    want to take back my power to say no not
  • 00:16:27
    feel like someone's holding this thing
  • 00:16:29
    over me and me. I feel like in normal
  • 00:16:32
    circumstances I probably wouldn't share
  • 00:16:35
    a private text message. That's
  • 00:16:37
    performative. It's like going through
  • 00:16:38
    the motions, hoping the delivery feels
  • 00:16:41
    real, even if it's not. This wasn't just
  • 00:16:43
    storytelling. This was narrative control
  • 00:16:46
    wrapped up in vulnerability, and then
  • 00:16:48
    pointed directly at me. And when most
  • 00:16:50
    people recount something serious, they
  • 00:16:52
    don't use parts of their brain to switch
  • 00:16:55
    in and out of character voices. They
  • 00:16:57
    just talk. The emotion flows naturally,
  • 00:16:59
    or it doesn't at all, depending on the
  • 00:17:01
    person. But here, the emotion switches
  • 00:17:03
    on and off mids sentence. One moment
  • 00:17:06
    she's gasping and quivering for air and
  • 00:17:08
    then the next moment she's cool as a
  • 00:17:10
    cucumber. Take our text messages for
  • 00:17:12
    instance. She starts out all smiley and
  • 00:17:14
    giggly. I have been in and out of sleep
  • 00:17:16
    all afternoon after staying up late and
  • 00:17:18
    I realized I had a few sponsors due. I
  • 00:17:20
    hope you guys understand. But then
  • 00:17:21
    seconds later switches into a new
  • 00:17:24
    character voice when reading my texts.
  • 00:17:26
    Stephanie, I have been sitting here for
  • 00:17:27
    5 hours. So no, I'm sorry. I do not
  • 00:17:31
    understand. But ignore me for 5 hours
  • 00:17:32
    after that. don't play games. And then
  • 00:17:35
    it goes back to her texts, now suddenly
  • 00:17:37
    gasping for air, all breathy and broken,
  • 00:17:40
    but ignored me for five hours after
  • 00:17:41
    that, don't play games. I texted it back
  • 00:17:44
    and I said again, I'm so sorry if and
  • 00:17:47
    then the next moment she flips the
  • 00:17:49
    switch and goes back to the Nikocado
  • 00:17:51
    voice. I'm so sorry if there was any
  • 00:17:54
    miscommunication and if I made you feel
  • 00:17:56
    that way. So sorry for today and I hope
  • 00:17:58
    you're able to enjoy the rest of your
  • 00:17:59
    day. and he responded with, "Please talk
  • 00:18:03
    to me. Zach told me he wants to be left
  • 00:18:05
    out. I reached out half a and I feel we
  • 00:18:07
    need to chat." Literally moments apart.
  • 00:18:10
    It just doesn't feel like she's saying
  • 00:18:12
    straight up what's going on. It feels
  • 00:18:14
    like she's bringing out the theatrics
  • 00:18:16
    and performing for the camera. A true
  • 00:18:18
    crime audition tape for many different
  • 00:18:20
    roles. That's what I normally do. And I
  • 00:18:22
    just want to say thank you so much for
  • 00:18:25
    giving me a platform and giving me a
  • 00:18:27
    way. And I just want to say thank you so
  • 00:18:29
    much for giving me a platform and giving
  • 00:18:32
    me a platform and feel like I have a
  • 00:18:34
    voice. And I just want to say again
  • 00:18:37
    performative. I just need to do whatever
  • 00:18:40
    I can to get through tonight and
  • 00:18:43
    tomorrow cuz we have collab schedule
  • 00:18:45
    tomorrow. It feels highly performative.
