Scorcher Interview: Clarity Of Thought | The Perspective

01:02:59
https://www.youtube.com/watch?v=qHGQQNrao90

الملخص

TLDRThe video features an in-depth conversation with music artist Scorcher, who shares insights about his journey in the music industry. He reflects on the initial creation of a pro-black song that eventually caught the interest of a record label. Despite the label's collapse, leading to a halt in his music release, Scorcher highlights the industry's challenges, meetings, and changing dynamics. He discusses personal experiences with studios and collaborators, confronting issues such as songwriting credits disputes. Scorcher contrasts artist strategies, emphasizing the industry's evolution where more artists are achieving success independently rather than relying solely on labels. The narrative touches on digital marketing's pivotal role in enhancing an artist's visibility and the importance of understanding the music business. He stresses the unpredictability of early career success and the need to adapt and persevere through setbacks.

الوجبات الجاهزة

  • 🎵 The music industry requires adaptation and perseverance.
  • 💼 Success is not immediate; setbacks are common.
  • 🔄 Industry dynamics are ever-changing.
  • 🎤 Focus on creativity rather than just following trends.
  • 🔊 Collaborations can lead to disputes over credits.
  • 🚀 Independent artists can now achieve great success.
  • 💡 Understanding the business side is crucial.
  • 📈 Digital marketing plays a significant role.
  • 🤝 Loyalty and long-term relationships matter.
  • 🎥 Self-awareness is essential for growth.
  • 🚧 Challenges and setbacks are part of the journey.
  • 🔍 Transparency in how success is achieved is vital.

الجدول الزمني

  • 00:00:00 - 00:05:00

    The discussion begins with the idea that the music industry is a journey of experiences. It emphasizes that initial ventures might not be the most rewarding financially and mentions a pizza discount promotion from sponsors. There's a greeting to Scorcher, reflecting on his career starting 14 years ago, and his Pro-black single from a signed deal, highlighting a shift in industry norms and personal artistic evolution. The talk also touches on the challenges and perceptions in the music scene over time.

  • 00:05:00 - 00:10:00

    Scorcher recounts the slow progress and bureaucratic obstacles faced with his music label, including multiple meetings to alter and improve songs for market preference. It turns out the label was shutting down, which delayed his music release process. He reflects on the natural progression of his sound and approach while waiting for official developments. This experience shows how industry setbacks can affect artists' output.

  • 00:10:00 - 00:15:00

    The narrative shifts to personal anecdotes of overlapping song ideas with other artists and industry figures, demonstrating needless competition and the grey areas of intellectual property in music. Scorcher shares insights into industry realities, like songs being shared without formal credit or recognition, and his hands-on involvement in creating music which is sometimes not acknowledged, revealing the struggles artists face against unjust claims.

  • 00:15:00 - 00:20:00

    Scorcher delves into an incident with a producer who wrongly claimed songwriting credits on a track, highlighting issues of integrity in music creation. This experience taught him much about the business side's intricacies and the exploitation risks from industry professionals, emphasizing his commitment to his art and the importance of self-defense against false accusations.

  • 00:20:00 - 00:25:00

    The conversation explores the broader industry context, underlining that disputes and setbacks are common experiences. Scorcher emphasizes the need to move past challenges and learn from them, likening surviving the music industry to toughening up. He shares a personal story about transitioning to music from a regular job, stressing the importance of following signs and maintaining focus while navigating the industry's complexities.

  • 00:25:00 - 00:30:00

    Scorcher discusses a period of detachment from music, partly due to jail time, which led him to reevaluate his career. He describes the journey of moving from non-release periods and discovering fresh sounds, acknowledging the shifts in managerial and industry alignment. Scorcher reflects on shows and tours he was a part of, attributing them as crucial periods for finding direction amidst complex industry dynamics.

  • 00:30:00 - 00:35:00

    There's a reflection on the shift in music styles and an artist's journey through evolving soundscapes. Scorcher recounts how he struggled with the industry's changing priorities, aligning to find his own artistic voice amidst genre trends. He elaborates on trying to break through conventional sound templates and industry expectations, eventually discovering his niche with a unique musical identity.

  • 00:35:00 - 00:40:00

    Scorcher reminisces about industry pressures pushing towards commercial sounds and how he stayed true to his art by rejecting forced conformities. He mentions avoiding popular beats and trends that didn't match his artistic intentions, emphasizing the importance of genuine musical expression over commercial success, leading to a more personal and authentic artistic presence.

  • 00:40:00 - 00:45:00

    The discussion highlights experiences of artists maneuvering through industry politics and navigating misleading representations of success. The influence of industry structures—like booking agencies and internal politics—on an artist's trajectory is highlighted. The conversation explores the narrative of artists being marketed inauthentically and the discrepancy between public perception and the actual music business.

  • 00:45:00 - 00:50:00

    Scorcher offers perspective on the changing dynamics of the music industry, social media's role in misrepresenting artist journey authenticity, and how numbers game affects public perception. He explores how music management and marketing manipulate artist images and successes, often hiding the reality of predetermined paths and PR strategies that the audience doesn’t see, complicating industry's landscape.

  • 00:50:00 - 00:55:00

    The conversation shifts to the notion of artists navigating through nepotism and structured hierarchies in the music industry, where connections often outweigh talent. There's a critique of the business environment where personal relationships can hinder or progress an artist's career. Scorcher reflects on strategies used by industry insiders that affect genuine artistic opportunities, underscoring the complexity of building a music career.

  • 00:55:00 - 01:02:59

    Scorcher concludes by recognizing the tangible autonomy and power emerging artists now have, allowing for more self-directed paths in music production and distribution. He celebrates the strides made in breaking traditional barriers, fostering an environment where genuine talent and independent growth can thrive without the direct influence of major labels or industry gatekeepers, showing optimism for future artistic endeavors.

اعرض المزيد

الخريطة الذهنية

Mind Map

الأسئلة الشائعة

  • What is 'AD20' in this context?

    AD20 is a discount code for getting 20% off on purchases at Fireway Pizza.

  • Who is the main speaker in the content?

    The main speaker appears to be Scorcher, a music artist.

  • What type of song did the artist initially create?

    The artist created a song that was perceived as pro-black.

  • What was a major challenge with the record label?

    The label was shutting down, which affected the release and promotion of the artist's music.

  • How did the artist describe their journey in the industry?

    The artist emphasized that the industry's processes are typical, involving challenges and many meetings.

  • What comparison is made about different artist strategies in the industry?

    Different artists play different 'games' in the industry, focusing on various strategies for success.

  • What did the artist feel about the shift in the music landscape?

    The artist noted a significant shift, with more people now having power and independence in their careers.

  • What happened during the artist's studio experiences with collaborators?

    There were instances of disputes over songwriting credits and contributions.

  • How did the artist feel about streaming and digital marketing's role?

    The artist observed that digital marketing budgets impact visibility on platforms like GRM Daily.

  • What insight is offered regarding label support and artist independence?

    Labels often heavily influence an artist's career trajectory, but independence can also yield success.

