Laid-back, J.J. Cale Style Lead - Using the modes? Slow blues lead guitar lesson - EP373

00:17:56
https://www.youtube.com/watch?v=tR6cPVVR3EA

Sintesi

TLDRDans ce cours de guitare, Brian aborde la création d'un solo émotionnel dans un style inspiré par JJ Cale et Tony Joe White. La leçon se divise en deux parties, où la première partie se concentre sur les bases des gammes pentatoniques et des accords D mineur et G. Brian met en avant l'importance de la musicalité et de l'émotion par rapport à la technicité tout en expliquant la théorie derrière ses choix musicaux. Il encourage les étudiants à pratiquer les licks appris avec divers tempos pour enrichir leur jeu.

Punti di forza

  • 🎸 Style laid-back inspiré de JJ Cale et Tony Joe White
  • 📝 Leçons divisées en deux parties
  • 🎶 Importance des gammes pentatoniques pour l'improvisation
  • 🎤 L'utilisation de notes supplémentaires pour enrichir le son
  • 🤲 Préférence pour jouer avec les doigts au lieu d'un médiator
  • 📚 Ressources d'apprentissage disponibles sur activemelody.com
  • 🌿 Émotion et simplicité sont clés dans la musique
  • 🔁 Pratique recommandée avec des pistes d'accompagnement
  • 🧠 Exploration des théories musicales
  • 💡 Plus de 370 leçons disponibles sur activemelody

Linea temporale

  • 00:00:00 - 00:05:00

    Cette première partie de la leçon de guitare est axée sur un style décontracté, inspiré des guitaristes JJ Cale et Tony Joe White. L'instructeur, Brian, explique l'importance de la musique émotionnelle par rapport à la technique pure, et comment ces musiciens évoquent des sentiments à travers leur jeu. Il introduit les accords principaux utilisés dans la leçon : le ré mineur et le sol (ou sol7), et souligne que tout commence avec les gammes pentatoniques, servant de base pour l'improvisation.

  • 00:05:00 - 00:10:00

    Brian approfondit l'utilisation de la gamme pentatonique mineure de ré et décrit comment ajouter des notes supplémentaires pour rendre le son plus sophistiqué. Il évoque les modes musicaux, comme le mode dorien de ré et le mode mixolydien de sol, tout en illustrant que tout cela est lié à la gamme de do majeur, ce qui permet des improvisations fluides sans avoir à penser à chaque note individuellement.

  • 00:10:00 - 00:17:56

    La leçon inclut également des licks spécifiques qui peuvent être joués sur les accords en suivant une progression. Brian démontre une série de phrases musicales et insiste sur l'importance de la pratique avec les pistes d'accompagnement. Il conclut par une invitation à explorer ces concepts dans la partie suivante de la leçon, promettant de dévoiler plus d'éléments et techniques pour enrichir le jeu de guitare.

Mappa mentale

Video Domande e Risposte

  • Quel est le style du lead présenté dans ce cours ?

    Le lead est joué dans un style laid-back inspiré de JJ Cale et Tony Joe White.

  • Où puis-je trouver les ressources d'apprentissage mentionnées ?

    Vous pouvez les trouver sur activemelody.com, en recherchant la leçon hebdomadaire EP373.

  • Quelles sont les gammes utilisées dans ce tutoriel ?

    Les gammes pentatoniques D mineur et les modes dorien et mixolydien sont utilisés.

  • Brian utilise-t-il un médiator pour jouer ?

    Non, il utilise principalement ses doigts.

  • Qu'est-ce qui rend la musique de JJ Cale et Tony Joe White unique ?

    Leur musique est décontractée et émotionnelle, convenant à une écoute attentive ou en arrière-plan.

  • Comment pratiquer les licks appris dans ce cours ?

    Il est conseillé de jouer avec les pistes d'accompagnement à différentes vitesses.

  • Y a-t-il des notes supplémentaires à ajouter aux gammes pentatoniques ?

    Oui, l'ajout de certaines notes peut enrichir la gamme.

  • Combien de leçons Brian a-t-il disponibles sur activemelody ?

    Il y a plus de 370 leçons disponibles.

  • Quelle est l'importance de la simplicité dans la musique ?

