00:00:00
how to do cover songs legally and this
00:00:02
includes posting those cover songs on
00:00:04
YouTube the myths and what people get
00:00:06
confused on cuz I've just done this for
00:00:08
so long you got to do it the right way
00:00:10
and the way that I'm going to walk you
00:00:13
through how to do cover songs legally in
00:00:16
2025 this is so important because
00:00:20
sometimes cover songs get confused with
00:00:21
sampling with interpolation and I've
00:00:24
done this for a long time I'm a lawyer
00:00:26
of 10 years now but I've been doing
00:00:29
music and making music myself since my
00:00:31
teens I started learning classical music
00:00:33
when I was four I love all of this and
00:00:35
what I can tell you is that cover songs
00:00:37
are very powerful marketing tools it is
00:00:40
something to incorporate with what you
00:00:41
do as a music Creator so with that being
00:00:44
said today I'm going to walk you through
00:00:47
how to do cover songs legally and this
00:00:49
includes posting those cover songs on
00:00:51
YouTube now if you do need more help by
00:00:54
the end of this video you can go over to
00:00:56
topmusic attorney.com I have resources
00:01:00
free resources I have a music business
00:01:01
program you can go through and if you
00:01:03
want to be directed to hire an actual
00:01:05
attorney I got you there as well we do
00:01:07
know that doing cover songs it's really
00:01:09
powerful for marketing because here's
00:01:11
the thing as original artists of
00:01:12
original songs we have to sell people on
00:01:15
so many things it's not just that
00:01:18
hopefully they like the song which is a
00:01:20
whole separate creative piece it's they
00:01:22
have to like the song and then they have
00:01:24
to like the genre of music and then the
00:01:26
fan needs to fall in love with the
00:01:28
singer's voice and they need to fall in
00:01:29
love with the production the mixing and
00:01:31
the mastering and so there's so many
00:01:32
places that you can lose people and so
00:01:35
one way to kind of bridge the gap for
00:01:36
purposes of marketing to do a cover song
00:01:39
so cover songs awesome really great for
00:01:41
the general algorithm and the way I like
00:01:43
to treat them is I use them as the Gap
00:01:47
fillers between the original songs that
00:01:49
I do I am also an independent artist and
00:01:52
so between the releases of my original
00:01:54
songs I'm going to do covers because
00:01:56
it's a way to get a lot of Engagement
00:01:57
from people who are in love with B BS
00:02:00
right other bands other artists and then
00:02:02
now you're playing someone's favorite
00:02:04
song and it just gives a new potential
00:02:07
fan the opportunity to hear your voice
00:02:09
hear your production hear your good
00:02:10
stuff for the first time so what I'm
00:02:12
going to talk about through this segment
00:02:14
is I'm going to talk about the cover
00:02:16
song as it relates to the audio version
00:02:19
and then I'm going to talk about the
00:02:20
cover song as it relates to the video
00:02:22
all right so let's start with just the
00:02:24
audio version itself first and foremost
00:02:27
you may say well is it okay to do cover
00:02:29
song and I've actually had someone ask
00:02:31
this before and they go I've heard that
00:02:32
it's illegal to do cover songs that's
00:02:34
not the case okay but let's clarify why
00:02:37
someone might think that and we'll start
00:02:39
from what essentially a cover song is
00:02:42
not so a cover song is not sampling when
00:02:45
we think of sampling we think of taking
00:02:47
something from someone else's
00:02:49
pre-recorded song okay so this is going
00:02:52
to be we're listening to a Metallica
00:02:54
song and we use a portion of a guitar we
00:02:58
use a portion of a drum we use a portion
00:03:00
of a vocal and we put it in our new song
00:03:03
that is sampling there's also another
00:03:05
category called interpolation and
00:03:07
interpolation comes up where you have
00:03:09
someone who doesn't want to use any
00:03:12
actual piece from the song so it
00:03:14
wouldn't be sampling but they go I want
00:03:15
to redo this song this song was such a
00:03:18
huge hit in the 80s and now I want to
00:03:20
redo it and I'm going to revamp it and
00:03:22
give it some new better words but