  • 00:18:48
    Just be done with it. I don't want him
  • 00:18:51
    to make a video trying to say all these
  • 00:18:54
    things I said about making yourself
  • 00:18:56
    suddenly gasp for air and then coming
  • 00:18:58
    right back down 2 seconds later working
  • 00:19:00
    together to frame our situation far
  • 00:19:03
    darker than it ever was to justify the
  • 00:19:05
    title why she was scared of me how
  • 00:19:08
    extreme things have gotten I was already
  • 00:19:10
    feeling really scared and I can't
  • 00:19:12
    imagine how much more frightened I just
  • 00:19:14
    couldn't I was just so scared why the
  • 00:19:16
    viewers should feel scared and tomorrow
  • 00:19:18
    cuz we have collab scheduled tomorrow.
  • 00:19:23
    So, I must have
  • 00:19:25
    believe that they know the full story.
  • 00:19:28
    Not just going up against Nick, but look
  • 00:19:30
    at all the friends he has.
  • 00:19:34
    You know who who do I have? And I just
  • 00:19:36
    felt like I couldn't say anything.
  • 00:19:38
    That's performative. I felt like I
  • 00:19:40
    couldn't talk about it because what was
  • 00:19:43
    there to talk about? I felt like I
  • 00:19:45
    couldn't talk about it because again
  • 00:19:47
    performative texted me or called me. I
  • 00:19:53
    that feels less like a personal story
  • 00:19:55
    and more like a true crime reenactment.
  • 00:19:57
    Not because emotion isn't valid. Of
  • 00:19:59
    course it is. But because this emotion
  • 00:20:02
    didn't feel organic, it felt
  • 00:20:05
    choreographed. And if this were fiction,
  • 00:20:07
    it would be one thing, but I'm a real
  • 00:20:09
    person. Can't say no to him. I just had
  • 00:20:12
    to take back my power. It's disturbing
  • 00:20:15
    how heavily she felt the need to lean
  • 00:20:17
    into these themes of you know what to
  • 00:20:20
    sell her story. She even typed in the
  • 00:20:22
    phrase, "Hi, Nick. I know you're seeing
  • 00:20:24
    this into the tags of her YouTube
  • 00:20:26
    video." And tags are something only
  • 00:20:27
    YouTubers would tend to look at. That
  • 00:20:29
    doesn't feel like the behavior of
  • 00:20:30
    someone claiming to be so scared. So
  • 00:20:33
    scared, yet you'd go and taunt and
  • 00:20:34
    imitate them, too. What purpose would
  • 00:20:36
    that have served to anybody else
  • 00:20:38
    watching the video? None. And so it felt
  • 00:20:42
    highly calculated. Even the thumbnail
  • 00:20:45
    felt calculated. Look at what she's
  • 00:20:47
    sitting in front of. Look at what it
  • 00:20:49
    implies. The tears set on Q holding
  • 00:20:52
    herself in distress. A teary scene, by
  • 00:20:54
    the way, that never even appeared in the
  • 00:20:56
    actual video. Out of every possible
  • 00:20:58
    place she could sit and film, she chose
  • 00:21:01
    this spot. That wasn't random. That was
  • 00:21:03
    a visual strategy meant to shape
  • 00:21:06
    perception before a single word was ever
  • 00:21:09
    spoken. And Stephanie didn't just lean
  • 00:21:11
    into the theatrics. She took it a step
  • 00:21:13
    even further with editing. We filmed an
  • 00:21:16
    ASMR video for my channel. Whispering,
  • 00:21:19
    softspoken, relaxed, calm, but that's
  • 00:21:22
    the whole point of ASMR. And they're
  • 00:21:24
    going to help me make it. So, let's get
  • 00:21:26
    started. At the end of the video, when
  • 00:21:27
    we were wrapping up and saying our
  • 00:21:29
    goodbyes, asking our viewers to
  • 00:21:30
    subscribe, I turned to her and I asked,
  • 00:21:32
    "Is there anything else you'd like to
  • 00:21:34
    say?" Ready? Okay. What would you like
  • 00:21:37
    to say? Stephanie took this out of
  • 00:21:39
    context and distorted it to make me
  • 00:21:42
    sound way worse with dramatic zoomins
  • 00:21:44
    and everything. Nick turned to me and he
  • 00:21:47
    said, "Is there anything else you'd like
  • 00:21:50
    to say?" And I just remember feeling so
  • 00:21:53
    gutted, like my heart had dropped to the
  • 00:21:56
    ground because I thought it was going to
  • 00:21:58
    be another interrogation. What What
  • 00:22:01
    would you like to say?
