When female protagonist went from good to great

00:13:14
https://www.youtube.com/watch?v=q0ENtzX-iu0

Ringkasan

TLDRThe video discusses the rise of well-written female protagonists in anime, contrasting the scarcity of such characters in the top-rated lists with the quality of recent releases. The narrator shares personal insights about their favorite shows and identifies five fundamental pillars that define these protagonists: competency, compelling flaws, charm, relatability, and the impact of gender on their narratives. The analysis includes examples like Boi from Boi the Rock and Mau from Apothecary Diaries, emphasizing how their flaws and strengths create memorable characters that resonate with audiences. The video concludes with a hopeful outlook on the evolving quality of character writing in anime, especially for female leads.

Takeaways

  • 💡 Female protagonists are becoming more prominent in anime.
  • 📈 The quality of character writing is on the rise.
  • 🎶 Boi from Boi the Rock showcases depth through her social anxiety.
  • 🕵️ Mau from Apothecary Diaries blends competency with engaging flaws.
  • 🌟 Charm in protagonists often arises from their imperfections.

Garis waktu

  • 00:00:00 - 00:05:00

    The speaker observes that only one of the top 10 shows on MyAnimeList has a female lead, and only five in the top 20, attributing this to a predominantly male anime audience. However, they argue that a character's well-crafted nature is more crucial than gender for audience relatability. The speaker identifies five shared pillars among well-written female leads in recent anime, focusing on their competence, compelling flaws, charm, and the importance of their gender in character writing. They emphasize that these characters often have interesting skill sets that are balanced by their flaws, developing a satisfying narrative.

  • 00:05:00 - 00:13:14

    Boi from 'Boi The Rock' is introduced as an example of competency in characters, with her social anxiety highlighted as a significant flaw that drives her character arc. The discussion shifts to Mau from 'Apothecary Diaries,' showcasing her detective skills counterbalanced by her social unawareness, demonstrating how flaws can enhance a character's depth. The speaker also notes that charm often stems from imperfections, illustrating this with examples from multiple shows, ultimately emphasizing the importance of compassion and relatable traits in protagonists that make them easy to root for.

Peta Pikiran

Video Tanya Jawab

  • Why are there fewer female leads in top-rated anime?

    Anime has historically catered to a male audience, which may affect the prevalence of female leads.

  • What are the five pillars of well-written female protagonists?

    The five pillars are competency, compelling flaws, charm, being easy to root for, and the impact of gender on character development.

  • Can male viewers relate to female protagonists?

    Yes, relatability is more about character crafting than gender, as many male viewers can connect with well-written female characters.

  • What makes Boi from Boi the Rock a good example of a protagonist?

    Boi's character is defined by her social anxiety and musicianship, balancing competency with vulnerabilities.

  • How is Mau from Apothecary Diaries characterized?

    Mau is a highly competent detective with interesting flaws that add depth to her character.

