Albuquerque's Native American Dancers Unite Hip Hop and Pow Wow Culture | If Cities Could Dances

00:06:03
https://www.youtube.com/watch?v=4TzgHfELJ2s

摘要

TLDRThe video centers around the unique blend of indigenous culture and hip-hop in Albuquerque, focusing on dancers Raven and Anne. They highlight the significance of dance as a cultural expression and a means of connection within the community. The Foundations of Freedom dance crew exemplifies the fusion of traditional and contemporary dance forms, illustrating how hip-hop emerged from experiences of oppression. The video features insights on the importance of community, creative expression, and the spiritual connections dancers cultivate through their art.

心得

  • 💃 Dance connects indigenous culture with hip-hop.
  • 🌍 Albuquerque serves as a cultural hub for diverse communities.
  • 🤝 The Foundations of Freedom crew fosters creativity.
  • 🎶 Hip-hop is built from the energy of oppression.
  • 🌀 Dance allows for spiritual and emotional expression.
  • 🌱 Anne emphasizes her connection to her cultural roots.
  • 🤗 Community is essential for support and growth in art.
  • 🖌️ Hip-hop elements mirror traditional practices.
  • 🔊 Rhythm and energy drive collective performances.
  • 🗣️ Communication through dance transcends words.

时间轴

  • 00:00:00 - 00:06:03

    The video introduces Albuquerque and its vibrant dance culture that blends indigenous and hip-hop elements. Raven and Anne express the close relationship between their cultural backgrounds and the communal spirit of hip-hop, highlighting Albuquerque as a central gathering point for various tribal communities in New Mexico. They showcase their dance crew, Foundations of Freedom, and discuss how hip-hop emerged from oppression, emphasizing its role in expressing energy and resilience. Anne, who is of Jicarilla Apache descent, shares her deep cultural connections to dance, as does Raven, who intertwines his indigenous roots with his affinity for hip-hop. The dancers emphasize the power of their community and dance as a means of spiritual expression. Randy, a pivotal figure in the Southwest hip-hop scene, discusses sacred connections in hip-hop, likening its elements to traditional practices, reinforcing the notion that hip-hop is alive with a communal energy that encourages liberation through expression.

思维导图

视频问答

  • What is the main theme of the video?

    The main theme is the intersection of indigenous culture and hip-hop expressed through dance in Albuquerque.

  • Who are the featured dancers?

    The featured dancers are Raven and Anne, who discuss their cultural backgrounds and connection to dance.

  • What is Foundations of Freedom?

    Foundations of Freedom is a dance crew founded in the early 2000s focused on hip-hop and community.

  • What does Randy L. Barton say about hip-hop?

    Randy discusses hip-hop as a response to oppression and its energetic expression.

  • What significance does dance hold for Anne?

    Dance is deeply connected to Anne's culture and identity, emphasizing connection to her land and people.

  • What are Sacred Cypher events?

    Sacred Cypher events incorporate elements of hip-hop with traditional indigenous cultural practices.

  • How does Raven relate her identity to hip-hop?

    Raven connects her indigenous roots to her experiences in hip-hop, blending different cultural influences.

  • Why is community important in their dance?

    Community is essential for fostering creativity, support, and connection among dancers.

  • What do they mean by 'energetically connected'?

    They refer to the shared energy and spirit among individuals in the dance community.

  • What inspires Raven and Anne in their dance?

    They are inspired by the ability to express and communicate beyond words through movement.

