奧斯卡影帝傑米福克斯回顧代表作！超幽默能唱能演還能彈鋼琴超有才！白爛喜劇、飛車動作、音樂劇通通難不倒他！｜明星的經典角色｜GQ Taiwan

00:16:11
https://www.youtube.com/watch?v=BGCyyyhsxJI

Resumen

TLDR杰米·福克斯在对话中回顾了自己多个电影的演出经历，特别是对碧昂丝和雷·查尔斯的讨论。他描述了与导演和演员合作的过程，强调了在角色演绎中的挑战与学习，包括演奏钢琴和处理复杂的情感场景。同时，他也分享了与莱昂纳多·迪卡普里奥的合拍和关于制片过程的趣闻，以及如何确保在家庭电影中传达真实感情。

Para llevar

  • 🎤 杰米·福克斯称碧昂丝才华横溢，几乎超乎凡人。
  • 🎬 他在《雷》中努力再现雷·查尔斯的真实形象。
  • 🎹 学习钢琴对他演绎角色至关重要。
  • 💡 与莱昂纳多·迪卡普里奥合作时讨论了表演对奴隶制度的表达。
  • 🎉 他分享了与导演的合作过程，强调了情感的重要性。
  • 🎥 福克斯记得与音乐高管的互动，展示自我的价值。
  • 🎭 强调了幽默和喜剧在表演中的重要性。
  • 👩‍👧 与儿女关系的表现被看作电影的金点子。
  • 📽️ 电影制作的挑战与乐趣让他感到兴奋。
  • 🎉 影片希望成为家庭友好的娱乐作品。

Cronología

  • 00:00:00 - 00:05:00

    在访谈中，Jamie Foxx表达了他对音乐和演出的热情，以及他与Beyoncé合作的深刻印象。他称赞Beyoncé的才华异常出众，认为她的音乐几乎不属于人间。Jamie讲述了他在音乐项目中所获得的认可，以及角色的复杂性，强调如果角色缺乏坏的一面，其他角色的表现将无从谈起。

  • 00:05:00 - 00:10:00

    接着，Jamie Foxx分享了他拍摄电影《Ray》的经历，包括制作过程中的挑战和与Ray Charles的互动。通过与Ray的交流，Jamie不仅学习到了如何演奏钢琴，还深入理解了角色的情感层面。他提到了制作中重要的历史细节，以及如何将角色从年轻到成年时期的变化展现出来。

  • 00:10:00 - 00:16:11

    在谈及《Django Unchained》的拍摄时，Jamie提到与演员Leonardo DiCaprio的合作，以及他在角色塑造上所面临的挑战。他强调，通过深入理解角色的历史背景，演员才能够更好地演绎复杂的人物关系，体现出角色的真实感和深度。对导演昆汀·塔伦蒂诺的极高评价也贯穿了他的分享，展现出对创作过程的尊重和喜爱。