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Gulir Otomatis:
  • 00:00:00
    if you look at the 10 highest rated
  • 00:00:01
    shows on my anime list you'll notice
  • 00:00:03
    that only one of them has a female lead
  • 00:00:05
    protagonist extending that to the top 20
  • 00:00:08
    you get around five there are lots of
  • 00:00:09
    things people point to when explaining
  • 00:00:11
    this circumstance but the most common
  • 00:00:13
    argument I've seen is that anime and
  • 00:00:14
    manga has predominantly a male audience
  • 00:00:17
    and while there's likely correlation
  • 00:00:18
    between a character's gender and
  • 00:00:20
    audience member's ability to relate to
  • 00:00:21
    them much more important is how well a
  • 00:00:23
    character is crafted and while gender
  • 00:00:25
    can be important especially for
  • 00:00:27
    character writing I don't think it's as
  • 00:00:28
    fundamental as people think think for
  • 00:00:30
    audience's ability to connect with a
  • 00:00:32
    character take me for example I'm a
  • 00:00:34
    26-year-old man but when we look at my
  • 00:00:36
    top 10 anime of all time seven of them
  • 00:00:38
    have female leads and four of these
  • 00:00:40
    shows have been released in the last 2
  • 00:00:42
    years now a lot of these shows in my top
  • 00:00:44
    10 are also built around an ensemble
  • 00:00:46
    cast so it's not uncommon for them to
  • 00:00:47
    have male leads too but I still think
  • 00:00:49
    there's a point there in how many
  • 00:00:51
    stories are embracing female
  • 00:00:53
    protagonists and doing it really well my
  • 00:00:56
    name is pay and today we're talking
  • 00:00:57
    about anime's new golden age an era of
  • 00:01:00
    well-written female
  • 00:01:02
    leads I don't think this era is
  • 00:01:04
    something that's on its way I think it's
  • 00:01:05
    arrived this video is completely built
  • 00:01:07
    around how many good shows have been
  • 00:01:09
    released lately with great female
  • 00:01:10
    protagonists and as I looked into these
  • 00:01:12
    characters and started to research them
  • 00:01:14
    I found five fundamental pillars that
  • 00:01:16
    each of them shared these characters
  • 00:01:17
    were competent with compelling flaws
  • 00:01:20
    they were charming and easy to root for
  • 00:01:22
    and while their gender was a fundamental
  • 00:01:23
    part of their character writing they
  • 00:01:25
    were also compelling and interesting
  • 00:01:27
    characters independent of it now I know
  • 00:01:29
    what you're thinking four protagonists
  • 00:01:31
    five pillars how is this going to work
  • 00:01:33
    well you're just going to have to wait
  • 00:01:34
    and see now I'm not arguing that these
  • 00:01:36
    five pillars are necessary to make a
  • 00:01:37
    good main character or even a good
  • 00:01:39
    female main character I've just found
  • 00:01:41
    them to be overlapping traits of all my
  • 00:01:43
    favorite recent examples of female
  • 00:01:45
    protagonists by the way that was a
  • 00:01:46
    deceptively hard tongue twister to say
  • 00:01:48
    it took me like eight takes now I
  • 00:01:50
    believe each one of these characters is
  • 00:01:52
    a good representation of all of the
  • 00:01:53
    pillars but my roommate who helped me
  • 00:01:55
    write this video suggested that I use
  • 00:01:57
    one character as an example of each
  • 00:01:59
    pillar and I thought that was a really
  • 00:02:01
    cool idea so let's start with the first
  • 00:02:04
    competency stories are built around this
  • 00:02:06
    tight RPP walk of capability often
  • 00:02:09
    protagonists need to be capable enough
  • 00:02:11
    to engage and have influence but not too
  • 00:02:13
    capable as to remove all Stakes an
  • 00:02:16
    essential part of most storytelling is
  • 00:02:17
    creating some level of satisfaction so
  • 00:02:20
    there's this really important balance
  • 00:02:21
    that needs to be struck between
  • 00:02:22
    competency and limitations with some
  • 00:02:25
    distinct exceptions if characters are
  • 00:02:27
    too competent or too limited it makes
  • 00:02:29
    for boring story stories and something
  • 00:02:30
    that all four of these protagonists have
  • 00:02:32
    is really interesting skill sets and the