00:03:25
otherwise I'm really just redoing the
00:03:27
song you see major labels doing this all
00:03:29
the time because it's a little bit of a
00:03:30
shortcut and we know it's a shortcut
00:03:32
because it's a way to use something that
00:03:34
was already a big hit and you just kind
00:03:36
of repackage it together for one of the
00:03:38
new artists and then it becomes another
00:03:39
hit so we have sampling we have
00:03:41
interpolation and now we have cover
00:03:44
songs with sampling with interpolating
00:03:46
you get licenses directly from the
00:03:48
rights holders now with cover songs the
00:03:50
reason why we love it is that doing
00:03:52
cover songs you don't need to go and get
00:03:54
a direct license from the rights holders
00:03:57
and so right now you're like okay this
00:03:59
is good and of course if you're a band
00:04:01
if you are musician an artist you can do
00:04:04
cover songs legally but you got to do it
00:04:07
the right way and the way that I'm going
00:04:09
to walk you through all right so what is
00:04:12
a cover song I guess maybe let's put
00:04:14
this way we'll have a little list of
00:04:15
myths that I commonly have to answer
00:04:17
when I'm giving you guys just
00:04:19
consultations on how to do this but one
00:04:21
of them will be well what if I make my
00:04:23
own version of a song which generally
00:04:26
okay we're thinking that this is a cover
00:04:28
because if you go with me I do dark
00:04:30
popop music and so what I love to do is
00:04:32
to take like a very happy sounding
00:04:35
Disney song and I've done covers that
00:04:37
are dark pop covers and so I am now in
00:04:41
reenvisioning them and that's okay I can
00:04:43
do brand new production okay but we want
00:04:46
to make sure we're using the same words
00:04:48
very important and the same Arrangement
00:04:51
so a common question I might get would
00:04:52
be well I took the Disney song and I
00:04:54
rearranged it and so I put it in a
00:04:57
different order I put the chorus first
00:04:58
and then I put the ver and the second
00:05:00
verse together for some reason and then
00:05:02
I did a double course and so now it's
00:05:04
the same Parts but it's put into a
00:05:06
different Arrangement it is no longer a
00:05:08
cover if you do that and this is
00:05:11
important because part of the analysis
00:05:12
can be sometimes you guys will come to
00:05:14
me and you'll say well I've done a cover
00:05:17
but what I did is I kept everything the
00:05:19
same I did my own rendition but I
00:05:20
changed all the words for the chorus so
00:05:23
instead of this melodic singy thing I
00:05:25
did a WAP with my own rap on it that's
00:05:28
no longer a cover so the the framework
00:05:30
we're thinking through this is It's a
00:05:32
cover song so long as you're keeping the
00:05:35
same Arrangement and you're keeping the
00:05:37
same lyrics very important okay if you
00:05:39
are someone that is needing help in the
00:05:41
music business at the end of this video
00:05:43
you can check out topmusic attorney.com
00:05:45
I have courses I have free stuff just to
00:05:47
kind of get you started if you do want a
00:05:48
deep dive if you do want to train with
00:05:50
me I always say go through my music
00:05:51
business program which is how to think
00:05:53
like a record label become a record
00:05:55
label and then if you do want to get
00:05:56
into touch with me or one of my lawyers
00:05:59
we got your covered but you can do your
00:06:01
whole own production around it so this
00:06:03
is where you get to have a lot of
00:06:04
creativity now the reason we're allowed
00:06:06
to do all this is because pursuing to 17
00:06:08
USC 115 so 115 of the Copyright Act you
00:06:12
have the ability to get what's called a
00:06:15
compulsory mechanical license now I'm
00:06:17
going to simplify this for you hang
00:06:19
tight with me for two seconds okay so
00:06:21
pursuing to the Copyright Act originally
00:06:23
it had said well if you go get this
00:06:25
compulsory license which you can get
00:06:27
from Harry Fox agency you can get it
00:06:29
from easy song licensing super cheap it
00:06:32
means you don't have to go to Metallica
00:06:33
and negotiate anything you get it
00:06:35
automatically okay and then these
00:06:37
companies are in charge of paying out
00:06:39
