Coone | Q-dance presents: Legends | Full documentary

00:49:55
https://www.youtube.com/watch?v=Zi0bukF_eiA

الملخص

TLDRL'artiste se confie sur ses débuts dans la musique, le poids des attentes familiales et professionnelles, son évolution de jump style à hardstyle, et la lutte contre la pression de réussir. Il parle de ses performances marquantes, du soutien d'amis et collègues, et des défis mentaux liés à la célébrité. Il évoque aussi sa quête d'une vraie connexion avec son public et son souhait de transmettre ses émotions à travers sa musique. En fin de compte, il cherche un équilibre entre sa carrière et sa vie personnelle, soulignant l'importance de la loyauté envers la musique et ses fans.

الوجبات الجاهزة

  • 🎤 L'artiste se bat contre les attentes de ses parents traditionnels.
  • 🎶 Son parcours musical commence avec le jump style et évolue vers le hardstyle.
  • 💪 Il ressent une pression immense lors de performances importantes.
  • 📝 'Now or Never' explore des luttes personnelles et la recherche d'authenticité.
  • 🏆 Il a fondé son propre label pour protéger la qualité de sa musique.
  • 🤝 Les relations avec d'autres artistes ont été cruciales pour son succès.
  • 😓 La santé mentale et la pression sont des thèmes centraux de son récit.
  • 🌍 L'artiste veut partager sa vision musicale au niveau mondial.
  • 🎉 Des moments mémorables incluent des performances devant de grands publics.
  • 🌟 Sa connexion avec son public et sa famille est primordiale.

الجدول الزمني

  • 00:00:00 - 00:05:00

    Le narrateur ressent une pression énorme de la scène artistique et de son entourage, mais il reste déterminé à poursuivre son rêve musical malgré les attentes de sa famille qui prône une carrière plus traditionnelle.

  • 00:05:00 - 00:10:00

    Il explore ses racines musicales, se distinguant de ses parents, et découvre sa passion pour la création musicale, particulièrement influencé par son frère DJ et le mouvement jump en Belgique.

  • 00:10:00 - 00:15:00

    Alors qu'il commence à créer sa propre musique jump, il fait face à des défis dans le processus d'enregistrement d'un contrat avec un label, mais parvient à surmonter ces obstacles avec l'aide d'amis.

  • 00:15:00 - 00:20:00

    Le narrateur met un accent fort sur la qualité musicale, se différenciant des autres artistes qui cherchent à commercialiser le jump, tout en créant sa propre étiquette pour préserver l'intégrité du genre.

  • 00:20:00 - 00:25:00

    Sa notoriété augmente lorsqu'il joue dans des événements de grande envergure, mais il doit faire face à la méfiance initiale de la scène hardstyle belge. Il continue à travailler pour gagner l'acceptation de ses pairs.

  • 00:25:00 - 00:30:00

    Le passage du jump au hardstyle est encore une fois un défi, mais il parvient à établir des amitiés et à créer des morceaux qui résonnent avec les amateurs de hardstyle.

  • 00:30:00 - 00:35:00

    Des collaborations importantes, comme celles avec d'autres DJs et labels, renforcent sa carrière alors qu'il recherche de nouvelles opportunités sur la scène internationale du hardstyle.

  • 00:35:00 - 00:40:00

    Malgré ses succès, il admet la pression intense qui accompagne sa carrière et les luttes personnelles liées à la santé mentale, se rendant compte qu'il doit maintenir un équilibre entre sa vie professionnelle et familiale.

  • 00:40:00 - 00:49:55

    À travers ses paroles et son processus créatif, le narrateur aspire à toucher ses fans et à partager ses expériences, tout en encourageant les artistes en herbe à trouver leur propre voix dans la musique.

اعرض المزيد

الخريطة الذهنية

فيديو أسئلة وأجوبة

  • Quel style musical l'artiste a-t-il commencé à jouer ?

    Il a commencé avec le jump style.

  • Comment l'artiste décrit-il l'influence de ses parents sur sa carrière ?

    Ses parents avaient une approche plus traditionnelle et sécurisée, tandis qu'il vise une carrière musicale en tant que performeur.

  • Quel est le message derrière la chanson 'Now or Never' ?

    La chanson aborde des thèmes de lutte personnelle et d'acceptation.

  • Qu'est-ce qui a motivé l'artiste à fonder son propre label ?

    Il souhaitait préserver la qualité de la musique hardstyle face à sa commercialisation.

  • Comment l'artiste perçoit-il son succès ?

    Il ressent une pression d'atteindre les attentes de la scène musicale.

