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In this video we pick up the discussion
of John Donne's "Valediction: Forbidding
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Mourning," a very famous poem, and we pick it up in the third stanza which is where we
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left off our discussion in the previous
video. Here John Donne says, "Moving of th'
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earth brings harms and fears, / Men reckon what it did, and meant; / But trepidation of
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the spheres, / Though greater far, is
innocent." What he's talking about
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here most likely is that moving of the
earth refers to an earthquake.
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That's literally what
happens when there is an earthquake, and
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in the Renaissance people often also
thought that an [with] earthquake what happened
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was that as the ground kind of shook air
was pushed out, and an earthquake is
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really air being pushed out of the
earth. That ties it back actually to
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the first stanza where we talked
about how the breath escapes the body.
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So this conceit or this metaphor
here is nicely related because it's also
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talking in a sense about how earthquakes
would expel air out of the solid
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earth. So what is being compared here is
really two things that you can
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see and experience and feel, which
would be something like an earthquake,
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and then things that are more invisible,
things that are happening far away and
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you can't necessarily see with the
senses, but that maybe have even more
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powerful effects, a more powerful kind of
impact on life. So that's the comparison
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here. And the reason why John Donne makes this comparison is because earlier in
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the previous stanza he had talked about
how some people ... focus on outward
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things. They focus on what they can see --
like tears and sighs and things like
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that. But he's saying those people who
truly understand reality know that
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there's much more than just the
externals. There's spirit, there's soul,
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there's all these other things that are
much more difficult to capture.
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So he's comparing then moving
of the earth, an earthquake, to what he
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calls trepidation of the spheres. To
understand what that refers to we have
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to understand what the spheres are.
During John Donne's time there was
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really a transition that was happening
from one particular scientific model of
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the universe to a new one, and the old
medieval model is often referred to as
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what's called the Ptolemaic universe,
named after the astronomer Ptolemy. The
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basic idea of the Ptolemaic universe
is that the earth is at the center and
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all the other planets, as well as the
moon and the stars and so on, move around
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the earth. So it's earth-centric, as
opposed to heliocentric, which is when
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the sun is in the middle. And
heliocentric -- this is the Copernican
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model, after Copernicus, and Galileo later
confirmed the same model, roughly around
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the same time when John Donne was
writing. So in the Ptolemaic universe,
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then, you have all of these planets and
so on moving around the earth and they
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each move in their own sphere. Each of
these kind of sectors you might
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say -- these are all different spheres, and
they're perfect circles. The
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planets move around the earth in
perfect harmony and in perfect circles.
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Now astronomers realized that this
doesn't quite work out, and they had to
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make up some very fancy kinds of
modifications to the Ptolemaic
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universe to actually make it work. Just as one example, they talked about
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things called epicycles, which is where
the planet as it's moving around the
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earth is basically going backwards ... all the way around, and
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that accounts for the fact that
sometimes when you look out at night you
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can see a planet that appears to be
moving backwards, whereas it's supposed to move
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in the other direction. That's a very
complex kind of system and there's much
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more to an epicycle, but at least it
gives you
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little bit of a sense of what's going on
there. Okay, so we have these perfect
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spheres then, and I use the word "perfect"
on purpose because the idea is that
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everything above the moon is eternal and
is perfect, whereas things that are under
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the moon are corruptible. In other words,
they can die, they can change,
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and they are also what's called sublunary ... so the word "sublunary," which
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you're going to see in John Donne's poem in a moment, this means "earthly." It means
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"earthly," and also it has this sense that
something is temporary, that it's not
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going to last forever. So "sublunary" means not necessarily of great value. Now as we
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think about all of these spheres, then,
moving around the earth, we get this
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sense that there's something very
beautiful about this, and I would suggest
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that if you are fascinated by the
Ptolemaic universe
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you should read C.S. Lewis's book The
Discarded Image, which talks about
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how profound the shift was from this
older model to the ...
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Copernican model with its focus on
heliocentrism. We don't have tons of time
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to talk about this model but if we go
back to our poem I think you can see now
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that what he's talking about here --
trepidation of the spheres -- trepidation
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means a kind of trembling. ... What he's he's saying
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here is that when something happens in
the spheres, some kind of wobble ... so
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there's a sphere and it's going around
the earth ... if there's something that
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happens there far away from the earth,
people can't see it, and they don't they
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don't think it's important. It's innocent,
it's harmless, but it actually has quite
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a powerful impact. And during this period
people really did believe that the
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planets had this incredible astrological
kind of influence on life on Earth.