the rights holders I'm like oh my gosh
00:06:41
okay great so that's how it used to be
00:06:43
but there was an update because a lot of
00:06:45
people didn't know about this and a lot
00:06:46
of artists were not actually getting
00:06:47
this license and so pursuing to the
00:06:49
music modernization act this was in 2018
00:06:52
there's a little update mate and they go
00:06:53
you know what we're going to make the
00:06:56
digital service providers so the dsps
00:06:58
we're going to make them go and get
00:06:59
these mechanical licenses so now it says
00:07:03
in the copyright act that the dsps are
00:07:05
the ones that get it so what does this
00:07:06
mean for you this means because we're
00:07:08
again we're talking just about the audio
00:07:10
version only so this means when you want
00:07:13
to do a cover song one you're okay to do
00:07:14
a cover song two you can make it your
00:07:16
own rendition your own production all
00:07:18
good things but keep in mind what I said
00:07:20
make sure you use the same lyrics make
00:07:22
sure you keep the same Arrangements but
00:07:23
then when you put it on music platforms
00:07:25
you have to go get some special license
00:07:27
the answer is no this is pursuing to US
00:07:30
law I want to clarify that because I
00:07:31
know I have followers in different
00:07:33
countries what I'm speaking to is US law
00:07:36
so with that being said we go well
00:07:38
Spotify has to go and get this license
00:07:41
so all you need to do is just distribute
00:07:43
your song Put it on music platforms and
00:07:45
the license covers streaming take a b
00:07:49
listen closely if you are doing
00:07:51
something to sell your music that is not
00:07:53
streaming such as we talk about direct
00:07:55
to Fan selling on your website so
00:07:58
digital downloads we talk about CDs we
00:08:00
talk about selling finals if you're
00:08:01
doing something that is not just
00:08:03
streaming the music on platforms like
00:08:06
Spotify platforms like Amazon if you
00:08:08
actually are going to download it you do
00:08:10
need to get a mechanical license still
00:08:12
so there is a caveat okay but for the
00:08:15
majority of you watching right now
00:08:16
you're just going to put your song on
00:08:18
streaming platforms and so you're good
00:08:20
to go the music platforms are in charge
00:08:22
of getting these licenses they take a
00:08:24
little share of the royalties they pay
00:08:25
it to the rights holders through the
00:08:27
mechanical licensing Collective you're
00:08:29
good all right you're doing great hang
00:08:31
tight with me because we're not to the
00:08:32
video piece yet the video piece is just
00:08:35
as important as the audio for the
00:08:36
monetization and later really it's sync
00:08:40
licensing so we talk about all the time
00:08:42
ways that you guys can make money from
00:08:43
your music and this includes cover songs
00:08:45
too but what happens is that you know
00:08:47
copyright and all these updates that
00:08:49
happened were so that you could do your
00:08:51
cover songs and then put your cover
00:08:52
songs on music platforms but no one made
00:08:55
updates in regards to using your songs
00:08:58
in video so obviously if you do a cover
00:09:01
song whole big group of us like to do a
00:09:05
music video right we want to do clips
00:09:07
for social media I mean it's like part
00:09:09
and parcel with releasing your song is
00:09:11
that you're going to promote it if
00:09:12
you're going to promote it there's going
00:09:13
to be some kind of visual to it right so
00:09:15
the wrinkle here is that everything I
00:09:17
just told you on your good to go with
00:09:19
making your cover song putting it on
00:09:21
streaming platforms dsps pay and do all
00:09:23
the things with the mechanical licensing
00:09:25
Collective great well what about video
00:09:29
and the way that it is technically under
00:09:31
the law is that you're supposed to go
00:09:32
and get a sync license because we are
00:09:34
syncing the audio to video does that
00:09:37
make sense in any kind of way that you
00:09:38
need to now go and like figure out who
00:09:40
to contact you know to do your Metallica
00:09:43
cover well no and so again we had all
00:09:46
these companies that were like all right
00:09:47
this doesn't make sense we got to figure
00:09:48