    La simplicité permet de se concentrer sur l'émotion plutôt que sur la technicité.

  • Comment Brian a-t-il développé ses improvisations ?

    Il se base sur les gammes pentatoniques et explore des notes autour des accords.

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Scorrimento automatico:
  • 00:00:01
    [Music]
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    [Music]
  • 00:00:55
    hey this is brian with activemelody.com
  • 00:00:58
    for this week's guitar lesson we have a
  • 00:00:59
    very laid back
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    lead it's played in sort of the jj kale
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    style
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    um it's also got kind of a tony joe
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    white thing going on
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    but it's very it's much more emotional
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    than it is technical i
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    i guess that's probably the easiest way
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    to say it so i've got the lesson split
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    into two parts in this video we'll take
  • 00:01:16
    a look at the first half if you'd like
  • 00:01:18
    to watch the second half
  • 00:01:19
    and download the tablature and get the
  • 00:01:21
    mp3 jam tracks which i have in multiple
  • 00:01:23
    tempos
  • 00:01:24
    you can get all of those learning assets
  • 00:01:26
    by going to activemelody.com
  • 00:01:28
    go to the weekly lessons page and do a
  • 00:01:31
    search for ep373
  • 00:01:35
    alright so jj kale is one of my favorite
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    all-time guitar players because he's so
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    laid back and chill and that's what i
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    called this this week because it's kind
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    of this laid back it creates a type of
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    mood and i think of tony jo
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    white in the same way another guitar
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    player songwriter
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    that just creates a the kind of thing
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    you could listen to
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    intently if you wanted to or you could
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    just have it going in the background
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    and it's going to work in both scenarios
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    it's just emotional music
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    and that's why guys like uh you know i
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    look at
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    bb king or bonnie rate these sort of
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    household names
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    why they're so much more popular they
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    resonate with much more people
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    than say um larry carlton you know larry
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    carlton's a great player very technical
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    but not a household name not in the same
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    way that bibi or bonnie
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    is they're all great players but
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    what to me like bb and bonnie are more
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    emotional and that's what i get when i
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    when i listen to um the simplicity of jj
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    kale and what he's doing it's just a
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    cool vibe
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    and so i wanted to recreate that this
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    week i wrote the jam track and i
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    just sort of made up a lead on top of it
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    and so let me walk you through
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    um what i did at least my thought
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    process for playing this lead
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    it's not as advanced as you might think
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    so i started with the
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    the two chords we're going to be playing
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    over which is a d minor
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    and a g it goes back and forth between
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    the d minor and the g or g7
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    so you got a minor chord
