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BASED ON THE WORKS
OF DARCY RIBEIRO
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"THE BRAZILIAN PEOPLE"
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In the 16th and 17th
centuries, Brazil was...
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the world's market leader,
the richest of the markets.
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The importance of the sugar cane
production in those days...
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is equivalent
to the oil production today.
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Brazil's prosperity
was due to slavery.
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Brazil could be compared
to the image of a human mill.
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100 million Africans
were dragged out of Africa...
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for 4 centuries,
and brought to the Americas.
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Brazil welcomed 12 million
of them...
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half of which died,
and the other half, 6 million...
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was incorporated into
our country's production system.
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In the region...
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I call Creole, from Pernambuco
to Bahia, all those Africans...
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who worked in the sugar cane crops,
if they died, they were replaced.
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They were like a charcoal bag :
when it's over, you get another one.
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"The entire Brazilian culture is
filled with the African heritage...
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which has been concentrated in
areas where the Africans converged.
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In some cases, it is so strong that
it turns Bahia, Rio and Minas...
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into real African culture provinces
where the African creativity...
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is expressed in all its glory. "
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THE CREOLE BRAZIL
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"In the fresh and fertile lands
of the Atlantic tropical jungle...
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Brazis, Europeans
and Africans gave birth...
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to the first life style
of the Brazilian people...
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the sugar civilization. "
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Brazil was originated
in the sugar mill.
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The mill was formed by
the all-mighty master...
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who looked more
like a medieval lord.
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He had absolute control and
was the ultimate economical...
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legal and even religious
authority figure in the colony...
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in the 16th and 17th centuries.
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The mill was
a complex operation...
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that required technology
and a large number of slaves.
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The entire Brazilian society
was founded on that operation.
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Besides its economical aspect,
there was also the contact...
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between the master and the slave.
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Obviously, their relationship
was based on domination...
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but they also had a relationship
of crossbreeding...
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in sexual terms, which was
the base for the mixture of races.
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Brazil's complex structure
comes from that fact.
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That was a relationship based
on the exploitation of classes...
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but, at the same time, it was
surrounded by an emotional...
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and sexual relationship.
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There's the story of a woman...
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whose husband had bought
a young African girl...
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and he was taking liberties
with the young girl.
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The woman ordered that the
young girl's teeth were smashed...
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so she looked ugly.
They would do anything.
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Originally, the slave quarters
were like a slave bird house.
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The slaves lived in there
all piled up on top of each other.
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Every Brazilian essayist comments
on the aristocracy generated by...
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the sugar cane production.
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It started in the opulent mills and
went over to the colonial cities.
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They built churches,
ever so grand and sumptuous.
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Ouro Preto was founded, and, for
the first time in the Americas...
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a homogeneous
cultural core is created...
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involving beautiful sculptures,
paintings and church compositions...
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beautiful poems and the boom
of the political scene.
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That was the world
of Minas Gerais.
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In the colonial times,
we were the rich ones.
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The United States never had
a city like Bahia or Ouro Preto.
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After the Slavery Abolition...
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the process
of decadence started.
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The former slaves were deprived
of the patriarch power.
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They invaded the cities,
became marginal people.
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The cities got crowded, and the
former slaves had no social...
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definition.
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Scattered around the mines, cities
and the sugar cane plantations...
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the Blacks were able to vigorously
react, despite the circumstances.
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In Brazil, they created
a parallel cultural world...
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different from the European one.
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CREATION
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PERMANENCY
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REINVENTION
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Most Brazilians come
from an African lineage...
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dated back from 5 or 6
generations ago.
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The Africans arrived here
in waves, separated by region.
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First, the Bantus, then
the Nagôs and the lorubás.
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The Bantus arrived here
long before the lorubás did.
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They came here with no possessions,
except for the clothes they wore.
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But they brought in
their heads and their hearts...
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their faith, their energy.
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There's no way to erase
something that's born with you.
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They may fade it somehow,
but they can't erase it.
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The Blacks who came from
Africa were very intelligent...
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but they were not allowed to grow
because they were slaves.
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They brought a lot of heritage
with them and made us richer.
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In the Portuguese language there are
words which are purely African...
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and were translated with
a Portuguese pronunciation.
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But their origin is African.
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Even in the case of intimate
nicknames : "iaiá", "ioiô"...
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"sinhozinho".
That's purely African.
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"The Brazilian who lives
in the North is no stranger...
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to words like "caçamba"
"canga" "dengo" "cafuné"..
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"Caçula" "quitute" "moleque"
"banzo" "bunda" "tanga"..
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"Cachimbo" and "jiló"
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Compared to the Portuguese ones,
they express our experience...
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our sense of taste,
our senses, our emotions.
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"Te faço"
"me deixe" "espie"..
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The Black soul has often done
to words what it does to food:
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it hurts them, removes
their bones and hard parts...
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leaving to the mouth of the
white boy only the soft syllables. "
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The Africans brought with them
their rhythmic patterns...
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their musical instruments,
like "cuíca" and "berimbal"..
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Their dance styles...
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and their energetic,
elastic, sensual bodies...
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which stated themselves
against any oppression.
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"Many of the most nutritious
values of the Black people...
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came with them to America:
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their vegetables, their
dendê oil, their chilli pepper...
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their okra and their banana...
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their cooking techniques
for fish and poultry.
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Once in Brazil, the Black
people became, in a way...
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the owners of the land,
and they took over the kitchen. "
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I prepare my beans
with a secret ingredient.
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You know?
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A good piece of bacon,
a good quality sausage...
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a good piece of pork ham and jerky.
They sit in water overnight.
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The first things you put in are
the pork feet and the jerky...
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and the tripe.
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"An ocean of glue,
soap and dendê oil.
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After they were distributed to the
slave quarters across the country...