something out because everyone's just
00:09:49
doing their cover songs and they're just
00:09:51
putting it on YouTube so what record
00:09:53
labels in particular did the rights
00:09:55
holders they're the ones that ended up
00:09:57
going and doing direct deals with
00:10:00
YouTube right with Facebook Instagram
00:10:03
right AKA meta Tik Tok so they've gone
00:10:05
and done direct licensing deals and they
00:10:08
go what we're going to do is that when
00:10:10
the songs pop up on your platform we are
00:10:13
going to lay claim to the cover song so
00:10:16
we get paid the monetization so we're
00:10:17
not going to do strikes anymore which is
00:10:19
what they used to do was you know scary
00:10:21
to get a to get a strike for sure what's
00:10:23
happening with the video aspect doesn't
00:10:25
technically comply with copyright law
00:10:28
but practically speaking the work around
00:10:30
is that most of the time you're okay
00:10:33
just to put your video on these
00:10:34
platforms because there are deals in
00:10:36
place directly between the labels and
00:10:40
the platforms and we're like okay you
00:10:41
know that's good right so at least you
00:10:44
know people are not getting sued for
00:10:45
copyright infringement they're not
00:10:47
getting strikes on their videos so there
00:10:49
is a workaround this is the general good
00:10:52
news so these are the practical
00:10:53
considerations so we go all right we
00:10:55
started with audio we feel comfortable
00:10:57
that we know we can do our own versions
00:11:00
we do in fact own our own versions
00:11:02
because one of the common questions that
00:11:04
come up is in regards to cover songs can
00:11:06
I register my song for copyright
00:11:08
protection and the answer is yes the way
00:11:10
that it works is that you just have to
00:11:12
make sure to disclaim when you file and
00:11:14
you got to tell the copyright office
00:11:16
don't beat up your microphone you tell
00:11:18
the copyright office I did this cover of
00:11:21
the Metallica song and I don't own the
00:11:24
underlying composition and then you put
00:11:25
the names of who actually does so the
00:11:27
good news is that you can register I've
00:11:28
done music
00:11:29
sales in the millions of dollars selling
00:11:33
cover songs and so everything that I'm
00:11:35
talking about of just the due diligence
00:11:37
of getting the licenses for the the
00:11:38
video pieces or otherwise not doing it
00:11:42
because there are these workarounds this
00:11:44
is what is practically happening now on
00:11:46
the last video I did on on this someone
00:11:49
comically left a comment just being like
00:11:51
look at the dumpster fire of copyright
00:11:52
law and what's happening with music I
00:11:55
think that's fair to a degree but the
00:11:57
good news is that this is practically
00:11:59
how it works now what I want to kind of
00:12:01
wrap this with is specifically the myths
00:12:03
and what people get confused on because
00:12:05
I've just done this for so long and I
00:12:07
and I wrote out my notes here because
00:12:09
this just comes up so often one myth
00:12:11
will be well if it's okay to do a cover
00:12:13
song and it's okay to do it so long as I
00:12:16
do the same Arrangement as the original
00:12:18
if I put two together right on one song
00:12:21
so it's a compilation so I have one
00:12:24
separate cover song I have another
00:12:25
separate cover song and I put it as one
00:12:27
long song is it okay I go and get one of
00:12:30
these mechanical licenses that you're
00:12:31
talking about and the answer is no and
00:12:33
why would that be right the answer is
00:12:35
because well technically the arrangement
00:12:37
is not the actual arrangement of the
00:12:39
song Anymore the arrangement is the
00:12:40
entire song and then you have a whole
00:12:42
other song at the end so a compilation
00:12:44
of two nope you're gonna have some
00:12:46
trouble with that another question in in
00:12:48
myth really is so long as I use just the
00:12:52
same Parts in the song I can rearrange
00:12:56
it you know and kind of put my little
00:12:58
creative spin on it no you cannot you
00:13:00
have to keep the same Arrangement one of
00:13:01
my clients got into such a situation on
00:13:04
this because the arrangement had been
00:13:05
like 5 minutes previously and to try to