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    and a major chord notice i threw in that
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    c chord in there as well
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    that's just a transition to get you
  • 00:03:08
    between those two but it's really the d
  • 00:03:10
    minor and the g
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    we're going to be playing over so the
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    first thing i had to do was figure out
  • 00:03:14
    where to start where where's my home
  • 00:03:16
    base with this when i hear those two
  • 00:03:18
    chords well
  • 00:03:18
    i always always 100 of the time i start
  • 00:03:21
    with the pentatonic scales
  • 00:03:23
    and i know i'll probably be knocked for
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    that from
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    you know some guitar players that are
  • 00:03:28
    more advanced but to me it's the best
  • 00:03:30
    foundation to start something for
  • 00:03:32
    especially when it comes to playing lead
  • 00:03:33
    when you're improvising
  • 00:03:35
    i always look at the the pentatonix
  • 00:03:37
    first as my framework it's sort of my
  • 00:03:39
    rough sketch if you're doing a drawing
  • 00:03:41
    that's your rough sketch you can color
  • 00:03:42
    it in later but
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    it gets me in the ballpark and so that's
  • 00:03:46
    how i think about
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    lead plane so i knew that first chord
  • 00:03:49
    was a d minor so i went right to the d
  • 00:03:51
    minor pentatonic scale now what i want
  • 00:03:53
    to do i'm going to play along i'm going
  • 00:03:54
    to put the jam track on
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    and i'm just going to play up and down
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    the scale the d minor pentatonic scale
  • 00:03:59
    by the way we're going to be
  • 00:04:00
    in pattern one just to keep it simple so
  • 00:04:03
    that would be
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    if you're playing your d chord up here
  • 00:04:06
    your your bar would be on the tenth fret
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    this is your d minor pentatonic scale
  • 00:04:12
    pattern one i go through all five
  • 00:04:14
    patterns in the blues lead course
  • 00:04:16
    uh if you're a premium member you have
  • 00:04:18
    access to that but this is pattern one
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    now let me play along and i'll just go
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    up and down the scale and show you how
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    we can add two notes to that
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    here we go
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    it doesn't sound very good at all right
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    [Music]
  • 00:04:37
    i'm just going up and down the scale
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    [Music]
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    but you can see that even with those two
  • 00:04:42
    chords that works now watch when i add
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    this
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    that note right there twelfth fret first
  • 00:04:48
    string
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    [Music]
  • 00:04:51
    let's add one more twelfth fret second
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    string
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    so now
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    [Music]
  • 00:05:00
    all right so i've added two notes
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    [Music]
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    there's the same note again but it's an
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    octave lower so now we're on the ninth
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    fret third string
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    and the ninth fret fourth string so
  • 00:05:11
    these two notes are the same as
  • 00:05:13
    these two notes but adding those two
  • 00:05:16
    notes to your
  • 00:05:16
    minor pentatonic scale now you have this
  • 00:05:19
    sophisticated sounding scale that has
  • 00:05:21
    shared notes between those two chords
  • 00:05:24
    now how did i come up with those notes
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    well i'll be honest with you
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    i just noodled around a little bit i
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    know that it's going to be
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    either this note or this note
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    you know it's going to be one of those
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    two notes in between these two
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    notes i know i can add one there and
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    then same thing between these two notes