  • 00:02:34
    example I'm going to be pointing at
  • 00:02:36
    today is Boi from Boi The Rock she's a
  • 00:02:38
    character that's more often defined by
  • 00:02:40
    her shortcomings than her capabilities
  • 00:02:42
    Boi's social anxiety is a central
  • 00:02:44
    component of not only her character Arc
  • 00:02:46
    but also the plot and because those
  • 00:02:48
    flaws are being leaned on so heavily
  • 00:02:50
    it's very important that there's a
  • 00:02:52
    balancing factor and where Boi's
  • 00:02:54
    competency is most expressed is in her
  • 00:02:56
    musicianship as someone who's worked as
  • 00:02:58
    a professional musician to me so far Boi
  • 00:03:01
    the rock is the Pinnacle of Music
  • 00:03:03
    related storytelling it's something that
  • 00:03:05
    so many different stories have failed to
  • 00:03:06
    do well because skill set and capability
  • 00:03:09
    should come with two important factors
  • 00:03:12
    it should be inspired and it should be
  • 00:03:14
    deserved Boi's musicianship is Central
  • 00:03:16
    to the plotline of the story Boi's
  • 00:03:19
    choice to play the guitar comes from a
  • 00:03:20
    very motivated place it's set up really
  • 00:03:22
    well by this Duality overwhelming social
  • 00:03:24
    anxiety conflicting with a deep urge to
  • 00:03:26
    be accepted and to engage a dream of
  • 00:03:29
    being ble to sit comfortably in the
  • 00:03:31
    Limelight but a deep overwhelming
  • 00:03:32
    discomfort at the idea Boi's inspiration
  • 00:03:35
    came when she was a young girl who saw a
  • 00:03:36
    musician on TV who was capable of being
  • 00:03:39
    an introvert but still sitting
  • 00:03:40
    comfortably in the Limelight so in
  • 00:03:42
    response she chose to pursue developing
  • 00:03:44
    that skill herself and spent years
  • 00:03:46
    working towards that goal because
  • 00:03:48
    musicianship is often assumed to be some
  • 00:03:50
    innate Talent OR gift but always it is a
  • 00:03:53
    byproduct of lots of hard work time and
  • 00:03:56
    effort the story sets up Boi's skill set
  • 00:03:58
    really well leading to my second point
  • 00:04:00
    about competency when it feels deserved
  • 00:04:03
    furin Mau mitsumi and bochi all have
  • 00:04:06
    skill sets that are set up really well
  • 00:04:08
    they work in conjunction and are built
  • 00:04:09
    off of both characters flaws and
  • 00:04:11
    personality they come with consequence
  • 00:04:13
    don't break the plot line and more than
  • 00:04:15
    anything serve the story and character
  • 00:04:16
    arcs having a competent protagonist can
  • 00:04:19
    lead to such a satisfying viewing
  • 00:04:20
    experience but only if it's balanced
  • 00:04:22
    well which leads to our second pillar
  • 00:04:24
    compelling
  • 00:04:26
    flaws the reason I chose Boi to talk
  • 00:04:28
    about with the first pillar is because
  • 00:04:30
    while she was more defined by her flaws
  • 00:04:32
    competency was an incredibly important
  • 00:04:34
    balancing factor for making a compelling
  • 00:04:36
    character and to highlight the inverse
  • 00:04:38
    let's look at an incredibly competent
  • 00:04:39
    character who is balanced by her flaws
  • 00:04:42
    Mau from Apothecary Diaries this show
  • 00:04:45
    does not hold up nearly as much as I
  • 00:04:47
    thought it would now don't get me wrong
  • 00:04:48
    it's fun and engaging with outstanding
  • 00:04:50
    characters and I really enjoyed it in my
  • 00:04:52
    first watch through and even in
  • 00:04:53
    revisiting it I enjoyed it as well but
  • 00:04:56
    the main gimmick is this episodic
  • 00:04:57
    Sherlock Holmes esque Detective story
  • 00:05:00
    where m is capable of using her skill
  • 00:05:02
    set to unearth some sort of mystery the
  • 00:05:04
    problem is those Mysteries do not hold
  • 00:05:06
    up in retrospect other detective shows
  • 00:05:08
    do the Mysteries much better than
  • 00:05:10
    Apothecary Diaries does actually kind of
  • 00:05:12
    across the entire show it felt like
  • 00:05:13
    there was no depth in the second viewing
  • 00:05:15
    that I didn't see in the First with one
  • 00:05:17
    exception which is why I love the show
  • 00:05:19
    as much as I do I would argue that
  • 00:05:21
