Norte y Sur (1975). Parte 2

00:48:04
https://www.youtube.com/watch?v=Mq4H2Q2n_hk

Sintesi

TLDREl vídeo abarca la vida en una comunidad industrial, enfocándose en la familia Hale y sus desafíos diarios. La madre de Margaret está enferma, causando preocupación en sus hijos. Dr. Donaldson, el médico, informa a Margaret sobre la gravedad de la enfermedad de su madre, sugiriendo que debe mantener a su padre, Mr. Hale, en la oscuridad para protegerlo. Mientras tanto, la comunidad se enfrenta a una huelga que resalta las tensiones entre trabajadores y propietarios de fábricas, siendo Mr. Thornton una figura destacada en el conflicto. Margaret se debate entre su deber familiar y los problemas sociales que enfrenta su comunidad, todo mientras navega por su relación con Mr. Thornton.

Punti di forza

  • 👩‍⚕️ Dr. Donaldson guarda secretos sobre la salud de la madre de Margaret.
  • 💔 Margaret se siente culpable por asistir a cenas mientras su madre está enferma.
  • ⚒️ La comunidad enfrenta una crisis de huelga y tensiones laborales.
  • 🏭 Mr. Thornton representa los intereses de los industriales.
  • 😟 Margaret se debate entre sus deberes familiares y sus principios sociales.
  • 🤝 Las decisiones familiares impactan en el bienestar de la comunidad.
  • 🚫 La violencia se vuelve un tema crítico en la huelga laboral.
  • 📉 La situación económica es precaria para los trabajadores.
  • ⏳ La incertidumbre sobre el futuro afecta emocionalmente a los involucrados.
  • 🌪️ La salud de la madre de Margaret desencadena una serie de eventos dramáticos.

Linea temporale

  • 00:00:00 - 00:05:00

    En este primer segmento, Margaret se preocupa por la salud de su madre y presiona al Dr. Donaldson para que le diga la verdad sobre su condición. El doctor, aunque quiere ser honesto, se muestra reacio a compartir detalles, sugiriendo que es mejor que su padre descubra la situación a su debido tiempo. Margaret se siente impotente y anhela ayudar a su madre, expresando también sus propias inseguridades sobre la relación familiar.

  • 00:05:00 - 00:10:00

    En el siguiente segmento, la conversación entre los personajes revela tensiones sociales y económicas. John, un hombre trabajador, se siente frustrado por su situación y por el trato de los dueños de las fábricas. Los problemas de la clase trabajadora se destacan, con John mostrando su desesperación y los conflictos que surgen de las disparidades económicas.

  • 00:10:00 - 00:15:00

    El diálogo se centra en un asunto de invitaciones a la cena de Mr. Thornton, lo que provoca una discusión entre Margaret y su madre. Margaret expresa su preocupación por la desigualdad en la sociedad, mientras que su madre intenta tranquilizarla y enfatiza la importancia de asistir a eventos sociales para ayudar a su padre a encontrar oportunidades laborales.

  • 00:15:00 - 00:20:00

    La escena da un giro cuando se discuten los planes para la cena y se destaca la diferencia de clases. Margaret se siente culpable por asistir a la cena mientras la comunidad está sufriendo. Sin embargo, su madre, alienta a sus hijos a participar, mostrando una mezcla de orgullo y tristeza por la situación en la que se encuentran.

  • 00:20:00 - 00:25:00

    A medida que avanza la trama, se intensifica el tema de las relaciones personales y los conflictos de clase. La madre de Margaret se enferma y se sugiere que podrían necesitar un colchón especial para su cuidado. La dinámica entre los personajes revela el conflicto entre deseo y responsabilidad, así como la empatía por los que sufren.

  • 00:25:00 - 00:30:00

    La tensión aumenta cuando se evidencia el creciente descontento entre los trabajadores y se planea una manifestación. Las decisiones de los personajes reflejan su lucha interna entre sus aspiraciones personales y las realidades de su entorno socioeconómico.

  • 00:30:00 - 00:35:00

    Se introduce un elemento de violencia y conflicto social, lo que culmina en un disturbio. Margaret trata de mediar entre los trabajadores y el propietario de la fábrica, pero se siente impotente ante la situación. Sus esfuerzos por abogar por una resolución pacífica son ignorados, lo que intensifica la sensación de desesperación.

  • 00:35:00 - 00:40:00

    A medida que el conflicto estalla, la reacción de los personajes es intensa y cargada de emociones. Margaret, en un intento por proteger a su amado, actúa con valentía, lo que provoca una serie de consecuencias inesperadas que afectan a todos los involucrados.

  • 00:40:00 - 00:48:04

    Al final, los personajes deben lidiar con las repercusiones de sus acciones y decisiones. La lucha entre las clases sociales, el deseo y la culpa se manifiestan en sus interacciones, dejando a todos los personajes en un estado de incertidumbre sobre el futuro y su propio papel en la sociedad.

Mostra di più

Mappa mentale

Video Domande e Risposte

  • ¿Quién es Dr. Donaldson?

    Es el médico que atiende a la madre de Margaret Hale.

  • ¿Qué le ocurre a la madre de Margaret?

    Está enferma, y su estado de salud es preocupante.

  • ¿Qué revela Margaret sobre la salud de su madre?

    Se entera de la gravedad de la enfermedad de su madre a través del Dr. Donaldson.

  • ¿Cuál es la situación social durante el video?

    Hay una huelga y tensiones entre trabajadores y dueños de fábricas.

  • ¿Qué papel juega Mr. Thornton en la historia?

    Es un fabricante que intenta gestionar la crisis laboral y se muestra como un personaje central en la trama.

  • ¿Cómo se siente Margaret respecto a la cena invitada por Mr. Thornton?

    Ella se siente culpable por la situación de los trabajadores mientras asiste a la cena.

  • ¿Qué ocurre en la cena de Mr. Thornton?

    Se discute la situación laboral y las tensiones se intensifican.