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    there's going to be one of these two
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    notes it's going to work and depending
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    on which
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    notes i choose puts me in a different
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    scale for different
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    tonalities so i had to so i just sort of
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    did that very quickly i was not thinking
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    about it and very quickly i was playing
  • 00:05:57
    that
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    um that scale all right so let me just
  • 00:05:59
    go off on a tangent just for a minute
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    here
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    uh and just talk about the theory that's
  • 00:06:03
    going on just because it's kind of
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    interesting for those of you that are
  • 00:06:06
    into that
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    if you're not just bear with me we'll
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    get into the the emotional playing here
  • 00:06:10
    in just a minute
  • 00:06:11
    but one of the things i when i was
  • 00:06:12
    playing those two extra notes there
  • 00:06:15
    in the d uh minor pentatonic scale i
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    thought that we were just playing d
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    minor but then as i analyzed it i
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    realized no that's not d
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    minor scale that's d dorian mode so this
  • 00:06:28
    is d dorian well i was thinking wait
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    dorian why would that work
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    over the g chord and then i realized
  • 00:06:36
    wait d
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    dorian is exactly the same scale as g
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    mixolydian
  • 00:06:40
    g mixolydian and d dorian are the same
  • 00:06:43
    scale they have the same exact notes
  • 00:06:46
    so that led me to kind of think about
  • 00:06:48
    this a little further and then i thought
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    wait a minute d
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    dorian so dorian is the second interval
  • 00:06:52
    in if
  • 00:06:53
    in the c major scale so your one chord
  • 00:06:57
    would be a c
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    right the two chord would be a d minor
  • 00:07:01
    which would be your that's where the
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    dorian thing comes from so then i went
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    up the scale one two three four
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    five the five is the is g
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    and the c major scale so that's in
  • 00:07:12
    actual fact you're playing this
  • 00:07:13
    in the key of c now the crazy thing is
  • 00:07:16
    yes that's d
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    dorian mode and yes it's g uh mixolydian
  • 00:07:20
    mode
  • 00:07:21
    but in actual fact all of this is the c
  • 00:07:24
    major scale
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    mind blown that blew my mind i don't
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    know i don't know why but i mean
  • 00:07:30
    some of you would be like okay yeah duh
  • 00:07:32
    but to me that was pretty interesting so
  • 00:07:34
    really
  • 00:07:36
    all of this is just the c major scale
  • 00:07:40
    it's just starting on a different note
  • 00:07:41
    so you could play the c major scale over
  • 00:07:43
    this entire thing and it's going to
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    sound great over the d
  • 00:07:46
    minor part and over the g part all right
  • 00:07:48
    so that's the theory
  • 00:07:49
    i just wanted to kind of share that
  • 00:07:50
    because i thought it was interesting
  • 00:07:52
    let's get back to the
  • 00:07:53
    what i actually played then so we're not
  • 00:07:56
    going to be thinking about that i didn't
  • 00:07:57
    think about
  • 00:07:58
    c at all when i played this i thought
  • 00:08:00
    about d
  • 00:08:01
    minor pentatonic scale and i went
  • 00:08:04
    right
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    [Music]
  • 00:08:09
    that's the first two licks that we're
  • 00:08:10
    going to learn so we're
  • 00:08:13
    down here in pattern four
  • 00:08:16
    of the minor pentatonic scale for d
  • 00:08:19
    and i'm i'm using my fingers for this
  • 00:08:21
    i'm not i didn't use a pick you can use
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    a pick if you want i just
  • 00:08:24
    i was kind of trying for that i watched
  • 00:08:26
    jj playing he uses his finger so i was
  • 00:08:28
    trying to
  • 00:08:28
    emulate that but anyway i'm gonna slide
  • 00:08:31
