The Infinite Pattern That Never Repeats

00:21:11
https://www.youtube.com/watch?v=48sCx-wBs34

Sintesi

TLDRThis video delves into a historical and scientific journey that intertwines the fields of geometry, mathematics, and materials science. It begins with the story of Johannes Kepler, an influential scientist who initially attempted to model planetary orbits using geometric shapes known as Platonic solids. Kepler's fascination with geometry extended beyond space, leading to his conjecture on the efficient packing of cannonballs, which took centuries to prove. The video then explores the intriguing world of aperiodic tilings, primarily focusing on Penrose tiles, which consist of non-repeating patterns that challenged existing symmetry concepts. Roger Penrose developed a method to tile a plane using only two shapes non-periodically, giving rise to an almost fivefold symmetry, an idea long deemed impossible. This mathematical innovation eventually influenced the discovery of quasi-crystals, materials that showcase unique aperiodic structures as observed by Dan Schechtman. Though initially controversial, these quasi-crystals were later validated and have practical applications in various fields. The narrative illustrates how perceptions of impossibility can evolve into groundbreaking discoveries, prompting reconsideration of established scientific beliefs. The video is partially sponsored by LastPass, offering a reminder on the importance of securing online accounts.

Punti di forza

  • 🔬 Kepler is known for discovering elliptical planetary orbits.
  • 🔵 Platonic solids influenced Kepler's solar system model.
  • 📏 Kepler's conjecture on sphere packing was proven after 400 years.
  • 🔶 Penrose tilings show the possibility of aperiodic tiling.
  • 🧩 Penrose reduced complex tiling to two shapes: thick and thin rhombus.
  • 🔺 The golden ratio emerges naturally in Penrose tilings.
  • ⚛️ Quasi-crystals exhibit aperiodic structures like Penrose tilings.
  • 🏆 Dan Shechtman won the Nobel Prize for discovering quasi-crystals.
  • 📐 Traditional symmetry ideas were challenged by non-periodic patterns.
  • 🌐 LastPass offers solutions for better online security and password management.

Linea temporale

  • 00:00:00 - 00:05:00

    The video discusses Johannes Kepler's revolutionary ideas in geometry and astronomy, focusing on his model of the solar system based on nested spheres separated by platonic solids. Kepler believed in a geometric order to the universe, demonstrated by his insights into planetary orbits and efficient sphere packing, known as Kepler's Conjecture. His work also touched on the hexagonal shape of snowflakes, hinting at atomic and molecular self-arrangement long before modern atomic theory.

  • 00:05:00 - 00:10:00

    The narrative transitions from Kepler's geometrical theories to the complexity of tiling patterns. It highlights the work of mathematicians who discovered aperiodic tilings, challenging the assumption that periodicity is necessary for infinite tiling. The discovery by Robert Berger of a complex set of tiles that could only tile non-periodically sets the stage for Roger Penrose's advancements, leading to the famous Penrose tiles comprising just two shapes that demonstrate a novel form of symmetry and non-repeating pattern over infinite space.

  • 00:10:00 - 00:15:00

    The exploration of Penrose tilings continues, illustrating how these non-periodic patterns embody the golden ratio and possess inherent five-fold symmetry. Despite appearing regular, these patterns never repeat, challenging perceptions of symmetry and periodicity. The section covers innovations in design using Penrose tiles and emphasises their mathematical intrigue through examples of kite and dart patterns. This serves as a segue into discussing the potential existence of physical analogs for these patterns in crystalline structures, yet to be discovered at the time.

  • 00:15:00 - 00:21:11

    The final segment ties the mathematical exploration of Penrose tiles to real-world applications and discoveries, such as quasi-crystals, which blur the lines between mathematical abstraction and natural phenomena. Initially dismissed, quasi-crystals were eventually recognized and led to a Nobel Prize achievement. This part emphasizes the continuously evolving understanding of material sciences and the unforeseen patterns present in nature, encouraging an openness to what might lie beyond current scientific 'possibilities' and advocating for innovative thought in both theoretical and applied science.

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Domande frequenti

  • Who sponsored a portion of the video?

    LastPass sponsored a portion of the video.