  • 00:22:03
    Say
  • 00:22:06
    thank you for watching us, EP. And so I
  • 00:22:08
    Your heart dropped to the ground. We
  • 00:22:10
    were saying goodbye. So now I'm going to
  • 00:22:12
    show you the real version that she
  • 00:22:15
    edited out. In fact, watch her hand
  • 00:22:17
    movements toward the end where it seems
  • 00:22:19
    as if she wanted to say something before
  • 00:22:20
    closing out the video. Thank you.
  • 00:22:27
    What do we do now?
  • 00:22:33
    Goodbye. She's playing the flute.
  • 00:22:38
    Okay. Ready? Okay. What would you like
  • 00:22:41
    to say?
  • 00:22:43
    Thank you for watching us eat these.
  • 00:22:47
    We love you. This is the new Flaming
  • 00:22:50
    Yans. The Flaming Yachts.
  • 00:22:54
    Bye everyone.
  • 00:22:58
    But Stephanie brought out the shaky
  • 00:23:01
    character voice and I just remember
  • 00:23:04
    feeling so gutted like my heart had
  • 00:23:06
    dropped to the ground. My heart had
  • 00:23:08
    dropped to the ground because I thought
  • 00:23:10
    it was going to be another interrogation
  • 00:23:13
    to misrepresent me. He really thought
  • 00:23:16
    that I wanted to spill my guts about
  • 00:23:18
    Bronica all of a sudden. Does this sound
  • 00:23:19
    like common sense? that I'd suddenly
  • 00:23:21
    just launch into spilling tea in whisper
  • 00:23:23
    format at the end of a very quiet video
  • 00:23:26
    to sit there and start whispering like
  • 00:23:29
    we were in some ASMR confessional booth.
  • 00:23:31
    I mean, it just it doesn't even sound
  • 00:23:34
    believable. She also claimed she had
  • 00:23:36
    made it apparent how uncomfortable she
  • 00:23:38
    really was in the video. There's no way
  • 00:23:41
    Nick did not know that I was so
  • 00:23:43
    uncomfortable for those 30 minutes.
  • 00:23:46
    Really, he knew. There's no way he
  • 00:23:49
    didn't know I was uncomfortable. Would
  • 00:23:51
    you have gathered she was experiencing
  • 00:23:53
    utter distress?
  • 00:24:11
    Yeah. Not exactly broadcasting
  • 00:24:14
    discomfort, is it? So when she ghosted
  • 00:24:16
    me for the collab the next day, that's
  • 00:24:18
    why I felt blindsided because that was
  • 00:24:20
    the last interaction we had. I'm this
  • 00:24:23
    effing close to making an exp video.