  • ¿Qué acción toma Margaret en medio de la crisis?

    Se involucra para ayudar a su madre enferma y también actúa en la crisis de la huelga.

  • ¿Cuál es la reacción de los trabajadores hacia la llegada de los irlandeses?

    Son hostiles y temen por su situación laboral.

  • ¿Qué final trágico se insinúa en el video?

    La situación laboral en la ciudad parece empeorar con potenciales enfrentamientos.

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Sottotitoli
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Scorrimento automatico:
  • 00:00:01
    [Music]
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    w
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    [Music]
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    you're not to go upstairs Miss Margaret
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    but why not Dr Donaldson's up there with
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    your mamama he's given her a thorough
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    examination this time does he say what
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    it is she's she's poorly at the moment
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    but she'll get better directly so you're
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    not to worry
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    Miss Dr
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    Donaldson ah thank you may I trouble you
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    to come into the sitting room yes
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    certainly you may go Dixon very well
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    miss
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    what is the matter with
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    M well your mother has expressly asked
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    me not to tell you please tell me doctor
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    as her daughter I ought to
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    know are my suspicions
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    correct tell me the truth well the
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    latest discoveries of Medical Science
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    have given us great powers of
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    alleviation but no cure no certain
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    cure no
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    cure my father to be
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    told well it's difficult to give advice
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    but since you ask me I'd say do nothing
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    precipitate my visits by themselves were
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    deepen his concern so make him all the
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    better able to face the
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    inevitable yes allow him to find out in
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    his own good time and then comfort him
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    will there be much
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    suffering that we cannot tell it depends
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    on her Constitution I shall do my best
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    to provide her with all the all the
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    relief possible thank
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    you good day
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    doctor good day miss
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    hail may I
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    Mama yes of course
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    child I thought I would bring my work up
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    here company for you that's very kind of
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    you
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    Margaret what are you making
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    it's a new
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    color you like it it's very
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    pretty
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    Mama oh Mama let me be your nurse oh no
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    Margaret that's Dixon's job please let
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    me try at any rate you don't know what
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    you're asking oh yes I
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    do you've not been seeing Dr
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    Donaldson oh surely he he wouldn't break
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    his promise to me yes Mama he did but
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    don't blame him I made him tell me that
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    was very wrong of you Margaret I didn't
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    want you to know but I'm glad that I
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    know Mama well now I can help look after
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    you Dixon and I thought you would shrink
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    from me if you knew oh could she how
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    dare she think I didn't love you enough
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    to want to take care of you you mustn't
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    hate
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    her I'm sorry
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    Mama I will try to be humble and learn
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    her
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    ways if you will only let me be in the
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    first place I so long for
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    that while I was away in London I used
  • 00:04:04
    to be afraid that you would forget me