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الترجمات
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التمرير التلقائي:
  • 00:00:00
    you know where people get it wrong they
  • 00:00:01
    think that this is a moment or a time or
  • 00:00:04
    a situation this is the industry this is
  • 00:00:07
    at it work these are the experiences
  • 00:00:09
    like your first situation probably not
  • 00:00:12
    going to be your best one your most
  • 00:00:14
    fruitful for you in terms of financial
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    viability maybe our sponsors for the
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    you guys 20% off using our discount code
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    ad20 use it today man save money be
  • 00:00:27
    patterned we got you ad20 fireway
  • 00:00:31
    pizza I want to say good afternoon to
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    scorcher how you doing my bro I'm good
  • 00:00:35
    man happy we're here long time coming I
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    was just saying bro like the year my
  • 00:00:40
    time dropped the year I started my
  • 00:00:42
    platform 14 years bro yeah but that
  • 00:00:46
    wasn't even the start of your journey
  • 00:00:47
    bro do you get what I'm saying no my
  • 00:00:49
    journey is from birth bro yeah but but I
  • 00:00:52
    want I want to start on my time cuz I
  • 00:00:54
    want to start on that part we can go
  • 00:00:56
    back to the other parts but like when
  • 00:00:57
    you um had as a lead single cuz you
  • 00:01:00
    signed a single D at the time right why
  • 00:01:03
    why did you go for that type of song the
  • 00:01:06
    content cuz it was very Pro black and I
  • 00:01:07
    don't think people
  • 00:01:09
    really you know at that time like when I
  • 00:01:12
    made it I just was making a song I
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    weren't making I weren't signed like
  • 00:01:17
    they signed that record okay you get it
  • 00:01:21
    so I'm just I was
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    just in my house just that come to me
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    like i' heard the I heard heard a
  • 00:01:30
    beat and yeah that just started coming
  • 00:01:33
    to me and
  • 00:01:35
    then like I had it in my head like but
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    did slightly different bom went and
  • 00:01:40
    recorded it and the next thing I knew
  • 00:01:43
    the like label was interested in it
  • 00:01:46
    that's the that gives me a different
  • 00:01:48
    different spin cuz I thought you got
  • 00:01:49
    signed and then you I decided to just
  • 00:01:52
    not like that was that
  • 00:01:54
    was they but but a lot of the other so
  • 00:01:58
    like I think like at that time as well
  • 00:02:00
    especially it weren't really normal
  • 00:02:01
    doing that so it might have seemed like
  • 00:02:04
    but to like I think maybe if you look at
  • 00:02:06
    my music
  • 00:02:08
    now it don't seem farfetched for a man
  • 00:02:11
    to do something like this and then do
  • 00:02:13
    something totally different on a nitl
  • 00:02:15
    but I feel like them times there people
  • 00:02:18
    weren't really looking at music like
  • 00:02:19
    that and I don't think like do you know
  • 00:02:21
    how bad it is like you're probably the
  • 00:02:22
    first person I've heard see
  • 00:02:25
    like it's like a pro black record
  • 00:02:31
    like it is but it's not cuz it's a
  • 00:02:34
    pro like it is but it's not because it's
  • 00:02:37
    a pro black record it's just a record
  • 00:02:40
    and man's man is pro black yeah yeah
  • 00:02:42
    yeah yeah so it just kind of come out in
  • 00:02:45
    the but the climate we were in we
  • 00:02:47
    weren't outside of bash's black boy but
  • 00:02:49
    not a signed song there was no signed
  • 00:02:51
    songs with that type of content out of
  • 00:02:55
    that time do you get what I mean so
  • 00:02:56
    that's why I was like yeah that time I
  • 00:02:58
    remember Chas M was the odd guinea
  • 00:03:01
    pig don't do that kids don't like trust
  • 00:03:04
    me go hard trust for your first release
  • 00:03:07
    go hard as you
  • 00:03:09
    can bro so what what actually happened
  • 00:03:11
    so like you you dropped the
  • 00:03:13
    record people don't know we've got um
  • 00:03:16
    scorches anr who actually signed him
  • 00:03:18
    those times also his manager so it's
  • 00:03:19
    like it's really a full cycle moment
  • 00:03:21
    right and that also shows the Loyalty
  • 00:03:24
    within you guys 15 years later still
  • 00:03:27
    working with each other like that's
  • 00:03:30
    that's a commendable thing but what
  • 00:03:32
    happened after the single like like what
  • 00:03:34
    happens in the label when it comes out
  • 00:03:36
    it doesn't did it achieve it goals like
  • 00:03:39
    what was the talk in the label come out
  • 00:03:41
    was all good they had an option for a
  • 00:03:43
    second single which they more or less
  • 00:03:47
    they activated in it
  • 00:03:49
    um and then like we was just like
  • 00:03:52
    everything was just slow slow meeting
  • 00:03:55
    about a me meeting about a meeting about
  • 00:03:57
    a
  • 00:03:58
    meeting like yeah and and it was just so
  • 00:04:01
    slow like this oh what if we like what
  • 00:04:04
    if we mixed a record like this and what
  • 00:04:07
    if we changed the feature and all this
  • 00:04:09
    stuff anyway like it's like we're just
  • 00:04:12
    like I've recorded my verses
  • 00:04:16
    like I don't know how long you get me
  • 00:04:19
    now they're working on the beat they're
  • 00:04:22
    changing the beat they're trying to make
  • 00:04:23
    the beat more like this they're trying
  • 00:04:25
    to get this person on the hook they get
  • 00:04:27
    this person and now they're thinking oh
  • 00:04:29
    what about this person on the hook and
  • 00:04:30
    then like bro it was just going through
  • 00:04:33
    like meeting after meeting who anyway
  • 00:04:36
    turns out that flipping the label was
  • 00:04:39
    shutting down and the MD knew the whole
  • 00:04:41
    time obviously but he's not re he's not
  • 00:04:43
    relayed that to to the people at the
  • 00:04:46
    bottom of the the thing you get me so
  • 00:04:48
    we're just there we're essentially just
  • 00:04:51
    there waiting for his contract to be
  • 00:04:54
    finished for him to walk over there and
  • 00:04:57
    go empty over there you get me and the
  • 00:04:59
    was shut down and the the the the big
  • 00:05:02
    assets the main assets on the label went
  • 00:05:04
    to poor yeah they went polydor so like
  • 00:05:08
    The Saturdays and that um what was the
  • 00:05:11
    um that band that sick band did they go
  • 00:05:15
    everything yeah they were they were sick
  • 00:05:18
    I like
  • 00:05:21
    them but yeah that St was pretty much
  • 00:05:24
    um that was pretty much how it went so
  • 00:05:26
    then it was like ra so like you had us
  • 00:05:29
    waai in around
  • 00:05:30
    this whole time I ain't put out no
  • 00:05:33
    music I got Alexandra bur ringing me
  • 00:05:35
    when I'm in turkey with my girlfriend
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    like this
  • 00:05:38
    is's going on brother this is not like
  • 00:05:42
    but that was a yeah that was an
  • 00:05:43
    experience man number one at the time as
  • 00:05:45
    well so
  • 00:05:47
    that I'll be honest with you if I put my
  • 00:05:49
    hand on my heart though like something
  • 00:05:52
    is maybe a meant to be cuz I didn't
  • 00:05:55
    really I wasn't really like the song
  • 00:05:58
    where it was at the start of the
  • 00:06:00
    process like at the end of it it was
  • 00:06:02
    like some different song and it was
  • 00:06:04
    coming it was getting to a space of
  • 00:06:09
    like do you want to listen to the label
  • 00:06:12
    like like it was getting a bit like that
  • 00:06:15
    but maybe if I had taken a different
  • 00:06:18
    approach and was like just yes to
  • 00:06:19
    everything it would have moved quicker
  • 00:06:21
    but that just I'm just not that kind
  • 00:06:24
    of person I remember you did a an
  • 00:06:27
    acoustic with Ed for the for the for the
  • 00:06:29
    record at the time yeah um at that time
  • 00:06:33
    like what was your relationship with Ed
  • 00:06:34
    was he like a I presume he definitely
  • 00:06:36
    was a fan of yours at that time I know
  • 00:06:39
    Ed
  • 00:06:42
    from whenever like whenever a man was
  • 00:06:45
    writing on on
  • 00:06:48
    um I can't remember the name I can't
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    remember what it was a album that Wy put
  • 00:06:53
    out
  • 00:06:54
    um and I had like C clear and some other
  • 00:06:57
    thing on it was it 5:00 a.m. or
  • 00:06:59
    something like that
  • 00:07:00
    can't remember but I had a couple cuts
  • 00:07:03
    on there and I was semi working on
  • 00:07:06
    helping
  • 00:07:08
    and around that time is when i' I'd Met
  • 00:07:11
    Ed from going to some studio qu out in
  • 00:07:14
    the middle of nowhere and so yeah I just
  • 00:07:17
    I knew Ed just differently like I I knew
  • 00:07:20
    see when he talks about like sleeping in
  • 00:07:22
    the street like that's where I met him
  • 00:07:25
    but yeah I I know I know him from where
  • 00:07:28
    on this Farm in this guy this rich guy
  • 00:07:31
    studio and you get me um we're just
  • 00:07:36
    being like I'm my mind ain't closed in
  • 00:07:39
    it so like like I I think I might have
  • 00:07:42
    worked even like I might have made
  • 00:07:43
    certain songs that's on concrete jungle
  • 00:07:45
    in that studio but like using the
  • 00:07:50
    [ __ ] fx53 and whatever about the the
  • 00:07:54
    the not software the the actual whatever
  • 00:07:59
    you call them what they like
  • 00:08:00
    synthesizers like
  • 00:08:02
    man I remember I made the gang the beat
  • 00:08:05
    for Gangster
  • 00:08:06
    there bro I'm just there pressing bare
  • 00:08:09
    buttons and just just keep going until
  • 00:08:11
    you hear a sound you like yo yeah recall
  • 00:08:13
    that one bo bo boom but yeah that's
  • 00:08:15
    where I know I knew Ed from
  • 00:08:17
    there and after the after the um alander
  • 00:08:21
    B record which was following this my
  • 00:08:23
    time and another single called better
  • 00:08:25