Mapa mental

Vídeo de preguntas y respuestas

  • 杰米·福克斯对碧昂丝的看法是什么？

    他认为碧昂丝几乎是超出人类的才华，能够唱出每一个音阶。

  • 杰米·福克斯是如何参与电影《雷》的？

    他在该片中负责演绎雷·查尔斯，并与制片人和导演深入合作，确保角色的真实性。

  • 杰米·福克斯在拍摄《纠缠》的过程中遇到了什么挑战？

    他需要与莱昂纳多·迪卡普里奥合作，讨论如何在片中表达对奴役的艰难话题。

  • 杰米·福克斯如何准备他的角色？

    他学习钢琴并试图尽可能准确地表现角色，并从雷·查尔斯那里获得灵感。

  • 杰米·福克斯和奥普拉如何合作？

    他们讨论了角色的复杂性，以及如何拍摄更有深度的场景。

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  • 00:00:00
    I remember Oprah I didn't like you
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    playing a bad guy Jamie Fox Jamie Fox is
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    not a bad
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    guy you know over start singing hey
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    Vanity Fair I'm Jamie Fox AKA Kendrick
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    Lamar and we're going to watch some
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    scenes from some of my movies
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    [Music]
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    [Applause]
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    [Music]
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    I always knew two work together I knew
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    ging up me she
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    [Music]
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    had and j
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    h it's Beyonce man like Beyonce is
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    almost too talented for earth like when
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    you listen to a Beyonce record it's like
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    what the this some alien [ __ ] like she
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    can sing every every octave she's like
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    the most talented and so quiet you know
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    she would do her
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    thing and
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    cut like what she was like she was she's
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    the most
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    talented who's this
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    dude go ahead
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    hair when you watch this movie it's
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    about music right and everybody's like
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    oh Jamie Fox is such a heel you know
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    where I got the most compliments of the
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    music executives
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    I don't get it without you what what
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    would they have done you took that piece
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    of coal and made it a diamond I was like
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    you guys are you guys are heartless I
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    how was the [ __ ] like I don't get it
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    you were
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    valuable I remember o I didn't like you
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    playing a bad guy Jamie Fox Jamie Fox is
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    not a bad
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    guy you know when over started singing
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    Jimmy F but when we were putting it
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    together I said if the guy isn't bad
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    then the other characters don't have
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    anything to get
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    over when it came to the big scene where
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    she had
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    to I said take your time with that that
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    song and that moment is like the one and
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    you watch her in the process of it
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    really find the spirituality of that
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    character and you we watched it on we
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    watched her said she just won whatever
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    award she just won it right there we
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    were at a Premiere and it was like a big
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    Premiere you know big stars in there man
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    she got through singing they was on
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    their feet Standing Ovation in the
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    premiere she was amazing all right let's
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    get into collateral yeah collateral
