Discourse oral genres in professional and academic fields (Genre, language, context)

00:12:37
https://www.youtube.com/watch?v=K27SSHbOHQ4

Zusammenfassung

TLDRThis video delves into the discussion of genres within professional and academic contexts, questioning their existence and categorization. It acknowledges that genres are real but dynamic, can fluctuate in popularity, and often have cultural implications. The presentation emphasizes the importance of context, involving field, tenor, and mode, and how these elements relate to language patterns in academic interactions. It covers various oral academic genres, outlining the features of lectures, seminars, academic presentations, and project meetings, detailing their respective purposes and contextually appropriate language forms.

Mitbringsel

  • 🎬 Genres exist in reality, shaping our expectations in different contexts.
  • 📚 Genres are evolving; new ones can emerge while others may fade.
  • 🌍 Some genres are culture-bound, yet many cross cultural boundaries.
  • 📖 Genre analysis should focus on description rather than prescription.
  • 🔄 Components of context include field, tenor, and mode, affecting discourse.
  • 👥 Different oral academic genres serve distinct purposes.
  • 🗣️ Lectures are formal and seek to impart information to students.
  • 💬 Seminars encourage dialogue around readings and topics.
  • 📊 Academic presentations share specific knowledge within a field.
  • 🧑‍🎓 Vivas assess student knowledge in a formal setting.

Zeitleiste

  • 00:00:00 - 00:05:00

    The discussion around professional and academic genres centers on their existence and classification. Genres are real and impact our expectations in various contexts, such as a horror movie invoking fear or a lecture providing information. They are finite yet constantly evolving, capable of disappearing or emerging, and while some may be culturally bound, boundaries are increasingly crossed today. The analysis of genres should prioritize description over prescription as conformity to expectations is expected.

  • 00:05:00 - 00:12:37

    Delving into the register within academic contexts reveals three crucial components: field (the social activity), tenor (the participants and their relationships), and mode (communication type). Each of these components is paralleled by meta functions in language: ideational, interpersonal, and textual. This relationship is evident in discussions on oral academic genres, examining formats such as lectures, seminars, academic presentations, and project meetings, noting their distinct settings, purposes, and communication styles.

Mind Map

Video-Fragen und Antworten

  • Are genres merely constructs of analysts?

    Genres definitely exist in the real world; for instance, we expect certain outcomes from different types of media, like horror films.

  • Is there a finite taxonomy of genres?

    Genres are finite but constantly changing; they can diminish or grow over time.

  • Are genres bound to specific cultures?

    Some genres are culture-bound, but cultural boundaries are often crossed in today’s globalized context.

  • Should genre analysis be descriptive or prescriptive?

    This analysis is primarily descriptive, focusing on how genres are expected to be adhered to.

  • What are the components of context of situation in academia?

    The components are field (social activity), tenor (participants and their relationships), and mode (communication type).

  • What is the purpose of an academic lecture?

    The purpose is to deliver new information to students in a formal setting.

  • How is a seminar different from a lecture?

    Seminars are more interactive and informal compared to lectures, focusing on discussions based on readings.

  • What role does the mode play in academic presentations?

    Mode refers to the type of delivery, which can be spoken or written, and can include visual aids.

  • What is the significance of register in academic discourse?

    Register relates to the specific purposes and functions of language usage in varied contexts.

  • Can genres disappear?

    Yes, genres can fade away as well as new genres emerging.

