Explanation of John Donne's "Valediction: Forbidding Mourning" (Part 2/3)

00:12:52
https://www.youtube.com/watch?v=aXrxO94ylx4

Ringkasan

TLDRDans cette vidéo, nous analysons le poème "Valediction: Forbidding Mourning" de John Donne, en nous concentrant sur les strophes trois et quatre. Donne compare les tremblements de terre, symbolisant les préoccupations matérielles, à la "trépidation des sphères", représentant des influences invisibles mais puissantes. Il souligne la différence entre les amours sublunaires, qui ne peuvent pas supporter l'absence, et un amour spirituel plus raffiné qui transcende les sens. La vidéo met en lumière la transition entre les modèles scientifiques de l'univers, du ptolémaïque au copernicien, et comment cela influence la compréhension de l'amour et de la séparation.

Takeaways

  • 🌍 Les tremblements de terre symbolisent les préoccupations matérielles.
  • ✨ La "trépidation des sphères" représente des influences invisibles.
  • 💔 Les amours sublunaires ne peuvent pas supporter l'absence.
  • 🧠 L'amour spirituel transcende les sens.
  • 🔄 La transition entre les modèles ptolémaïque et copernicien est significative.
  • ⚖️ L'alchimie symbolise la transformation de l'amour.
  • 🌌 Les choses sous la lune sont temporaires et corruptibles.
  • 💞 La connexion spirituelle permet de surmonter la séparation physique.

Garis waktu

  • 00:00:00 - 00:05:00

    Dans cette partie du poème "Valediction: Forbidding Mourning" de John Donne, l'auteur établit un contraste entre les tremblements de terre, qui causent peur et désastre, et la trepidation des sphères, un phénomène invisible mais ayant un impact puissant. Donne illustre que ce que les gens perçoivent, comme les tremblements de terre, est souvent considéré comme significatif, alors que les mouvements des sphères - qui sont éloignés et souvent invisibles - peuvent être tout aussi importants, mettant en avant une compréhension plus profonde de la réalité au-delà des simples perceptions sensorielles. Il évoque la transition du modèle astronomique ptolémaïque vers un modèle héliocentrique, soulignant la beauté de ce mouvement céleste, avant de conclure que les personnes qui se concentrent uniquement sur les éléments visibles, comme les larmes, ne capturent pas la totalité de l'expérience humaine.

  • 00:05:00 - 00:12:52

    Dans le quatrième couplet, Donne critique les amoureux sublunaires, soulignant que leur amour est fondé uniquement sur les sens et qu'ils ne peuvent pas supporter l'absence. Cette incapacité à gérer l'absence est illustrée par la connexion entre le sens et l'absence, indiquant que sans contact physique, leur relation s'effondre. En revanche, Donne affirme que leur amour est spirituellement raffiné, transcendant les simples interactions physiques. Leur lien est mental, garantissant la fidélité même en l'absence de contact visuel ou tactile, mettant ainsi en avant la profondeur de leur amour spirituel, qui les guide à travers les périodes de séparation.

Peta Pikiran

Video Tanya Jawab

  • Quel est le thème principal du poème de John Donne ?

    Le poème traite de la séparation et de la nature de l'amour, en opposant les amours matériels et spirituels.

  • Que signifie "trépidation des sphères" ?

    Cela fait référence à des mouvements invisibles dans l'univers qui ont un impact sur la vie sur Terre.

  • Comment Donne compare-t-il les amours sublunaires et spirituels ?

    Il montre que les amours sublunaires ne peuvent pas supporter l'absence, tandis que l'amour spirituel est plus résilient.

  • Quelle est la signification de "sublunary" ?

    Cela désigne ce qui est terrestre, temporaire et corruptible.

  • Comment la science de l'époque influence-t-elle le poème ?

    Le poème reflète la transition entre le modèle ptolémaïque et le modèle copernicien de l'univers.

  • Quel rôle joue l'absence dans le poème ?

    L'absence est un concept que les amours sublunaires ne peuvent pas gérer, tandis que l'amour spirituel le transcende.

  • Qu'est-ce que l'alchimie symbolise dans le poème ?

    L'alchimie symbolise la transformation et l'élévation de l'amour spirituel.