    love with Ed Sharon on the hook and it
  • 00:08:28
    was called and it Lego house so that's
  • 00:08:31
    that Lego house record was his third
  • 00:08:32
    single really yeah so we would have gone
  • 00:08:35
    Alexander Burke and then sh record Lego
  • 00:08:39
    house was a massive hit so he would have
  • 00:08:40
    had Alex B then Lego house but obviously
  • 00:08:42
    Ed used that for his album number one
  • 00:08:45
    but these things happen man I had
  • 00:08:46
    another interesting one that come from
  • 00:08:49
    that same
  • 00:08:50
    studio um shout out shout out Professor
  • 00:08:53
    Green but not really shout out Professor
  • 00:08:54
    Green I don't I don't know him like
  • 00:08:58
    but me and him magically got the same
  • 00:09:00
    song yeah what me and him magically got
  • 00:09:04
    when I say the same song at the same
  • 00:09:06
    time I never met this guy from nowhere I
  • 00:09:08
    don't know this guy I don't have a
  • 00:09:09
    problem with him either you get me
  • 00:09:12
    but but man made a song need I need you
  • 00:09:16
    tonight like sampling um wen't sample
  • 00:09:20
    cuz man was playing but yeah is it in
  • 00:09:23
    excess
  • 00:09:25
    yeah made this song and these are the
  • 00:09:27
    times when all these AAS and
  • 00:09:30
    everyone's coming around and hearing
  • 00:09:33
    your music and this and that I'll play
  • 00:09:34
    myself for get it and i' like and when I
  • 00:09:38
    now I'm an adult and I know the game
  • 00:09:40
    differently I can see how like this
  • 00:09:42
    happens because it's not like man's
  • 00:09:45
    played you a a song or whatever and like
  • 00:09:49
    it's just an instrumental and man's
  • 00:09:51
    spitting on it like this is a rework a
  • 00:09:54
    sample it's an idea a it and ideas can
  • 00:09:57
    be recreated you might not even
  • 00:10:00
    necessarily know or remember or you know
  • 00:10:03
    what I'm saying like and and also as
  • 00:10:06
    well like I'm just some whoever may be
  • 00:10:09
    to them in in the moment but I I never
  • 00:10:11
    forget like need you tonight like
  • 00:10:14
    professor professor greens come out with
  • 00:10:16
    this
  • 00:10:16
    record I'm like
  • 00:10:19
    oh that's the exact same
  • 00:10:22
    chorus and
  • 00:10:24
    beat is that that is that the produc is
  • 00:10:28
    that a producer thing then like you know
  • 00:10:29
    that produc you know producers have I
  • 00:10:31
    don't know I don't know I don't know I
  • 00:10:33
    don't know or care I don't know or care
  • 00:10:35
    but that's the reality of of of that was
  • 00:10:39
    a bit and then we had another thing as
  • 00:10:41
    well Giza tried to say he imagine I've R
  • 00:10:46
    imagine I've r a
  • 00:10:48
    hook and these are the these are the
  • 00:10:50
    lessons you start to learn when you're
  • 00:10:52
    actually in when you start get into the
  • 00:10:55
    the the the the real business of it man
  • 00:10:59
    man's in the studio like anybody that
  • 00:11:02
    knows me knows like for the most part
  • 00:11:05
    like I'm quite Hands-On with the
  • 00:11:07
    creative process so if I'm saying I made
  • 00:11:10
    a beat I'm I made the beat like if I
  • 00:11:14
    said I wrote the lyrics like I wrote
  • 00:11:16
    like this is not unusual for me this is
  • 00:11:18
    bare normal like if you if I was if
  • 00:11:21
    nobody wanted to listen to me or nobody
  • 00:11:23
    wanted to look at me or anything I'd be
  • 00:11:27
    broke or making music no one heard and
  • 00:11:31
    making the visuals by myself for no one
  • 00:11:33
    to watch or listen to you get me that's
  • 00:11:35
    that's naturally who man is so then when
  • 00:11:38
    you got somebody there trying to trying
  • 00:11:40
    to you got somebody there trying to
  • 00:11:42
    argue argue with people and tell people
  • 00:11:45
    that they need a
  • 00:11:47
    split split for what for writing but but
  • 00:11:51
    but because they're like a professional
  • 00:11:53
    seeming white person you know that's
  • 00:11:56
    boom I might even even just come off the
  • 00:11:58
    run or something something at them times
  • 00:12:00
    like I'm sounding like a liar maybe or
  • 00:12:04
    and and to be
  • 00:12:05
    fair I probably don't I'm probably not
  • 00:12:09
    um I'm not articulating myself as as
  • 00:12:12
    best as I can you get me my my attitude
  • 00:12:14
    is more like I'm man [ __ ]
  • 00:12:17
    mad like I don't know what like what's
  • 00:12:19
    man talking about this is what are you
  • 00:12:21
    talking about like my brain can't
  • 00:12:25
    imagine the concept of what are you
  • 00:12:27
    talking about I was bro
  • 00:12:29
    am it's like me and you sitting here
  • 00:12:32
    you're there while I'm making this
  • 00:12:34
    song you're telling you're having a
  • 00:12:37
    you're telling then after this now my
  • 00:12:40
    you're telling my
  • 00:12:42
    manager you're trying to register for
  • 00:12:44
    splits and all
  • 00:12:47
    that so so then bom now the man but the
  • 00:12:50
    manager's not there when I've made the
  • 00:12:52
    song I made the song in your studio you
  • 00:12:54
    was there sitting down Edward was laying
  • 00:12:56
    down there flipping
  • 00:13:01
    now the song's coming out he's saying oh
  • 00:13:03
    yeah like first he said first he said he
  • 00:13:06
    wrote he he wrote if you know me you
  • 00:13:09
    know yeah the I don't need I don't need
  • 00:13:14
    that
  • 00:13:16
    like there's be like you play the say
  • 00:13:19
    you did the guitar a bit cuz that's you
  • 00:13:21
    know what I'm saying don't say you done
  • 00:13:22
    that that don't make sense yeah it's SL
  • 00:13:24
    flipping yeah man I was [ __ ] telling
  • 00:13:27
    a swimmer how to jump in a pool and
  • 00:13:29
    you're the ref with the whistle don't
  • 00:13:30
    make sense yeah flipping so yeah he's he
  • 00:13:35
    said that and then so like I'm saying to
  • 00:13:36
    my manager is he
  • 00:13:38
    like he is he right like boom now and
  • 00:13:41
    then now said then I'm I've gone to
  • 00:13:44
    where like I'm I don't know there's
  • 00:13:47
    nothing more to say like what do we do
  • 00:13:50
    now is we got a problem or what's going
  • 00:13:52
    on and then so then then now it was
  • 00:13:55
    about oh no he the melody for I'm saying
  • 00:13:58
    bro
  • 00:13:59
    is he all right cuz I've got the same
  • 00:14:02
    the same thing the the you know like I
  • 00:14:04
    still had the like um the rough
  • 00:14:08
    recording of me just cuz i' done it
  • 00:14:11
    somewhere else just
  • 00:14:14
    vibing showing it to him he's a proper
  • 00:14:16
    singer guy but I'm thinking oh yeah
  • 00:14:19
    maybe try it with him then I'm like nah
  • 00:14:20
    [ __ ] that get kids to do it do you get
  • 00:14:23
    it but he's trying to act like he's mate
  • 00:14:27
    you we asked you man wrote a hook yeah
  • 00:14:32
    asked you to sing it you sung it sounded
  • 00:14:35
    this and then we said oh no [ __ ] that
  • 00:14:37
    let get some kids to do it so we got and
  • 00:14:39
    then we got kids to do it but then
  • 00:14:40
    you're now trying to Bro with that see
  • 00:14:43
    that experience from me there I learned
  • 00:14:45
    so much like I learned so much and that
  • 00:14:48
    was dealing with I'm not going to say
  • 00:14:50
    his name a certain a certain genius but
  • 00:14:54
    crazy artist that from grie that we all
  • 00:14:57
    know yeah that like he he
  • 00:15:02
    was some real sharks around him you get
  • 00:15:05
    me and like a lot of those seeing those
  • 00:15:08
    experiences play out firsthand being
  • 00:15:10
    there it kind of just kind of just set
  • 00:15:13
    me set me how I was to not really being
  • 00:15:17
    like this is that whatever's going on
  • 00:15:19
    there is just maybe not for me do you
  • 00:15:22
    noce mad broer that that that those
  • 00:15:24
    things happen now bro no this is no this
  • 00:15:27
    is the you know where people get it
  • 00:15:29
    wrong they think that this is a moment
  • 00:15:31
    or a time or a situation this is the
  • 00:15:35
    industry this is how it works this is
  • 00:15:38
    how it works generally speaking if you
  • 00:15:40
    somehow got in and got it right off the
  • 00:15:46
    bat [ __ ] go play the lottery cuz you
  • 00:15:48
    might be that guy but 99 that's not how
  • 00:15:52
    this goes bro these are the experiences
  • 00:15:54
    like your first situation probably not
  • 00:15:58
    going to be your best your most fruitful
  • 00:16:00
    for you in terms of financial viability
  • 00:16:04
    maybe you what I'm saying how did you
  • 00:16:05
    resolve that it was that did you just
  • 00:16:06
    have to just like
  • 00:16:11
    aggression what do I what do I do you're
  • 00:16:13
    on the phone lying y you see when it's a
  • 00:16:16
    thing of like you're lying like there's
  • 00:16:19
    two of us here there's two people here
  • 00:16:21
    saying something different like me and
  • 00:16:23
    you me and you both in this room we walk
  • 00:16:26
    outside I'm saying something different
  • 00:16:28
    happen
  • 00:16:29
    there's where do you where do you go
  • 00:16:30
    with that there's how do you how do you
  • 00:16:32
    sort that out you can't sort that out do
  • 00:16:34
    you know is I will say this may be a bit
  • 00:16:36
    like when I was at PRS PRS when it comes
  • 00:16:39
    down to splits they can't adjudicate
  • 00:16:41
    anything so it's like remember it's like
  • 00:16:43
    so like it's it's like you have to
  • 00:16:44
    resolve at yourself or we just put a
  • 00:16:46
    freeze yeah so if it can't be agreed
  • 00:16:48
    upon the account just gets frozen but
  • 00:16:52
    they so like any anyone can actually
  • 00:16:53
    register and say I I did no no no he we
  • 00:16:57
    like
  • 00:16:58
    he was trying to play that game with me
  • 00:17:00
    on some MC thing but
  • 00:17:03
    mate my like this like there's not bro
  • 00:17:06
    like man ain't really passionate about
  • 00:17:09
    loads of things like my art is one of
  • 00:17:12
    them a bit and
  • 00:17:16
    Sport I'll fight you over Tottenham or
  • 00:17:18
    my
  • 00:17:22
    music being honest I don't know I'm not
  • 00:17:24
    really on the top of one but but like
  • 00:17:26
    bro I'm only even H it you get but no
  • 00:17:29
    like over my music like bro my you get
  • 00:17:32