  • Where does the story in the video begin?

    The story begins over 400 years ago in Prague.

  • What was Johannes Kepler famous for?

    Kepler is famous for his realization that planetary orbits are ellipses.

  • What is the significance of Penrose tilings?

    Penrose tilings showcase aperiodic patterns that can only tile the plane non-periodically, challenging traditional views on symmetry and patterns.

  • What are quasi-crystals?

    Quasi-crystals are materials that exhibit aperiodic structures and unusual symmetries, first found by Dan Schechtman.

  • How did Kepler contribute to understanding stacking of spheres?

    Kepler conjectured that hexagonal close packing and face-centered cubic arrangements are the most efficient, which was later proven.

  • What do Penrose tiles demonstrate about symmetry?

    Penrose tiles demonstrate that non-periodic tiling is possible, defying traditional symmetry concepts, with an almost five-fold symmetry.

  • How are quasi-crystals related to Penrose tilings?

    Quasi-crystals are considered a 3D analog of Penrose tilings with a unique aperiodic structure.

  • What is the golden ratio's role in Penrose tilings?

    The ratio of kites to darts in Penrose tilings approaches the golden ratio, indicating its aperiodic nature.

  • What was the general reaction to the discovery of quasi-crystals?

    The discovery of quasi-crystals was met with skepticism but eventually gained recognition, with Daniel Shechtman receiving a Nobel Prize for his work.