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    I'd cry myself to sleep at nights
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    imagining it and I used to think how
  • 00:04:11
    will Margaret ever bear Helston after
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    the luxury of Harley Street and all the
  • 00:04:17
    time I pined for Helston and its simple
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    ways when I was at Helston I was forever
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    wanting to leave
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    it now I should die far away from it
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    mama you must not talk like
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    that we will have you back at Helston
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    yet we'll
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    see I've taken the liberty of making you
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    a fresh lemon drink now thank you
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    Dixon well bless
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    her she's a sweet as
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    aut
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    Ma
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    yes Dixon she
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    knows you said Snick on Wednesday s
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    night a a fortnite was up with have the
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    Masters down on their knees are begging
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    for us to come back well where am them
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    we winning I mustn't AF fret patience
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    John patience well what use is cow imp
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    patience I got a Mrs at death's door
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    don't stand dling Miss come on in this
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    is Mr bouer neighor morning Mr berer
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    morning bie how are you I'm telling your
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    name
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    my m is sinking away it is pitiful to
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    see her you're drawing your five
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    Shillings of Union Money Ain't You John
  • 00:05:36
    five Shillings a week may be good enough
  • 00:05:37
    for the we but two miles to fill I got
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    six children six son it's hard for you
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    John but you must hold on I'll be damn
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    to you you're D to the whole s World
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    Masters and Union to hell you women John
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    wom
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    me take me St when you
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    momy come along
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    B
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    how up man a sh clam what's mine's thine
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    if th do want here take it here soon as
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    you get your 5% B me back we'll never
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    get that 5% you must know that then we
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    fall all honest as you've witnessed John
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    starvation's a cruel Agony so let death
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    come at a Gallop if we doomed down there
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    want these poultry coins here te I hope
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    they might B you and yours to the
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    victory if I text this money I'm one of
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    you got
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    it I'm a proud man Nick and I out Union
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    you you'll see if I
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    don't
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    take
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    well I think we've come to the end of
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    our lesson for tonight Mr
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    Thon I we're done a good stretch what a
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    work Mr thoron is the
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    ilad what a
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    work the heroes standing or falling by
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    their own personal courage
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    faithful and
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    determined lessen to all of
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    us especially at a time like
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    this oh uh by the way Mr Hae I've been
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    intending to mention it what is that Mr
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    th I I'm giving a dinner party next week
  • 00:07:49
    I would be very happy to invite you and
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    Mrs hail I'm very kind of you sir
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    Margaret Mr Thornton is inviting your
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    mother and me to dine with him it's next
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    Thursday the other guest will be the
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    Principal po manufacturers in the town
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    oh but won't we be a little out of place
  • 00:08:03
    not at all they' be delighted to meet
  • 00:08:06
    you that all very keenly interested in