    Apothecary Diaries isn't as well rounded
  • 00:05:23
    as the other shows that I had on my list
  • 00:05:25
    but it made the list because I liked the
  • 00:05:26
    character writing so much and at the
  • 00:05:28
    Forefront of all of this is Mau as the
  • 00:05:30
    protagonist her character is just so
  • 00:05:32
    sick I love the way she's written so
  • 00:05:34
    much and while obviously centered of
  • 00:05:36
    that is her capability it's balanced by
  • 00:05:38
    her flaws anime is no stranger to making
  • 00:05:41
    overpowered characters that seem too
  • 00:05:43
    perfect I think it's a very uninspired
  • 00:05:45
    way to write a character and I think one
  • 00:05:47
    of the best places to look when it comes
  • 00:05:48
    to character writing is how will they
  • 00:05:50
    play around faults when there are
  • 00:05:52
    personality traits and skills that
  • 00:05:53
    benefit a character it's really cool for
  • 00:05:55
    it to also function as a double-edged
  • 00:05:57
    sword there's this fantasy author named
  • 00:05:59
    Brandon Sanderson that I quote a lot and
  • 00:06:01
    one of my favorites was when he was
  • 00:06:02
    talking about magic systems while what a
  • 00:06:04
    Magic system can do is interesting it's
  • 00:06:06
    more interesting what it can't do and I
  • 00:06:09
    think that's even more true with
  • 00:06:10
    characters that are hyper skilled look
  • 00:06:11
    at Western media Sherlock Holmes and
  • 00:06:13
    house are perfect examples of Highly
  • 00:06:15
    flawed individuals who in their world
  • 00:06:17
    are really good at what they do a great
  • 00:06:19
    example of this with Mau is that her
  • 00:06:20
    ability to be such a great detective is
  • 00:06:22
    built off of this inquisitive
  • 00:06:24
    distrusting nature a mix of curiosity
  • 00:06:26
    and pessimism but this exact same trait
  • 00:06:28
    often leads to her being completely
  • 00:06:30
    socially unaware of simple things when
  • 00:06:32
    strangers act from a place that isn't
  • 00:06:34
    malicious she's distrusting and can't
  • 00:06:36
    quite grasp it it leads to a lot of
  • 00:06:38
    really interesting conflict in the story
  • 00:06:40
    and is a direct byproduct of the things
  • 00:06:42
    that she's so good at mau's cool calm
  • 00:06:44
    and collected but then will be highly
  • 00:06:46
    expressive whenever it comes down to
  • 00:06:48
    poisons put her in a room full of
  • 00:06:50
    medicine and she'll lose her mind she
  • 00:06:51
    takes tons of actions to minimize the
  • 00:06:54
    risk of the world she lives in as a
  • 00:06:55
    young woman but is also easy to bribe
  • 00:06:57
    with any ingredient that intrigues her
  • 00:06:59
    actually the Curiosity that makes her so
  • 00:07:01
    interesting plays as a foil to that
  • 00:07:03
    self-preservation it's this cool balance
  • 00:07:05
    that puts her consistently in
  • 00:07:07
    interesting positions because while her
  • 00:07:08
    badass moments are awesome her flaws
  • 00:07:10
    make them interesting but flaws don't
  • 00:07:13
    just relate to competency they also
  • 00:07:15
    relate to charm a while ago I made an
  • 00:07:17
    entire video about how furin from furin
  • 00:07:19
    Beyond Journeys end is incredibly flawed
  • 00:07:21
    but that contributes heavily to her
  • 00:07:23
    remarkable charm it's very common for
  • 00:07:25
    protagonists to be charming and at times
  • 00:07:27
    it can be hard to Define what exactly
  • 00:07:29
    contri contributes to that charm is kind
  • 00:07:30
    of built around those untangle parts of
  • 00:07:32
    someone's personality that draws you to
  • 00:07:34
    them it's kind of like texture on a
  • 00:07:36
    painting part of the reason I argue this
  • 00:07:38
    is because sometimes it's easy to Define
  • 00:07:40
    what makes a character Charming but then
  • 00:07:41
    you can take all the inverse of those
  • 00:07:43
    traits and still result in a Charming
  • 00:07:45
    character when executed Right charm is
  • 00:07:47
    just as often built from imperfections
  • 00:07:49
    and shortcomings as it is positive
  • 00:07:51
    traits and to me every one of these
  • 00:07:53
    protagonists was overwhelmingly Charming
  • 00:07:55
    Fen is a story about an elf who's over a