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Scorrimento automatico:
  • 00:00:00
    a portion of this video was sponsored by
  • 00:00:02
    lastpass
  • 00:00:04
    this video is about a pattern people
  • 00:00:06
    thought was impossible
  • 00:00:07
    and a material that wasn't supposed to
  • 00:00:10
    exist
  • 00:00:11
    the story begins over 400 years ago
  • 00:00:14
    in prague i'm now in prague and the
  • 00:00:17
    czech republic which is perhaps my
  • 00:00:18
    favorite european city that i've visited
  • 00:00:20
    so far
  • 00:00:21
    i'm going to visit the kepler museum
  • 00:00:22
    because he's one of the most famous
  • 00:00:24
    scientists who lived and worked around
  • 00:00:26
    prague
  • 00:00:27
    i want to tell you five things about
  • 00:00:28
    johannes kepler
  • 00:00:30
    that are essential to our story
  • 00:00:33
    number one kepler is most famous for
  • 00:00:36
    figuring out that the shapes of
  • 00:00:37
    planetary orbits are
  • 00:00:38
    ellipses but before he came to this
  • 00:00:41
    realization
  • 00:00:42
    he invented a model of the solar system
  • 00:00:44
    in which the planets were on nested
  • 00:00:46
    spheres
  • 00:00:47
    separated by the platonic solids
  • 00:00:51
    what are the platonic solids well they
  • 00:00:54
    are objects where
  • 00:00:55
    all of the faces are identical and all
  • 00:00:58
    of the vertices
  • 00:00:59
    are identical which means you can rotate
  • 00:01:01
    them through some
  • 00:01:02
    angle and they look the same as they did
  • 00:01:05
    before
  • 00:01:06
    so the cube is an obvious example then
  • 00:01:09
    you also have
  • 00:01:10
    the tetrahedron the octahedron
  • 00:01:15
    the dodecahedron which has 12 pentagonal
  • 00:01:18
    sides
  • 00:01:19
    and the icosahedron which has 20 sides
  • 00:01:22
    and that's it there are just five
  • 00:01:25
    platonic solids
  • 00:01:26
    which was convenient for kepler because
  • 00:01:28
    in his day they only knew
  • 00:01:30
    about six planets so this allowed him to
  • 00:01:32
    put a unique platonic solid between
  • 00:01:34
    each of the planetary spheres
  • 00:01:36
    essentially he used them as spacers
  • 00:01:39
    he carefully selected the order of the
  • 00:01:41
    platonic solids
  • 00:01:42
    so that the distances between planets
  • 00:01:44
    would match astronomical observations as
  • 00:01:46
    closely as possible
  • 00:01:48
    he had this deep abiding belief that
  • 00:01:50
    there was some geometric regularity in
  • 00:01:52
    the universe
  • 00:01:54
    and of course there is just not this
  • 00:01:57
    two kepler's attraction to geometry
  • 00:01:59
    extended to more practical questions
  • 00:02:01
    like
  • 00:02:02
    how do you stack cannonballs so they
  • 00:02:04
    take up the least space on a ship's deck
  • 00:02:06
    by 1611 kepler had an answer hexagonal
  • 00:02:10
    close packing
  • 00:02:11
    and the face centered cubic arrangement
  • 00:02:13
    are both equivalently
  • 00:02:15
    and optimally efficient with cannonballs
  • 00:02:17
    occupying about 74 percent of the volume
  • 00:02:20
    they take up
  • 00:02:21
    now this might seem like the obvious way
  • 00:02:22
    to stack spheres i mean it is the way
  • 00:02:24
    that oranges
  • 00:02:25
    are stacked in the supermarket but
  • 00:02:28
    kepler hadn't proved it he just
  • 00:02:29
    stated it as fact which is why this
  • 00:02:32
    became known as kepler's conjecture
  • 00:02:35
    now it turns out he was right but it
  • 00:02:37
    took around
  • 00:02:38
    400 years to prove it the formal proof
  • 00:02:41
    was only published in the journal form
  • 00:02:42
    of mathematics
  • 00:02:43
    in 2017. three
  • 00:02:46
    kepler published his conjecture in a
  • 00:02:48
    pamphlet called deniva sexangula
  • 00:02:51
    on the six cornered snowflake in which
  • 00:02:54
    he wondered
  • 00:02:55
    there must be a definite cause why
  • 00:02:56
    whenever snow begins to fall
  • 00:02:58
    its initial formations invariably
  • 00:03:00
    display the shape of a six cornered