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    education oh it is kind of you Mr
  • 00:08:10
    Thornton to say that by meeting your
  • 00:08:12
    friends my father might find pupils it's
  • 00:08:15
    very likely I don't know about your part
  • 00:08:17
    of the world but in this much can be
  • 00:08:19
    achieved over a good
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    meal Mr Thornton I'm afraid that my
  • 00:08:25
    mother may not be well enough to attend
  • 00:08:27
    she is a little poorly at the moment but
  • 00:08:29
    I'm sure that the notion of going out to
  • 00:08:31
    D will put fresh heart into her I'm
  • 00:08:34
    sorry to hear that Mrs hail is unwell if
  • 00:08:36
    she cannot attend then I fully
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    understand might I make a
  • 00:08:41
    suggestion Miss hail would you Grace my
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    table by accompanying your father
  • 00:08:44
    yourself whether Mrs Hil can come or not
  • 00:08:47
    I attend
  • 00:08:49
    yes Mr Thornton I appreciate your
  • 00:08:51
    kindness and your courtesy but you put
  • 00:08:54
    me in something of a predicament what is
  • 00:08:55
    that Margaret you know my feelings
  • 00:08:57
    towards the strike Papa
  • 00:08:59
    I found friends among the poorer people
  • 00:09:02
    and I've seen the hardships they're
  • 00:09:03
    suffering Miss H I admire your
  • 00:09:06
    Scruples but they are unwarranted
  • 00:09:09
    unwarranted if you've seen suffering
  • 00:09:10
    among your friends they brought it on
  • 00:09:11
    themselves I didn't start this strike
  • 00:09:14
    they are only demanding a just wage what
  • 00:09:17
    is a just wage 10 Shillings a week £10
  • 00:09:20
    100 what is a just wage I don't know all
  • 00:09:23
    I know is that they want a better life
  • 00:09:25
    so do we all but what we've got is here
  • 00:09:27
    and now and it's governed by strict
  • 00:09:29
    economic
  • 00:09:30
    principles a delicate balance between
  • 00:09:33
    cost of Labor Market consumption and
  • 00:09:34
    Supply I do not understand the details
  • 00:09:36
    of trade Mr
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    Thornton then it's a
  • 00:09:41
    Pity and it's a Pity the workers don't
  • 00:09:42
    take the trouble to find out
  • 00:09:45
    either if wages keep on going up and up
  • 00:09:48
    your gold sing won't be worth a blast
  • 00:09:49
    Farthing you can't just put wages up
  • 00:09:52
    like that and the fools who think they
  • 00:09:55
    can I'm sorry I spoke hly and
  • 00:09:59
    I fear
  • 00:10:01
    rudely you see Mr H for all of your
  • 00:10:04
    lessons I'm still a CO
  • 00:10:06
    manufacturer Miss
  • 00:10:08
    H I hope you will forgive
  • 00:10:11
    me
  • 00:10:16
    [Music]
  • 00:10:25
    certainly Jane would you going to ask
  • 00:10:28
    Miss Fanny to stop that noise yes
  • 00:10:34
    [Music]
  • 00:10:39
    [Music]
  • 00:10:49
    M how dare you mother how dare you
  • 00:10:52
    interrupt my practicing I can't stand
  • 00:10:54
    your R so you'll stop it I'll watch we
  • 00:10:56
    have no more piano did this is the first
  • 00:11:00
    time the very first time in my life I
  • 00:11:03
    have been able to practice without all
  • 00:11:05
    the G of the works out there so I give
  • 00:11:07
    my right arm to have it back what the
  • 00:11:10
    Machinery back there's your music it's
  • 00:11:14
    the only music I want you've no culture
  • 00:11:17
    mother you know that for all your mother
  • 00:11:19
    of pearl inlay you'll stay common till
  • 00:11:23
    your last breath well I'd rather be
  • 00:11:25
    common than go soft like my children you
  • 00:11:29
    and your brother make a fine pair it's
  • 00:11:31
    because we've got accomplishments isn't
  • 00:11:33
    it well you can't get far in this world
  • 00:11:36
    without accomplishments and my fingering
  • 00:11:38
    is one of them Walter says I've got
  • 00:11:41
    perfect fingering then you take your
  • 00:11:44
    opportunity and marry him mother if I
  • 00:11:47
    know slick and son he's out for our
  • 00:11:49
    money well we've got a good chance of
  • 00:11:51
    ending up as popers so you make sure of
  • 00:11:54
    him while you can it's enough to bring
  • 00:11:56
    on one of my swooning fits I'm I'm
  • 00:11:59
    delicate well I've Just Seen
  • 00:12:01
    hamper he wants to come to terms with
  • 00:12:03
    him give him a 2% increase well after
  • 00:12:07
    doubt him we can't it'll be suicide he's
  • 00:12:10
    got to wait until the Irish workers
  • 00:12:11
    arrive and when do they arrive the
  • 00:12:13
    engine in Dublin won't give me a
  • 00:12:14
    specific date oh I pray to God it soon
  • 00:12:18
    now just you hammer it into those Mill
  • 00:12:19
    owners at dinner on Thursday Irish
  • 00:12:21
    workers are the only
  • 00:12:25
    answer mother can I wear my blue silk
  • 00:12:30
    dress hey at the dinner on Thursday oh
  • 00:12:34
    for goodness sake girl wear what you
  • 00:12:36
    like thank you by the way mother I've
  • 00:12:38
    invited the
  • 00:12:40
    hails I see funny would you like me to
  • 00:12:45
    invite your dancing master and his wife
  • 00:12:47
    to attend as well well there is a marked
  • 00:12:49
    difference between Mr hail and a dancing
  • 00:12:51
    master what sir how you can bother about
  • 00:12:54
    some teacher of Greek at a time like
  • 00:12:56
    this it's an Indulgence mother
  • 00:12:59
    I swe enough I think I deserve
  • 00:13:02
    it you'll have to go Margaret your
  • 00:13:05
    father cannot attend alone and I cannot
  • 00:13:08
    manage it I'm afraid I know Mama I know
  • 00:13:11
    thank you Dixon what dress will you wear
  • 00:13:14
    I've not thought about it you've had no
  • 00:13:17
    new dresses this season have you child
  • 00:13:20
    but there is the dress you wore for
  • 00:13:21
    Edith's
  • 00:13:22
    wedding
  • 00:13:24
    yes Dixon go and find it for me will you
  • 00:13:28
    here go
  • 00:13:31
    now what's wrong
  • 00:13:34
    Margaret can't you tell me what it
  • 00:13:39
    is there are people in the town
  • 00:13:42
    starving and yet here am I to go to some
  • 00:13:44
    Sumptuous meal well you're doing it
  • 00:13:47
    because of your
  • 00:13:49
    father I'm so lost
  • 00:13:52
    mama so
  • 00:13:55
    lost it don't need some air in
  • 00:13:59
    get the smell of lavender out it's a bit