  • Comment Donne utilise-t-il les sens dans son poème ?

    Il oppose les sens matériels à une compréhension plus profonde et spirituelle de l'amour.

  • Quelle est l'importance de la connexion spirituelle dans le poème ?

    La connexion spirituelle permet de surmonter la séparation physique.

  • Comment le poème aborde-t-il la notion de temps et de changement ?

    Il souligne que les choses sous la lune sont temporaires et sujettes au changement.

Lihat lebih banyak ringkasan video

Dapatkan akses instan ke ringkasan video YouTube gratis yang didukung oleh AI!
Teks
en
Gulir Otomatis:
  • 00:00:00
    In this video we pick up the discussion of John Donne's "Valediction: Forbidding
  • 00:00:05
    Mourning," a very famous poem, and we pick it up in the third stanza which is where we
  • 00:00:10
    left off our discussion in the previous video. Here John Donne says, "Moving of th'
  • 00:00:16
    earth brings harms and fears, / Men reckon what it did, and meant; / But trepidation of
  • 00:00:21
    the spheres, / Though greater far, is innocent." What he's talking about
  • 00:00:27
    here most likely is that moving of the earth refers to an earthquake.
  • 00:00:32
    That's literally what happens when there is an earthquake, and
  • 00:00:39
    in the Renaissance people often also thought that an [with] earthquake what happened
  • 00:00:43
    was that as the ground kind of shook air was pushed out, and an earthquake is
  • 00:00:49
    really air being pushed out of the earth. That ties it back actually to
  • 00:00:55
    the first stanza where we talked about how the breath escapes the body.
  • 00:00:59
    So this conceit or this metaphor here is nicely related because it's also
  • 00:01:05
    talking in a sense about how earthquakes would expel air out of the solid
  • 00:01:11
    earth. So what is being compared here is really two things that you can
  • 00:01:17
    see and experience and feel, which would be something like an earthquake,
  • 00:01:22
    and then things that are more invisible, things that are happening far away and
  • 00:01:29
    you can't necessarily see with the senses, but that maybe have even more
  • 00:01:34
    powerful effects, a more powerful kind of impact on life. So that's the comparison
  • 00:01:39
    here. And the reason why John Donne makes this comparison is because earlier in
  • 00:01:44
    the previous stanza he had talked about how some people ... focus on outward
  • 00:01:48
    things. They focus on what they can see -- like tears and sighs and things like
  • 00:01:53
    that. But he's saying those people who truly understand reality know that
  • 00:02:01
    there's much more than just the externals. There's spirit, there's soul,
  • 00:02:05
    there's all these other things that are much more difficult to capture.
  • 00:02:10
    So he's comparing then moving of the earth, an earthquake, to what he
  • 00:02:16
    calls trepidation of the spheres. To understand what that refers to we have
  • 00:02:21
    to understand what the spheres are. During John Donne's time there was
  • 00:02:26
    really a transition that was happening from one particular scientific model of
  • 00:02:32
    the universe to a new one, and the old medieval model is often referred to as
  • 00:02:38
    what's called the Ptolemaic universe, named after the astronomer Ptolemy. The
  • 00:02:44
    basic idea of the Ptolemaic universe is that the earth is at the center and
  • 00:02:49
    all the other planets, as well as the moon and the stars and so on, move around
  • 00:02:55
    the earth. So it's earth-centric, as opposed to heliocentric, which is when
  • 00:03:02
    the sun is in the middle. And heliocentric -- this is the Copernican
  • 00:03:07
    model, after Copernicus, and Galileo later confirmed the same model, roughly around
  • 00:03:16
    the same time when John Donne was writing. So in the Ptolemaic universe,
  • 00:03:22
    then, you have all of these planets and so on moving around the earth and they
  • 00:03:26
    each move in their own sphere. Each of these kind of sectors you might
  • 00:03:31
    say -- these are all different spheres, and they're perfect circles. The
  • 00:03:37
    planets move around the earth in perfect harmony and in perfect circles.
  • 00:03:43
    Now astronomers realized that this doesn't quite work out, and they had to
  • 00:03:49
    make up some very fancy kinds of modifications to the Ptolemaic
  • 00:03:55