  • 00:03:02
    starlet
  • 00:03:03
    for if it happens by chance why do they
  • 00:03:05
    not fall just as well with five corners
  • 00:03:07
    or with seven
  • 00:03:08
    why always with six in kepler's day
  • 00:03:12
    there was no real theory of atoms or
  • 00:03:14
    molecules or how they self-arrange into
  • 00:03:16
    crystals
  • 00:03:17
    but kepler seemed to be on the verge of
  • 00:03:19
    understanding this
  • 00:03:21
    i mean he speculates about the smallest
  • 00:03:23
    natural unit of a liquid like water
  • 00:03:26
    essentially a water molecule and how
  • 00:03:28
    these tiny units could
  • 00:03:30
    stack together mechanically to form the
  • 00:03:32
    hexagonal crystal
  • 00:03:34
    not unlike the hexagonal close-packed
  • 00:03:36
    cannonballs
  • 00:03:39
    four kepler knew that regular hexagons
  • 00:03:42
    can cover a flat surface perfectly with
  • 00:03:44
    no gaps in mathematical jargon we say
  • 00:03:47
    the hexagon tiles the plane
  • 00:03:49
    periodically you know that a tiling is
  • 00:03:51
    periodic
  • 00:03:52
    if you can duplicate a portion of it and
  • 00:03:54
    continue the pattern only through
  • 00:03:56
    translation
  • 00:03:57
    with no rotations or reflections
  • 00:04:00
    periodic tilings can also have
  • 00:04:02
    rotational symmetry
  • 00:04:03
    a rhombus pattern has twofold symmetry
  • 00:04:05
    because if you rotate it 180 degrees one
  • 00:04:08
    half turn
  • 00:04:09
    the pattern looks the same as it did
  • 00:04:11
    before equilateral triangles have
  • 00:04:13
    three-fold symmetry
  • 00:04:15
    squares have four-fold symmetry and
  • 00:04:19
    hexagons have six-fold symmetry but
  • 00:04:22
    those
  • 00:04:22
    are the only symmetries you can have two
  • 00:04:26
    three four and six there is
  • 00:04:29
    no fivefold symmetry regular pentagons
  • 00:04:32
    do not tile the plane but that didn't
  • 00:04:35
    stop kepler from trying
  • 00:04:36
    see this pattern right here he published
  • 00:04:39
    it in his book harmonics mundi or
  • 00:04:42
    harmony of the world it has a certain
  • 00:04:44
    five-fold symmetry
  • 00:04:46
    but not exactly and it's not entirely
  • 00:04:50
    clear
  • 00:04:50
    how you would continue this pattern to
  • 00:04:53
    tile the whole plane
  • 00:04:56
    there are an infinite number of shapes
  • 00:04:58
    that can tile the plane periodically
  • 00:05:00
    the regular hexagon can only tile the
  • 00:05:03
    plane periodically
  • 00:05:04
    there are also an infinite number of
  • 00:05:06
    shapes that can tile the plane
  • 00:05:07
    periodically
  • 00:05:08
    or non-periodically for example
  • 00:05:11
    isosceles triangles can tile the plane
  • 00:05:13
    periodically
  • 00:05:14
    but if you rotate a pair of triangles
  • 00:05:17
    well then the pattern is no longer
  • 00:05:18
    perfectly periodic
  • 00:05:20
    a sphinx tile can join with another
  • 00:05:23
    rotate it at 180 degrees
  • 00:05:25
    and tile the plane periodically but a
  • 00:05:27
    different arrangement of these
  • 00:05:29
    same tiles is non-periodic
  • 00:05:32
    this raises the question are there some
  • 00:05:34
    tiles that can
  • 00:05:35
    only tile the plane non-periodically
  • 00:05:38
    well in 1961 how wang was studying
  • 00:05:42
    multi-colored square tiles the rules
  • 00:05:45
    were
  • 00:05:45
    touching edges must be the same color
  • 00:05:47
    and you can't rotate or reflect tiles
  • 00:05:50
    only slide them around now the question
  • 00:05:52
    was
  • 00:05:53
    if you're given a set of these tiles can
  • 00:05:55
    you tell
  • 00:05:56
    if they will tile the plane wang's
  • 00:05:58
    conjecture
  • 00:05:59
    was that if they can tile the plane well
  • 00:06:01
    they can do so periodically
  • 00:06:04
    but it turned out wang's conjecture was
  • 00:06:07
    false
  • 00:06:07
    his student robert berger found a set of
  • 00:06:10
    20
  • 00:06:11
    426 tiles that could tile the plane
  • 00:06:15
    but only non-periodically
  • 00:06:18
    think about that for a second here we
  • 00:06:20