  • 00:24:26
    What the f is wrong with people? So rude
  • 00:24:28
    and inconsiderate. I didn't sense there
  • 00:24:30
    was anything wrong. She didn't tell me
  • 00:24:32
    there was anything wrong, but the only
  • 00:24:33
    thing that she did do was deliberately
  • 00:24:35
    misrepresent what happened at the end of
  • 00:24:37
    that ASMR video. And he said, "Is there
  • 00:24:40
    anything else you'd like to say?" while
  • 00:24:42
    just having spent 30 minutes connecting
  • 00:24:45
    me to the me movement #2 and associated
  • 00:24:49
    me with the person who her years before
  • 00:24:52
    we met and the only way that I've ever
  • 00:24:54
    felt like this prior to Nick it was one
  • 00:24:57
    where this was performance supported by
  • 00:25:00
    deliberate editing choices she clipped
  • 00:25:02
    she cut she curated and there was a
  • 00:25:04
    clear intention behind it and it didn't
  • 00:25:07
    stop there she continued to exaggerate
  • 00:25:09
    our experience together and this
  • 00:25:11
    includes the House photos. Stephanie and
  • 00:25:13
    I talked a little bit about interior
  • 00:25:15
    design. She had recently bought her home
  • 00:25:17
    and I was looking to renovate mine. She
  • 00:25:19
    gave me a house tour of her place upon
  • 00:25:22
    arrival and we had what seemed like very
  • 00:25:24
    nice conversations about lighting
  • 00:25:26
    layouts, appliances, security features,
  • 00:25:28
    the usual when you talk about home
  • 00:25:30
    projects. During much of this
  • 00:25:32
    conversation, we were in the kitchen,
  • 00:25:33
    which was a shared open concept space. I
  • 00:25:36
    was taking photos of different elements
  • 00:25:38
    that she was pointing out. I was also on
  • 00:25:40
    FaceTime with Orland sharing the ideas
  • 00:25:42
    in real time. This isn't the most
  • 00:25:44
    flattering screenshot of Stephanie. The
  • 00:25:46
    point is, she knew I was taking photos.
  • 00:25:49
    She was there. She was participating in
  • 00:25:51
    the conversation and actively involved
  • 00:25:53
    in showing me around. Nothing about it
  • 00:25:55
    was hidden. She said she didn't know why
  • 00:25:58
    I was taking photos of her house. And
  • 00:26:00
    then immediately he started looking
  • 00:26:02
    around at the ceiling. I didn't have any
  • 00:26:04
    cool light fixtures up there. I just
  • 00:26:06
    don't know what else would be out there
  • 00:26:08
    other than security cameras. She also
  • 00:26:10
    mentioned that after briefly leaving the
  • 00:26:12
    room, she saw me on her kitchen security
  • 00:26:14
    camera taking photos. And during that
  • 00:26:16
    time that I slipped away to the restroom
  • 00:26:17
    very, very quickly, the one time that I
  • 00:26:19
    did without letting me know what he was
  • 00:26:22
    doing, he took multiple pictures inside
  • 00:26:23
    my house. Seeing that footage was
  • 00:26:26
    shattering. This is where things get
  • 00:26:27
    more nuanced. I can actually understand
  • 00:26:30
    that having someone take photos when
  • 00:26:31
    you're not in the room can feel
  • 00:26:33
    uncomfortable. Truthfully, I wasn't
  • 00:26:34
    trying to cross a boundary because in my
  • 00:26:36
    mind, I saw it as a continuation of
  • 00:26:38
    taking the photos we had been taking
  • 00:26:40
    together thus far. I never left the
  • 00:26:42
    common area. I didn't go looking around
  • 00:26:44
    the house. I stayed right there and
  • 00:26:46
    continued to take photos of the things
  • 00:26:48
    we were talking about while she stepped
  • 00:26:49
    out of the room. Looking back, I
  • 00:26:52
    realized I was at fault with this part.
  • 00:26:54
    I was too presumptive. We didn't know
  • 00:26:56
    each other like that. I totally get it.
  • 00:26:58
    I do. I do. Especially for someone she
  • 00:27:00
    had just met. And after all this
  • 00:27:02
    happened and she made the video about me
  • 00:27:04
    and I learned that she had passed trauma
  • 00:27:06
    in that house. I can see how that
  • 00:27:07
    freaked her out. I can Stephanie for
  • 00:27:09
    that. I am sorry. I genuinely apologize.