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الترجمات
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التمرير التلقائي:
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    there was a lot of uh weight on my
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    shoulders you know the whole whole art
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    style scene was looking at me uh but not
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    not only the whole art scene also my
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    management my
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    agency uh you know even got some text
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    messages of Q Dan like don't [ __ ] this
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    up C Dan
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    presents
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    [Music]
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    Legends my father and my mother are the
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    Swedish people people in the world but
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    are so far from this scene those people
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    are just a little bit a little bit
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    different than in the way they think um
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    more traditional you know I'm more like
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    a let's say like a businessman and
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    Entertainer and and and my father and my
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    mother are not like that at all the
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    thing is that my father worked for a
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    boss for all his life you know so of
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    course his son needs to do the same
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    because you get solid money you know
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    there's there's an income and no stress
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    and it's going good so yeah my parents
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    were um this hardworking guy and a
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    housewife and then suddenly you have a
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    son uh who wants to perform on stage and
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    wants to travel the world with his music
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    it's it's completely different but I was
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    always like no this is uh what I want to
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    do you know it's like I feel that this
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    is my pth you know
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    I was searching for some some some
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    things that were similar and of course
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    my uh my father he was playing as a as a
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    drummer on in the streets and my mother
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    uh is is still a country
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    dancer
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    I
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    who I F A
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    [Applause]
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    be I'm
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    b b
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    [Music]
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    I bought a
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    b so yeah so my brother is older and uh
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    he uh he was a DJ in his bedroom he was
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    uh playing uh at radio stations local
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    radio stations Etc and uh I was I was
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    interested you know I was a small
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    brother uh looking at all the all the DJ
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    gear uh but I was more interested in how
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    they make the music than playing the
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    music so I was like but but okay but you
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    play the music but there is somebody who
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    who made this you know and that was that
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    triggered me you
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    know yeah jump was big in Belgium back
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    in the day
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    uh basically it was the uh the leading
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    harder style sound in Belgium so so it
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    was dominating and uh I'm from Belgium
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    so I rolled into that scene and I was
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    like okay I know how to make this and so
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    I started making making jump when I was
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    still very young you know and um um
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    luckily there was no other big act doing
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    that in Belgium back then so at at first
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    you had in in in turnout where I where I
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    was born uh and I still live by the way
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    um you had tough music which was a big
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    uh big uh DJ store you know and they
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    were starting up their uh their record
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    label as well Zoo records and uh so I I
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    was like hey this is a great demo listen
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    to it and they did and they sent me a
  • 00:03:53
    contract back uh and together with my
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    best buddy Maran from Bas events now the
  • 00:03:58
    owner of B events H he he was like no
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    you cannot just sign this contract I
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    need to get deeper into the contract cuz
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    they're gonna [ __ ] you
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    [Music]
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    over
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    and we got back with the with the let's
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    say the contract that was all written in
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    in red uh pen all over you know like
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    this is not good and we want don't want
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    this but we were we were just like [ __ ]
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    [ __ ] little kids you know so we we
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    didn't know what what what was up and um