    have a finite set of tiles okay it's a
  • 00:06:22
    large number
  • 00:06:23
    but it's finite and it can tile all the
  • 00:06:26
    way out to infinity
  • 00:06:28
    without ever repeating the same pattern
  • 00:06:31
    there's no way even to force them to
  • 00:06:33
    tile periodically
  • 00:06:35
    and a set of tiles like this that can
  • 00:06:37
    only tile the plane
  • 00:06:39
    non-periodically is called an aperiodic
  • 00:06:42
    tiling
  • 00:06:43
    and mathematicians wanted to know were
  • 00:06:45
    there aperiodic tilings that required
  • 00:06:48
    fewer tiles well robert berger himself
  • 00:06:51
    found a set with only 104 donald knuth
  • 00:06:54
    got the number down to 92
  • 00:06:56
    and then in 1969 you had raphael
  • 00:06:59
    robinson who came up with
  • 00:07:00
    six tiles just six that could tile the
  • 00:07:04
    entire plane without ever repeating
  • 00:07:07
    then along came roger penrose who would
  • 00:07:09
    ultimately get the number down to two
  • 00:07:14
    penrose started with a pentagon he added
  • 00:07:17
    other pentagons around it
  • 00:07:18
    and of course noticed the gaps but this
  • 00:07:21
    new shape
  • 00:07:21
    could fit within a larger pentagon which
  • 00:07:25
    gave penrose an idea what if he took the
  • 00:07:27
    original pentagons
  • 00:07:29
    and broke them into smaller pentagons
  • 00:07:32
    well now some of the gaps start
  • 00:07:34
    connecting up into
  • 00:07:35
    rhombus shapes other gaps have three
  • 00:07:38
    spikes
  • 00:07:39
    but penrose didn't stop there he
  • 00:07:41
    subdivided the pentagons again
  • 00:07:43
    now some of the gaps are large enough
  • 00:07:45
    that you can use pentagons to fill in
  • 00:07:47
    part of them
  • 00:07:48
    and the remaining holes you're left with
  • 00:07:50
    are just rhombuses
  • 00:07:51
    stars and a fraction of a star that
  • 00:07:53
    penrose calls a justice cap
  • 00:07:55
    you can keep subdividing indefinitely
  • 00:07:58
    and you will only ever find
  • 00:08:00
    these shapes so with just these pieces
  • 00:08:03
    you can tile the plane
  • 00:08:04
    aperiodically with an almost five-fold
  • 00:08:08
    symmetry
  • 00:08:10
    the fifth thing about johannes kepler is
  • 00:08:12
    that if you take his pentagon pattern
  • 00:08:14
    and you overlay it on top of penrose's
  • 00:08:18
    the two match up perfectly
  • 00:08:20
    [Music]
  • 00:08:22
    once penrose had his pattern he found
  • 00:08:25
    ways to simplify the tiles
  • 00:08:27
    he distilled the geometry down to just
  • 00:08:29
    two tiles a thick rhombus
  • 00:08:31
    and a thin rhombus the rules for how
  • 00:08:34
    they can come together can be enforced
  • 00:08:36
    by bumps and notches
  • 00:08:38
    or by matching colors and the rules
  • 00:08:40
    ensure that these
  • 00:08:41
    two single tiles can only tile the plane
  • 00:08:44
    non-periodically
  • 00:08:46
    just two tiles go all the way out to
  • 00:08:48
    infinity without
  • 00:08:49
    ever repeating now one way to see this
  • 00:08:52
    is to print up two copies of the same
  • 00:08:55
    penrose pattern
  • 00:08:56
    and one on a transparency and overlay
  • 00:08:59
    them on top of each other
  • 00:09:00
    now the resulting interference you get
  • 00:09:02
    is called a moire
  • 00:09:04
    pattern where it is dark the patterns
  • 00:09:07
    are
  • 00:09:07
    not aligned you can see there are
  • 00:09:10
    also some light spots and that's where
  • 00:09:12
    the patterns do
  • 00:09:13
    match up and as i rotate around you can
  • 00:09:16
    see the
  • 00:09:18
    light spots move in and get smaller and
  • 00:09:20
    then at a certain point
  • 00:09:22
    they move out and get bigger
  • 00:09:25
    and what i want to do is try to enlarge
  • 00:09:28
    one of these bright spots
  • 00:09:29
    and see how big of a matching section i
  • 00:09:32
    can find
  • 00:09:35
    oh yes yes it's like
  • 00:09:38
    all of a sudden everything is
  • 00:09:40
    illuminated i love it
  • 00:09:44
    so these patterns are perfectly matching
  • 00:09:46