  • 00:14:02
    overpowering but we didn't want any
  • 00:14:03
    moths did we ma hold it up against you
  • 00:14:06
    Margaret let me
  • 00:14:15
    see she'll be a picture won't she ma'am
  • 00:14:18
    yes Margaret you'll
  • 00:14:23
    do oh we really going to dine at thon's
  • 00:14:27
    at malb Mill
  • 00:14:29
    yes Bessie but there visit with all the
  • 00:14:32
    first folk in
  • 00:14:35
    Milton you think we're not good enough
  • 00:14:37
    to
  • 00:14:38
    go well you see they they're thinking a
  • 00:14:41
    deal of money there and I reckon you not
  • 00:14:44
    gotten much no that's very true but it
  • 00:14:47
    is not the first Grand dinner I've been
  • 00:14:49
    to Bessie so what will you wear
  • 00:14:51
    Miss Pink silk a gown I had for my
  • 00:14:55
    cousin's wedding a year ago it is my
  • 00:14:57
    very best that'll do I should be led to
  • 00:15:01
    have you looked down on blessy dear you
  • 00:15:05
    are so kind with worrying about what I
  • 00:15:06
    shall look like at the dinner I feel so
  • 00:15:09
    wicked and guilty about going there at
  • 00:15:11
    all oh no miss you must not say that
  • 00:15:14
    there's some's meant to to and mile all
  • 00:15:16
    their lives others to go to Sumptuous
  • 00:15:18
    feasts maybe you're one and
  • 00:15:22
    them I wish I could see you all dressed
  • 00:15:26
    up
  • 00:15:27
    Miss I'm so sorry your son's not yet
  • 00:15:30
    here Mrs Thon the old story Mr s
  • 00:15:34
    business interfering with pleasure but
  • 00:15:36
    he'll be
  • 00:15:37
    it let's join the Le Mrs Thon I must
  • 00:15:41
    compliment you on your house it is most
  • 00:15:44
    gracious though I wonder if perhaps the
  • 00:15:47
    the closeness of the mill doesn't make
  • 00:15:49
    it a little unpleasant at times never
  • 00:15:52
    there's not another Factory like it in
  • 00:15:54
    Milton do you know one of the rooms is
  • 00:15:56
    220 square yard is
  • 00:16:01
    that I enjoy listening to good music but
  • 00:16:04
    I don't play well
  • 00:16:05
    myself we sold our old piano when we
  • 00:16:08
    came to live up here I wonder how you
  • 00:16:10
    can exist without
  • 00:16:12
    one you have good conerts here I believe
  • 00:16:15
    oh yes delicious but too crowded the
  • 00:16:19
    directors let all kinds of people in
  • 00:16:22
    quite indiscriminately but one is sure
  • 00:16:24
    to hear the newest of Music there I
  • 00:16:27
    always have a large a to give to
  • 00:16:29
    Johnson's the day after a
  • 00:16:32
    concert hey we thought you'd never get
  • 00:16:36
    here Mrs lixon yes forgive me I got
  • 00:16:39
    involved with some people couldn't get
  • 00:16:40
    away well you'd best get yourself a
  • 00:16:42
    drink I'm too up and you're ready thank
  • 00:16:54
    you come now Mrs not allers are like
  • 00:16:57
    that telling you they're all Rogues and
  • 00:17:00
    Naes in London they couldn't survive a
  • 00:17:02
    day you agents and middlemen sponges the
  • 00:17:05
    Riff Raff of creation that's you London
  • 00:17:08
    am I right Miss well I I'm right there
  • 00:17:12
    is refinement in London Mr slick
  • 00:17:15
    refinement can be bought like anything
  • 00:17:17
    else now you take that fellow who comes
  • 00:17:19
    up here to play the piano at our
  • 00:17:20
    gentleman smoking concerts and what's
  • 00:17:22
    his name Frank hi that's right Al you
  • 00:17:26
    have Frank H up here once or twice
  • 00:17:29
    when there is the hel recital in London
  • 00:17:30
    everyone simply flops that's what I'm
  • 00:17:32
    saying we've got the money and he knows
  • 00:17:34
    it so if he comes like magic giving us a
  • 00:17:36
    tune or he knows where the
  • 00:17:40
    brasses well ladies shall we withdraw my
  • 00:17:44
    son has a serious matter to discuss oh
  • 00:17:47
    not so serious Mrs Thon it it be an
  • 00:17:50
    insult you take thank you Mr slon uh
  • 00:17:52
    this
  • 00:17:57
    way
  • 00:17:58
    now the world takes on the Rosier Hue
  • 00:18:01
    once you've got a nicely lined
  • 00:18:02
    good very
  • 00:18:06
    true well there yes oh thank
  • 00:18:10
    you hey Thon why the coffee pot face all
  • 00:18:13
    of a sudden a matter I didn't want to
  • 00:18:16
    Broach before dinner L the meal should
  • 00:18:17
    be spoiled by
  • 00:18:19
    apprehension the Irish landed this
  • 00:18:21
    morning they've been on the March all
  • 00:18:23
    day bring them in for this trouble quick
  • 00:18:25
    right come on move it's come on come
  • 00:18:32
    on L yourself up against the
  • 00:18:35
    wall no need to crush ourselves we're
  • 00:18:38
    not Co heathens
  • 00:18:40
    here of Irish Rebels come on get
  • 00:18:44
    yourselves inside keep them
  • 00:18:47
    moving come on in here line up against
  • 00:18:50
    the wall
  • 00:18:52
    all get him before they any
  • 00:18:54
    trouble come on keep
  • 00:18:57
    moving but if there is anything we can
  • 00:18:59
    do to help your mama get well you must
  • 00:19:02
    be sure to tell us thank you I've got a
  • 00:19:05
    Dr Goodman's electric coil you hold the
  • 00:19:09
    handles and tingles go right up your
  • 00:19:11
    arms I have it for toning myself when I
  • 00:19:14
    run down then I have got a patent beef
  • 00:19:16
    tea extractor well it is best to take
  • 00:19:19
    your nourishment fresh rather than out
  • 00:19:21
    of a
  • 00:19:22
    bottle I know what she would like my
  • 00:19:25
    India rubber water bed what bit yes it's
  • 00:19:29
    a new kind of invalid mattress just come
  • 00:19:31
    on the market you fill it with warm
  • 00:19:34
    water and it's ever so comforting thank
  • 00:19:38
    you where is Mama
  • 00:19:41
    going she ought to be
  • 00:19:44
    mixing excuse her
  • 00:19:57
    man
  • 00:20:01
    [Applause]
  • 00:20:11
    Irish
  • 00:20:16
    Irish how there in the yard hi oh well
  • 00:20:20
    come on let's have an eye
  • 00:20:27
    for
  • 00:20:41
    excuse us
  • 00:20:47
    ladies there they are S for S eyes
  • 00:20:53
    they Mr thoron who are they Irish
  • 00:20:57
    workers
  • 00:20:59
    you carried out your
  • 00:21:01
    yes I had an alternative Irish and the I
  • 00:21:06
    tell you he's taking on Irish you say in
  • 00:21:08
    C out oh then John take it calm calm hi
  • 00:21:13
    committee thought it might come to
  • 00:21:17