  • 00:07:57
    thousand years old that struggles to
  • 00:07:58
    build lasting relationships because
  • 00:08:00
    everything seems so brief but fan is a
  • 00:08:03
    fantasy adventure story that isn't
  • 00:08:05
    really built around Stakes her skill set
  • 00:08:07
    tends to undermine any threat however
  • 00:08:09
    that doesn't make the story any less
  • 00:08:10
    compelling or engaging they compensate
  • 00:08:13
    for the lack of stakes and conflict with
  • 00:08:15
    an amazing ensemble cast with Dynamic
  • 00:08:17
    relationships at the center of that cast
  • 00:08:19
    is a cter character Done Right someone
  • 00:08:22
    whose cold removed mysterious attitude
  • 00:08:24
    doesn't get in the way of her actually
  • 00:08:25
    still being an expressive interesting
  • 00:08:27
    character because without fance charm I
  • 00:08:30
    think the story would have been
  • 00:08:31
    significantly worse but in some ways
  • 00:08:33
    that actually applies to all of these
  • 00:08:35
    protagonists Boi The Rock Apothecary
  • 00:08:37
    diary Skip and loafer and furin all
  • 00:08:39
    would be significantly worse without
  • 00:08:41
    Charming protagonists each of these
  • 00:08:43
    characters is a fun balance between
  • 00:08:44
    Sirius and silly they showcase A
  • 00:08:47
    diversity of different emotion their
  • 00:08:49
    flaws are as interesting as their skill
  • 00:08:51
    set and while I never really want a
  • 00:08:53
    perfect protagonist it is awesome when
  • 00:08:55
    characters are built around traits I
  • 00:08:56
    really admire empathy kindness the
  • 00:08:59
    ability to face fears and overcome them
  • 00:09:01
    because it's kind of impossible to talk
  • 00:09:03
    about charm without also talking about
  • 00:09:05
    characters you want to root for I feel
  • 00:09:08
    like there was this major shift in the
  • 00:09:09
    way I consumed anime after watching Skip
  • 00:09:11
    and loafer there's not a single battle
  • 00:09:13
    shown in that made my top 10 list
  • 00:09:14
    despite the fact that I've watched many
  • 00:09:16
    and enjoyed most I'm not sure exactly
  • 00:09:18
    what the shift was but there's something
  • 00:09:20
    about well executed Slice of Life that's
  • 00:09:22
    both engaging and Incredibly easy on the
  • 00:09:24
    Heart Skip and loafer hiq kagi AMA love
  • 00:09:27
    his War they're all shows that I turned
  • 00:09:29
    to whenever I really want to feel better
  • 00:09:31
    they're wholesome comforting and
  • 00:09:33
    engaging and they don't fall prey to the
  • 00:09:34
    problems that I've historically
  • 00:09:35
    struggled with Slice of Life where
  • 00:09:37
    conflict is either non-existent or
  • 00:09:39
    incredibly contrived but there's
  • 00:09:40
    something specifically about Skip and
  • 00:09:42
    loafer that's really interesting I can't
  • 00:09:44
    think of a single protagonist I want to
  • 00:09:46
    root for more than mitsumi she's just a
  • 00:09:48
    beam of sunshine and while I think she
  • 00:09:50
    may be the strongest example from this
  • 00:09:52
    group it's true about all of these
  • 00:09:53
    protagonists they are people I really
  • 00:09:55
    want to root for I love when heroes are
  • 00:09:58
    super empathetic and kind
  • 00:09:59
    I love when writers create well-made
  • 00:10:01
    challenges for characters to work
  • 00:10:02
    through because essentially consuming
  • 00:10:04
    any piece of media is a choice it's a
  • 00:10:06
    trade-off where you dedicate precious
  • 00:10:07
    resources like time and money while
  • 00:10:09
    giving a Storyteller the opportunity to
  • 00:10:11
    share what they've created when it's
  • 00:10:12
    done well it's just so sick now I think
  • 00:10:14
    mitsumi from Skip and loafer is
  • 00:10:16
    specifically a very good example of this
  • 00:10:18
    she has an incredibly noble cause and
  • 00:10:20
    pursuit the story starts off with her
  • 00:10:21
    kind of blissfully unaware of all the
  • 00:10:23
    mean things going on around her
  • 00:10:24
    something I love about her character is
  • 00:10:26
    she doesn't stay blissfully ignorant she
  • 00:10:28
    learns adapts and stand stands up to the
  • 00:10:29
    challenge I also think a big proponent
  • 00:10:31