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    [Music]
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    okay as if somebody had a gun to your
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    head said you got to tell me what's
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    going on with this person over here or
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    I'm going to kill you
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    what is driving Michael man you know you
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    couldn't do it could you
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    because they would have to kill your ass
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    because you don't know what anyone else
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    is thinking the car that's pulling us
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    the exhaust was somehow floating into
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    the car bro and I had slept you know 12
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    13 hours cuz it's time cops soon as I
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    get in there take
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    I said what the hell why am I sleeping
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    director wake your ass I said I don't
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    know what's going and they found out
  • 00:03:36
    that the exhaust was so they had to
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    switch it around because I
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    was I was
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    snoozing you know how you fall asleep
  • 00:03:44
    don't know you asleep they hit you yeah
  • 00:03:47
    Tom Tom Top Gun he was sleep too we shot
  • 00:03:51
    that on a video it wasn't film so
  • 00:03:55
    Michael man loves to do long takes I'm
  • 00:03:57
    driving the cab time in the back and
  • 00:04:01
    we're just driving but it the takes so
  • 00:04:03
    long and we shot at night so imagine 5:
  • 00:04:05
    in the morning and I was
  • 00:04:07
    like I hope I don't kill the Top
  • 00:04:16
    Gun cute title who wrote it I
  • 00:04:19
    did ah you wrote it yeah well sing it to
  • 00:04:23
    me man sing it yeah it ain't like I
  • 00:04:26
    could read the lyrics okay well it's uh
  • 00:04:29
    key of G G okay
  • 00:04:31
    K
  • 00:04:33
    uhhuh yeah yeah but it's kind of Pete
  • 00:04:37
    Johnson thing P
  • 00:04:40
    Johnson yeah yeah that's it you like
  • 00:04:43
    that here we go two three you can talk
  • 00:04:46
    about the pit barbecue the band was
  • 00:04:49
    jumping the people too they're doing the
  • 00:04:51
    mess around yeah doing the mess
  • 00:04:55
    around Ra was crazy Ra was something
  • 00:04:59
    else Ray was an independent film so it
  • 00:05:01
    didn't have a studio as a matter of fact
  • 00:05:03
    the guy who paid for his name was Phil
  • 00:05:04
    an shoots he's a devout Christian he
  • 00:05:07
    says uh I'll do the movie but the drugs
  • 00:05:10
    bothered him he didn't like the fact
  • 00:05:12
    that Ray was doing drugs so if you put
  • 00:05:14
    the Redemptive quality I will give you
  • 00:05:17
    the money but he gave us half the money
  • 00:05:19
    first just to get us started Phil ANS
  • 00:05:22
    comes to New Orleans to check on his
  • 00:05:25
    investment so we
  • 00:05:27
    recreated the Sanger theater 1967 this
  • 00:05:31
    isn't in the movie we got a 30 piece
  • 00:05:34
    Orchestra there and uh when Phil anus
  • 00:05:37
    walks in we're going to do a song to
  • 00:05:40
    show him you know so he's he's literally
  • 00:05:42
    transported back in the 1967 he walks in
  • 00:05:46
    they hit me and we do a uh let the good
  • 00:05:49
    times roll so when he walked in hey
  • 00:05:51
    y'all tell everybody Ray Charles in town
  • 00:05:54
    got a dollar and a quarter and I'm just
  • 00:05:56
    ready to clown don't let nobody play me
  • 00:05:59
    cheap I got 50 cents more than I plan to
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    keep now let the good times roll B sh
  • 00:06:07
    sh oh baby and it's like the roof came
  • 00:06:11
    off and then I said I'm not going to
  • 00:06:14
    break character just walk me over to
  • 00:06:17
    Phil and shoes so they walk me over to
  • 00:06:19
    Phil and shoes I said hey man somebody
  • 00:06:22
    told me the money bags was here man we
  • 00:06:24
    we we we needed a couple of more dollars
  • 00:06:26
    man and then he wrote the check all
  • 00:06:28
    right that's pretty good let me take it
  • 00:06:29
    from here now this man's going to play
  • 00:06:32
    from 9 to one everybody here going to
  • 00:06:36
    have some fun doing
  • 00:06:38
    [Music]
  • 00:06:40
    toess the director when he hired me says
  • 00:06:42
    listen the only thing I got to do is I
  • 00:06:44
    got to find someone that can play the
  • 00:06:45
    piano cuz other than that have to I
  • 00:06:47
    can't shoot you like this I said I play
  • 00:06:49
    the piano I went to college on the
  • 00:06:50
    classical piano ship really yeah I got a
  • 00:06:53
    scholarship when I said that now he
  • 00:06:56
    wanted me to learn every single note so