    this what are you going to do what's
  • 00:21:19
    your plans Nick burn down there cow F
  • 00:21:21
    Cal I told you JN what's the next step
  • 00:21:24
    we decided to hold together through
  • 00:21:25
    thick and thin your bloody right but
  • 00:21:27
    there's to be no going again the law of
  • 00:21:29
    the
  • 00:21:29
    land we've got right on our side we
  • 00:21:32
    don't want to mix up right we
  • 00:21:35
    wrong not do nothing no violence that's
  • 00:21:38
    what we decided no violence come what me
  • 00:21:42
    now look here I've got starving
  • 00:21:44
    childrena a week ago I was going to ask
  • 00:21:46
    for me job back own you said stand firm
  • 00:21:48
    trust the union they'll see you through
  • 00:21:50
    you didn't tell me I was sign me death
  • 00:21:51
    warrants it were a majority decision
  • 00:21:53
    tell your majority decision my BBS are
  • 00:21:57
    starving
  • 00:22:00
    what about you are you going to be like
  • 00:22:03
    him play The Gentle Mar but I year man a
  • 00:22:05
    man with vment about you I don't know
  • 00:22:08
    I'll mess up your bloody mind die
  • 00:22:09
    fighting that's what I say die
  • 00:22:26
    fighting
  • 00:22:29
    Master almost Margaret than God your
  • 00:22:31
    back Dr Donaldson's here she's over the
  • 00:22:34
    worst of it but I thought she was dying
  • 00:22:36
    dying a Mr hail what has happened to my
  • 00:22:39
    wife oh she's calmer now the opiate is
  • 00:22:41
    taking effect the spasms are very bad no
  • 00:22:43
    wonder they frightened your ma here
  • 00:22:45
    spasmus what is wrong with her well
  • 00:22:47
    she'll rally this time this time what
  • 00:22:50
    what are you saying how ill is she she's
  • 00:22:54
    very ill I'm afraid
  • 00:22:56
    sir Margaret did you know about this you
  • 00:23:00
    kept it from me that was cruel of you
  • 00:23:02
    yeah no no it wasn't cruel Miss hail was
  • 00:23:04
    acting under my direction
  • 00:23:10
    Mariah my
  • 00:23:19
    wife Dear
  • 00:23:23
    wife Dear
  • 00:23:25
    wife your mother will spend much of her
  • 00:23:28
    time in bed from now on I'm afraid have
  • 00:23:31
    you an invalid mattress
  • 00:23:33
    no but we've been offered one can you
  • 00:23:36
    get it
  • 00:23:37
    tomorrow yes I will call
  • 00:23:40
    good thank you for all that you've done
  • 00:23:44
    doctor good night Miss
  • 00:23:47
    H good night Dr
  • 00:23:56
    donals
  • 00:24:09
    we're tyrannized by the Masters betrayed
  • 00:24:10
    by the union we're on our own well what
  • 00:24:12
    are we waiting for let's get far to the
  • 00:24:15
    Mills no no cter not that what do we
  • 00:24:20
    do what did we do then V you what do we
  • 00:24:24
    do on your way home you call on your
  • 00:24:28
    neighbors and through the night their
  • 00:24:30
    neighbors call on theirs till all the
  • 00:24:32
    town
  • 00:24:33
    knows we all meet before thon's gates at
  • 00:24:37
    900 in the morning not a minute before
  • 00:24:41
    up until then we stays
  • 00:24:42
    indoors let the magistrates think we all
  • 00:24:45
    taking it lying
  • 00:24:47
    down about 9:00 quietly through the
  • 00:24:50
    streets in ones and
  • 00:24:52
    twos like as if go to
  • 00:24:55
    Chapel we arrives at thoron
  • 00:24:59
    and
  • 00:25:01
    then God help
  • 00:25:26
    him
  • 00:25:43
    good morning oh it's you miss H yes
  • 00:25:46
    anybody with you no you sure yes of
  • 00:25:50
    course half
  • 00:25:52
    all you best come in
  • 00:25:55
    quickly thank you Williams it's quiet
  • 00:25:57
    isn't it yes it's too quiet the streets
  • 00:26:01
    are deserted ah the devil's at work
  • 00:26:11
    somewhere Mama it's Miss
  • 00:26:15
    haale what does she want I wonder
  • 00:26:18
    perhaps she's trying to make
  • 00:26:21
    friends the hails were the first to
  • 00:26:24
    leave last
  • 00:26:25
    night I think it's because she had a
  • 00:26:27
    quarrel with
  • 00:26:29
    John Madam it's Miss Margaret hail sure
  • 00:26:32
    in
  • 00:26:38
    Jane
  • 00:26:41
    thank good morning Miss H good morning
  • 00:26:44
    Mrs Thornton good morning Miss Thornton
  • 00:26:47
    I know I am intruding at what must be a
  • 00:26:49
    most worrying time for see my son you
  • 00:26:51
    can't he's in the mill he's busy with
  • 00:26:53
    the Irish no it is Miss Thornton I want
  • 00:26:55
    to speak to me well you said last night
  • 00:26:57
    you had an invalid mattress well I'm
  • 00:27:00
    afraid my mother has taken a turn for
  • 00:27:01
    the worst so we should be most grateful
  • 00:27:03
    if we could borrow it yes I'm sure we
  • 00:27:04
    can arrange that Miss H thank
  • 00:27:08
    you what's that what's that
  • 00:27:16
    noise the
  • 00:27:18
    Gat Fanny fetch John fetch him from the
  • 00:27:20
    mill they batter them down no no no he's
  • 00:27:23
    safer where he is Mama oh perhaps he is
  • 00:27:27
    up with the Working
  • 00:27:30
    Man see them put
  • 00:27:50
    [Music]
  • 00:27:56
    them
  • 00:28:06
    [Music]
  • 00:28:16
    Williams
  • 00:28:18
    Williams you want to
  • 00:28:20
    be down the back in a Pin Lane do as we
  • 00:28:23
    plan soldiers sir
  • 00:28:26
    hi
  • 00:28:30
    [Music]
  • 00:28:32
    what is Mr Thornton doing he's keeping
  • 00:28:34
    them from the Irish till the military
  • 00:28:40
    [Music]
  • 00:28:53
    arrive hold it hold it
  • 00:29:08
    we want we want we
  • 00:29:13
    want thank God he's coming then attack
  • 00:29:17
    the house
  • 00:29:18
    Mama military don't arrive in
  • 00:29:24
    time we want we want
  • 00:29:31
    [Music]
  • 00:29:32
    sent for the
  • 00:29:34
    military bring them to reason all right
  • 00:29:37
    yes they will what kind of reason the
  • 00:29:40
    only reason wild beasts ever
  • 00:29:43
    [Music]
  • 00:29:49
    understand Brothers
  • 00:29:52
    peace the mill Brothers the bill let's
  • 00:29:55
    do for the C
  • 00:30:01
    [Music]
  • 00:30:04
    return to the mil fny come away from
  • 00:30:08
    that
  • 00:30:14
    [Applause]
  • 00:30:26
    window
  • 00:30:29
    F anything we
  • 00:30:33
    this Thon go down this instant go down
  • 00:30:36
    are you mad well if you are not a card
  • 00:30:39
    Mr don't listen to him joh go and speak
  • 00:30:41
    to your workmen as if they were human
  • 00:30:43
    beings don't let the soldiers cut them