    of why these four protagonists are so
  • 00:10:33
    easy to root for is the three pillars
  • 00:10:35
    that preface this they're capable
  • 00:10:37
    charming and flawed all three of these
  • 00:10:39
    components working together to help
  • 00:10:40
    create a character that's easy to
  • 00:10:41
    support more than just protagonists but
  • 00:10:43
    kind of everyday Heroes and in Fan's
  • 00:10:45
    case a literal hero all four of these
  • 00:10:47
    protagonists are kind of inherently kind
  • 00:10:49
    trying to do their best to have a
  • 00:10:50
    positive impact in their environment
  • 00:10:52
    they're all outstanding characters with
  • 00:10:54
    many traits to praise outside of the
  • 00:10:56
    fact that they're just women but being
  • 00:10:58
    woman is also important to the way
  • 00:11:00
    they're written which leads to the fifth
  • 00:11:01
    pillar the amount of impact that gender
  • 00:11:03
    has on each one of these character
  • 00:11:05
    stories is different mau's entire world
  • 00:11:07
    and plotline are heavily influenced by
  • 00:11:09
    the fact that she was a young woman born
  • 00:11:11
    into her Society fan on the other hand
  • 00:11:13
    is a fantasy world built with almost no
  • 00:11:15
    implicit bias but while gender plays a
  • 00:11:17
    different role in each story's plot it's
  • 00:11:19
    well factored into all four of these
  • 00:11:21
    protagonist character writing all of
  • 00:11:22
    these characters have been praised
  • 00:11:24
    numerous times online by many different
  • 00:11:26
    creators take for example this great
  • 00:11:27
    anime YouTuber named inoc who talks
  • 00:11:29
    about this subject a lot
  • 00:11:31
    enaku enaku I've seen a couple of her
  • 00:11:34
    videos breaking down female characters
  • 00:11:36
    in the anime and enjoyed each one even
  • 00:11:38
    about a month ago she beat me to this
  • 00:11:40
    kind of premise for a video literally
  • 00:11:42
    comparing female protagonists in furin
  • 00:11:44
    and Mau I've been sitting on this video
  • 00:11:45
    idea for a couple months but it was
  • 00:11:47
    really cool to see someone else land in
  • 00:11:48
    literally the exact same spot it was
  • 00:11:50
    also interesting how we explored the
  • 00:11:51
    idea in such different ways it's a good
  • 00:11:53
    video If you like this topic at all you
  • 00:11:55
    should check it out I'll put a link in
  • 00:11:56
    the description but the point I'm trying
  • 00:11:58
    to make is that both her her and I love
  • 00:12:00
    these characters and I think that's
  • 00:12:01
    representative of their quality I feel
  • 00:12:03
    very grateful that I have the
  • 00:12:05
    opportunity to watch and analyze media
  • 00:12:07
    the fact that I can put together videos
  • 00:12:09
    and make a career from it is really cool
  • 00:12:11
    but that's only possible because I'm
  • 00:12:12
    attaching myself onto fantastic pieces
  • 00:12:14
    of art part of the reason I chose to
  • 00:12:17
    make video essays about anime is because
  • 00:12:19
    the opportunity to talk about things
  • 00:12:20
    felt endless there are so many good
  • 00:12:22
    shows and characters things to explore
  • 00:12:25
    and standing right in the Forefront of
  • 00:12:27
    every story we consume
  • 00:12:29
    are protagonists I feel like we're
  • 00:12:31
    getting such a wide range of characters
  • 00:12:34
    and stories anime is not cheap to create
  • 00:12:36
    it takes tons of time effort and energy
  • 00:12:39
    so naturally Things fall through the
  • 00:12:40
    cracks that's part of the process but it
  • 00:12:42
    feels like the average quality of shows
  • 00:12:44
    being released lately is just constantly
  • 00:12:46
    Rising it's really cool that characters
  • 00:12:48
    so well written like these are starting
  • 00:12:50
    to become more the norm than the
  • 00:12:52
    exception and I can't imagine I'm the
  • 00:12:54
    only one noticing it so cheers to all
  • 00:12:56
    the well-written characters out there
  • 00:12:58
    especially while written female
  • 00:13:00
    protagonists
  • 00:13:03
    [Music]
Tags
  • female leads
  • anime
  • character writing
  • storytelling
  • protagonists
  • male audience
  • Boi the Rock
  • Apothecary Diaries
  • Mau
  • anime analysis