    me that's that's all I that's that's me
  • 00:17:35
    that's all I have bro I mean like if I
  • 00:17:38
    don't have nothing I've got that's you
  • 00:17:39
    know what I'm saying that's what I'm I'm
  • 00:17:41
    offering the world like my art some dwe
  • 00:17:44
    some nerd as well and the thing is as
  • 00:17:46
    well it's it's a like I would get him by
  • 00:17:50
    his ear bro this is mad like you're
  • 00:17:52
    you're trying to rob me yeah this is not
  • 00:17:55
    I don't they mind look at it like music
  • 00:17:57
    business no bro you're like saying
  • 00:17:59
    where's your phone and that that's how
  • 00:18:01
    I'm looking at this is
  • 00:18:03
    mad what you what from this is mad like
  • 00:18:06
    y like no yeah yeah bro the C the crazy
  • 00:18:11
    part about the music business is they'll
  • 00:18:12
    say don't take the business personal but
  • 00:18:13
    it's like you never deal that type of
  • 00:18:16
    experience in your real life like where
  • 00:18:18
    someone could just bare face and you and
  • 00:18:20
    you know you know they're lying bro
  • 00:18:23
    there's there's more there's more like
  • 00:18:25
    there's more
  • 00:18:27
    Crooks off-road than onroad
  • 00:18:31
    100% there's more Crooks we just spoke
  • 00:18:35
    about one here M we all know him lawyer
  • 00:18:38
    worked with everyone like made lots of
  • 00:18:40
    people lots and he's [ __ ] bent as
  • 00:18:42
    they come yeah and we all know him yeah
  • 00:18:45
    do you know big do you know bigger
  • 00:18:50
    crook like when you actually pre when
  • 00:18:52
    you pre how many pies a man's hands in
  • 00:18:58
    and Bean
  • 00:18:59
    and then you got to wonder what the hell
  • 00:19:01
    he's doing before we bucked him cuz he's
  • 00:19:03
    he's before us when people weren't clued
  • 00:19:06
    up as well and take it in he's still
  • 00:19:09
    ahead of the curve a little bit bro he's
  • 00:19:12
    the biggest crook we know
  • 00:19:15
    he the road man wouldn't last 5 minutes
  • 00:19:19
    him what understand but also as well
  • 00:19:22
    like it's just part of the
  • 00:19:24
    game like toughen up like I hate to say
  • 00:19:28
    it like it's part of the game bro like
  • 00:19:31
    especially as well for artist new
  • 00:19:33
    artists now like everything's like
  • 00:19:36
    everything is different with every era
  • 00:19:38
    a't it so there's pros and cons in my
  • 00:19:41
    opinion things come things have the
  • 00:19:44
    possibility to come a bit easier now but
  • 00:19:46
    they it's the same way they can go do
  • 00:19:49
    you get it so I just
  • 00:19:51
    think you know if you do find yourself
  • 00:19:53
    in a scenario or that just keep it
  • 00:19:55
    moving bro bro I don't thought like
  • 00:19:57
    obviously there's no name me here bro
  • 00:19:59
    but when that happened bro like who do
  • 00:20:01
    you talk to does everyone else say that
  • 00:20:03
    ra that same like these type of things
  • 00:20:05
    happen to us or n i just yeah I was
  • 00:20:08
    really talking with no one about it I
  • 00:20:09
    was just getting on with it bare phone
  • 00:20:12
    calls just
  • 00:20:13
    shouting cuz I was young no then times I
  • 00:20:15
    was young so wasn't really
  • 00:20:18
    funny I wen't getting it like I was H I
  • 00:20:20
    wasn't my my brain couldn't compute
  • 00:20:24
    like I was just with him eating Domino's
  • 00:20:27
    Pizza you know
  • 00:20:29
    and this guy this is mud like this is so
  • 00:20:33
    mud bro like like literally aside from
  • 00:20:37
    the jail situation why did you spend so
  • 00:20:39
    much time away from music like literally
  • 00:20:42
    like did you fall out love of
  • 00:20:44
    it I know you got into acting kind of
  • 00:20:47
    early on for most people nowadays yeah
  • 00:20:50
    but like for me there was like a there
  • 00:20:53
    so there was a downtime between that and
  • 00:20:55
    then like kind of getting recording
  • 00:20:57
    again not even some much recording like
  • 00:20:59
    cuz it's I spent so long like jumping
  • 00:21:03
    through like I say so long but it might
  • 00:21:04
    have only been a year but like it feels
  • 00:21:07
    like forever as an artist to just be
  • 00:21:10
    especially when you go from putting out
  • 00:21:11
    songs when you feel like it like I feel
  • 00:21:14
    like it so I do that get me I used to
  • 00:21:17
    have I used to have
  • 00:21:19
    like videos sitting down so I would have
  • 00:21:22
    like fre videos and it's just what get
  • 00:21:24
    me so I've gone from that
  • 00:21:27
    to sitting down like this you know what
  • 00:21:29
    I mean
  • 00:21:31
    um then
  • 00:21:32
    also and then
  • 00:21:35
    2012 one of
  • 00:21:37
    one4 no but I know what you're saying
  • 00:21:39
    though there's a there's a there's a
  • 00:21:41
    period like where I probably got in the
  • 00:21:43
    groove of not releasing you know you
  • 00:21:45
    know was from from the outside this is
  • 00:21:48
    how the game was shaked up scorcher was
  • 00:21:50
    the star yeah you're not going to like
  • 00:21:52
    it you were the Beyonce in the group in
  • 00:21:53
    it like right in any situation every was
  • 00:21:55
    like scorcher is the one i' I've never
  • 00:21:57
    felt like that as well but bro this but
  • 00:21:59
    this is the thing which everyone always
  • 00:22:01
    like it's like doesn't bro get it like
  • 00:22:03
    he like you get me so Scorch is the star
  • 00:22:06
    everyone's looking at how far Scorch is
  • 00:22:08
    going to
  • 00:22:10
    go but then I used to hear like yo
  • 00:22:12
    Scorch is a hotthead that's I used to
  • 00:22:14
    hear like you know like I was thinking I
  • 00:22:15
    was like what like the girls love him
  • 00:22:17
    like now Scorch is a hote is it so I
  • 00:22:18
    like Okay cool so he he's a hote he's
  • 00:22:21
    he's from the roads cool then other
  • 00:22:23
    people start going forward
  • 00:22:26
    yeah people you you know what it is as
  • 00:22:29
    well though like other people done
  • 00:22:31
    things that I'm just not really honor as
  • 00:22:32
    well though right but it's like when you
  • 00:22:35
    see for example and there's names I
  • 00:22:36
    ain't going to mention when you see so
  • 00:22:38
    okay so tiny starts to move literally
  • 00:22:41
    all the people that man's around yeah
  • 00:22:43
    start to move forward and it's like but
  • 00:22:45
    where but where but where are you bro
  • 00:22:47
    and that's where I'm just not I'm just
  • 00:22:49
    not I'm just not like
  • 00:22:52
    that like maybe I'm dumb in it I
  • 00:22:55
    wouldn't say that but it's like it was
  • 00:22:56
    like why scorcher not there cuz where
  • 00:22:59
    we're seeing them is where we thought
  • 00:23:00
    you were going to be yeah yeah no I just
  • 00:23:03
    think
  • 00:23:07
    like like them man were playing like a
  • 00:23:09
    different game to me like I wen't
  • 00:23:12
    playing some game like
  • 00:23:14
    some like them man understood like music
  • 00:23:18
    business music game industry like all
  • 00:23:20
    that stuff I was not interested in that
  • 00:23:23
    at all not remotely and I had a
  • 00:23:25
    different manager as well who had
  • 00:23:29
    slightly different motivations than me
  • 00:23:31
    you what I'm saying and it's
  • 00:23:34
    like when there's no alignment it it
  • 00:23:37
    gets techy like you got to think like on
  • 00:23:40
    one hand I got a manager that's got his
  • 00:23:43
    own ideas and they definitely don't
  • 00:23:47
    align they definitely don't align with
  • 00:23:49
    my ideas
  • 00:23:52
    um at that point anyway and then and
  • 00:23:55
    then you've got the situation with the
  • 00:23:56
    label like I'm just what am I doing you
  • 00:23:58
    know I'm just doing shows that's what I
  • 00:24:00
    was doing actually shows for be long be
  • 00:24:05
    shows just shows shows show show that's
  • 00:24:07
    what I was doing for a time to be fair
  • 00:24:08
    just kind of shows and touring really
  • 00:24:12
    but ultimately it was because
  • 00:24:15
    like like my like my music setup
  • 00:24:19
    situation probably wasn't where I wanted
  • 00:24:22
    it to be so like if you are not where
  • 00:24:24
    you want to be in that
  • 00:24:25
    regard just keep it moving but I think
  • 00:24:28
    also as well it took me ages
  • 00:24:31
    like finding finding like sounds that I
  • 00:24:34
    liked as
  • 00:24:36
    well really yeah I'm weird like that
  • 00:24:40
    though
  • 00:24:42
    weird yeah
  • 00:24:44
    like yeah just yeah yeah yeah they
  • 00:24:48
    weren't like not weren't really grabbing
  • 00:24:51
    me cuz you got a pre the time like this
  • 00:24:53
    is when
  • 00:24:55
    um what's that guy's name Jason what's
  • 00:24:58
    his name what's his name he's the that
  • 00:25:01
    producer Fraser T Smith oh this is in
  • 00:25:05
    that time so it's like you need to like
  • 00:25:09
    you need to kind
  • 00:25:10
    of have that's the context like cuz you
  • 00:25:14
    got to think now like man's
  • 00:25:16
    contemporaries are on Fraser T Smith
  • 00:25:18
    beats and and like that's that's what
  • 00:25:22
    sound doing like this is and then it
  • 00:25:24
    just get then it just gets weird then
  • 00:25:26
    like there's that weird spot where like
  • 00:25:29
    like then there's that weird spot where
  • 00:25:31
    like everyone's trying to
  • 00:25:33
    like make some get through the door
  • 00:25:36
    music yeah and I definitely I definitely
  • 00:25:40
    was part of that as well really yeah but
  • 00:25:43
    do you know what this is the thing like
  • 00:25:44
    you this is why you never heard the
  • 00:25:47
    music what song this is my point this is
  • 00:25:50
    why you didn't hear the music you get it
  • 00:25:53
    you get it like that's that's probably
  • 00:25:55
    the reality and I think yeah man until I
  • 00:25:59
    made like then and then when I made no
  • 00:26:00
    one else I kind of found my thing no one
  • 00:26:05
    else is
  • 00:26:06
    like I definitely started like yeah this
  • 00:26:10
    is this is my my
  • 00:26:13
    space so when everyone was going for
  • 00:26:15
    like that that sound
  • 00:26:18
    yeah like did you ever work with Fraser
  • 00:26:20
    t no no okay so what was then your sound
  • 00:26:25
    of that time then searching
  • 00:26:28
    you know what I'm saying like y like I'm
  • 00:26:30