    from the fifth fret to the seventh fret
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    on the fourth string
  • 00:08:34
    [Music]
  • 00:08:35
    fifth fret third string seventh fret
  • 00:08:38
    third string a little box here
  • 00:08:39
    [Music]
  • 00:08:42
    and i love little boxes like that
  • 00:08:44
    there's another one
  • 00:08:44
    [Music]
  • 00:08:47
    on the sixth fifth and fourth string
  • 00:08:49
    here down here between the third
  • 00:08:51
    and the fifth fret because you've got
  • 00:08:53
    with boxes
  • 00:08:57
    it just makes it very easy to pull licks
  • 00:09:00
    from them because you can visualize them
  • 00:09:01
    and it's it's
  • 00:09:02
    easy it's not like a strange shape
  • 00:09:05
    okay that's the first thing we learned
  • 00:09:08
    then i go into it again i went
  • 00:09:10
    [Music]
  • 00:09:12
    and played the same box but then i went
  • 00:09:14
    to the sixth fret second string
  • 00:09:17
    and then a quick pull off between the
  • 00:09:19
    seventh fret and the fifth fret on the
  • 00:09:21
    third string
  • 00:09:22
    and then a hammer on to the seventh fret
  • 00:09:24
    fourth string so let me play along with
  • 00:09:26
    the slow version of the jam track so
  • 00:09:28
    that you can hear that in context
  • 00:09:30
    one two three four
  • 00:09:39
    [Music]
  • 00:09:43
    all right so after that i went
  • 00:09:49
    so i'm up here on the eighth fret second
  • 00:09:51
    string fifth fret second string
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    sixth fret second string seventh fret
  • 00:09:57
    third string
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    so it's just sort of a staggered effect
  • 00:10:02
    and you find that quite a bit when
  • 00:10:03
    you're
  • 00:10:04
    trying to come up with different
  • 00:10:05
    patterns for playing your instead of
  • 00:10:07
    just playing up and down the scale
  • 00:10:09
    sometimes it's good to find a pattern
  • 00:10:10
    that's kind of what i was doing here
  • 00:10:14
    and then i went fifth fret third string
  • 00:10:16
    seventh fret fourth string
  • 00:10:18
    back to the fifth fret third string and
  • 00:10:20
    then watch this
  • 00:10:22
    this one note is pulling us into the g
  • 00:10:25
    that's the b
  • 00:10:25
    note which is right in that chord that's
  • 00:10:29
    why
  • 00:10:31
    i went there i could hear it
  • 00:10:33
    [Music]
  • 00:10:37
    right i could hear that that i wanted to
  • 00:10:39
    pull into that g
  • 00:10:40
    chord but that note is still in the
  • 00:10:43
    c major scale
  • 00:10:46
    right it's also in the d um dorian mode
  • 00:10:50
    and the g mixolydian mode same same
  • 00:10:52
    scale for all three of those
  • 00:10:53
    all right so while we're in g i went
  • 00:10:55
    [Music]
  • 00:10:57
    and that's just playing out of the chord
  • 00:10:59
    shape so at this point i'm actually
  • 00:11:00
    playing the changes
  • 00:11:02
    i played the g triad there because i
  • 00:11:04
    knew that g uh
  • 00:11:05
    chord was going on here's something you
  • 00:11:07
    might try to practice is to get good at
  • 00:11:09
    it
  • 00:11:10
    play along with the jam track but every
  • 00:11:12
    time it comes to the g chord
  • 00:11:14
    try playing like a g triad in different
  • 00:11:16
    positions this is a good
  • 00:11:17
    practice because you can just pick the
  • 00:11:18
    three notes you could go
  • 00:11:21
    right find them in different spots but
  • 00:11:24
    see if you can see if you can pull those
  • 00:11:26
    notes out of it just as the g
  • 00:11:27
    passes by you know just try it over and
  • 00:11:29
    over again so
  • 00:11:30
    [Music]
  • 00:11:31
    we played that g triad there then i slid
  • 00:11:35
    up to the eighth fret
  • 00:11:37
    second string which is just matching the
  • 00:11:39
    note we played okay so then the song
  • 00:11:42
    goes back to the d
  • 00:11:43
    minor and i went right i pulled the
  • 00:11:47
    notes right out of the chord
  • 00:11:48
    it's just your d minor chord but i
  • 00:11:50
    played strings one two and three
  • 00:11:52
    instead of making the full chord with
  • 00:11:54
    the bar i just made the chord shape like
  • 00:11:56
    this the triad
  • 00:11:58
    fifth fret first string sixth fret
  • 00:12:00
    second string seventh fret third string
  • 00:12:04
    and then i just went to another voicing
  • 00:12:06
    of the d chord
  • 00:12:08
    i'm sorry of the d minor chord so
  • 00:12:09
    there's your d minor there i was
  • 00:12:11
    thinking where's another one oh yeah
  • 00:12:12
    there's one up here
  • 00:12:14
    and so that's what i did i did i went i
  • 00:12:17
    went
  • 00:12:19
    came up there it's got kind of a triplet
  • 00:12:20
    feel one two three
  • 00:12:23
    so once i played the triplet i'm in
  • 00:12:26
    position now
  • 00:12:27
    to play in the d minor pentatonic scale
  • 00:12:29
    pattern one
  • 00:12:30
    [Music]
  • 00:12:31
    right so any of those minor pentatonic
  • 00:12:34
    scale pattern one licks are going to
  • 00:12:35
    work fine here too
  • 00:12:36
    so just remember this you don't have to
  • 00:12:38
    play that dorian mode you don't have to
  • 00:12:39