    up here here here here and here but
  • 00:09:49
    not along these radial lines
  • 00:09:52
    and that is why they look dark so what
  • 00:09:55
    this shows us
  • 00:09:56
    is that you can't ever match any section
  • 00:09:59
    perfectly to one
  • 00:10:00
    beneath it there will always be some
  • 00:10:03
    difference
  • 00:10:05
    so my favorite penrose pattern is
  • 00:10:08
    actually made out of
  • 00:10:09
    these two shapes which are called kites
  • 00:10:13
    and darts and they have these very
  • 00:10:15
    particular angles
  • 00:10:17
    and the way they're meant to match up is
  • 00:10:19
    based on these two curves you can see
  • 00:10:21
    there's a curve on each piece
  • 00:10:23
    and so you have to connect them so that
  • 00:10:25
    the curves are continuous
  • 00:10:27
    and that's the rule that allows you to
  • 00:10:28
    build an aperiodic tiling from these two
  • 00:10:32
    pieces
  • 00:10:33
    so uh i laser cut thousands
  • 00:10:37
    of these pieces and oh i'm gonna
  • 00:10:40
    try to put them together and make a huge
  • 00:10:43
    penrose oh man
  • 00:10:46
    come on
  • 00:10:50
    if you stare at a pattern of kites and
  • 00:10:52
    darts you'll start to notice all kinds
  • 00:10:54
    of
  • 00:10:55
    regularities like stars and suns
  • 00:10:59
    but look closer and they don't quite
  • 00:11:01
    repeat in the way you'd expect them to
  • 00:11:06
    these two tiles create an ever-changing
  • 00:11:08
    pattern that extends out to infinity
  • 00:11:10
    without repeating does this mean
  • 00:11:14
    there is only one pattern of kites and
  • 00:11:17
    darts
  • 00:11:18
    and every picture that we see is just a
  • 00:11:21
    portion
  • 00:11:22
    of that overall singular pattern
  • 00:11:25
    well the answer is no there are actually
  • 00:11:29
    an uncountably infinite number of
  • 00:11:32
    different patterns of kites and darts
  • 00:11:35
    that tile the entire plane
  • 00:11:37
    and it gets weirder if you were on any
  • 00:11:40
    of those tilings
  • 00:11:41
    you wouldn't be able to tell which one
  • 00:11:44
    it is
  • 00:11:44
    i mean you might try to look further and
  • 00:11:46
    further out gather more and more data
  • 00:11:48
    but
  • 00:11:49
    it's futile because any finite region
  • 00:11:52
    of one of these tilings appears
  • 00:11:54
    infinitely many times
  • 00:11:56
    in all of the other versions of those
  • 00:11:58
    tilings
  • 00:11:59
    i mean don't get me wrong those tilings
  • 00:12:00
    are also different in
  • 00:12:02
    an infinite number of ways but it's
  • 00:12:04
    impossible to tell that unless you could
  • 00:12:06
    see the whole pattern
  • 00:12:08
    which is impossible
  • 00:12:12
    there's this kind of paradox to penrose
  • 00:12:14
    tilings
  • 00:12:15
    where there's an uncountable infinity
  • 00:12:18
    of different versions but just by
  • 00:12:20
    looking at them
  • 00:12:21
    you could never tell them apart
  • 00:12:29
    now what if we count up all the kites
  • 00:12:31
    and darts in this pattern
  • 00:12:33
    well i get 440 kites and 272
  • 00:12:38
    darts does that ratio ring any bells
  • 00:12:41
    well if you divide one by the other you
  • 00:12:43
    get 1.618
  • 00:12:46
    that is the golden ratio
  • 00:12:50
    so why does the golden ratio appear in
  • 00:12:53
    this pattern
  • 00:12:54
    well as you know it contains a kind of
  • 00:12:57
    five-fold symmetry
  • 00:12:58
    and of all the irrational constants the
  • 00:13:01
    golden ratio
  • 00:13:02
    phi is the most five-ish of the
  • 00:13:05
    constants i mean you can express the
  • 00:13:06
    golden ratio as
  • 00:13:08
    0.5 plus 5 to the power of 0.5
  • 00:13:12
    times 0.5 the golden ratio is also
  • 00:13:15
    heavily associated with pentagons
  • 00:13:17
    i mean the ratio of the diagonal to an
  • 00:13:19
    edge
  • 00:13:20
    is the golden ratio and the kite and
  • 00:13:23
    dart pieces themselves
  • 00:13:24
    are actually sections of pentagons same
  • 00:13:27
    with the rhombuses
  • 00:13:28
    so they actually have the golden ratio