    trying to like I'm going hard and all
  • 00:26:32
    that and man didn't phas T SMI it's all
  • 00:26:36
    love kind of came out of that period I'm
  • 00:26:38
    trying to go I'm going I'm like going
  • 00:26:40
    hot what's going on is RA you need to
  • 00:26:42
    get something that we can maybe get on
  • 00:26:44
    radio
  • 00:26:45
    too that's where it was at I was and I
  • 00:26:48
    was I was making songs like no one else
  • 00:26:51
    talking about real real life not my real
  • 00:26:54
    life but real life feelings and emotions
  • 00:26:58
    and whatever's going on you get me and
  • 00:27:01
    it just wenten really that time like it
  • 00:27:03
    was
  • 00:27:05
    more then putting a chain on and keep it
  • 00:27:07
    moving then it was very like the getting
  • 00:27:10
    through the door thing was the only way
  • 00:27:12
    there wasn't like you couldn't there was
  • 00:27:14
    no
  • 00:27:15
    Spotify YouTube ain't really like that
  • 00:27:17
    there isn't it's literally there was
  • 00:27:19
    what channel
  • 00:27:23
    you AKA and that's and there was no way
  • 00:27:26
    to if you don't go through certain if
  • 00:27:28
    you don't go through um certain spaces
  • 00:27:30
    you're not cutting through it felt like
  • 00:27:32
    that or if you're not doing the vinyls
  • 00:27:33
    and just going and pressing them up and
  • 00:27:35
    but I see all of that yeah also on the
  • 00:27:37
    flip side M was just living life as well
  • 00:27:39
    that's the other bit I think like
  • 00:27:41
    everyone forgets like not all artists
  • 00:27:43
    are just
  • 00:27:44
    artist like someone of living life what
  • 00:27:48
    do you do what do you mean by that
  • 00:27:49
    though like whatever you got going on
  • 00:27:51
    some people got other interests other
  • 00:27:54
    Hobbies some people got full-time jobs
  • 00:27:56
    that they don't tell you about
  • 00:27:59
    they some people it's drill on the
  • 00:28:01
    weekend office on a
  • 00:28:04
    weekday that's the rules that's that's
  • 00:28:07
    the rules gats was saying that to me he
  • 00:28:08
    said there was a time so I think at this
  • 00:28:11
    time I'm speaking to some of the man I'm
  • 00:28:13
    telling them bro Pride cannot exist I
  • 00:28:16
    got to feed my kid bro you know what I'm
  • 00:28:18
    saying so this pride thing of like man's
  • 00:28:21
    famous but bro I got to feed my I got to
  • 00:28:23
    feed my you bro it's more embarrassing
  • 00:28:25
    not to feed your you facts you know what
  • 00:28:27
    I'm saying so
  • 00:28:29
    um um a friend a good friend of mine Lam
  • 00:28:32
    he he was working with a pharmaceutical
  • 00:28:34
    company he dropped a Pharmaceuticals to
  • 00:28:36
    the hospitals and whatnot he said is
  • 00:28:38
    your driving is your driving license
  • 00:28:40
    clean I said yeah he said he was like
  • 00:28:43
    cool p and had a got me got me a job but
  • 00:28:48
    I was doing um a trial with him for two
  • 00:28:51
    weeks before I could get my own van so
  • 00:28:52
    I've done Tri with him for two weeks but
  • 00:28:55
    these times I'm praying because I don't
  • 00:28:58
    really want to do this
  • 00:29:01
    but here we are yeah yeah but I'm
  • 00:29:03
    praying I'm praying I'm praying I'm
  • 00:29:05
    praying I'm praying I'm praying I'm
  • 00:29:07
    saying well if this ain't if this is for
  • 00:29:09
    me just let me know if it ain't just
  • 00:29:11
    show me a sign please I'm begging you
  • 00:29:12
    show me a sign anyway now it's come to
  • 00:29:15
    the end of the trail I say to the boss
  • 00:29:17
    man um yeah my van my van come he's like
  • 00:29:23
    no and he's like it's strange because
  • 00:29:25
    this has never
  • 00:29:26
    happened and said how long youve been
  • 00:29:28
    there for he's like 20 years I said this
  • 00:29:32
    ain't never happened he said
  • 00:29:35
    strange cool stay on my bre still doing
  • 00:29:39
    the tri for like extra 3 days yo Boss my
  • 00:29:42
    van still not
  • 00:29:44
    here but end of that week bro I said
  • 00:29:46
    yeah that's the sign cool safe bam then
  • 00:29:49
    watch this now Focus watch watch the run
  • 00:29:54
    now know my team don't know already one
  • 00:29:57
    take four bo bo bo bo bo boom bo back
  • 00:30:01
    cuz I was realizing yo bro okay you ask
  • 00:30:04
    for the sign You've Got It Go brazy but
  • 00:30:06
    don't forget the big man when you're
  • 00:30:07
    winning hail him up you know what I'm
  • 00:30:09
    saying so that's why you hear me talk
  • 00:30:11
    about God so frequently because I
  • 00:30:13
    understand
  • 00:30:15
    201 so that's that sort of time period
  • 00:30:17
    as well like you said there other thing
  • 00:30:20
    like see
  • 00:30:22
    like don't I don't hear [ __ ] about stuff
  • 00:30:25
    like that when when he come
  • 00:30:28
    my head is yeah what I don't really care
  • 00:30:32
    for probably for a good like 3
  • 00:30:36
    years and then I kind of just click back
  • 00:30:39
    into
  • 00:30:41
    um just normal life not so much music
  • 00:30:44
    laugh just normal laugh and then and
  • 00:30:47
    then I ended up being gone for a little
  • 00:30:49
    bit we care about
  • 00:30:52
    music
  • 00:30:54
    like like I'm not in no competition like
  • 00:30:57
    with artist and that and I'm just doing
  • 00:31:00
    my own little thing as I normally am but
  • 00:31:05
    like that break though I don't know what
  • 00:31:08
    happened like something happened and I
  • 00:31:10
    just
  • 00:31:12
    like like I've always been making music
  • 00:31:15
    I always feel as well like the more
  • 00:31:18
    things that's happening like that's
  • 00:31:21
    supposed to have a negative impact on
  • 00:31:24
    man like it does something like the the
  • 00:31:27
    music just
  • 00:31:28
    starts yeah I can't I can't explain it
  • 00:31:33
    like it's mad like like a song like um
  • 00:31:37
    what was the song you said public or
  • 00:31:40
    whatever like bro like manm made public
  • 00:31:43
    like and that's that's just not what's
  • 00:31:44
    going on you get me yeah
  • 00:31:49
    but like being in a good space made me
  • 00:31:54
    made that come out but I'm not I wasn't
  • 00:31:56
    in that actual space you get me
  • 00:31:58
    yeah and but it's the same when there's
  • 00:32:00
    negatives what I'm saying like I was on
  • 00:32:02
    Bell for ages but then it was like I
  • 00:32:05
    know it's all
  • 00:32:07
    raw like Mom
  • 00:32:10
    like just sudden like I'll be in the car
  • 00:32:13
    boom bars just come to man and I did
  • 00:32:16
    like a
  • 00:32:17
    down I did like last night in Edmonton
  • 00:32:20
    but like people seem to really like
  • 00:32:23
    those records yeah I was stunned CU I
  • 00:32:26
    was just literally just being just
  • 00:32:29
    saying just bro
  • 00:32:31
    just saying things on on in my in my
  • 00:32:35
    mind getting things off my chest which
  • 00:32:37
    ain't always the vibe but that's what it
  • 00:32:40
    was in that moment cuz I was like bro
  • 00:32:42
    I'm going ja I really I so don't care
  • 00:32:46
    about what's going on you get me like
  • 00:32:48
    this don't really matter you get me
  • 00:32:50
    um and then yeah but I feel like I kind
  • 00:32:54
    of been like the whole time I was away
  • 00:32:57
    no
  • 00:32:59
    music I
  • 00:33:01
    didn't didn't care about writing like
  • 00:33:03
    people say to me chat to me about I say
  • 00:33:05
    bro I'm not I'm not artist bro I'm a
  • 00:33:08
    normal normal bud you get me just
  • 00:33:11
    whatever my number is you get me yeah
  • 00:33:15
    but then it's
  • 00:33:16
    like when I come
  • 00:33:18
    [Music]
  • 00:33:21
    home don't know something happen my TJ
  • 00:33:24
    from the
  • 00:33:26
    connect literally no not the not I come
  • 00:33:29
    home i' probably been back like a like a
  • 00:33:32
    week or so like 5 days and then but I
  • 00:33:36
    hadn't I hadn't I didn't have social
  • 00:33:39
    media I've made a social media
  • 00:33:42
    account and then it's what from TJ's DM
  • 00:33:47
    me um what you say in
  • 00:33:51
    studio these times I'm not artist no
  • 00:33:53
    more in my head you get me I'm an artist
  • 00:33:56
    cuz what was really in my head was was
  • 00:33:58
    what was really in my head
  • 00:34:00
    was
  • 00:34:03
    like cuz intent had just come out when I
  • 00:34:07
    just went away so I was going through
  • 00:34:10
    that like every
  • 00:34:12
    like everywhere man was going like it
  • 00:34:15
    was in the the I remember when it landed
  • 00:34:18
    in the building like so
  • 00:34:20
    someone's got it off a visit or
  • 00:34:22
    downloaded it whatever and then it's
  • 00:34:24
    just getting copied everywhere boom bam
  • 00:34:27
    and then and like some real you know
  • 00:34:30
    like you're having some real
  • 00:34:31
    conversations with some real real people
  • 00:34:34
    and man really kind of drilled it um in
  • 00:34:40
    my head like ra you got something going
  • 00:34:43
    on there bro like you can do something
  • 00:34:46
    in this realm you get me so my head was
  • 00:34:48
    kind of there but I was thinking like I
  • 00:34:50
    didn't even have an agent before I'd
  • 00:34:53
    gone like I have an
  • 00:34:55
    agent um and I just was thinking
  • 00:35:00
    like no like no I'm never going to get
  • 00:35:03
    no work you get me so I was thinking
  • 00:35:07
    all what if I make my own program like
  • 00:35:09
    maybe I need to make my own like my
  • 00:35:11
    thinking was so backwards I was thinking
  • 00:35:13
    I need to make my own program so I can
  • 00:35:15
    show that I can act to then get work
  • 00:35:20
    instead of thinking I need to just make
  • 00:35:22
    my own
  • 00:35:24
    program but left just when I come home
  • 00:35:28
    made a thing TJ's hit me and said ah
  • 00:35:31
    yeah like what studio boom these times I
  • 00:35:33
    was waiting to go and see someone later
  • 00:35:36
    on in the
  • 00:35:37
    evening know like he just catching up
  • 00:35:39
    with whoever b b
  • 00:35:42
    so I remember think I'll never forget
  • 00:35:44
    like I remember think I remember
  • 00:35:45
    thinking in my yard here like you never
  • 00:35:48
    know like you never know like when's a
  • 00:35:50
    sliding doors moment CU like I could
  • 00:35:54
    stay in my
  • 00:35:55
    house and then go link this girl
  • 00:35:58