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    yeah so so they were like what what is
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    this what is this guy talking about so
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    the deal went off and then I went to a
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    um to effective music guys who released
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    also Arun 16 back in the days which was
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    uh artstock classic and that's where my
  • 00:05:30
    first relase uh yeah is on Kao was was
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    was laughing his ass off when he
  • 00:05:37
    received the contract back uh and then
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    years after uh because the relationship
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    with with the current uh record label
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    back then was wasn't that good so that's
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    why I moved to hman
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    again the return
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    onet uh in the plat and the
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    Gym style PL and um was so good that
  • 00:06:06
    was yeah an hit I got something for your
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    mind your body and your
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    soul I got something for your mind your
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    body and your soul the kind of jump
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    style I was doing
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    was so far off from what other jump
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    style artists were doing I was looking
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    for the quality you know and there were
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    some guys who I'm not going to name any
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    any artist but but some of them were
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    like yeah let's just put a hard kick on
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    it let's put like a sound that we
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    sampled somewhere from I don't know from
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    kunon or whatever it was frustrating to
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    see that they over
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    commercialized uh the style once again
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    because I was trying to protect the
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    quality um you got the you know the the
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    dance uh the jump Style dance which
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    which is okay by the way but they yeah a
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    lot of big companies saw money fast
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    money not not long-term but fast money
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    and and they they they yeah they signed
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    contracts with with with with dancers
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    and with you know very commercial
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    artists and uh artists that weren't
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    doing jump Style
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    uh before you know so it was the it it
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    didn't F uh it didn't feel very good you
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    know and um um I was I was just feeling
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    that heart style the quality that heart
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    style was after wasn't happening in Jump
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    and so I told like hey um I'm not
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    feeling it with Zoo records anymore I
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    want to do my own thing is there an
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    option I can get my own record label um
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    and that was Dirty Works yeah
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    [Music]
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    PR
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    sucess gy Tex stle and the rest
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    was heart style heart dance
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    well yeah of course I was resident in a
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    club called complex which was basically
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    the the leading harder Styles Club in
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    Belgium back then I had some awesome
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    nights there you know my birthday bashes
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    were [ __ ] awesome and uh uh after a
  • 00:09:56
    while I was doing goon and a gang in in
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    in Sport Palace in an worp which was
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    basically also a jump style uh event
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    with some hard style acts attached like
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    hatun for example or Isaac or you know
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    deepack um de block and asan as well uh
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    yeah so
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    so how was that it was it was huge in
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    Belgium it was it was back then if if if
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    somebody who was in in 2007 man that's a
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    long long time ago and then you can sell
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    out the Sport Palace which is like
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    30,000 people something like that for
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    such a young guy it's insane it's insane
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    cuz like TV media they didn't know who
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    [ __ ] was they didn't know they were like
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    who's this guy and he selling how the
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    sport P yeah because the scene is so
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    [ __ ] underground so [ __ ] huge
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    please [ __ ] off
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    [Music]
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    [Music]
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    yeah the first time my father uh saw me
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    in the sport BS by the way um yeah there
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    were some tears
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    there were some tears I can obvious saw
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    that but um but of course he's too tough
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    to admit it was a struggle to convince
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    them because um because my father is
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    obviously not a fan of the music it's