  • 00:27:12
    What I didn't feel was fair however was
  • 00:27:14
    how she portrayed this moment in the
  • 00:27:17
    context of but only after telling people
  • 00:27:20
    that I knew she had been in the past
  • 00:27:23
    which I didn't. And by now it's clear
  • 00:27:25
    that this narrative building was
  • 00:27:26
    intentional. She also referred to the
  • 00:27:29
    kitchen security monitor, implying that
  • 00:27:31
    I revealed something private by taking a
  • 00:27:33
    photo of that, too. But that monitor had
  • 00:27:35
    already been visible in dozens of her
  • 00:27:37
    own videos, seen by millions long before
  • 00:27:40
    we ever met. It was visible in her house
  • 00:27:42
    tours, her vlogs, her interviews. I
  • 00:27:44
    mean, it was something that literally
  • 00:27:46
    sat on her kitchen counter when people
  • 00:27:48
    come to my page and comment, "You
  • 00:27:50
    jeopardize her security system." I
  • 00:27:52
    didn't wander around the house and look
  • 00:27:54
    for her system or all the controls. It
  • 00:27:57
    was the monitor. It was the same screen
  • 00:27:59
    that you see when you watch her mukbangs
  • 00:28:01
    or her vlogs. I was simply interested in
  • 00:28:04
    it cuz I wanted one for myself and she
  • 00:28:06
    knows this because we talked about it.
  • 00:28:08
    He asked me, "What's the name of your
  • 00:28:10
    fancy security system?" I lowkey want
  • 00:28:12
    that security system. And again, looking
  • 00:28:14
    back, it was out of step for someone she
  • 00:28:16
    had just met. I'm not excusing that. And
  • 00:28:17
    I take ownership that I shouldn't have
  • 00:28:19
    done it. that I wish she would take
  • 00:28:21
    ownership on how she amplified it. It
  • 00:28:23
    was just something that I don't think
  • 00:28:24
    I'll ever be able to understand. Now,
  • 00:28:26
    someone might say, "Well, if that
  • 00:28:28
    security monitor is already online, what
  • 00:28:30
    would be the need to take a photo,
  • 00:28:31
    right?" And, you know, that's a fair
  • 00:28:33
    question. It makes me think like, why do
  • 00:28:35
    we take photos of the Statue of Liberty
  • 00:28:38
    even though it's already all over
  • 00:28:39
    Google? I was just excited. I was there.
  • 00:28:41
    I was in person. I was talking about it
  • 00:28:43
    with Orland. She was telling me about
  • 00:28:45
    it. I was learning about it. But I don't
  • 00:28:47
    appreciate how this got turned into
  • 00:28:49
    something dark and calculated. That's
  • 00:28:51
    why there's nuance here. You know,
  • 00:28:53
    taking photos of her ceilings and her
  • 00:28:54
    cabinets and security when she steps out
  • 00:28:57
    the room. That's wrong. Lesson learned,
  • 00:28:59
    and I I apologize for that. But she
  • 00:29:01
    wasn't being straight up about it in her
  • 00:29:03
    video either. This was a strategic
  • 00:29:06
    exaggeration. She embellished it. I
  • 00:29:08
    didn't have any cool light fixtures up
  • 00:29:09
    there. This was a targeted takedown
  • 00:29:12
    against me. This point my home safety is
  • 00:29:15
    kind of in questions of my safety. My
  • 00:29:18
    security any sort of security maximum
  • 00:29:20
    emotional impact #2 a carefully
  • 00:29:24
    constructed spectacle how extreme things
  • 00:29:27
    have gotten built on exaggeration. I was
  • 00:29:29
    already feeling really scared. A mission
  • 00:29:31
    effects. Is there anything else you'd
  • 00:29:33
    like to say? and staged vulnerability
  • 00:29:35
    like my heart had dropped to the ground.