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  • 00:00:03
    ♪ electronic beats mixed with flute ♪
  • 00:00:04
    (Speaking in Navajo) Greetings, my family and my people.
  • 00:00:07
    Welcome to Albuquerque, on occupied Tewa lands.
  • 00:00:10
    My name's Raven.
  • 00:00:11
    My name is Anne.
  • 00:00:12
    We're gonna show you around a few of our favorite spots to dance.
  • 00:00:15
    ♪ electronic beats mixed with flute ♪
  • 00:00:19
    [Raven] Our dance, it's a mixture between
  • 00:00:21
    indigenous cultures and hip-hop culture.
  • 00:00:24
    People don't know that those two things are
  • 00:00:26
    so closely intermingled together.
  • 00:00:29
    ♪ electronic beats mixed with flute ♪
  • 00:00:37
    ♪ upbeat hip hop beats ♪
  • 00:00:45
    ♪ tribal drum beat ♪
  • 00:00:53
    [Anne] Albuquerque is a collecting point for rural people
  • 00:00:58
    all over New Mexico.
  • 00:01:00
    ♪ tribal drum beat with vocal samples ♪
  • 00:01:06
    People from different tribes, different pueblos,
  • 00:01:09
    different cultural backgrounds.
  • 00:01:12
    ♪ drum beat continues ♪
  • 00:01:15
    And part of what's special is the hip-hop community.
  • 00:01:19
    ♪ electronic beats ♪
  • 00:01:23
    We are at Breakin' Hearts 2020.
  • 00:01:25
    (MC and crowd cheers in the background)
  • 00:01:29
    ♪ hypnotic electronic beats ♪
  • 00:01:31
    [Raven] My dance crew is Foundations of Freedom,
  • 00:01:34
    founded in the early 2000's by Randy L. Barton,
  • 00:01:39
    Cloud Face, and I think a couple other OGs.
  • 00:01:45
    [Randy] Foundations of Freedom started around 2001,
  • 00:01:48
    and it's a collective of many crews from New Mexico
  • 00:01:52
    and Arizona, from border towns.
  • 00:01:55
    Hip-hop is built from oppression.
  • 00:01:56
    You deal with racism, like, really, really bad, you know.
  • 00:02:02
    All you're really seeing is the energy from oppression
  • 00:02:05
    exploding.
  • 00:02:07
    I'd rather explode than implode,
  • 00:02:09
    'cause if you implode, that's suicide.
  • 00:02:12
    ♪ electronic beats mixed with flute ♪
  • 00:02:16
    [Anne] I am Jicarilla Apache.
  • 00:02:17
    I was traditionally raised on a reservation.
  • 00:02:22
    My culture is intrinsically connected to dance.
  • 00:02:27
    You're encouraged to get up there and move.
  • 00:02:30
    I started powwow dancing as a young girl.
  • 00:02:35
    I have a strong connection to my land,
  • 00:02:38
    a strong connection to my people,
  • 00:02:40
    and a strong connection to my culture.
  • 00:02:43
    ♪ electronic beats continue ♪
  • 00:02:51
    We connected at a jam, and the excitement that I felt,
  • 00:02:55
    the spark of creativity, hit something so deep within me.
  • 00:03:01
    [Raven] We are able to talk without using words.
  • 00:03:07
    We keep pushing each other to go farther, or
  • 00:03:10
    [Anne] lifting each other up.
  • 00:03:11
    [Raven] We lift each other up.
  • 00:03:13
    ♪ hypnotic electronic track with tribal drums ♪
  • 00:03:20
    [Anne] As a dancer, I listen.
  • 00:03:22
    That's a big part of being indigenous is being open
  • 00:03:25
    to the story of the world around you.
  • 00:03:28
    ♪ hypnotic electronic track with tribal drums ♪
  • 00:03:32
    [Raven] I come from Gallup, New Mexico.
  • 00:03:34
    I'm half Diné,
  • 00:03:36
    I'm claimed by Dibéłzhíní Black Sheep clan,
  • 00:03:40
    and I'm also German as well.
  • 00:03:42
    That comes from my mother's side.
  • 00:03:46
    Being a part of hip-hop culture helped me
  • 00:03:49
    connect those worlds together
  • 00:03:51
    and reconnect with my indigenous roots.
  • 00:03:54
    ♪ hypnotic electronic track with steady percussion ♪
  • 00:03:58
    [Anne] They hold space for you to be the most that
  • 00:04:01
    you can be within a dance space, so I allow myself to go
  • 00:04:04
    to these crazy almost spiritual places when I dance.
  • 00:04:09
    ♪ rhythmic chimes ♪
  • 00:04:18
    Randy is something of an icon in Southwest hip-hop culture
  • 00:04:23
    because he's honoring the ancient, the ancestors,
  • 00:04:28
    while embodying the future.
  • 00:04:31
    [Raven] Like Sacred Cypher,
  • 00:04:32
    one of the events that he's created.
  • 00:04:34
    ♪ steady beating of the drum ♪
  • 00:04:38
    ♪ singing and chanting ♪
  • 00:04:41
    [Randy] Sacred Cypher, it had all the original elements of hip-hop.
  • 00:04:45
    Growing up, you know, all our ceremonies
  • 00:04:48
    involved a drum, chanting.
  • 00:04:50
    ♪ drumming and chanting continues ♪
  • 00:04:53
    The DJing is the drumming.
  • 00:04:55
    The MCing is the chanting.
  • 00:04:57
    The graffiti art is the petroglyphs, and the dancing,
  • 00:05:01
    you know, never trust a spiritual leader who cannot dance.
  • 00:05:06
    [Raven] We're all energetically connected,
  • 00:05:09
    and that's where our idea of community comes from.
  • 00:05:13
    ♪ drumming and chanting continues ♪
  • 00:05:19
    ♪ steady tribal drumming ♪
  • 00:05:26
    [Randy] That's what I love about hip-hop.
  • 00:05:28
    Everything is alive.
  • 00:05:32
    You take it to the floor, these things that hold you down
  • 00:05:34
    don't hold you down anymore.
  • 00:05:36
    You know, it's like, and that's why you see
  • 00:05:37
    the angry spirit fighting back,
  • 00:05:39
    'cause it's fighting to get free.
  • 00:05:42
    ♪ rhythmic drum music ♪
  • 00:05:52
    [Raven] Hey, guys, thanks for watching the video.
  • 00:05:54
    [Anne] There's more If Cities Could Dance videos.
  • 00:05:56
    Click to the left to check 'em out.
  • 00:05:57
    ♪ drumming continues ♪
标签
  • dance
  • hip-hop
  • indigenous culture
  • New Mexico
  • community
  • foundations of freedom
  • cultural expression
  • Sacred Cypher
  • Raven
  • Anne