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    too hard it's too aggressive whatever
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    being an artist an Entertainer a
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    producer earning money money with music
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    it's no you cannot earn money with music
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    you need to go you know be a lawyer or
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    be uh I don't know work in the
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    construction or whatever you know so
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    yeah it took a while before they saw it
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    with their own eyes but now they're like
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    yeah they're they're proud you
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    know at first I was an outsider of
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    course cuz um yeah a lot of a lot of new
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    Acts were um was were um making their
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    way you know for example William Head
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    Hunters was doing that whil us was doing
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    that Brandon Hart uh frontliner yeah you
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    know those those those Dutch acts
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    and and then this Belgium dude came you
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    know at first at first also my hard
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    style tracks if you listen carefully
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    they were not jump style they were not
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    hard style they were something in
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    between so I get that a lot of them were
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    like who is he and you know but uh me
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    being me I guess uh my pet was forward
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    and I didn't care about a lot of uh a
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    lot of negativity so um so yeah I just
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    did my thing I already noticed that when
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    he was playing drum Style music that
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    yeah he's always like a guy that uh is
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    hungry for more for the next thing to do
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    so um yeah because basically in Jump
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    Style music he had done it all already
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    so I noticed this very uh uh very early
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    on that uh you know he had his mind set
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    uh uh his next goal was to uh you know
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    get into the heart style scene and uh do
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    his thing uh over there and Conquer new
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    new new projects doing new stuff you
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    know yeah I think in the beginning it
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    was pretty you know tough for him to get
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    accepted in some way it was it was a
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    roller coaster by the way cuz you're
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    you're going from a jump style DJ in
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    Belgium you're suddenly Doing Hard style
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    uh you lose a lot of jump fans uh but
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    you gain a lot of hardstyle fans uh and
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    and and that that that whole transition
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    of getting into that hardstyle scene of
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    course was a was a bit of a struggle
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    suddenly I I I became good friends with
  • 00:14:16
    dblock and estan for example we went to
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    um uh to Center Parks or or on a small
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    vacation together also with fillan and
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    with deep and uh and then and then
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    suddenly you you you um you you're not
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    colleagues anymore but you're almost
  • 00:14:32
    friends and then that's what the point
  • 00:14:34
    when they started to um uh yeah accept
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    me yeah let's let's put it that way you
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    know and uh yeah so words from the gang
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    is one of my um uh yeah one of my
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    Classics I guess it was one of the first
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    tracks uh in the deblock and haapan
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    remix which was um picked up by a lot of
  • 00:14:56
    heart style acts and um my first version
  • 00:15:00
    of course is a jump version uh because
  • 00:15:03
    it was also attached to [ __ ] and the
  • 00:15:05
    Gang uh in the Sport Palace in
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    2007 so um so yeah it was um it was the
  • 00:15:11
    first track that that they they they
  • 00:15:14
    appreciated um at least the hardstyle
  • 00:15:18
    lovers appreciated so and that's how I
  • 00:15:20
    tried to push myself into the into that
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    scene uh and it it worked you know it
  • 00:15:26
    worked after a while I was I was getting
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    good in my at my own heart style solo
  • 00:15:33
    releases as well from that point
  • 00:15:36
    they let's say the heart sty lovers
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    worldwide started uh accepting
  • 00:15:41
    [Music]
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    me after evading the clutches of the law
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    for almost a
  • 00:15:59
    [Music]
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    decade high-profile surveillance led to
  • 00:16:05
    the takedown of [ __ ] forcing his crew
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    underground in an isolated region of the
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    city the Crooked Hands of corruption
  • 00:16:16
    plan to break the criminal
  • 00:16:18
    mastermind in a bid to bring the gang to
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    Justice
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    little do they
  • 00:16:30
    know the Gang has its own plan
  • 00:17:02
    [Applause]
  • 00:17:05
    [ __ ] in the gang escape on New Year's
  • 00:17:09
    [Music]
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    Eve when you first hear okay [ __ ] you're
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    booked in the US you're like [ __ ] yeah
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    we made it hey
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    Mike where we going California baby