    play those extra two notes that i showed
  • 00:12:41
    you
  • 00:12:41
    you can to color it a little more
  • 00:12:44
    differently
  • 00:12:45
    but you don't have to so i went
  • 00:12:49
    so that's 13th fret second string down
  • 00:12:52
    to the 10th fret 2nd string
  • 00:12:54
    and then i did a quick slide from the
  • 00:12:56
    13th fret 3rd string down to the 12th
  • 00:12:58
    fret
  • 00:12:59
    so yeah
  • 00:13:02
    quick slide down and then there's a
  • 00:13:05
    hammer
  • 00:13:06
    on that so i'm going to bar there the
  • 00:13:07
    first three strings
  • 00:13:09
    on that uh 10th fret i'm going to play
  • 00:13:11
    the third string
  • 00:13:13
    hammer onto the 12th fret and then the
  • 00:13:16
    10th fret second string and then back to
  • 00:13:19
    the 12th fret third string so we have
  • 00:13:25
    i think i had to conclude that like i
  • 00:13:27
    want a pull off
  • 00:13:29
    and down to the 12th fret 4 string let
  • 00:13:32
    me back up i'll play along with the slow
  • 00:13:33
    version of the jam track
  • 00:13:35
    again up to that from the beginning up
  • 00:13:37
    to that point so we can put it in
  • 00:13:38
    context
  • 00:13:39
    one two three four
  • 00:13:49
    [Music]
  • 00:13:57
    [Music]
  • 00:14:12
    all right so hopefully you're seeing
  • 00:14:13
    that most of what i'm playing is just
  • 00:14:15
    minor pentatonic
  • 00:14:16
    scale stuff but i've got those extra
  • 00:14:18
    notes that i can work in and i do in a
  • 00:14:19
    few spots
  • 00:14:20
    i would encourage you to play along with
  • 00:14:23
    the jam track and just try and play
  • 00:14:25
    through that scale
  • 00:14:28
    it's in all your five positions of your
  • 00:14:30
    pentatonix just add those two extra
  • 00:14:32
    notes you can work that out
  • 00:14:33
    and just you know you can start to come
  • 00:14:35
    up with some pretty cool sounding stuff
  • 00:14:37
    okay so after the so
  • 00:14:43
    after that i went
  • 00:14:44
    [Music]
  • 00:14:48
    and that's actually where we're going to
  • 00:14:49
    wrap up this lesson i'll show you or
  • 00:14:51
    this part one rather
  • 00:14:53
    i'm going to show you this leg
  • 00:14:58
    so what i'm doing there is the the
  • 00:14:59
    classic blues lick so i've got the
  • 00:15:01
    strings one and two barred here on the
  • 00:15:03
    10th fret and i'm going to
  • 00:15:05
    play the 12th fret third string full
  • 00:15:08
    bend with i use my thumb for that
  • 00:15:10
    and then strings two and then string one
  • 00:15:13
    so you have and then you're back to the
  • 00:15:16
    second string and then
  • 00:15:20
    a full bend on the 13th fret second
  • 00:15:22
    string
  • 00:15:23
    [Music]
  • 00:15:24
    and then back to that 10th fret first
  • 00:15:27
    string so all together slowly
  • 00:15:32
    and then i did this lick
  • 00:15:35
    now i got this from jerry garcia he does
  • 00:15:38
    this quite a bit these little series of
  • 00:15:40
    pull-offs
  • 00:15:41
    so while i've got my index finger on the
  • 00:15:43
    10th fret first string
  • 00:15:44
    i'm going to come up here with my ring
  • 00:15:46
    finger to the 12th fret first string
  • 00:15:49
    and then i put my middle finger on the
  • 00:15:50
    11th fret first string so that i can do
  • 00:15:52
    this
  • 00:15:53
    series of pull-offs so just practice
  • 00:15:56
    that
  • 00:15:59
    and then we're going to come down and do
  • 00:16:00
    a hammer-on to the
  • 00:16:02
    13th fret second string
  • 00:16:05
    so all together yeah
  • 00:16:08
    [Music]
  • 00:16:10
    all right so let me play through that
  • 00:16:12
    slowly so we have
  • 00:16:13
    [Music]
  • 00:16:17
    after that we're back to the 10th fret
  • 00:16:19
    first string and then
  • 00:16:21
    back to the 13th fret second string
  • 00:16:25
    and then i wrapped it up there on the
  • 00:16:26
    10th fret second string
  • 00:16:30
    so you have
  • 00:16:31
    [Music]
  • 00:16:35
    one two three four
  • 00:16:53
    [Music]
  • 00:17:13
    now that's as far as we're gonna get in
  • 00:17:15
    this part one video and i want you to
  • 00:17:17
    take these licks
  • 00:17:18
    and really practice playing them along
  • 00:17:20
    with both the slow version of the jam
  • 00:17:22
    track
  • 00:17:22
    and the up tempo version just kind of
  • 00:17:25
    get get your
  • 00:17:26
    get get the feel for it and then start
  • 00:17:28
    strain from that and see what you can
  • 00:17:30
    come up with now that you understand the
  • 00:17:31
    scales that are being used
  • 00:17:33
    and and how everything is tied back to
  • 00:17:36
    the pentatonix all right so that wraps
  • 00:17:37
    up part one i'll see you in part two
  • 00:17:39
    where we'll cover the rest of this and
  • 00:17:41
    if you're not a premium member look into
  • 00:17:42
    it it's extremely affordable you have
  • 00:17:44
    access to jam tracks
  • 00:17:46
    tablature all of the lesson materials
  • 00:17:48
    and i have
  • 00:17:49
    over 370 of them and there's a new one
  • 00:17:52
    every week so it's definitely worth
  • 00:17:54
    looking into
Tag
  • guitare
  • leçon
  • JJ Cale
  • Tony Joe White
  • émotion
  • pentatonique
  • D mineur
  • G
  • improvisation
  • musicalité