  • 00:29:39
    Because when you strip away all of the
  • 00:29:40
    theatrics, the edits, the acting, the
  • 00:29:43
    misleading claims about what I
  • 00:29:44
    supposedly knew, the trembling voice,
  • 00:29:46
    the tears that never quite seemed to
  • 00:29:48
    make it, you're left with the truth. And
  • 00:29:50
    the truth was so much simpler than what
  • 00:29:52
    she had made it to be. So much less
  • 00:29:55
    pearl clutching than the viral version
  • 00:29:57
    she created. She didn't just put me on
  • 00:29:59
    blast for being someone to difficult to
  • 00:30:02
    work with or for being explosive at
  • 00:30:05
    texts. She portrayed me as somebody
  • 00:30:09
    who knew she was which I didn't. Someone
  • 00:30:12
    who made fun of the fact she which I
  • 00:30:14
    didn't aligning our problem with the
  • 00:30:16
    gravitational pull of the med movement
  • 00:30:19
    which was unwarranted. saying that I
  • 00:30:21
    took away her ability to speak. And she
  • 00:30:25
    did all of these things sitting in front
  • 00:30:27
    of a bed, a deliberate shift from her
  • 00:30:29
    usual filming setup on that channel as
  • 00:30:32
    if she were recounting a true crime
  • 00:30:34
    experience she had had with me. I'm very
  • 00:30:37
    hurt by what she did to me. It has been
  • 00:30:40
    a constant reminder, not because I can't
  • 00:30:43
    let it go or I can't move on, but
  • 00:30:45
    because millions of people take her
  • 00:30:47
    version at face value. And when aversion
  • 00:30:49
    isn't true, it doesn't fade over time.
  • 00:30:51
    It actually sticks. It shapes how people
  • 00:30:54
    see me. Since losing weight, I've had no
  • 00:30:56
    choice but to enter a new chapter of my
  • 00:30:58
    life. I've launched a new YouTube
  • 00:31:00
    channel. I'm back on Patreon, posting
  • 00:31:02
    daily again. I'm trying to pour my
  • 00:31:05
    energy into growth, connecting with
  • 00:31:08
    people. But to fully connect with people
  • 00:31:10
    means I need to heal the wounds
  • 00:31:11
    surrounding this public issue. And a
  • 00:31:13
    part of healing is telling the truth
  • 00:31:17
    fully. and without distortion because
  • 00:31:19
    for years this story has lived lopsided
  • 00:31:22
    and the only way that I can move on is
  • 00:31:24
    by having the truth acknowledged.
  • 00:31:27
    Stephanie, I regret trying to pull you
  • 00:31:29
    into drama. I regret the way I vented. I
  • 00:31:32
    regret being inconsiderate of your
  • 00:31:34
    boundaries and disrespecting your space.
  • 00:31:36
    I regret all of that. I am truly sorry
  • 00:31:39
    you didn't deserve it and I own that.
  • 00:31:42
    But I also hope you can own your part,
  • 00:31:44
    too. It wasn't accurate. It exaggerated
  • 00:31:46
    the truth and that exaggeration has had
  • 00:31:50
    real consequences on my life. You knew
  • 00:31:53
    the emotional weight your video would
  • 00:31:55
    carry. You knew how your delivery would
  • 00:31:58
    all work together to shape how people
  • 00:32:00
    saw me. You knew
  • 00:32:04
    that type of storytelling has the power
  • 00:32:08
    to destroy somebody,
  • 00:32:11
    the power to ruin them,
  • 00:32:14
    even permanently. I had already become
  • 00:32:17
    the villain on my own channel.
  • 00:32:20
    I'd never expected to be cast in a
  • 00:32:23
    production on yours.
  • 00:32:27
    Every day somebody somewhere out in the
  • 00:32:31
    world is saying I did things to you that
  • 00:32:34
    I never did.
  • 00:32:38
    I've owned my part and I need to move
  • 00:32:41
    forward.
  • 00:32:42
    I'm asking that you find it within
  • 00:32:44
    yourself to own your part, too.
Tags
  • YouTube
  • Drama
  • Misrepresentation
  • Accountability
  • Emotional Impact
  • Character Development
  • Public Perception
  • Conflict
  • Vulnerability
  • Healing