  • 00:17:27
    [Music]
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    the funny thing is of course we had an
  • 00:17:39
    amazing time and we did so many fun
  • 00:17:42
    stuff in the USA uh but the actual party
  • 00:17:45
    was kind of yeah [ __ ] to say because
  • 00:17:49
    yeah we have been uh yeah so much
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    looking forward to to play for uh uh for
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    the Americans what we going to do
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    tonight
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    we're going to play some hard [ __ ] you
  • 00:18:01
    know 150 bpm those guys I think go was
  • 00:18:05
    pretty fast but let me show the guys how
  • 00:18:09
    do how do we do it you see the first gig
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    you're booked for and you're like oh no
  • 00:18:15
    this is not that rock and roll that we
  • 00:18:17
    thought it would be you know um for us
  • 00:18:20
    it was USA was America let's do this but
  • 00:18:24
    it was an illegal Rave and they shut it
  • 00:18:26
    down they they were they were big uh
  • 00:18:29
    ghetto Birds that's how they call it um
  • 00:18:32
    police obviously and and suddenly you
  • 00:18:36
    know the whole [ __ ] uh area was like
  • 00:18:39
    uh people you saw people going through
  • 00:18:41
    uh through uh holes and stuff like that
  • 00:18:45
    and and me and fillan were okay we we
  • 00:18:49
    Haven we haven't played yet um there are
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    no people anymore where are the
  • 00:18:53
    promoters in a way it was rock and roll
  • 00:18:56
    but it was not kind of rock and roll we
  • 00:18:58
    expected you
  • 00:19:04
    [Music]
  • 00:19:21
    know the label will make some goddamn no
  • 00:19:30
    listen up guys I just want to say this
  • 00:19:32
    in 2008 the psycho punks joined our
  • 00:19:36
    label in
  • 00:19:38
    2010 the Tweakers joined our label in
  • 00:19:41
    2012 Mr hard driver CH their
  • 00:19:45
    label so now I want to show some
  • 00:19:48
    appreciation Q dance dirty works thank
  • 00:19:51
    you guys very much I love you guys some
  • 00:19:54
    guys mailed me or whatever um cuzz
  • 00:19:57
    they're they're doing hardstyle in
  • 00:19:59
    Norway and we were searching of course
  • 00:20:01
    for um yeah new countries you know we we
  • 00:20:05
    didn't want to focus on on Belgium the
  • 00:20:08
    Netherlands France Germany so we were
  • 00:20:10
    like okay Norway this could be something
  • 00:20:13
    and I heard the tracks and to be honest
  • 00:20:16
    I was not feeling it at all I was I
  • 00:20:20
    was they made such uh such a different
  • 00:20:24
    kind of hard style but
  • 00:20:26
    then uh I was like okay but I also was
  • 00:20:30
    an outsider I made jump before I made
  • 00:20:33
    hard style so uh why not let's give it a
  • 00:20:36
    shot yeah so we were living in Norway uh
  • 00:20:39
    at the beginning of our hard style
  • 00:20:41
    career and we did not have a lot of
  • 00:20:43
    influence from other DJs because we be
  • 00:20:46
    at that point we were pretty much the
  • 00:20:48
    only hardstyle dj/ producers in Norway
  • 00:20:52
    and we for some reason we were
  • 00:20:54
    registered on party flock and back then
  • 00:20:57
    as far as we know that was the site for
  • 00:20:59
    events in Holland and Belgium and
  • 00:21:02
    whatnot and then I remember Marcus came
  • 00:21:04
    over and he's like I got this weird
  • 00:21:06
    inbox message uh on party flock yeah it
  • 00:21:09
    said base events I remember
  • 00:21:10
    distinctively it said Bas events and
  • 00:21:12
    said hi guys uh somebody tipped me about
  • 00:21:15
    you guys they called you the next noise
  • 00:21:17
    controllers uh I would like to is there
  • 00:21:19
    a possibility for me to come to Norway
  • 00:21:21
    and visit you so we can talk about maybe
  • 00:21:23
    signing you cuz we have a new vision for
  • 00:21:25
    our label Dirty Works and at first the
  • 00:21:28
    first thing when when you're a young DJ
  • 00:21:31
    you think oh who this is this is big and
  • 00:21:34
    then you start thinking and think it's a
  • 00:21:36
    scam cuz who's what's base events we did
  • 00:21:39
    not know about Dirty Works we did not
  • 00:21:41
    know about [ __ ] we did not know about
  • 00:21:43
    rever or anything because we were used
  • 00:21:45
    to going to all the Q dance events so
  • 00:21:48
    when he came over um he just to check
  • 00:21:50
    the vibe cuz that's what they did and he
  • 00:21:52
    was talking about uh they just signed uh
  • 00:21:55
    psychop punks and uh I think think [ __ ]
  • 00:21:59
    was in the transition of being a jump DJ
  • 00:22:02
    and now transitioning into being the
  • 00:22:04
    hardstyle DJ because I remember he was
  • 00:22:06
    asking us um if we knew anything about
  • 00:22:09
    Belgian jump music and we both were like
  • 00:22:12
    no nothing we never heard about [ __ ]
  • 00:22:15
    maybe we heard a few tracks we heard a
  • 00:22:17
    words from the gang he came over and it
  • 00:22:20
    literally was just the the the beginning
  • 00:22:22
    of the best collaboration um that we've
  • 00:22:25
    had it was a good click and when he left
  • 00:22:28
    on Sunday super hung over after partying
  • 00:22:31
    with us he said by the way guys welcome
  • 00:22:33
    to Dirty Works and then the bowl started
  • 00:22:36
    rolling um and I feel like as soon as
  • 00:22:39
    they saw the potential you know they
  • 00:22:40
    just literally said we're just going to
  • 00:22:42
    let you be you uh we did have a few
  • 00:22:46
    years where we sent in demos of our
  • 00:22:49
    tracks to Dirty Works and uh uh H and
  • 00:22:53
    Marine and also [ __ ] would uh give us
  • 00:22:57
    feedback and say we feel that you should
  • 00:22:59
    change this and this and this and we
  • 00:23:02
    said dear everybody
  • 00:23:06
    no this is what we do so H and at some
  • 00:23:10
    point they just you know what we feel
  • 00:23:12
    that you guys know what you guys are
  • 00:23:14
    doing you do what you do best let the
  • 00:23:16
    Tweakers be the Tweakers and it's been
  • 00:23:18
    the the TR the same trust ever since and
  • 00:23:21
    that's also why Dirty Works is that
  • 00:23:24
    diverse now we don't want to put uh the
  • 00:23:27
    artist into a box because we just let
  • 00:23:30
    them
  • 00:23:31
    be who they want to be as artists you
  • 00:23:34
    know and uh so so and and and of course
  • 00:23:37
    the Tweakers is is is is proof that that
  • 00:23:39
    it all turned out good Dirty Works was
  • 00:23:42
    getting really big I was doing the an
  • 00:23:44
    anr for years um listening to demos and
  • 00:23:48
    being um uh at every meeting and blah
  • 00:23:52
    blah blah doing the events and and stuff
  • 00:23:55
    but cou was also getting really big you
  • 00:23:57
    know more worldwide outside of Europe
  • 00:24:00
    and and let's say the last few years I
  • 00:24:02
    was not really focused not during the
  • 00:24:05
    meetings or the anr was not going the
  • 00:24:08
    way I was like okay who is this track at
  • 00:24:11
    oh who is this artist at skand tracks
  • 00:24:13
    yeah you had this demo like months ago
  • 00:24:16
    you know so I was not really focused uh
  • 00:24:19
    anymore and that's when I decided to
  • 00:24:22
    just um leave Dirty Works um you know um
  • 00:24:27
    it's it's my baby you know I'm the
  • 00:24:29
    founder but I'm not the owner now I
  • 00:24:32
    think it's it's not um um you shouldn't
  • 00:24:36
    do that anymore cuz Dirty Works right
  • 00:24:38
    now it's a machine of so many talented
  • 00:24:41
    people um I'm not going to um give
  • 00:24:45
    myself the credits anymore I'm the
  • 00:24:47
    founder it's my baby it's in my heart uh
  • 00:24:50