    and then wherever whatever like whatever
  • 00:36:01
    PA hour was on there that's whatever
  • 00:36:03
    that is you get me or I could go studio
  • 00:36:06
    and see what you get me cuz and this is
  • 00:36:09
    the problem studio is like 7 minutes
  • 00:36:11
    away was close yeah like something
  • 00:36:15
    saying then my Bren Liam had to hit me
  • 00:36:19
    up um yo W like just get me boom bam I
  • 00:36:24
    said you know what I might go Studio
  • 00:36:25
    yeah like where like these man don't
  • 00:36:28
    even come Studio normally this is not I
  • 00:36:29
    Don't Go studio with B man it's not my
  • 00:36:31
    thing now this is I've been doing this
  • 00:36:33
    you get me man have been seeing me in my
  • 00:36:35
    bedroom with a viral you get me is not
  • 00:36:39
    it's dead now you get me flipping yeah
  • 00:36:42
    no man coming then be the man come
  • 00:36:45
    Studio bro and then I
  • 00:36:48
    did could be worse I did some thing
  • 00:36:51
    could be worse fre star and and then it
  • 00:36:54
    was just
  • 00:36:55
    like my phone just and then and then it
  • 00:36:59
    was yeah that was that then the music
  • 00:37:02
    just it's like when you came out bro
  • 00:37:07
    there was a lot of one there was a lot
  • 00:37:08
    of noise that you're coming out right
  • 00:37:10
    you're coming out of Jo I was like I
  • 00:37:12
    didn't get
  • 00:37:13
    that I was like are you not self aware
  • 00:37:16
    bro as an artist I don't know I I I I I
  • 00:37:20
    was
  • 00:37:21
    like my thing was I just thought
  • 00:37:26
    like like music just weren't making
  • 00:37:28
    sense to me when I listen to the radio I
  • 00:37:30
    don't know none of these people on the
  • 00:37:32
    radio like there's a new drill was
  • 00:37:35
    another thing so I'm away now boom drill
  • 00:37:39
    is
  • 00:37:40
    really on it still on the incline you
  • 00:37:43
    get me but I'm like hey this is cold
  • 00:37:47
    but this ain't making sense for me you
  • 00:37:50
    get me like I can't this ain't making
  • 00:37:52
    sense but I proper rate this music
  • 00:37:55
    obviously it's got the energy of other
  • 00:37:58
    genres that you get me like to me when I
  • 00:38:01
    heard like man when I hear man from
  • 00:38:04
    man's era spitting on drill they sound
  • 00:38:06
    like
  • 00:38:08
    robots like it's crazy like but man just
  • 00:38:12
    spit like kind of normal I'm like and
  • 00:38:14
    then but then it's mad people like a
  • 00:38:16
    that flow like you know like man would
  • 00:38:19
    dabble and people was like oh like new
  • 00:38:22
    people but in my head I'm thinking like
  • 00:38:23
    there's only new people now so I was
  • 00:38:26
    thinking like it don't make
  • 00:38:28
    like me making music it's just a that
  • 00:38:31
    don't make sense you get me who wants to
  • 00:38:33
    hear that and then man done that thing
  • 00:38:36
    and then it was like
  • 00:38:38
    oh maybe some people want to hear this
  • 00:38:40
    you get me just yeah but even even then
  • 00:38:44
    like it comes down to the part of like
  • 00:38:46
    even when they want to hear it but
  • 00:38:49
    there's a shift now in it things are a
  • 00:38:50
    bit different in it like in terms
  • 00:38:53
    of maybe around out time that's when
  • 00:38:55
    people are now going back to the labels
  • 00:38:57
    it's like that's what there was a time
  • 00:38:58
    when like there was a time when it's
  • 00:38:59
    like the first people got signed didn't
  • 00:39:02
    like shout out you know who as well yeah
  • 00:39:05
    little [ __ ] do you know what I I had
  • 00:39:08
    to encounter when I come home that I
  • 00:39:10
    wen't encountering before so you think
  • 00:39:12
    that you think you and this other guy
  • 00:39:14
    yeah are the same he's got like the same
  • 00:39:19
    sort of and he just he just signed
  • 00:39:21
    pretending he's not
  • 00:39:23
    sameed brother this one is what that one
  • 00:39:27
    was rattling my brains I'm man and I'm
  • 00:39:31
    watching people buy into it like man I
  • 00:39:35
    saying things that don't make
  • 00:39:38
    sense I never forget I heard our brother
  • 00:39:41
    yeah and I remember cuz I I'm not a
  • 00:39:44
    metric guy that's not my error how much
  • 00:39:47
    comments you got on your engagement man
  • 00:39:50
    how many what's your reach man like
  • 00:39:52
    that's you get me I'm not that's not my
  • 00:39:55
    thing ain't it like
  • 00:39:59
    I put out 8+ one and and another records
  • 00:40:03
    come out yeah and
  • 00:40:05
    I'm I'm looking like same time same the
  • 00:40:08
    same same
  • 00:40:10
    same and then like the
  • 00:40:14
    numbers like we got some similar
  • 00:40:16
    similarities here but
  • 00:40:19
    then like the engagement numbers like
  • 00:40:22
    you know like the comments or
  • 00:40:24
    whatever they're they're way different
  • 00:40:26
    to mine
  • 00:40:28
    this way like this is not making how
  • 00:40:30
    have you so much viewing on this and so
  • 00:40:34
    little engagement this ain't adding up
  • 00:40:36
    to me but I don't know the landscape of
  • 00:40:39
    what's going on and then and then I've
  • 00:40:42
    been like you know like I've even got
  • 00:40:44
    men around me saying to me n you need to
  • 00:40:49
    like but I'm like I don't know though
  • 00:40:53
    you know like that's not really to me
  • 00:40:55
    that ain't had didn't like that that did
  • 00:40:58
    not like
  • 00:40:59
    Anyway time passes and then I never
  • 00:41:02
    forget I heard a [ __ ] say yeah like
  • 00:41:06
    and this is in this is
  • 00:41:09
    in this is in Co I'm sure I think or
  • 00:41:14
    maybe back end of or whatever but I'm
  • 00:41:16
    pretty sure and
  • 00:41:19
    like like they was given like a like a
  • 00:41:24
    saying about their come up yeah and like
  • 00:41:28
    yeah
  • 00:41:29
    like M was broke sleeping on whatever
  • 00:41:33
    and like now man's got this music money
  • 00:41:37
    boom bam but if you know the business
  • 00:41:39
    you know that this is
  • 00:41:45
    impossible if you know the business you
  • 00:41:48
    know if you blew then so Happ listen to
  • 00:41:52
    this if you blew then
  • 00:41:55
    M and the world's locked
  • 00:41:57
    so there's no show
  • 00:42:00
    money and you're not there's no brand
  • 00:42:02
    deals running at the
  • 00:42:04
    moment let's say you managed to get into
  • 00:42:06
    an influencer bag there's none of that
  • 00:42:08
    going on at the
  • 00:42:10
    moment the only other place the money
  • 00:42:13
    can come from as an artist is your
  • 00:42:16
    advance and your
  • 00:42:18
    publishing but bro publishing don't pay
  • 00:42:21
    every 5 minutes so how have you got this
  • 00:42:25
    bread now where your
  • 00:42:28
    you get it but unless you understand the
  • 00:42:31
    business your this is you just think
  • 00:42:34
    this guy's blown up oh my God he's blown
  • 00:42:37
    M he's blown he's cuz you're seeing the
  • 00:42:40
    whole process you're seeing him go from
  • 00:42:42
    nothing to all these numbers now he's
  • 00:42:46
    got the features and now he's got the
  • 00:42:47
    jewels and now he's telling you I've
  • 00:42:49
    made it or like I've for me when I was
  • 00:42:52
    seeing that I was like this is what man
  • 00:42:55
    this is what this this is what you're up
  • 00:42:58
    against as an independent artist now
  • 00:42:59
    like forget about me I'm saying like
  • 00:43:01
    just a normal artist this is what you're
  • 00:43:04
    like you're this is why man talk about
  • 00:43:05
    plants and clone like I don't I don't
  • 00:43:08
    care about that stuff I don't care who's
  • 00:43:10
    a clone I don't know what a clone is I
  • 00:43:12
    don't care about [ __ ] plant I don't care
  • 00:43:14
    do not care but though yeah this is like
  • 00:43:18
    it's whatever this type
  • 00:43:20
    of approaches is what's got people
  • 00:43:23
    thinking like this because there's
  • 00:43:25
    people coming out the blue like it's
  • 00:43:29
    like they get picked up however they get
  • 00:43:31
    picked up or whatever and then it's like
  • 00:43:34
    it's like almost like men are afraid to
  • 00:43:36
    to like and when I say men like that
  • 00:43:39
    includes their backers or whatever like
  • 00:43:42
    it's like they're shame in saying yeah
  • 00:43:45
    this was my journey up until here and
  • 00:43:48
    this is what I'm doing now this is where
  • 00:43:50
    I'm taking it to but it it's it's hard
  • 00:43:53
    cuz like for upand coming artist they're
  • 00:43:55
    measurings against something that's it's
  • 00:43:57
    not real yeah cuz they're looking at
  • 00:43:59
    this person who's
  • 00:44:02
    got management a publisher uh a anr um a
  • 00:44:10
    MD a junior anr they got a tour
  • 00:44:13
    manager they got all these things yeah
  • 00:44:16
    and you're you're thinking that there's
  • 00:44:18
    some you off the road you're thinking
  • 00:44:20
    this is some Road man just like me that
  • 00:44:24
    just dissed his Ops and now he BL
  • 00:44:27
    that's not that's not what's happened
  • 00:44:29
    there some white man is had another
  • 00:44:31
    convo with another white man it's been a
  • 00:44:33
    black man that had the ear to find the
  • 00:44:35
    talent somewhere in the mid somewhere
  • 00:44:38
    black Gees are has found a bit of talent
  • 00:44:40
    so white geese is going to have a
  • 00:44:42
    chat boom and then some P gets Jed in
  • 00:44:45
    and right boom this is the this is the
  • 00:44:48
    most effective approach we can take
  • 00:44:51
    right now to make this P stretch to this
  • 00:44:54
    p and that's what you're up against and
  • 00:44:56
    your think there watching this guy you
  • 00:44:58
    think this guy has paid his £00 to get
  • 00:45:01
    on this particular platform like you did
  • 00:45:04
    and it's not that no I say this much bro
  • 00:45:07
    like and you'll know this as well like
  • 00:45:09
    there there are times where they say
  • 00:45:11
    it's in our interest to not say the
  • 00:45:13
    artist assigned because we want it to
  • 00:45:16
    seem
  • 00:45:17
    authentic and it's like it literally is
  • 00:45:20
    that way and then you'll thinking ra but
  • 00:45:22
    their thing doing the madness on grm not
  • 00:45:24
    knowing that there may be like a five 10
  • 00:45:27
    grand digital marketing
  • 00:45:29