  • 00:30:46
    down they are poor suffering men driven
  • 00:30:49
    mad well if you have any courage go down
  • 00:30:52
    and speak to the manto
  • 00:30:56
    man
  • 00:30:59
    John Mr
  • 00:31:03
    Thon Mr
  • 00:31:07
    Thon Mr
  • 00:31:10
    Thon don't have to Bar the door behind
  • 00:31:12
    me my mother and sister will need that
  • 00:31:13
    protection you to is
  • 00:31:25
    Hil hey luk it's
  • 00:31:31
    come
  • 00:31:33
    on hold it everybody hold
  • 00:31:42
    it
  • 00:31:47
    gentleman don't
  • 00:31:50
    gentlemen you've done wise you've done
  • 00:31:54
    wise Mr Thornton to give yourself up we
  • 00:31:56
    wouldn't wanted to arm your family but
  • 00:31:59
    arm them we would have done if they
  • 00:32:01
    stood in our
  • 00:32:05
    way you've been put on child Mr thoron
  • 00:32:09
    and you've been found guilty on all
  • 00:32:11
    [Applause]
  • 00:32:14
    points you wouldn't expect us to show
  • 00:32:16
    you any Mercy would you cuz you won't
  • 00:32:19
    get
  • 00:32:26
    none
  • 00:32:31
    who is
  • 00:32:35
    she
  • 00:32:37
    desperate no please I appeal to
  • 00:32:42
    you I appeal to you use no violence your
  • 00:32:48
    cause cannot be won by
  • 00:32:51
    violence you have grievances I know and
  • 00:32:54
    they shall be
  • 00:32:56
    answered
  • 00:32:57
    dare she speak on our
  • 00:33:00
    behalf go to your homes now the soldiers
  • 00:33:04
    are sent for they
  • 00:33:05
    coming do not let this end in
  • 00:33:11
    Slaughter for for your own sakes and for
  • 00:33:14
    the sake of those dear to go to your
  • 00:33:17
    homes peacefully he what about the
  • 00:33:22
    Irish shut up hey let pack up back again
  • 00:33:27
    let him tell us
  • 00:33:32
    all I shall do nothing under threats let
  • 00:33:35
    that be clear to all of
  • 00:33:38
    you my actions are my
  • 00:33:44
    own he won't even listen to us his eyes
  • 00:33:48
    are shut his ears are closed well will
  • 00:33:51
    CN well open them for
  • 00:33:53
    [Applause]
  • 00:33:55
    himself right
  • 00:34:04
    who's
  • 00:34:06
    this it's nothing I'm all right right
  • 00:34:09
    you do well a woman comes among you
  • 00:34:13
    pleads with you for your own sakes to
  • 00:34:14
    see reason and this is how you treat her
  • 00:34:17
    you do well it w meant for thee only
  • 00:34:20
    that words Sheltering behind
  • 00:34:23
    her I see you all right Melle yes yes
  • 00:34:26
    I'm
  • 00:34:31
    right
  • 00:34:39
    yeah well I'm not Sheltering
  • 00:34:41
    now come on whatever is your will do it
  • 00:34:46
    you'll never move me from what I'm
  • 00:34:47
    determined not
  • 00:34:51
    you not
  • 00:34:55
    you hey stop stop come
  • 00:35:03
    back looks like it's the and me the
  • 00:35:06
    woman sir the
  • 00:35:11
    woman who
  • 00:35:25
    him
  • 00:35:28
    control you two bu door you two Lodge
  • 00:35:31
    main gate come on P
  • 00:35:35
    still miss hail do they do that sir
  • 00:35:38
    fetch a doctor we're waiting to prefer
  • 00:35:40
    charges a doctor yes sir Sergeant doctor
  • 00:35:44
    go on
  • 00:35:49
    run I'll be here there shall I hey the
  • 00:35:52
    charges all I'll be back down the
  • 00:35:55
    door
  • 00:36:04
    oh my
  • 00:36:05
    Margaret my
  • 00:36:08
    Margaret nobody knows what you are to
  • 00:36:17
    me it's all M we've won won oh stop your
  • 00:36:24
    sness M she was here what defending Me
  • 00:36:28
    Oh The Blood Mama the
  • 00:36:32
    blood fetch Jane tell her to bring wding
  • 00:36:35
    and
  • 00:36:36
    water well go on she she Ved shock she
  • 00:36:43
    she seemed to be all right and then she
  • 00:36:44
    suddenly collapsed we must get a doctor
  • 00:36:46
    I've sent for one then leave it to me
  • 00:36:48
    you've got other things to attend to
  • 00:36:49
    those Irish they'll be frightened to
  • 00:36:51
    death thank you
  • 00:36:54
    mother well go on
  • 00:37:07
    hi defend my son did
  • 00:37:13
    you oh Jane come
  • 00:37:16
    here hold that
  • 00:37:20
    go did you see what happened Jane well
  • 00:37:24
    yes Miss Thornton we all had to full
  • 00:37:26
    view from upstairs you mean all the
  • 00:37:29
    servants saw her
  • 00:37:31
    behavior oh dear what are you all
  • 00:37:35
    Dearing about funny she threw her arms
  • 00:37:39
    around my brother and hugged him what in
  • 00:37:43
    front of all those people made a right
  • 00:37:45
    show of herself didn't she Jane yes Miss
  • 00:37:49
    embraced him publicly very bold and
  • 00:37:52
    forward put her arms around his neck why
  • 00:37:55
    didn't you tell me you shut me up didn't
  • 00:38:01
    you well you've made sure of him now
  • 00:38:03
    haven't
  • 00:38:04
    you my
  • 00:38:08
    congratulations you charge only the ring
  • 00:38:10
    leaders then is that it sir you want to
  • 00:38:11
    put the old town in prison no it and
  • 00:38:13
    keep it to as few as possible and make
  • 00:38:14
    an example of them property must be
  • 00:38:16
    protected we don't want this outrage
  • 00:38:18
    again you're prepared to identify them
  • 00:38:20
    are you sir those I want to you catch
  • 00:38:22
    them I'll tell you which and you'd
  • 00:38:25
    better get the soldiers to much about to
  • 00:38:26
    the outskirts well we better talk to the
  • 00:38:28
    captain about that
  • 00:38:30
    sir all right I'll see
  • 00:38:33
    him ah Dr low you sent for me Mr Thon
  • 00:38:37
    straight up the stairs the young lady's
  • 00:38:38
    in the drawing room
  • 00:38:41
    right would you be kind enough to step
  • 00:38:43
    around to the station sir it's all
  • 00:38:44
    looking right out the charge and you can
  • 00:38:46
    sign it all let's get it taken care of
  • 00:38:49
    if the young lady doesn't recover send
  • 00:38:51
    someone on to me get the station running
  • 00:38:52
    got it yes sir come on officer hurry up
  • 00:39:01
    uh the wound is not
  • 00:39:03
    deep you'll have a headache but it will
  • 00:39:06
    pass what you need now is rest after the
  • 00:39:13
    shock may your home not until you've
  • 00:39:16
    rested a
  • 00:39:18
    little
  • 00:39:19
    no I must go
  • 00:39:22
    home I'm not sure that I can allow that
  • 00:39:24
    Miss H I must it's my mother your mother
  • 00:39:28
    yes our mother is seriously ill doctor
  • 00:39:31
    she mustn't know what has happened here