    universe to actually make it work. Just as one example, they talked about
  • 00:03:59
    things called epicycles, which is where the planet as it's moving around the
  • 00:04:03
    earth is basically going backwards ... all the way around, and
  • 00:04:10
    that accounts for the fact that sometimes when you look out at night you
  • 00:04:14
    can see a planet that appears to be moving backwards, whereas it's supposed to move
  • 00:04:18
    in the other direction. That's a very complex kind of system and there's much
  • 00:04:23
    more to an epicycle, but at least it gives you
  • 00:04:27
    little bit of a sense of what's going on there. Okay, so we have these perfect
  • 00:04:32
    spheres then, and I use the word "perfect" on purpose because the idea is that
  • 00:04:37
    everything above the moon is eternal and is perfect, whereas things that are under
  • 00:04:45
    the moon are corruptible. In other words, they can die, they can change,
  • 00:04:51
    and they are also what's called sublunary ... so the word "sublunary," which
  • 00:04:59
    you're going to see in John Donne's poem in a moment, this means "earthly." It means
  • 00:05:04
    "earthly," and also it has this sense that something is temporary, that it's not
  • 00:05:10
    going to last forever. So "sublunary" means not necessarily of great value. Now as we
  • 00:05:17
    think about all of these spheres, then, moving around the earth, we get this
  • 00:05:22
    sense that there's something very beautiful about this, and I would suggest
  • 00:05:26
    that if you are fascinated by the Ptolemaic universe
  • 00:05:29
    you should read C.S. Lewis's book The Discarded Image, which talks about
  • 00:05:33
    how profound the shift was from this older model to the ...
  • 00:05:40
    Copernican model with its focus on heliocentrism. We don't have tons of time
  • 00:05:46
    to talk about this model but if we go back to our poem I think you can see now
  • 00:05:52
    that what he's talking about here -- trepidation of the spheres -- trepidation
  • 00:05:56
    means a kind of trembling. ... What he's he's saying
  • 00:06:01
    here is that when something happens in the spheres, some kind of wobble ... so
  • 00:06:08
    there's a sphere and it's going around the earth ... if there's something that
  • 00:06:12
    happens there far away from the earth, people can't see it, and they don't they
  • 00:06:16
    don't think it's important. It's innocent, it's harmless, but it actually has quite
  • 00:06:22
    a powerful impact. And during this period people really did believe that the
  • 00:06:27
    planets had this incredible astrological kind of influence on life on Earth.
  • 00:06:34
    In fact, even today if you check your horoscope you're gonna find out that the
  • 00:06:38
    zodiac and the planets and so on -- these have an impact
  • 00:06:41
    supposedly. Alright, so trepidation then can mean a trembling of the spheres. Some
  • 00:06:49
    people read this very specifically as referring to a movement in the eighth
  • 00:06:53
    sphere, which affects the ninth sphere, and so on. That's very specific -- kind
  • 00:06:59
    of detailed meaning of this word -- but you can also understand it more generally as
  • 00:07:04
    any kind of movement in the spheres that's not regular, and that may have
  • 00:07:10
    some kind of impact on life on earth. You can see now, I think, what's going on here.
  • 00:07:17
    What people are saying is when there's an earthquake, they reckon, they consider
  • 00:07:22
    they count, they kind of claim even that it's significant. It
  • 00:07:29
    brings harms and fears. People are saying, "an earthquake! Oh, it's the sign of the
  • 00:07:33
    end times!" And I'm not even joking by saying "the end times" because there is
  • 00:07:38
    a passage in the Bible that comes to mind. When you read Matthew 24, verses 6 &
  • 00:07:44
    8, where Jesus is talking about the
  • 00:07:47
    destruction of Jerusalem in the year 70 AD, this is a passage that's also
  • 00:07:52
    often explained to be about the end times, about the apocalypse. It
  • 00:07:58
    says there, in the end times "you will hear of wars and rumors of wars. There
  • 00:08:03
    will be famines and earthquakes. All these are the beginnings of birth pains."
  • 00:08:08
    So the idea, then, is that if there are a lot of earthquakes and signs and natural
  • 00:08:14
    disasters, maybe it's a sign that the end is near. As I mentioned, most likely