    budget to bump the thing so it's like
  • 00:45:32
    you're looking for can
  • 00:45:33
    like yo but my team on the same platform
  • 00:45:37
    I may be better than him but this one's
  • 00:45:39
    guy here and yeah then you think wait
  • 00:45:41
    hold on the playlist conversation comes
  • 00:45:44
    into it so how's May man's thing here
  • 00:45:46
    and I can't even and you you think you
  • 00:45:49
    think this is like he's on the rock you
  • 00:45:51
    think he's out there right up you think
  • 00:45:54
    he's out there doing something whatever
  • 00:45:56
    he's doing he's not
  • 00:45:58
    he's got his suit and tie
  • 00:46:00
    on bro he's bro he's bro he's listen
  • 00:46:04
    he's having a meeting with eight people
  • 00:46:06
    in it eight people he's not saying
  • 00:46:09
    nothing in the meeting his
  • 00:46:12
    manager he's just met his manager in
  • 00:46:14
    person for the first time that's what's
  • 00:46:17
    going on it's mad bro you think and you
  • 00:46:20
    think that's what you're up against you
  • 00:46:22
    think that you're just you're competing
  • 00:46:25
    as an artist for space and attention and
  • 00:46:29
    opportunities with people in the and
  • 00:46:31
    it's not the same that's what's changed
  • 00:46:34
    to me everything's way different in that
  • 00:46:35
    regard like you don't really
  • 00:46:37
    know exactly what things are anymore
  • 00:46:40
    like you can think that oh yeah
  • 00:46:43
    like bro bro I'm interject you I know
  • 00:46:46
    we're kind of short time for you have
  • 00:46:47
    meeting bro it even happens even in in
  • 00:46:49
    the content space right or even in the
  • 00:46:52
    jobs that people have you don't know
  • 00:46:54
    that this person may be related to that
  • 00:46:55
    person there you think R how come yeah
  • 00:46:58
    you're on the money you I mean you're on
  • 00:47:01
    the money so you see those
  • 00:47:03
    things
  • 00:47:06
    he oh yeah yeah yeah yeah yeah you start
  • 00:47:09
    you start clocking things you're
  • 00:47:10
    thinking bro and then you start seeing
  • 00:47:13
    other things where it's like you start
  • 00:47:15
    to see the nepotism and how I was like
  • 00:47:18
    oh well shout out shout out my kidy that
  • 00:47:22
    explained to me what nepotism was
  • 00:47:24
    on cuz I've been do that is I've been
  • 00:47:26
    hearing it and
  • 00:47:28
    just you know when you can you know when
  • 00:47:30
    you can work out by the way it's being
  • 00:47:33
    used yeah no kind of but now I'm yeah
  • 00:47:36
    I'm good now yeah got
  • 00:47:38
    nepotism then the unfortunate part is
  • 00:47:41
    like when people be like yo we're we're
  • 00:47:43
    we're we're cool with him so we don't we
  • 00:47:47
    don't want I'm just G an example using
  • 00:47:48
    an example scor should let's just dim
  • 00:47:50
    his LS
  • 00:47:52
    because him and him ain't cool so if
  • 00:47:55
    this goes here
  • 00:47:57
    that voice is going to affect our money
  • 00:47:59
    over here you start seeing all these
  • 00:48:01
    little things bro and it's more time
  • 00:48:03
    saying the one thing I CL bro is that
  • 00:48:05
    people playing different games you bro
  • 00:48:07
    you know what football so it could be
  • 00:48:08
    like you're doing Ticky Tacker man just
  • 00:48:10
    doing long ball to crouch yeah but same
  • 00:48:12
    same sport different game different
  • 00:48:15
    strategy different players bro but the
  • 00:48:18
    result is still the result is we know
  • 00:48:19
    when someone's won but we don't know how
  • 00:48:21
    they got there bro do you get me so
  • 00:48:23
    that's the part of the game thinking
  • 00:48:24
    like so how did he get that deal but
  • 00:48:27
    wait why is my man why is this person
  • 00:48:29
    why is this one anr in the building able
  • 00:48:31
    to get budget that no other anr can get
  • 00:48:35
    did you go me and there's one guy in
  • 00:48:36
    that building in the whole that was able
  • 00:48:37
    to get like I was thinking but how is he
  • 00:48:40
    able to get that no one else can get
  • 00:48:42
    how's he getting that signed off you get
  • 00:48:44
    what I'm saying bro every time he comes
  • 00:48:46
    through he's getting that joint signed
  • 00:48:48
    off what's going on there you get it
  • 00:48:50
    what part is he what party am I missing
  • 00:48:53
    out on bro and then and then there's the
  • 00:48:55
    other part where you start saying wait
  • 00:48:56
    hold on but it's almost like oh but you
  • 00:48:59
    got to be with with that booking agent
  • 00:49:02
    oh yeah yeah yeah yeah otherwise you're
  • 00:49:03
    not getting on a festival yeah do you
  • 00:49:05
    get what I mean or if you ain't with
  • 00:49:07
    that it's it's all these things and it's
  • 00:49:08
    like the music part of it so when you
  • 00:49:10
    talk about like not not I won't say
  • 00:49:11
    playing the game these are all the
  • 00:49:13
    things where like I said to you at that
  • 00:49:14
    time when I was asking questions where
  • 00:49:16
    where Scorch are it's because at that
  • 00:49:19
    point I didn't have the information of
  • 00:49:20
    now bro even like y you just said that
  • 00:49:22
    to me you just made me remember bro
  • 00:49:26
    where scho
  • 00:49:27
    bro like the label get the label the
  • 00:49:30
    label get you on a booking agency there
  • 00:49:32
    you are outside what you mean I was in
  • 00:49:35
    Australia yeah like bro man was getting
  • 00:49:40
    to
  • 00:49:41
    it right bro Sno Snoop Dog Empire Rick
  • 00:49:46
    Ross Rick Ross just just cracking on bro
  • 00:49:49
    but obviously if you're not there you
  • 00:49:51
    know what I mean like but that's that
  • 00:49:54
    but but the what you're say is so bang
  • 00:49:57
    on you because it's not
  • 00:49:59
    real like you got like how can I be
  • 00:50:02
    doing shows and you don't
  • 00:50:06
    know yeah exactly how how real is that
  • 00:50:09
    that's a booking agent that's
  • 00:50:11
    just placing man here's another thing
  • 00:50:15
    and this far you if you got a booking
  • 00:50:17
    agent there's a few un name their names
  • 00:50:21
    won't be mentioned their formula is very
  • 00:50:24
    archaic here which is like old old it's
  • 00:50:27
    old method right and they'll tell you
  • 00:50:29
    like oh you should do it this way this
  • 00:50:30
    way this way but they'll make you
  • 00:50:33
    believe that they're the only one who
  • 00:50:34
    can get you paid and my thing is if
  • 00:50:36
    you're having a downtime as an artist
  • 00:50:38
    your songs ain't popping let's see if
  • 00:50:39
    they have that same influence to get you
  • 00:50:41
    on the festivals cuz if they can't it's
  • 00:50:43
    all dependent on what you're doing so
  • 00:50:46
    you don't need to listen to them do you
  • 00:50:47
    get me if your song's hot you'll get on
  • 00:50:50
    the you'll get on a on a festival if
  • 00:50:52
    it's not this is when a booking agent
  • 00:50:54
    supposed to do his thing this is what
  • 00:50:56
    I'm saying and then what they try and do
  • 00:50:57
    they say put put our email address in in
  • 00:51:00
    in your in your bio but why but you
  • 00:51:02
    should have your own links and patterns
  • 00:51:03
    right everything still comes down to the
  • 00:51:05
    artist and the music and these people's
  • 00:51:06
    role is to make them feel like they
  • 00:51:09
    Place themselves at every part of your
  • 00:51:10
    career and make you feel without them
  • 00:51:13
    it's it's done and I feel like that's
  • 00:51:15
    one thing that drastically
  • 00:51:17
    changed like as much as I'm saying like
  • 00:51:19
    you got you got you got people that are
  • 00:51:23
    s when I come home I done like they was
  • 00:51:26
    trying to get me to do songs with signed
  • 00:51:28
    artists that I never heard of that ain't
  • 00:51:31
    got no pictures on their
  • 00:51:33
    Instagram I I don't understand what's
  • 00:51:35
    going on I'm in the studio with some guy
  • 00:51:38
    moving
  • 00:51:40
    like little baby or something yeah I
  • 00:51:43
    never heard of him and he ain't got no
  • 00:51:45
    no songs or
  • 00:51:47
    pictures what is happening here ain't
  • 00:51:50
    got no music or no pictures but he's
  • 00:51:53
    behaving like little baby in the
  • 00:51:55
    studio I don't know on but the same way
  • 00:51:58
    it's that yeah is the same way I'm
  • 00:52:01
    seeing people go from nothing to
  • 00:52:03
    something real quick and not doing it
  • 00:52:06
    with all of that like
  • 00:52:08
    literally my thing's taken off like it
  • 00:52:11
    might be something like an artist finds
  • 00:52:13
    himself around
  • 00:52:15
    bouncer bouncer being like like bouncer
  • 00:52:21
    is bouncer in it like he's bumed but he
  • 00:52:23
    puts his hands on what's going on and
  • 00:52:25
    just like that yeah and and I think that
  • 00:52:28
    I think that is sick because I feel like
  • 00:52:29
    man seeing more man seeing more
  • 00:52:34
    power in the hands of the people then
  • 00:52:37
    now and you know app you'll know this
  • 00:52:39
    and you'll know this for sure bro a year
  • 00:52:41
    after every Art and Science what happens
  • 00:52:42
    bro they wake up they wake up and
  • 00:52:45
    they're looking around thinking this
  • 00:52:46
    don't make sense bro and you know what
  • 00:52:48
    after all the yeses and now it's too
  • 00:52:50
    late bro so things are binding so it is
  • 00:52:52
    good that like you're saying people
  • 00:52:54
    do they like it can be a more
  • 00:52:57
    autonomy I look at what's going on I'm
  • 00:52:59
    saying No this is sick man I'm seeing
  • 00:53:02
    like normal Brothers I don't care I
  • 00:53:05
    don't care like who you like whatever
  • 00:53:07
    they got going on I'm saying as far as
  • 00:53:09
    I'm concerned this a normal brother like
  • 00:53:11
    I'm saying normal brothers and this is
  • 00:53:13
    the this is where sick normal Brothers
  • 00:53:16
    normal
  • 00:53:17
    managers yeah normal normal tour
  • 00:53:21
    managers normal security if that's what
  • 00:53:23
    they got how they doing it but here we
  • 00:53:26
    sick though they're doing that and not
  • 00:53:28
    [ __ ] up the back cuz normally that's
  • 00:53:32
    that's the one that they love to hang
  • 00:53:34
    over man's head like oh yeah look at him
  • 00:53:36