  • 00:13:30
    built right
  • 00:13:31
    into their construction the fact that
  • 00:13:33
    the ratio of kites to darts approaches
  • 00:13:35
    the golden ratio an irrational number
  • 00:13:38
    provides evidence that the pattern can't
  • 00:13:40
    possibly be periodic
  • 00:13:41
    if the pattern were periodic then the
  • 00:13:43
    ratio of kites to darts
  • 00:13:45
    could be expressed as a ratio of two
  • 00:13:47
    whole numbers
  • 00:13:48
    the number of kites to darts in each
  • 00:13:50
    periodic segment
  • 00:13:51
    and it goes deeper if you draw on the
  • 00:13:54
    tiles
  • 00:13:54
    not curves but these particular straight
  • 00:13:57
    lines
  • 00:13:58
    well now when you put the pattern
  • 00:13:59
    together you see something interesting
  • 00:14:02
    they all connect up perfectly into
  • 00:14:05
    straight lines
  • 00:14:06
    there are five sets of parallel lines
  • 00:14:10
    this is a kind of proof of the five-fold
  • 00:14:13
    symmetry of the pattern
  • 00:14:15
    but it is not perfectly regular
  • 00:14:18
    take a look at any one set of parallel
  • 00:14:20
    lines you'll notice
  • 00:14:22
    there are two different spacings call
  • 00:14:24
    them long and short
  • 00:14:26
    from the bottom we have long short long
  • 00:14:29
    short long
  • 00:14:30
    long wait that breaks the pattern
  • 00:14:34
    these gaps don't follow a periodic
  • 00:14:37
    pattern either
  • 00:14:38
    but count up the number of longs and
  • 00:14:40
    shorts in any section
  • 00:14:42
    here i get 13 shorts and 21 longs
  • 00:14:45
    and you have the fibonacci sequence
  • 00:14:49
    1 1 2 3 5 8 13 21
  • 00:14:52
    34 and so on and the ratio of
  • 00:14:55
    one fibonacci number to the previous one
  • 00:14:58
    approaches
  • 00:14:59
    the golden ratio
  • 00:15:04
    now the question penrose faced from
  • 00:15:06
    other scientists was
  • 00:15:08
    could there be a physical analog for
  • 00:15:10
    these patterns
  • 00:15:11
    do they occur in nature perhaps in
  • 00:15:13
    crystal structure
  • 00:15:15
    penrose thought that was unlikely the
  • 00:15:17
    very nature of a crystal is that it is
  • 00:15:19
    made up of repeating units
  • 00:15:21
    just as the fundamental symmetries of
  • 00:15:23
    the shapes that tile the plane had been
  • 00:15:25
    worked out much
  • 00:15:26
    earlier the basic unit cells that
  • 00:15:28
    compose
  • 00:15:29
    all crystals were well established there
  • 00:15:31
    are 14 of them
  • 00:15:33
    and no one had ever seen a crystal that
  • 00:15:35
    failed to fit
  • 00:15:36
    one of these patterns and there was
  • 00:15:38
    another problem
  • 00:15:39
    crystals are built by putting atoms and
  • 00:15:42
    molecules together
  • 00:15:43
    locally whereas penrose tilings well
  • 00:15:45
    they seem to require some sort of
  • 00:15:47
    long range coordination take this
  • 00:15:49
    pattern for example
  • 00:15:51
    you could put a dart over here
  • 00:15:54
    and continue to tile out to infinity no
  • 00:15:56
    problems
  • 00:15:57
    or you could put a kite
  • 00:16:00
    over here on the other side again no
  • 00:16:03
    problems
  • 00:16:05
    but if you place the kite
  • 00:16:08
    and dart in here simultaneously
  • 00:16:11
    well then this pattern will not work
  • 00:16:14
    i mean you can keep tiling for a while
  • 00:16:17
    but when you get to somewhere around
  • 00:16:19
    here
  • 00:16:20
    well it's not gonna work you can put a
  • 00:16:23
    dart in there which completes the
  • 00:16:25
    pattern nicely but then you get this
  • 00:16:27
    really awkward shape there which is
  • 00:16:29
    actually the shape of another dart
  • 00:16:32
    but if you put that one in there then
  • 00:16:35
    the
  • 00:16:35
    lines don't match up the pattern doesn't
  • 00:16:37
    work so how could this work as a crystal
  • 00:16:40
    i mean both of these tiles obey the
  • 00:16:42
    local rules
  • 00:16:43
    but in the long term they just don't
  • 00:16:45
    work in the early 1980s
  • 00:16:47
    paul steinhardt and his students were
  • 00:16:49