  • 00:08:20
    this is a reference to the year 70 AD, but it is often used ... with
  • 00:08:25
    a broader application as well. Okay, so that's the third stanza. Takes quite a
  • 00:08:32
    bit of a bit of explanation, but it really continues this idea of the
  • 00:08:36
    separation between two different ways of thinking. There are some people who use
  • 00:08:41
    their senses and can only understand the world through what they can see and
  • 00:08:44
    experience and then there are some people who make room for a more
  • 00:08:49
    spiritual understanding -- some kind of reality that goes beyond the senses.
  • 00:08:55
    We get then to the fourth stanza, and this is where this idea is
  • 00:08:59
    developed. John Donne says "Dull sublunary lovers'
  • 00:09:03
    love / (Whose soul is sense) cannot admit / Absence, because it doth remove / Those
  • 00:09:10
    things which elemented it." The idea here is that those lovers who
  • 00:09:15
    live under the moon (sublunary), who are earthly and are not in this case
  • 00:09:21
    spiritual -- their love cannot admit absence. So "admit" here is cannot
  • 00:09:30
    deal with, cannot acknowledge, cannot really take in this concept of absence.
  • 00:09:36
    And John Donne is is being very clever here because he's punning on this word
  • 00:09:40
    "sense." In Latin "ab" is a kind of prefix or
  • 00:09:45
    preposition, and it means "from, away from." So literally "absence" for John Donne
  • 00:09:52
    means "away from the senses," and so there's this play on sense. These
  • 00:09:58
    people -- their soul, the way they experience reality, the way in which
  • 00:10:04
    their spirit moves them ... all it is is just external senses: touch, taste, and so.
  • 00:10:10
    That's all they've got, and that's why they cannot deal with absence. You can
  • 00:10:15
    imagine that you are dating somebody and this person is is somebody who really
  • 00:10:19
    loves to touch, and to see, and when this person goes away then the relationship
  • 00:10:26
    just ends because ... they can't they can't deal with the distance
  • 00:10:31
    between the two people. So "it ('it' is absence) doth remove / Those
  • 00:10:39
    things which elemented it." Those things are the senses. They're the body parts,
  • 00:10:45
    they're the ways in which we experience the world. And this notion of elementing
  • 00:10:50
    continues with all of these metaphors of, first of all alchemy, as we
  • 00:10:56
    said in the previous video, of having different elements. So there are
  • 00:11:00
    four elements (earth, water, fire, air) and I think it also ties in with
  • 00:11:07
    this this larger notion of, well, how is the universe composed? What makes up
  • 00:11:13
    the universe, and how do things connect, whether it's body and spirit, the
  • 00:11:19
    earth and the spheres? How are all of these things constructed? Alright,
  • 00:11:25
    then we move on to one more stanza here before we finish this video.
  • 00:11:31
    Here John Donne says, "But we (so here comes the contrast) by a love so much
  • 00:11:37
    refined..." There's that alchemical idea, right, so alchemy, where we take a
  • 00:11:45
    particular substance and we play around with it and we try to turn it into
  • 00:11:50
    something else ... he says spiritual love is like some kind
  • 00:11:55
    of form of alchemy, where we create some some greater thing. "But we by a love so
  • 00:12:02
    much refined / That our selves know not what it is..." It's very difficult to talk
  • 00:12:07
    about spirituality and spiritual love. He says, "Inter-assured of the mind, / Care less,
  • 00:12:13
    eyes, lips, and hands to miss." So for us, if we don't see each other (the eyes)
  • 00:12:20
    if we can't kiss each other, and if we can't touch each other with the hands,
  • 00:12:24
    that's okay, because we are "inter-assured of the mind." We know that we're going to be
  • 00:12:30
    faithful. He's not saying though that he doesn't care about the body at all. He
  • 00:12:35
    says we care less." It's still important. He doesn't dismiss the body. But he is
  • 00:12:41
    saying that that spiritual connection, that elevated sense of love that they
  • 00:12:46
    have ultimately will guide them through this separation.
Tags
  • John Donne
  • Valediction
  • poésie
  • amour
  • sublunary
  • trépidation des sphères
  • Ptolémée
  • Copernic
  • spiritualité
  • alchimie