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In fact, even today if you check your
horoscope you're gonna find out that the
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zodiac and the planets
and so on -- these have an impact
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supposedly. Alright, so trepidation then
can mean a trembling of the spheres. Some
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people read this very specifically as
referring to a movement in the eighth
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sphere, which affects the ninth sphere,
and so on. That's very specific -- kind
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of detailed meaning of this word -- but you can also understand it more generally as
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any kind of movement in the spheres
that's not regular, and that may have
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some kind of impact on life on earth. You
can see now, I think, what's going on here.
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What people are saying is when there's
an earthquake, they reckon, they consider
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they count, they kind of claim even
that it's significant. It
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brings harms and fears. People are saying, "an earthquake! Oh, it's the sign of the
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end times!" And I'm not even joking
by saying "the end times" because there is
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a passage in the Bible that comes to
mind. When you read Matthew 24, verses 6 &
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8, where Jesus is talking about the
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destruction of Jerusalem in the year 70
AD, this is a passage that's also
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often explained to be about
the end times, about the apocalypse. It
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says there, in the end times "you will
hear of wars and rumors of wars. There
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will be famines and earthquakes. All
these are the beginnings of birth pains."
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So the idea, then, is that if there are a
lot of earthquakes and signs and natural
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disasters, maybe it's a sign that the end
is near. As I mentioned, most likely
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this is a reference to the year 70 AD,
but it is often used ... with
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a broader application as well. Okay, so
that's the third stanza. Takes quite a
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bit of a bit of explanation, but it
really continues this idea of the
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separation between two different ways of
thinking. There are some people who use
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their senses and can only understand the
world through what they can see and
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experience and then there are some
people who make room for a more
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spiritual understanding -- some kind of
reality that goes beyond the senses.
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We get then to the fourth stanza, and
this is where this idea is
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developed.
John Donne says "Dull sublunary lovers'
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love / (Whose soul is sense) cannot admit / Absence, because it doth remove / Those
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things which elemented it."
The idea here is that those lovers who
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live under the moon (sublunary), who
are earthly and are not in this case
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spiritual -- their love cannot
admit absence. So "admit" here is cannot
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deal with, cannot acknowledge, cannot
really take in this concept of absence.
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And John Donne is is being very clever
here because he's punning on this word
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"sense." In Latin "ab" is a kind of prefix or
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preposition, and it means "from, away from." So literally "absence" for John Donne
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means "away from the senses," and so
there's this play on sense. These
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people -- their soul, the way they
experience reality, the way in which
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their spirit moves them ... all it is is
just external senses: touch, taste, and so.
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That's all they've got, and that's why
they cannot deal with absence. You can
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imagine that you are dating somebody and this person is is somebody who really
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loves to touch, and to see, and when this
person goes away then the relationship
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just ends because ... they
can't they can't deal with the distance
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between the two people. So "it ('it' is absence) doth remove / Those
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things which elemented it." Those things
are the senses. They're the body parts,
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they're the ways in which we experience
the world. And this notion of elementing
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continues with all of these
metaphors of, first of all alchemy, as we
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said in the previous video, of having
different elements. So there are
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four elements (earth, water, fire, air) and I
think it also ties in with
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this this larger notion of, well, how is
the universe composed? What makes up
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the universe, and how do things connect, whether it's body and spirit, the
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earth and the spheres? How are all of
these things constructed? Alright,
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then we move on to one more stanza
here before we finish this video.
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Here John Donne says, "But we (so here comes the contrast) by a love so much
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refined..." There's that alchemical idea,
right, so alchemy, where we take a
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particular substance and we play around
with it and we try to turn it into
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something else ... he says spiritual love is like some kind
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of form of alchemy, where we create some some greater thing. "But we by a love so
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much refined / That our selves know not
what it is..." It's very difficult to talk
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about spirituality and spiritual love. He
says, "Inter-assured of the mind, / Care less,
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eyes, lips, and hands to miss." So for us, if
we don't see each other (the eyes)
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if we can't kiss each other, and if we
can't touch each other with the hands,
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that's okay, because we are "inter-assured of the mind." We know that we're going to be
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faithful. He's not saying though that he
doesn't care about the body at all. He
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says we care less." It's still important.
He doesn't dismiss the body. But he is
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saying that that spiritual connection,
that elevated sense of love that they
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have ultimately will guide them through
this separation.