  • 00:39:32
    it was distress her oh what
  • 00:39:35
    he do this would be
  • 00:39:43
    Seena that's better mother she must lie
  • 00:39:47
    down she's not fit not a determined
  • 00:39:50
    young woman aren't you miss
  • 00:39:55
    hail May may I have a cab I think it is
  • 00:40:00
    best perhaps not to go against the young
  • 00:40:01
    lady's
  • 00:40:03
    will my cage is outside if you will
  • 00:40:07
    allow me I will see you home thank you
  • 00:40:10
    Doctor Mrs Thon goodbye Dr Miss Thon and
  • 00:40:14
    if you will excuse me goodbye miss
  • 00:40:17
    Thornton goodbye Mrs thoron goodbye miss
  • 00:40:23
    hail I'll see your mother gets the in
  • 00:40:26
    valed
  • 00:40:29
    mattress well that was one of the things
  • 00:40:32
    you came for wasn't
  • 00:40:55
    it
  • 00:41:10
    oh
  • 00:41:11
    miss you're back then safe and
  • 00:41:14
    sound yes oh hav been praised I had
  • 00:41:18
    heard heard what well I've just come
  • 00:41:20
    from the market missen there's a tail
  • 00:41:21
    going around you have been gossiping
  • 00:41:22
    have you Dixon I'm surprised at you
  • 00:41:25
    where is Papa he in the dining room Miss
  • 00:41:27
    P thank
  • 00:41:35
    you ah Margaret this this Riot what what
  • 00:41:40
    has happened well there was a slight
  • 00:41:41
    disturbance Pap some shouting but it it
  • 00:41:44
    was soon ever that's not what I heard
  • 00:41:45
    Miss Dixon I was
  • 00:41:48
    there it is time Mama had her medicine
  • 00:41:51
    yes I I will take it to her thank you
  • 00:41:56
    and tell her that the invalid mattress
  • 00:41:58
    is going to be delivered very
  • 00:42:00
    well a moment
  • 00:42:10
    Dix whatever you have
  • 00:42:12
    heard you will not repeat
  • 00:42:15
    it it would be distressing to my parents
  • 00:42:18
    and I will not have them worried is that
  • 00:42:19
    the only reason
  • 00:42:21
    miss your hair is not as it was when you
  • 00:42:23
    went out this morning your ring
  • 00:42:26
    something there aren't you Miss Dixon if
  • 00:42:28
    you respect this family you will not
  • 00:42:30
    question nor repeat anything concerning
  • 00:42:33
    this morning that's because I respect
  • 00:42:34
    this family that I got to 30 years I've
  • 00:42:37
    served your mother flu thick and
  • 00:42:40
    thin and now that she lies at death's
  • 00:42:42
    door I've got to say what she'd want me
  • 00:42:44
    to say exceeding my station though it
  • 00:42:46
    might be you have always been faithful
  • 00:42:49
    Dixon well don't think I'm for
  • 00:42:52
    condemning you it was natural the man
  • 00:42:55
    you loved was being a attack when you
  • 00:42:56
    threw your arms around his neck you
  • 00:42:58
    weren't thinking twice Dixon what do you
  • 00:43:00
    say I'm on your side miss it doesn't
  • 00:43:03
    matter how many people saw you spinster
  • 00:43:07
    though I be I tell you it isn't just bad
  • 00:43:10
    women that have such
  • 00:43:12
    feelings and those who say different a
  • 00:43:14
    lion oh
  • 00:43:17
    Dixon Dixon does the whole world think
  • 00:43:19
    that of me what's wrong Miss I put my
  • 00:43:23
    arms
  • 00:43:24
    around to sh to him from that
  • 00:43:28
    M I
  • 00:43:35
    thought what fo did I am
  • 00:43:49
    I where is she she's gone home gotone
  • 00:43:53
    home yes she was a great deal better sh
  • 00:43:56
    mother should don't distress yourself
  • 00:43:57
    John wasn't much of a hurt some people
  • 00:44:00
    faint at the slightest
  • 00:44:03
    thing fny yes Mama would you leave the
  • 00:44:07
    room there's something I want to discuss
  • 00:44:08
    with John
  • 00:44:10
    alone very well
  • 00:44:18
    Mama ah yes
  • 00:44:22
    mother I'm about the Irish the Irish can
  • 00:44:27
    could you shut the door
  • 00:44:36
    John well she allowed her feelings to
  • 00:44:39
    overcome her with a yard full of workmen
  • 00:44:42
    as witnesses will have no card to play
  • 00:44:44
    against that she did it to protect me
  • 00:44:46
    she saw her opportunity and she took it
  • 00:44:48
    no mother no now we want no Tales of you
  • 00:44:50
    two passed from mouth to mouth around
  • 00:44:52
    the town and they'll come after that
  • 00:44:54
    display out there
  • 00:44:56
    so stop them in the only way
  • 00:44:59
    possible Maria soon for her sake
  • 00:45:04
    marriage mother she wouldn't consider
  • 00:45:06
    such a thing You' just had proof short
  • 00:45:08
    of going down on her knees and begging
  • 00:45:09
    you to marry her what more could she do
  • 00:45:12
    well that wasn't like that at
  • 00:45:14
    all what she did was in perfect
  • 00:45:17
    innocence no innocence is that innocent
  • 00:45:19
    women aren't
  • 00:45:21
    goddesses we're
  • 00:45:23
    human let's say she used
  • 00:45:27
    justifiable
  • 00:45:29
    cunning because she's in
  • 00:45:33
    love
  • 00:45:36
    father do you really believe
  • 00:45:39
    that well I don't blame
  • 00:45:42
    her how could
  • 00:45:44
    I there was courage and determination
  • 00:45:49
    she's worthy of your
  • 00:45:54
    John
  • 00:45:58
    mother I can't believe that she really
  • 00:45:59
    cares for me I've just told you yes but
  • 00:46:02
    I haven't seen don't be a fool now don't
  • 00:46:04
    anger me you put her on a pedestal where
  • 00:46:05
    there's no pedestal she wants you and
  • 00:46:08
    you want her well don't you
  • 00:46:12
    yes she's made you honor
  • 00:46:16
    bound honor bound she's compromised
  • 00:46:19
    herself and
  • 00:46:21
    you yes it it could be viewed in that
  • 00:46:24
    way I suppose
  • 00:46:26
    but what other way is
  • 00:46:29
    there
  • 00:46:32
    well I know she doesn't love me but I
  • 00:46:36
    shall take my chance if it's one chance
  • 00:46:37
    in a thousand I shall take it now I I
  • 00:46:41
    must give her time to rest wasn't I and
  • 00:46:43
    there are things I have to attend to
  • 00:46:44
    here but tomorrow
  • 00:46:48
    morning
  • 00:46:51
    yes I shall go tomorrow
  • 00:46:54
    morning
  • 00:46:58
    [Music]
  • 00:47:24
    the
  • 00:47:30
    [Music]
  • 00:47:54
    a
  • 00:47:56
    [Music]
Tag
  • Salud
  • Conflictos laborales
  • Clase trabajadora
  • Industrialización
  • Familia Hale
  • Mr. Thornton
  • Huelga
  • Tensión social
  • Situación económica
  • Maternidad