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Untertitel
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Automatisches Blättern:
  • 00:00:01
    topic one discursive oral genres
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    in professional and academic fields
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    genre
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    are genres really out there in the world
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    or are they merely the constructions
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    of analysts is there a finite taxonomy
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    of genres
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    or are they in principle infinite are
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    genres
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    timeless platonic essences or ephemeral
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    time-bound entities are genres
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    culture-bound
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    or transcultural should genre analysis
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    be descriptive
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    or prescriptive
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    it answers the first question they are
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    definitely out there when we watch a
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    horror movie for example we expect to be
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    scared
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    if we go to a lecture we expect to be
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    informed
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    is there a finite taxonomy of genres
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    well
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    genres are finite and are growing
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    and diminishing at the same time so they
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    are not timeless
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    genres can disappear and of course new
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    genres can appear
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    are they culture bound without a doubt
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    some genres are
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    but in this day and age cultural
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    boundaries are often crossed
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    should they be descriptive or
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    prescriptive
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    certainly here we are only interested in
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    describing them
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    but we are all limited by what is
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    expected of each genre
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    and people will expect you to conform to
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    their expectations
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    of what each genre is
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    language and context
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    in holidays language as social semiotic
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    language is seen as a form of
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    socialization
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    we perform within what holiday calls
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    contexts of situation
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    academia would be a macro context
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    of situation the environment in which
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    language is used
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    within academia there are situation
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    types such as seminars classes
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    vibers talks keynote talks
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    etc
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    in these situation types to a certain
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    extent
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    linguistic interaction becomes
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    conventionalized
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    there are links between contexts of
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    situation
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    and semantic and lexico semantic
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    patterns or features
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    for example when finishing the
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    introduction to a guest speaker
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    we might say and now without further ado
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    professor higgins you wouldn't do this
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    if you were introducing the same person
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    during a coffee break
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    as we have seen holiday uses the term
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    register
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    rather than genre however
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    subsequently martin introduces the
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    notion of purpose
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    that is the function of a register
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    within a culture
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    and adopts the term genre or context of
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    culture
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    register here we're going to look at
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    register a little bit more closely
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    here we see the three components of
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    context of situation
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    that is field tenor and mode which we
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    will look at in a moment
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    and their counterparts in language the
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    meta functions
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    ideational interpersonal and textual
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    these can be analyzed at three levels
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    discord semantics
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    lexicogramma and phonology graphology
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    the first level of register the context
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    of situation involves
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    field that is the main social activity
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    taking place
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    tenor that is the participants and how
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    they relate to one another and
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    mode that is if it's spoken written
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    written to be spoken synchronous
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    asynchronous
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    in an academic presentation field would
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    be
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    what is presented for example here
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    we're giving i'm giving a little talk
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    about genre
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    the tenor how the audience is engaged by
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    the speaker
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    for example a level of formality and
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    mode would be the type of communication
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    used
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    in the lecture for example verbal or
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    visual
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    what happens at the level of context of
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    situation has
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    parallels in the language as we said
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    before there are three meta functions
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    ideational
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    interpersonal and textual
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    ideational is basically constrain the
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    world as in
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    as events entities and circumstances
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    uh this can be normally seen in the
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    vocabulary
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    and this corresponds roughly to field
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    interpersonal refers to ways in which we
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    interact with others in the expression
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    of relationships
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    values and attitude for example through
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    modal verbs
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    it corresponds to tenor