    but um uh I decided years ago to focus
  • 00:24:54
    on [ __ ] at some point um it turned uh
  • 00:25:05
    [Music]
  • 00:25:08
    worldwide you're my Superman Superman
  • 00:25:15
    [Applause]
  • 00:25:24
    [Music]
  • 00:25:25
    [Applause]
  • 00:25:42
    suddenly Asia was was doing things and
  • 00:25:45
    then South America was doing things she
  • 00:25:47
    had some awesome events in in in Chile
  • 00:25:50
    for example also with Q dance and stuff
  • 00:25:53
    and um and it was like whoa what what's
  • 00:25:57
    happening you know and uh
  • 00:25:59
    if we still want to get bigger as a as
  • 00:26:03
    artists I cannot do this [ __ ] on my own
  • 00:26:05
    you know I need somebody to you know to
  • 00:26:08
    guide me and and actually from the first
  • 00:26:10
    moment we met we really had a like a
  • 00:26:12
    good
  • 00:26:13
    connection um where as a booing agent I
  • 00:26:17
    kind of felt like I would be more
  • 00:26:19
    interested even in intensifying the
  • 00:26:22
    collaboration on a management level
  • 00:26:24
    purely due to the fact that we really
  • 00:26:26
    had the same ideas and vision
  • 00:26:28
    about [ __ ] as an artist and Heartstone
  • 00:26:31
    in general and from there actually I
  • 00:26:34
    became his manager but [ __ ] always was
  • 00:26:37
    really had a vision where he wanted to
  • 00:26:39
    come like go in his career the steps he
  • 00:26:41
    wanted to take and I think mainly he
  • 00:26:46
    needed
  • 00:26:47
    that business support like the
  • 00:26:50
    management role where he be was the
  • 00:26:52
    artist and I was the manager and
  • 00:26:54
    together we would try to accomplish his
  • 00:26:58
    goals as a DJ goon always had this
  • 00:27:02
    mission of telling his musical story to
  • 00:27:06
    his fans he wanted to share instead of
  • 00:27:09
    like he just wanted to be on stage now
  • 00:27:11
    he wanted to share what he feels for the
  • 00:27:12
    music and you can hear it back in his
  • 00:27:14
    music the lyrics When [ __ ] released his
  • 00:27:17
    album Global dedication this was a
  • 00:27:20
    collaboration between DX St yoki's label
  • 00:27:23
    and dirty works for a lot of fans it was
  • 00:27:25
    kind of like What's Happening Here Right
  • 00:27:28
    just to be clear it was a fullon
  • 00:27:29
    hardstyle album cuz that was the whole
  • 00:27:32
    idea [ __ ] did not collaborate with Steve
  • 00:27:35
    Aoki because he wanted to go just around
  • 00:27:37
    the world now he wanted that hard copy
  • 00:27:39
    CD with hardell to go worldwide Global
  • 00:27:43
    dedication the same Dedication that we
  • 00:27:46
    already knew for years here in Holland
  • 00:27:48
    in Belgium Europe at one point after
  • 00:27:51
    that whole demac and Steve Aoki uh story
  • 00:27:54
    I was losing Touch of of the of the fan
  • 00:27:57
    base you know and um
  • 00:27:59
    um I I'm still very honored that qan
  • 00:28:03
    came with with uh with Devcon uh with
  • 00:28:06
    the anthem cuz that um at least for me
  • 00:28:09
    it felt like that was um it was re
  • 00:28:13
    reignited uh with with with you know
  • 00:28:15
    with the core again and uh I'm really
  • 00:28:18
    glad that I did that cuz after that you
  • 00:28:20
    know uh things started to to to take
  • 00:28:24
    shape again you know
  • 00:28:31
    I was getting tired of um the big acts
  • 00:28:35
    on the main stage playing one or two
  • 00:28:38
    tracks uh hardstyle tracks uh at the end
  • 00:28:41
    of their set I was like okay this is a
  • 00:28:44
    gimmick which is cool you know cuz they
  • 00:28:46
    play our tracks uh but um after a few
  • 00:28:50
    years um I was like okay we lost the
  • 00:28:54
    gimmick here it's time to put a real
  • 00:28:56
    hardstyle act on that main stage so I
  • 00:28:59
    sent m a text message like hey hey let's
  • 00:29:03
    get rid of the gimmick and put a real
  • 00:29:05
    hardstyle act on the stage and I was not
  • 00:29:08
    even talking about myself just put
  • 00:29:11
    somebody decent on there and we [ __ ]
  • 00:29:14
    kill it you know I know for sure it's
  • 00:29:16
    it's time and then he sent me a text uh
  • 00:29:19
    text message back like yeah it's okay
  • 00:29:21
    let's do this so yeah I was like holy
  • 00:29:23
    [ __ ] are we are we are we actually going
  • 00:29:26
    to do this
  • 00:29:28
    land listen up my name is T and this is
  • 00:29:31
    my first time at the main stage
  • 00:29:36
    Tomorrowland I got to say you guys look
  • 00:29:38
    [ __ ] beautiful too
  • 00:29:40
    today so I I think I represent the whole
  • 00:29:44
    scene at that stage uh I didn't even
  • 00:29:48
    focus on my own tracks or my new tracks
  • 00:29:50
    or whatever I was like okay I'm here to
  • 00:29:53
    represent the scene and that's what I'm
  • 00:29:54
    going to do but it's going to be a set
  • 00:29:57
    that you can convince people that
  • 00:30:00
    haven't heard of heart style and that
  • 00:30:02
    the real Fanatics are also like yeah
  • 00:30:05
    this was good this was how we see the
  • 00:30:07
    scene it was pretty um
  • 00:30:11
    [Music]
  • 00:30:13
    historic
  • 00:30:14
    alone
  • 00:30:16
    alone
  • 00:30:18
    alone
  • 00:30:19
    alone
  • 00:30:21
    alone how are you feeling
  • 00:30:25
    [Music]
  • 00:30:32
    [Music]
  • 00:30:42
    Dan
  • 00:30:53
    tomorrow DJI
  • 00:30:59
    [Music]
  • 00:31:15
    that was the main stage toland and
  • 00:31:24
    weekend of
  • 00:31:26
    the next level so as you can
  • 00:31:30
    see it was it only made sense at the at
  • 00:31:33
    the time for him to be the very first
  • 00:31:36
    Harel act to solo play on the main stage
  • 00:31:39
    of Tomorrowland representing his country
  • 00:31:41
    representing the genre it it only made
  • 00:31:43
    sense goon closed the set and it was
  • 00:31:45
    really it was was amazing I think for me
  • 00:31:49
    I think one of the coolest sets I've
  • 00:31:50
    witnessed goon playing and there also he
  • 00:31:52
    felt like see the people are really
  • 00:31:54
    ready for this regardless if they were
  • 00:31:56
    dedicated hard fans people wanted to
  • 00:31:58
    party and they just wanted to like feel
  • 00:32:01
    feel the
  • 00:32:02
    [Music]
  • 00:32:09
    music it opened a lot of doors cuz the
  • 00:32:13
    let's say the the the not even the year
  • 00:32:15
    after I was at seat Festival also as the
  • 00:32:17
    First artstyle
  • 00:32:19
    Act uh and and and of course a lot of a
  • 00:32:22
    lot of a lot of
  • 00:32:24
    festivals uh outside art style yeah just
  • 00:32:27
    I was was closing uh in Chile I was
  • 00:32:29
    closing the main stage after Armen vuran
  • 00:32:32
    and in in in in in Asia I was doing a
  • 00:32:35
    lot of a lot of club shows the the the
  • 00:32:38
    kind of stages man I've been doing the
  • 00:32:40
    last couple of years it's it's insane
  • 00:32:42
    it's insane the festivals I never heard
  • 00:32:45
    of and then you you fly fly to the
  • 00:32:48
    country and and you're you're like ah
  • 00:32:50
    how many people do you expect tonight
  • 00:32:52
    and you're like 5,000 and then they say
  • 00:32:54
    40,000 people
  • 00:32:56
    okay now now what you know and but it's
  • 00:32:59
    cool it's really cool and it's like you
  • 00:33:01
    need to know what you you need to look
  • 00:33:04
    at your crowd and know what to play and
  • 00:33:06
    um it's still about global dedication
  • 00:33:08
    it's still about
  • 00:33:11
    those uh people who are uh or or at a
  • 00:33:15
    stage who don't don't know what our
  • 00:33:17
    style is or don't know what who [ __ ] is
  • 00:33:20
    I want to convince you I want to
  • 00:33:22
    convince you uh of what I've been doing
  • 00:33:25
    for the last couple years
  • 00:33:31
    in in 2018 because of the Tomorrowland
  • 00:33:34
    main stage um a lot of there there was a
  • 00:33:38