    man and then left turn you get me then
  • 00:53:40
    he was oh yeah bom no man Mana actually
  • 00:53:42
    just getting it right get into the back
  • 00:53:46
    like dve is oh DAV is DAV is gone dve
  • 00:53:49
    like Dave I don't care about Dave is a
  • 00:53:52
    normal brother yeah like just a normal
  • 00:53:55
    brother from the from
  • 00:53:59
    about he's not being weird either not
  • 00:54:03
    being his name is
  • 00:54:08
    daveed like but I don't think that
  • 00:54:11
    that them kind of things weren't
  • 00:54:13
    happening bro yeah so that's why I'm
  • 00:54:15
    like no like pros and cons like to me I
  • 00:54:18
    kind of look at that and I rate it even
  • 00:54:19
    like I got friends around me that like
  • 00:54:24
    um I've seen like they I've seen like
  • 00:54:27
    just through a bit of a bit of work like
  • 00:54:30
    their team just start to just to just
  • 00:54:33
    take but these times you've been an
  • 00:54:35
    artist a
  • 00:54:37
    decade but it's like now it's not it's
  • 00:54:39
    not a case of like you've
  • 00:54:42
    got better but it's like things are kind
  • 00:54:46
    of at at a state where people are open
  • 00:54:49
    like you got opportunity more so now
  • 00:54:52
    like like you were saying there's not
  • 00:54:53
    like there's not gatekeeping now like
  • 00:54:56
    there is to an extent but not really
  • 00:54:59
    gatekeeping if you're if you're willing
  • 00:55:01
    to
  • 00:55:02
    Grand and build your
  • 00:55:04
    team can bu
  • 00:55:07
    it yeah
  • 00:55:09
    bro but bro I want to CL like said we
  • 00:55:11
    can talk forever man but bro one thing
  • 00:55:13
    like I always like to reinforce bro is
  • 00:55:16
    when I listen to your project I enjoyed
  • 00:55:17
    it bro come we were sending we were
  • 00:55:19
    talking on DMS and I was like and I was
  • 00:55:20
    listening to it and I just said to
  • 00:55:23
    myself the guy this guy is good like I
  • 00:55:24
    remember bro why I loved your music bro
  • 00:55:27
    do you get me like and it that's a good
  • 00:55:30
    that's you what I mean and it didn't
  • 00:55:31
    feel dated it didn't feel like do you
  • 00:55:33
    know that's the one thing that I I was
  • 00:55:36
    like so not this project the one before
  • 00:55:39
    that I was like that was like I never
  • 00:55:42
    really I've never really like I don't
  • 00:55:44
    really I don't like to put too much
  • 00:55:46
    thought into music as crazy as that
  • 00:55:48
    sounds I know
  • 00:55:50
    like but I was B conscious of like bro
  • 00:55:54
    I'm getting old but I'm not trying to be
  • 00:55:57
    that old guy doing the thing picking the
  • 00:55:59
    old
  • 00:56:01
    beats oh
  • 00:56:03
    man Hey listen when they when you get to
  • 00:56:06
    my age and that around my ages and that
  • 00:56:08
    yeah when the gray start coming when
  • 00:56:10
    they get a little gay shoot out there
  • 00:56:13
    and don't don't laugh as well but I was
  • 00:56:15
    very conscious of
  • 00:56:17
    like just kind of just
  • 00:56:20
    just getting it not just not the dated
  • 00:56:24
    thing like that just that's just crazy
  • 00:56:26
    but bro when you make good music it is
  • 00:56:28
    timeless bro that that's the thing it
  • 00:56:30
    doesn't cuz there's there's certain
  • 00:56:32
    things that like cuz bro obviously bro
  • 00:56:35
    when you're singing bro you can bro you
  • 00:56:36
    can you can sing bro it's not it's not
  • 00:56:38
    like a man it's trying it like you got a
  • 00:56:40
    good tone bro so it sounds good the
  • 00:56:42
    production sounds good it's so what I'm
  • 00:56:44
    saying it's easy listening your flow's
  • 00:56:46
    always been great do you get me so it's
  • 00:56:49
    like one appreciates like oh like Scorch
  • 00:56:54
    actually like like man can't lit
  • 00:56:56
    lyrically keep up with man I remember
  • 00:56:57
    why he was seen as one of the best bro
  • 00:57:00
    so did you get me so it's nostalgic in
  • 00:57:02
    terms of talent like I remember how good
  • 00:57:03
    man is and you hear the music thinking
  • 00:57:05
    ni it's good music bro and that's that
  • 00:57:07
    to me was like you know like the one
  • 00:57:09
    thing I was thinking like throughout
  • 00:57:12
    most of the music since I've been home
  • 00:57:14
    like I feel like I maybe got a little
  • 00:57:18
    bit more into songwriting I didn't used
  • 00:57:20
    to write choruses and that I might write
  • 00:57:22
    for someone else little bit but like I
  • 00:57:25
    got way like it's might sound mad yeah
  • 00:57:29
    but it's like almost like like the JW
  • 00:57:32
    rule approach
  • 00:57:34
    like
  • 00:57:36
    bro no one don't like all them hits
  • 00:57:40
    jal's got the best hits the best ones
  • 00:57:43
    yeah none of us know the
  • 00:57:45
    verses none of us it going in none of us
  • 00:57:50
    know the verses bro yeah and I started
  • 00:57:53
    feeling like that's my Approach not in
  • 00:57:55
    not from a perspective of I want to have
  • 00:57:58
    a relevant verse but I I want this thing
  • 00:58:02
    to
  • 00:58:03
    exist without me rather than me coming
  • 00:58:06
    on this and bringing this to life I want
  • 00:58:08
    this to be called all without me all
  • 00:58:11
    without my verse
  • 00:58:13
    yeah and then then put my verse like I
  • 00:58:17
    want my verse to be to you know what I'm
  • 00:58:19
    saying that's how and and and as well
  • 00:58:22
    like even there that's a even like
  • 00:58:24
    sometimes as well yeah it's not about
  • 00:58:26
    your verse my verse like this is the
  • 00:58:29
    first time ever I've had that approach
  • 00:58:32
    like it's actually not
  • 00:58:34
    about like has lyrical man's verses or
  • 00:58:38
    whatever like it's
  • 00:58:40
    about this song this song in particular
  • 00:58:43
    is about delivering this type of feeling
  • 00:58:46
    you get
  • 00:58:47
    me but yeah like I feel like the songw
  • 00:58:51
    wrting the next it's mad cuz I hadn't
  • 00:58:56
    been on Instagram in ages like I hadn't
  • 00:58:59
    been on social media I just been living
  • 00:59:00
    my real life in it um boom getting ready
  • 00:59:04
    to put this project out cuz I've had the
  • 00:59:06
    project kind of sitting down for time
  • 00:59:07
    about timing and everything
  • 00:59:10
    Christmas had some work to do as
  • 00:59:14
    well so putting a um before I put a
  • 00:59:17
    project out put some records out or
  • 00:59:18
    whatever so they like you need to you
  • 00:59:21
    need to get engaged with your social
  • 00:59:24
    media you get me uh cool so in doing
  • 00:59:28
    that when I put out music or whatever
  • 00:59:31
    like it's was like B people hit me up
  • 00:59:32
    for
  • 00:59:33
    features I was like all
  • 00:59:36
    right ain't
  • 00:59:39
    then but cool I'll do this and that and
  • 00:59:42
    BR anyway so cuz I hadn't had a reason
  • 00:59:45
    to go studio for ages you hear me going
  • 00:59:50
    Studio book two hours to do a verse for
  • 00:59:53
    somebody shout out crazy tits cuz that
  • 00:59:55
    was one of the things that I was like yo
  • 00:59:58
    that was one of the things that got me
  • 00:59:59
    in the
  • 00:59:59
    studio um shout out major man um he hit
  • 01:00:04
    me up like yo cuz he said shout you when
  • 01:00:08
    I need
  • 01:00:09
    you I got a tit feature I need you I
  • 01:00:12
    said what crazy
  • 01:00:16
    titch I'm on my way to the studio now
  • 01:00:19
    you talking about that that's one of the
  • 01:00:22
    few um that's one of the few artist not
  • 01:00:24
    like I'm some guy that's said trying to
  • 01:00:26
    work with everyone but like he's
  • 01:00:27
    somebody from man's era that man used to
  • 01:00:30
    listen to that I've never never even
  • 01:00:33
    crossed path cuz he you get me like it
  • 01:00:36
    was we like I think maybe he FM but them
  • 01:00:39
    times there I'm y so techy getting the
  • 01:00:44
    microphone
  • 01:00:46
    Tech bro it's techy bro just wait a bit
  • 01:00:50
    next
  • 01:00:51
    set two to graveyard
  • 01:00:54
    [ __ ] but yeah so boom gone done that and
  • 01:00:58
    I've just done it bare quick like just
  • 01:00:59
    come out bare quick so I'm in the studio
  • 01:01:02
    now so I'm like right we got what yeah
  • 01:01:06
    I'm like yo my engineer now he also
  • 01:01:09
    makes music as well he's on my last
  • 01:01:11
    project as well um I'm like
  • 01:01:14
    yo play me some play me something so we
  • 01:01:17
    just going through and then he played me
  • 01:01:19
    something a
  • 01:01:20
    beat he played me a beat that he showed
  • 01:01:23
    me months before but I weren't wherever
  • 01:01:28
    I was at then like my project was done
  • 01:01:31
    or whatever like I just weren't in a
  • 01:01:33
    space of making music anyway so when he
  • 01:01:37
    and also knowing him as well he's
  • 01:01:39
    showing me this all these months later
  • 01:01:41
    on
  • 01:01:42
    the yo do you really this like that kind
  • 01:01:45
    of like oh what you
  • 01:01:48
    like so I'm like
  • 01:01:51
    oh hey and then like he has bars he has
  • 01:01:56
    some singing on it already so that makes
  • 01:01:58
    it even more like it's it's already G in
  • 01:02:01
    a what and
  • 01:02:02
    then safe and then that was it we had
  • 01:02:05
    one it was like hey this is a bit mud
  • 01:02:09
    but
  • 01:02:13
    then what am I doing like so then and
  • 01:02:18
    then I had another feature went back the
  • 01:02:21
    same
  • 01:02:22
    week and just done the same thing cuz it
  • 01:02:25
    was fun but
  • 01:02:26
    the way that the way the beat was put
  • 01:02:28
    together for that other thing was put
  • 01:02:30
    together in an interesting I don't want
  • 01:02:31
    to give too much away about it's put
  • 01:02:33
    together in an interesting way so I was
  • 01:02:35
    like yo I want
  • 01:02:36
    to I want to I want mine can we get a
  • 01:02:40
    little Vibe like that again you get me
  • 01:02:41
    so boom now with boom bro I
  • 01:02:46
    blinked I nearly got a finished project
  • 01:02:49
    so I don't even but but
  • 01:02:52
    though it's it's good music man
  • 01:02:56
    yeah it's good music Still
الوسوم
  • music industry
  • Scorcher
  • record labels
  • songwriting
  • digital marketing
  • artist independence
  • career challenges
  • music collaboration
  • industry dynamics
  • personal journey