    using computers to model how atoms come
  • 00:16:52
    together into condensed matter
  • 00:16:54
    that is essentially solid material at
  • 00:16:56
    the smallest scales
  • 00:16:58
    and he found that locally they like to
  • 00:17:00
    form icosahedrons
  • 00:17:02
    but this was known to be the most
  • 00:17:04
    forbidden shape because it is full
  • 00:17:06
    of five-fold symmetries so the question
  • 00:17:09
    they posed was
  • 00:17:10
    how big can these zykosahedrons get they
  • 00:17:13
    thought maybe 10 atoms or
  • 00:17:14
    100 atoms but inspired by penrose
  • 00:17:17
    tilings
  • 00:17:18
    they designed a new kind of structure a
  • 00:17:20
    3d analog of penrose tilings now known
  • 00:17:22
    as a quasi-crystal
  • 00:17:24
    and they simulated how x-rays would
  • 00:17:26
    diffract off such a structure
  • 00:17:28
    and they found a pattern with rings of
  • 00:17:30
    10 points reflecting the five-fold
  • 00:17:32
    symmetry
  • 00:17:33
    just a few hundred kilometers away
  • 00:17:35
    completely unaware of their work another
  • 00:17:37
    scientist dan
  • 00:17:38
    schechtman created this flaky material
  • 00:17:41
    from
  • 00:17:41
    aluminum and manganese and when he
  • 00:17:44
    scattered electrons off his material
  • 00:17:46
    this is the picture he got it
  • 00:17:49
    almost perfectly matches the one made by
  • 00:17:52
    steinhardt
  • 00:17:56
    so if penrose tilings require long
  • 00:18:00
    range coordination then how do you
  • 00:18:02
    possibly make
  • 00:18:03
    quasi crystals well i was talking to
  • 00:18:06
    paul steinhardt about this and he told
  • 00:18:07
    me
  • 00:18:08
    if you just use the matching rules on
  • 00:18:10
    the edges
  • 00:18:11
    those rules are not strong enough and if
  • 00:18:14
    you apply them locally you run into
  • 00:18:15
    problems like this you misplace
  • 00:18:17
    tiles but he said if you have rules for
  • 00:18:20
    the vertices the way the vertices can
  • 00:18:22
    connect with each other those rules are
  • 00:18:25
    strong enough
  • 00:18:26
    locally so that you never make a mistake
  • 00:18:29
    and the pattern
  • 00:18:29
    can go on to infinity one of the seminal
  • 00:18:33
    papers on quasi crystals
  • 00:18:34
    was called deniva quinquangula
  • 00:18:37
    on the pentagonal snowflake in a shout
  • 00:18:40
    out
  • 00:18:41
    to kepler now not everyone was delighted
  • 00:18:44
    at the announcement of quasi crystals a
  • 00:18:45
    material that up until then people
  • 00:18:47
    thought
  • 00:18:47
    totally defied the laws of nature double
  • 00:18:50
    nobel prize winner
  • 00:18:52
    linus pauling famously remarked there
  • 00:18:54
    are no quasi crystals
  • 00:18:56
    only quasi scientists
  • 00:19:01
    but uh schechtman got the last laugh he
  • 00:19:03
    was awarded the nobel prize for
  • 00:19:05
    chemistry in 2011
  • 00:19:07
    and quasi crystals have since been grown
  • 00:19:09
    with beautiful dodecahedral shapes
  • 00:19:12
    they are currently being explored for
  • 00:19:13
    applications from
  • 00:19:15
    non-stick electrical insulation and
  • 00:19:17
    cookware to
  • 00:19:18
    ultra durable steel and the thing about
  • 00:19:20
    this whole story that fascinates me the
  • 00:19:22
    most
  • 00:19:23
    is what exists that we just can't
  • 00:19:25
    perceive because it's considered
  • 00:19:26
    impossible
  • 00:19:27
    i mean the symmetries of regular
  • 00:19:29
    geometric shapes seemed
  • 00:19:30
    so obvious and certain that no one
  • 00:19:33
    thought to look beyond them
  • 00:19:34
    that is until penrose and what we found
  • 00:19:37
    are
  • 00:19:38
    patterns that are both beautiful and
  • 00:19:40
    counter-intuitive
  • 00:19:41
    and materials that existed all along
  • 00:19:44
    that we just couldn't see
  • 00:19:45
    for what they really are
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Tag
  • Kepler
  • Penrose tilings
  • Quasi-crystals
  • Aperiodic
  • Mathematics
  • Geometry
  • Golden ratio
  • Platonic solids
  • Kepler's conjecture
  • Symmetry