    lot of uh weight on my shoulders you
  • 00:33:41
    know the whole whole art style scene was
  • 00:33:42
    looking at me uh but not not only the
  • 00:33:45
    whole heart cell scene also my
  • 00:33:47
    management my
  • 00:33:48
    agency uh you know even got some text
  • 00:33:52
    messages of qan like don't [ __ ] this up
  • 00:33:54
    because this is our scene you know so so
  • 00:33:57
    a lot of pressure and after that I don't
  • 00:34:00
    know why but I started looking at me
  • 00:34:03
    like hey um the set was good said was
  • 00:34:07
    was was awesome but I started looking at
  • 00:34:09
    me like you're not a real artist um uh
  • 00:34:14
    just just look at you you're just some
  • 00:34:16
    guy from from a small town in in Belgium
  • 00:34:19
    and I was being really hard uh on myself
  • 00:34:23
    and I guess it has to do with mental
  • 00:34:27
    health and and some some struggles of
  • 00:34:30
    course ER stress is is a big thing of
  • 00:34:33
    course um because because this like I
  • 00:34:37
    said it's a roller coaster man you keep
  • 00:34:38
    on going and of course the whole avichi
  • 00:34:41
    story made us made us think as well um
  • 00:34:44
    same for a lot of Acts that when you ask
  • 00:34:48
    like is it really going that good no it
  • 00:34:50
    actually it's not cuz it's like the
  • 00:34:52
    pressure is so high and all the
  • 00:34:54
    festivals and it's getting so big so I
  • 00:34:57
    feel that um sometimes you're not
  • 00:34:59
    allowed to have a a dark um period in
  • 00:35:04
    your life you know when it is what it is
  • 00:35:07
    and I had and I still have to be honest
  • 00:35:11
    sometimes some struggles you know and
  • 00:35:14
    and and it's not that I don't love the
  • 00:35:17
    scene and I love to be on stage and I
  • 00:35:20
    like I said I was being way too hard on
  • 00:35:23
    myself and um all the traveling and you
  • 00:35:27
    know all the the extras that you're you
  • 00:35:30
    don't always want to do um that make it
  • 00:35:33
    really hard sometimes and I was just be
  • 00:35:36
    like I said I was just being a a pain in
  • 00:35:38
    the ass uh there was this this guy on my
  • 00:35:41
    shoulder and sometimes he's still there
  • 00:35:44
    um who says you cannot do it and then
  • 00:35:46
    the other gu is yeah watch me I'm I'm
  • 00:35:48
    doing this you know so it's a struggle
  • 00:35:50
    and that's where now or never if you
  • 00:35:52
    listen to the lyrics and if you listen
  • 00:35:54
    closely of course um you hear
  • 00:35:58
    uh what the track is about and um um
  • 00:36:01
    yeah I'm pretty proud of that one cuz
  • 00:36:02
    it's also it's opening up to your
  • 00:36:05
    emotions and your feelings and this one
  • 00:36:08
    was not the easiest look in the mirror
  • 00:36:11
    who's looking back at me it's like I
  • 00:36:13
    carry the weight of the world on the
  • 00:36:15
    back of me my head is in a dark cloud
  • 00:36:17
    coming after me yeah I'm high but I'm
  • 00:36:20
    still held down by gravity now never now
  • 00:36:26
    never it's now or
  • 00:36:34
    [Music]
  • 00:36:44
    never it's going way better and the
  • 00:36:46
    reason the reason is just simple I I
  • 00:36:49
    start caring I start caring about trying
  • 00:36:52
    to be the best version of myself I don't
  • 00:36:54
    need to be that and uh that's also what
  • 00:36:57
    Now or Never is is about is you don't
  • 00:37:00
    want to complain because because it's a
  • 00:37:02
    dream job and it it still is but then
  • 00:37:05
    again um together with your management
  • 00:37:08
    who who also relay on you and and and
  • 00:37:11
    and your agency you're like like hey how
  • 00:37:13
    many shows that we're going to do this
  • 00:37:14
    year uh 500 you know they they don't
  • 00:37:17
    they don't they care but they don't you
  • 00:37:20
    know because they want to do as much
  • 00:37:21
    shows as possible but I care and also
  • 00:37:24
    Maro and and and and my daughter cares
  • 00:37:26
    you know so I have to find that perfect
  • 00:37:29
    balance as well um so yeah so yeah you
  • 00:37:33
    have to you have to be careful you know
  • 00:37:35
    you have to be careful because if you're
  • 00:37:37
    there you cannot be here you know so
  • 00:37:39
    it's uh yeah Focus well um yeah like the
  • 00:37:43
    artist [ __ ] is way different than the
  • 00:37:45
    family man [ __ ] you know and it's hard
  • 00:37:48
    to put that uh button off you know um
  • 00:37:52
    cuz if you're doing a tour of three
  • 00:37:53
    weeks let's say in China and you're
  • 00:37:55
    coming back home um suddenly you're [ __ ]
  • 00:37:58
    the family man you know you need to take
  • 00:38:00
    care of of your daughter getting to
  • 00:38:02
    school um um it's it's not that obvious
  • 00:38:07
    it's it's not that easy it's [ __ ] and
  • 00:38:09
    [ __ ] the same name two different people
  • 00:38:12
    as in the DJ and then the the friend um
  • 00:38:18
    out of all my friends he's the
  • 00:38:21
    less he's the most normal guy sometimes
  • 00:38:24
    he keeps surprising me I was there last
  • 00:38:26
    week and he opens the door and um a
  • 00:38:30
    family man in extreme when we go on tour
  • 00:38:33
    and we go back he's always super happy
  • 00:38:35
    he loves the tour CU that's like the
  • 00:38:37
    shows that's his his his passion going
  • 00:38:41
    home Fay Malo his two favorite women
  • 00:38:45
    like he wants to go home and also then
  • 00:38:48
    um his friends and stuff he really has
  • 00:38:50
    his private life and I know he needs
  • 00:38:52
    that balance it's home you know it's
  • 00:38:54
    it's it's it's it's it's a place where I
  • 00:38:57
    can be myself where I can relax um so so
  • 00:39:02
    luckily uh I'm one of the lucky guys
  • 00:39:05
    that that that have such a such a good
  • 00:39:08
    base at home you know with friends and
  • 00:39:10
    family and stuff yeah I really
  • 00:39:12
    appreciate that I always say like fa is
  • 00:39:14
    a real Superstar you know I'm I'm this
  • 00:39:16
    this bside artist but fa is the aside
  • 00:39:20
    you know f is uh yeah see she's such a
  • 00:39:24
    funny funny lady and also such a smart
  • 00:39:26
    lady and she wants to get attention like
  • 00:39:29
    Daddy probably but um it's uh yeah my
  • 00:39:33
    connection with her is is because of
  • 00:39:36
    because of covid and stuff like that my
  • 00:39:38
    connection and my my band with with with
  • 00:39:41
    my daughter is is is is at its best at
  • 00:39:44
    the moment you know she I I really know
  • 00:39:46
    her and um so that's that's why co uh
  • 00:39:50
    wasn't that bad at least for me you know
  • 00:39:54
    um that that period of rest you know
  • 00:40:02
    what you need to know is I'm A hip-hop
  • 00:40:04
    lover and in hip-hop they tell a story
  • 00:40:06
    and that's what I like something is
  • 00:40:08
    happening in your life and you want to
  • 00:40:10
    share this you know and I do that
  • 00:40:12
    through music and in Hip Hop they they
  • 00:40:14
    are able to yeah tell three or four
  • 00:40:18
    minutes what's on their mind and in art
  • 00:40:21
    style you basically don't have any
  • 00:40:24
    minutes to do that cuz it's instrumental
  • 00:40:27
    with with some punch lines so what I do
  • 00:40:30
    not all the time but I have a long break
  • 00:40:33
    with the speech the things I want to
  • 00:40:35
    tell the people and then a massive
  • 00:40:38
    Melody kicks in allow me to introduce
  • 00:40:43
    myself I'm not an identity I'm not a
  • 00:40:46
    religion nor
  • 00:40:48
    Creed I'm not even a being of
  • 00:40:52
    matter I don't have a home nor do I care
  • 00:40:55
    for the greed of materialism political
  • 00:40:58
    stature or the pitfalls of
  • 00:41:00
    ego I'm an unyielding frequency of
  • 00:41:04
    vibrational
  • 00:41:05
    ecstasy I'm a form of art I am your