00:13:08
just make it a little more digestible
00:13:11
they adapted it to a different genre of
00:13:12
music it was pretty cool but they cut it
00:13:14
down pretty significantly and so part of
00:13:17
our analysis is going in like as
00:13:18
copyright attorneys and just being like
00:13:20
look have you changed and modified the
00:13:22
song so it really is no longer a cover
00:13:24
yes or no all right so that's another
00:13:25
myth you generally want to keep the same
00:13:27
Arrangement keep the same lyrics Another
00:13:29
myth is what if I give credit if we give
00:13:31
credit I don't own this and you put a
00:13:33
little disclaimer in the description I'm
00:13:36
okay it's not copyright infringement the
00:13:39
answer is putting a little disclaimer
00:13:41
that you are intentionally doing
00:13:43
something you know that you may not have
00:13:45
the rights but you're not claiming
00:13:46
ownership do you see where I'm going
00:13:48
with this so the logic behind that is no
00:13:50
I don't think it's going to make any
00:13:52
difference if you say this is who I got
00:13:54
it from but at least what I'm telling
00:13:55
you is that the state of copyright law
00:13:58
is you do want to get this Sy license
00:14:00
the majority of people don't or can't
00:14:02
because it's too expensive and so
00:14:05
there's kind of this group think of
00:14:07
you'll just go on YouTube and be like
00:14:08
hey is there like a bunch of Metallica
00:14:10
covers of this song have they been taken
00:14:13
down or is it likely that the rights
00:14:15
holder is collecting and monetizing
00:14:17
because they have an actual relationship
00:14:19
with YouTube right all right and lastly
00:14:20
another myth is if I only change one
00:14:23
section of the lyrics is that okay I
00:14:25
used this example one time because I
00:14:27
love the song Blue by I 65 just one of
00:14:30
the best songs and it was actually
00:14:31
interpolated funny enough in recent
00:14:33
years and so they took the same song
00:14:35
they did a new rendition they put new
00:14:37
lyrics to it and I've done a cover of
00:14:39
that song previously and where normally
00:14:42
they say I have a girlfriend they have a
00:14:44
girlfriend and she is so blue when I did
00:14:46
mine I said I have a boyfriend and he is
00:14:49
so blue and so we could analyze that and
00:14:50
say well if we like materially changed
00:14:52
the song and so it's no longer a cover
00:14:55
song I go well that's pretty di Minimus
00:14:57
it's so small we're probably okay so
00:15:00
sometimes we do have to get granular
00:15:01
sometimes we do need to kind of analyze
00:15:03
it and just to see but what I want you
00:15:05
to know is here's the good news recap
00:15:08
it's okay to do cover songs and not only
00:15:10
is it okay to do cover songs but
00:15:12
copyright law has actually been updated
00:15:14
to cover you so that when you do your
00:15:16
cover song and you put it on the music
00:15:18
streaming platforms you actually don't
00:15:20
have to get any kind of license when
00:15:22
people say well what about Dr kid if you
00:15:24
distribute through Dro kid they will say
00:15:26
hey if you're doing a cover song we can
00:15:28
help you get the mechanical license
00:15:30
that's nice you don't have to do that
00:15:32
really important piece there you don't
00:15:34
have to do that but caveat if you are
00:15:37
selling your music directly through
00:15:38
digital downloads you're doing CDs
00:15:40
you're doing vinyls that's different and
00:15:42
then you do want to get the mechanical
00:15:43
license okay if you do need to get a
00:15:45
mechanical license personally I use easy
00:15:47
song licensing you can use Harry Fox
00:15:49
agency either one is fine so that is the
00:15:51
audio version when it comes to the video
00:15:54
version generally speaking when people
00:15:57
do their cover songs and they put them
00:15:59
as videos and they put them on YouTube
00:16:01
there are these licenses that have been
00:16:03
negotiated directly and you'll likely
00:16:04
get a claim on your video saying Hey
00:16:06
Universal is collecting 100% of your
00:16:09
monetization which is a whole other
00:16:12
thing so if you found this valuable
00:16:13
please be sure give it a big thumbs up
00:16:16
and I will see you on the next one