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    textual refers to the organization of
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    text
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    discourse what is made explicit
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    what is assumed as background knowledge
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    and this can often be seen through
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    conjunctions anaphora and theme
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    rheem it corresponds to mode
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    oral academic genres
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    for example lectures seminars
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    academic presentations keynotes
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    project meetings and vibers
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    that is the defense of masters and phd
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    dissertations among others
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    lectures the purpose is normally to
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    deliver new
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    information to students
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    regarding the field we have a setting
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    which is normally a large
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    lecture hall a theme
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    the subject of what is being talked
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    about the field of study
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    the discipline could be biology
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    literature chemistry whatever
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    the tenor the lecturer
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    is normally accompanied by a large
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    number of students
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    the language and the behavior of the
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    participant is normally
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    formal the lecture is normally
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    seen as a an expert and the student
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    as a novice the mode
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    is face to face this can be on site
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    that is in the lecture hall or also
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    nowadays
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    to a great extent um can be distal that
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    is
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    at a distance for example through a
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    video conference normally it takes the
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    form of a spoken monologue
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    so obviously there are words and then we
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    have
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    images on slides and on the part
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    of the students we have note taking
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    seminar to discuss topics
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    introduced in the reading material given
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    to the students
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    and also in the lectures to ascertain
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    students knowledge of the subject
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    the field well normally the setting is a
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    seminar room
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    and as before the theme depends on
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    on the discipline we are talking about
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    tenner
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    we have a lecturer and normally a small
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    number of students
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    the language and behavior tends to be a
  • 00:08:13
    little bit more informal rather than
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    formal mode once again
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    face to face but it's spoken dialogic
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    interaction
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    rather than a monologue and there are
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    questions and answers
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    and note taking
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    academic presentation or keynotes
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    the purpose is to share knowledge on
  • 00:08:40
    specific subjects
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    or in the case of keynotes normally it's
  • 00:08:44
    an offer an overview of part of the
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    field
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    if it's an academic presentation it's
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    normally in a small room
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    or smallish room if it's a keynote
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    normally a
  • 00:08:55
    lecture hall and of course the theme
  • 00:08:57
    would be the field of study the
  • 00:08:59
    discipline
  • 00:09:01
    tenor the tenor is different it's
  • 00:09:04
    also formal but the participants are
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    academic peers
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    the mode once again face to face
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    spoken monologue but also
  • 00:09:18
    in the question and answer section there
  • 00:09:21
    is spoken interaction notes are normally
  • 00:09:24
    taken
  • 00:09:25
    on the part of the the audience
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    project meetings well the
  • 00:09:33
    purpose is to discuss and develop
  • 00:09:35
    projects
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    to see what what has been done and what
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    needs to be done
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    field normally it's in a small room and
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    the theme is the subject of the project
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    what the project is all about
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    the tenor normally involves peers
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    and generally from my experiences
  • 00:09:56
    is much more informal but there are
  • 00:09:58
    formal aspects
  • 00:09:59
    too the mode face to face there are
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    spoken reports
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    uh spoken interaction questions and
  • 00:10:08
    answers people
  • 00:10:09
    normally everyone takes notes in a
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    project meeting
  • 00:10:14
    uh vivas
  • 00:10:18
    is to examine students knowledge of a
  • 00:10:20
    subject
  • 00:10:21
    setting normally a a room and the theme
  • 00:10:25
    is the theme of the
  • 00:10:26
    subject of the dissertation tenna we
  • 00:10:29
    normally have
  • 00:10:30
    academics on one side
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    and one student tends to be very
  • 00:10:37
    formal and ceremonial
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    the mode is face to face normally a
  • 00:10:43
    monologue but
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    this time the monologue is given by the
  • 00:10:47
    student
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    and then there there's a question a q a
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    section
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    where the academics ask the student
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    questions
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    okay let's have a look at the lecture
  • 00:11:05
    but from the point of view of context
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    of situation and its connection with the
  • 00:11:10
    lexico grammar
  • 00:11:12
    for example imagine we're talking about
  • 00:11:14
    biology that's the field
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    um there would be biological lexus of
  • 00:11:20
    vocabulary
  • 00:11:21
    um verbs of existing and being verbs of
  • 00:11:25
    doing and happening
  • 00:11:27
    regarding the tenor we would have
  • 00:11:30
    as we have seen lecturers and students
  • 00:11:34
    um the language mostly declaratives that
  • 00:11:38
    statements
  • 00:11:39
    some directives or orders for example
  • 00:11:42
    look at slide three
  • 00:11:44
    and then interrogatives for example
  • 00:11:46
    during the question and answer
  • 00:11:48
    section mode is
  • 00:11:52
    normally formal it's a spoken monologue
  • 00:11:55
    with breaks for questions or with
  • 00:11:57
    questions at the end
  • 00:12:00
    um okay we normally have
  • 00:12:04
    regarding the mode as we saw before i
  • 00:12:07
    think
  • 00:12:07
    we have discourse markers to signal
  • 00:12:10
    structure
  • 00:12:11
    okay right now this tends to split up
  • 00:12:15
    the different sections of the lecture
  • 00:12:22
    okay here are some references you will
  • 00:12:25
    have this
  • 00:12:26
    video so you can look at the references
  • 00:12:29
    if you so wish
Tags
  • genres
  • academic writing
  • oral genres
  • cultural context
  • language use
  • register
  • lectures
  • seminars
  • academic presentations
  • project meetings