  • 00:41:08
    guide on this path to
  • 00:41:10
    Enlightenment through the purity of
  • 00:41:14
    [Music]
  • 00:41:24
    sound pleased to meet you they call me
  • 00:41:28
    St Yours
  • 00:41:30
    [Music]
  • 00:41:43
    Truly you know and that's how I want to
  • 00:41:45
    tell the people what's up I want to move
  • 00:41:48
    people not only with the music but also
  • 00:41:50
    with the lyrics with the text with the
  • 00:41:52
    with the slogans with whatever and they
  • 00:41:55
    put it on their arms and it's it's crazy
  • 00:41:58
    so so this one is uh Global dedication
  • 00:42:01
    that's what I always wanted I want heart
  • 00:42:04
    style to get worldwide and now it is but
  • 00:42:06
    I I still want more people to feel what
  • 00:42:09
    I felt when I first heard art style it
  • 00:42:12
    made such impact in my uh life uh I
  • 00:42:16
    cannot be the only one that feels that I
  • 00:42:19
    want more people to feel it this is Les
  • 00:42:21
    is more um I was producing um I was over
  • 00:42:25
    producing you know and and uh Les is
  • 00:42:28
    more which basically says says it all uh
  • 00:42:32
    going to the core when a track is good
  • 00:42:35
    enough leave it you know leave it
  • 00:42:38
    release it cuz it's good enough you know
  • 00:42:40
    like that and then this is trip to
  • 00:42:42
    tomorrow here somewhere it's uh it's
  • 00:42:45
    about my you know my trip to
  • 00:42:48
    Tomorrowland H and this is my latest
  • 00:42:50
    album which is uh loyalties is
  • 00:42:52
    everything which basically says that
  • 00:42:55
    even in in times that you don't do show
  • 00:42:58
    um the Loyalty towards heart style is
  • 00:43:01
    still everything uh so all albums
  • 00:43:04
    basically so my father doesn't like me
  • 00:43:07
    to make a lot of albums anymore because
  • 00:43:11
    uh my arm will be full
  • 00:43:17
    but my strength is is sketchiness and
  • 00:43:21
    and lyrically wise um getting a team um
  • 00:43:26
    you know getting it 100% um um I I tell
  • 00:43:32
    um young talents a lot like it's not it
  • 00:43:36
    is about the the quality and the
  • 00:43:39
    production but be before all of that you
  • 00:43:43
    need to find something signature
  • 00:43:45
    something that that is you um because
  • 00:43:49
    you of course you can produce a noise
  • 00:43:52
    controllers kind of track um if you're
  • 00:43:55
    good enough but it's just a copy of the
  • 00:43:58
    noise controllers track you know what I
  • 00:44:00
    mean it's it's it's just a track try to
  • 00:44:02
    create a song Try to try to yeah create
  • 00:44:06
    a team you know Superman is a track of
  • 00:44:09
    of me which is a perfect example it it
  • 00:44:12
    was just a track with lyrics about a
  • 00:44:14
    superman but the way I created the whole
  • 00:44:18
    campaign and putting the um putting the
  • 00:44:21
    [ __ ] logo which basically is s of
  • 00:44:24
    Superman but upside down and created
  • 00:44:26
    this as a as a as a logo of Superman um
  • 00:44:30
    telling the people to get one fist in
  • 00:44:32
    the air and fly with me like real
  • 00:44:34
    Superman makes it um an experience makes
  • 00:44:38
    one track an experience and and and I
  • 00:44:41
    I'm definitely sure that that's one of
  • 00:44:43
    the reason why this track is one of the
  • 00:44:46
    most uh popular [ __ ] tracks because
  • 00:44:48
    because of that you give the people
  • 00:44:50
    something more than just a track the
  • 00:44:52
    reason why I'm I'm a fan for example of
  • 00:44:54
    Eminem is because I listen to his tracks
  • 00:44:58
    and I I feel his struggles and you know
  • 00:45:01
    to to put that into a very getchy track
  • 00:45:06
    is done you know that's that's all you
  • 00:45:08
    need and and yeah I'm trying to do that
  • 00:45:11
    as well with my track so that that that
  • 00:45:13
    makes goon I'm not saying unique but at
  • 00:45:17
    least very strong in in in in in in the
  • 00:45:20
    hard sty
  • 00:45:25
    SC best experience for me was the
  • 00:45:28
    Gathering in
  • 00:45:29
    2017 they were shanting my name for at
  • 00:45:33
    least 5 minutes I guess it was like goon
  • 00:45:36
    goon [ __ ] and I was like behind the desk
  • 00:45:39
    like [ __ ] of course I'm [ __ ] but I look
  • 00:45:43
    at me way different than other people so
  • 00:45:46
    to hear what is it like 15,000 people at
  • 00:45:50
    the Gathering maybe more um hearing you
  • 00:45:54
    know chanting your your name like the
  • 00:45:57
    it's crazy man it's crazy it's it's
  • 00:45:59
    beyond belief but but but yeah that that
  • 00:46:02
    one that that one gave me Goose Bobs and
  • 00:46:04
    still do
  • 00:46:06
    [Music]
  • 00:46:19
    crazy when I first heard that I was
  • 00:46:21
    going to do the anthem I was already
  • 00:46:24
    convinced that I was going to do it in
  • 00:46:26
    triplet you know triple it is is uh I'm
  • 00:46:28
    I'm I'm not sure how uh how much I I
  • 00:46:31
    want to go in detail it's been a while
  • 00:46:34
    when uh people did a triplet track back
  • 00:46:39
    then you know and I was I was sure okay
  • 00:46:41
    I'm definitely going to do it in triplet
  • 00:46:43
    before the first meeting and then I went
  • 00:46:44
    to Q Dan and we sit together of course
  • 00:46:46
    and that's when uh I I knew that uh um
  • 00:46:50
    the team was going to be survival of the
  • 00:46:52
    fittest with the lion and stuff and I
  • 00:46:54
    instantly that's that's what I'm trying
  • 00:46:57
    to tell you I instantly see a lot of
  • 00:47:00
    things and I feel a lot of things and um
  • 00:47:04
    what I what I what I instantly thought
  • 00:47:06
    about it was was okay Rambo and and it's
  • 00:47:10
    it's survival of the fest with a lion
  • 00:47:13
    and and it made me that's that's when
  • 00:47:16
    you hear
  • 00:47:17
    that it has this Warrior Warrior
  • 00:47:21
    survival of the fittest kind of feel is
  • 00:47:24
    theor we call
  • 00:47:28
    the one and only DJ Two
  • 00:47:56
    [Music]
  • 00:47:59
    it's it's it's still is is is a great
  • 00:48:02
    Anem um at least for me it it's still is
  • 00:48:05
    also production wise was kind of the the
  • 00:48:07
    turning point where I was like okay um
  • 00:48:11
    also production wise you need to step up
  • 00:48:13
    your game and uh yeah was a good um was
  • 00:48:17
    a good connection
  • 00:48:23
    yeah on its own art style Goods of VI
  • 00:48:27
    I'm sure um cuz the sound is so solid um
  • 00:48:32
    but at least I want to explore new new
  • 00:48:37
    uh new territories and I want to um
  • 00:48:40
    involve other Jaris into heart style you
  • 00:48:43
    know I'm a hard style DJ and I always
  • 00:48:46
    will be but I'm saying I'm not going to
  • 00:48:49
    be the next profit or the next Isaac I
  • 00:48:52
    still want to do a lot of [ __ ] and I
  • 00:48:55
    mean um if I see uh if I if I look at
  • 00:48:59
    what my talent is I want to give that to
  • 00:49:02
    the young talents who are very good at
  • 00:49:04
    producing but still miss that branding
  • 00:49:07
    part or still miss that that push in
  • 00:49:10
    that direction um so so I want to do
  • 00:49:13
    that a little bit more not saying ghost
  • 00:49:16
    producing but but more let's say
  • 00:49:18
    creative management um yeah I even want
  • 00:49:21
    want to make um uh kid songs man my my
  • 00:49:25
    my my little one uh of course keeps on
  • 00:49:28
    uh stalking we me with uh with the kid
  • 00:49:31
    songs and if I hear those chords I can
  • 00:49:34
    do that way
  • 00:49:36
    better so why why not why not in 10
  • 00:49:39
    years you see me uh uh producing for a I
  • 00:49:42
    don't know Mickey
  • 00:49:46
    Mouse Legends
الوسوم
  • musique
  • artiste
  • jump style
  • hardstyle
  • pression
  • famille
  • succès
  • évolution
  • création musicale
  • émotions