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the Black people did
not lose touch with Africa.
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Some were able to afford
to import religious artifacts...
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and personal belongings.
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Today, filling
the streets of Bahia...
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we see Black women covered
in their native lace suits. "
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At the farms, when the
masters threw parties...
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the slaves had a day-off.
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So, the intelligent slave seized the
opportunity to worship his Orixá.
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The white masters sang their
church songs in the master house...
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and the slaves sang and danced
to their Orixás at their quarters.
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Everybody thought the slaves
were just singing crazy songs...
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but they were actually worshipping.
That was their way of...
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despite the horrors of
slavery and their suffering...
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calling upon their Orixás.
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The Orixás may be the leaves...
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the breeze that blows upon us.
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So nothing can go against...
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the forces of nature.
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I think that every myth
created by the Africans...
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was inspired in
an element of nature.
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So much so that they say
lemanjá controls the ocean...
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lansã controls the wind,
Xangô controls the fire.
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It was inspired on a fragment
of nature, like the ocean.
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Health, beauty,
wealth, and fertility.
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The Earth is the stage for
the gods. Exu paves the ways...
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lemanjá breeds love,
Omolu heals...
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Oxóssi watches,
and Oxalá smiles.
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Gods are present
in the present life.
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Since the Greek times...
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nobody had created
a goddess responsible for love.
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The Black people in Rio
created lemanjá.
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That's an amazing cultural move,
more important than any novel.
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It's important for people.
Who is lemanjá?
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She's a saint
who controls the ocean.
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Nobody asks her for
the cure for cancer or AIDS.
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People ask for a less violent
husband, a hotter boyfriend...
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Jesus and Saint Gabriel
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Hail, Hail, Hail Mary
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Hail, Hail, Hail Mary
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The Africans were
so vigorously embedded...
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in the construction of Brazil...
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that they ceased to be themselves
and became us, the Brazilians.
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One has to be culturally strong
to influence the mixture of races.
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The Africans were exactly that.
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They were so strong
that today Oxóssi...
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is more present in the
Brazilian culture than in Africa.
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When I first went to Europe...
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no one asked me if
I was Portuguese or ltalian.
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They asked me if I was Persian,
because my face was different.
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The difference on the faces
of Brazilians comes from...
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the mixture of native lndians and
Africans, which makes us beautiful.
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We have so much essence, so much
life in us, so much singularity...
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that it is impossible for anyone
to erase the Brazilian face.
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"Rio's carnaval, Bahia's candomblé
and lemanjá's worshipping are...
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in my opinion, the most vigorous
matrixes of the Brazilian culture...
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and they will always
be because, within all those...
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the blackness is not folklore
or a cultural survival skill.
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Creations of black
living communities...
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perpetuate their
ancestor African values...
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because they continuously
live and transform them. "
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The poet synthesizes the blend.
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On his work "Abaeté's
Legend" he rhymes...
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"abaeté" with
"batucajé" and "quiser"
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"Abaeté" is tupi,
"batucajé" is Bantu...
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and "quiser" is Portuguese.
The tripod Brazilian language.
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CREATION
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PERMANENCE
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REINVENTION
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In my childhood we'd make tambourines
out of cement bags and empty cans.
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A very strong changing influence
in my life was the radio.
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I would listen to any style,
from candomblé to bolero.
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And today,
there is the rap...
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which is listened by the
poor Black kids in the outskirts.
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The rap is a blend of sounds,
created by the ability...
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of the Black people to mend.
And it is the sequence...
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to an entire inner
Black wisdom we have.
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For a long period...
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racial prejudice prevented Black
people from appearing on TV..
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Or even from being mentioned.
One beautiful thing in Brazil...
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in the last decades is that...
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with the "Black is beautiful"
movement in the U.S...
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and with our own changes...
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we started being proud of
being Black, mulatto and lndian.
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That was great because Brazil
reunited with its inner self.
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The Black culture is not completely
accepted. There's some prejudice...
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yet it is weaker
than in the past.
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Why did the U.S. succeed,
despite being poor...
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whereas Brazil, despite
being illustrious and educated...
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despite its great cities,
went down the drain ?
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Because this country
never existed for its own people.
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It always existed for the
world market as its brain.
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In the vision of the world
market, 6 million lndians had to die...
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and, later, 6 million Blacks.
That was the dominant class's plan.
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Although we go on being
the victims and the sufferers...
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of many social
and economic inequalities...
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created by the lack of understanding
on the part of the elite...
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who does not understand such
archaic and traditional culture...
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beyond being a folklore.
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The worst thing one can do
to a culture is taking over it...
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and seeing it as exotic.
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Brazil does not have
exoticism to offer...
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but it does offer a history
of evolutionary creation...
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which is among the most
interesting ones in the world...
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not because it belongs
to a museum...
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but because it offers
solutions to the world.
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The basic solution within our
culture is not a material one.
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It is spiritual.
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"No people having such
routine throughout centuries...
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could get out of it
without perennial marks.
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All of us are fruit of those
suffering Black and lndian people.
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All of us are also part of the
hand responsible for their suffering.
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The sweetest tenderness,
and the harshest cruelty...
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were conjugated here to make us
the struggling people we are...
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the insensitive and brutal
people we are as well. "
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Despite all the atrocities
we suffered...
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we have to pray for...
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for the souls
of our executioners.
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They were, despite
all the horrible things...
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that everybody is aware of...
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they were the way to make
our Orixás shine in the New World.
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Our civilization
has something that...
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Our taste for life, our
joy of living are very important.
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In a society that is
constantly walking towards...
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the automation
of the production line...
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and the reduction
of working hours...
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the best product Brazil
can show for is...
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teaching those people who, even not
being able to work, are working...
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that not working at all
is the best path to happiness.