  • 00:07:00
    it looks authentic and then I met R
  • 00:07:02
    Charles he comes in I'm at the studio
  • 00:07:04
    hey yeah hey man good good to see you
  • 00:07:06
    man good good to see you man I said well
  • 00:07:09
    Mr Charles I'm just trying to do the
  • 00:07:10
    best I can to portray you look look baby
  • 00:07:13
    can you play the blues if you can play
  • 00:07:14
    the blues man you can do anything man
  • 00:07:17
    and so there we are on uh dual pianos
  • 00:07:20
    and we start playing the blues with each
  • 00:07:22
    other when I hit a wrong
  • 00:07:23
    note
  • 00:07:25
    damn you I you his ears are
  • 00:07:28
    senstive now why would you do that why
  • 00:07:30
    you hit that I said I'm sorry Mr Charles
  • 00:07:31
    I'm just trying to catch up with you
  • 00:07:34
    well hit the right note man you know
  • 00:07:36
    what that's what life is man taking the
  • 00:07:38
    time to hit the right note I said oh so
  • 00:07:41
    I took the time hit the right note once
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    we finished he got him said hey kids got
  • 00:07:45
    it and he walked out the other thing
  • 00:07:47
    though is that was the old Ray Charles
  • 00:07:50
    so I had to find the young so I went to
  • 00:07:54
    Quincy Jones out so he goes in his room
  • 00:07:56
    and comes out with a cassette tape maybe
  • 00:07:58
    you could find something on here I'm
  • 00:07:59
    like well first of all I got to find a
  • 00:08:01
    cassette plate you know this is the 21st
  • 00:08:04
    century so I had to rent a car from from
  • 00:08:07
    the airport on the cassette was uh a
  • 00:08:10
    lady named dinosaur she had a show back
  • 00:08:12
    at that time and you hear hi this is
  • 00:08:14
    dinosaur with the dinosaur show here
  • 00:08:16
    today with two wonderful musicians and
  • 00:08:18
    Mr Kenny Rogers and Mr Ray Charles and
  • 00:08:21
    in the back you here the young Ray you
  • 00:08:23
    know what D I'm just so happy to be here
  • 00:08:25
    you know I didn't know you know my music
  • 00:08:26
    that's just so Grand you know and I I
  • 00:08:28
    and just just being here your show and I
  • 00:08:30
    was like wow that's a young Ray now
  • 00:08:32
    here's how we build
  • 00:08:33
    Ray at one point Don Shore goes talk
  • 00:08:37
    about the drugs Ray and what you've been
  • 00:08:38
    dealing with and Ray started to
  • 00:08:41
    stutter wa you know I I just Tred so I
  • 00:08:45
    stopped the tape and I said that's it
  • 00:08:47
    that's the character the young Ray when
  • 00:08:49
    he's in control of everything when he's
  • 00:08:51
    in control of his music things like that
  • 00:08:53
    he doesn't stutter but when he's asked
  • 00:08:55
    to be responsible for his action when he
  • 00:08:58
    cheats on his wife and has a a
  • 00:09:00
    baby it made him uncomfortable so we
  • 00:09:03
    took that uh as that U that DNA and then
  • 00:09:06
    we you see the progression of how Ray
  • 00:09:09
    got to be
  • 00:09:14
    [Music]
  • 00:09:16
    Ray now let's meet The Bachelors you
  • 00:09:19
    didn't pick Wanda Bachelor number one
  • 00:09:23
    Derek
  • 00:09:25
    Clinton oh gosh oh gosh oh gosh now say
  • 00:09:30
    hello to Bachelor number three Steve Big
  • 00:09:33
    Bun this is
  • 00:09:36
    [Applause]
  • 00:09:45
    [Applause]
  • 00:09:51
    funny now let's meet The Bachelor you
  • 00:09:53
    did pick here's Bachelor number two
  • 00:09:56
    lucky Paul Nelson
  • 00:09:58
    [Applause]
  • 00:10:00
    a not the underwear not the Dukes not
  • 00:10:04
    the Dukes you can't do that today even
  • 00:10:08
    today I mean come on so these are
  • 00:10:10
    initial reaction they didn't they didn't
  • 00:10:12
    see me cuz I would say don't tell them
  • 00:10:14
    how I
  • 00:10:15
    look I actually did part of one the the
  • 00:10:18
    way I got on to the show I wouldn't let
  • 00:10:20
    them see what I what I had on until they
  • 00:10:23
    you know they were so when they're
  • 00:10:24
    walking around that corner you know it's
  • 00:10:26
    uh authentic we knew that we were doing
  • 00:10:28
    something great in comedic Cinema like
  • 00:10:32
    you don't get these types of moments
  • 00:10:34
    often and I don't think you actually
  • 00:10:36
    have seen a pairing like that in
  • 00:10:39
    generations and you have great guys out
  • 00:10:41
    there Key and Pill and Saturday Night
  • 00:10:43
    Live but but you would comedians would
  • 00:10:45
    give their left arm to have that type of
  • 00:10:48
    comedic Juggernaut of a of a sketch now
  • 00:10:51
    wearing the dress came with
  • 00:10:54
    complications you know you get known for
  • 00:10:55
    that and this but uh the history of of
  • 00:10:59
    of w and the spirit of Gerald deine and
  • 00:11:03
    all the great guys who dawned uh these
  • 00:11:07
    characters to play whether it's some
  • 00:11:09
    like at hot or whether it's Eddie Mur
  • 00:11:11
    shman shman shman shman shman yes these
  • 00:11:15
    characters uh were like artistic
  • 00:11:18
    statements and comedy you know that we
  • 00:11:21
    want to we want to entertain you and we
  • 00:11:22
    just having fun we just being funny
  • 00:11:28
    [Music]
  • 00:11:31
    oh hell yeah I'm not in addressing this
  • 00:11:35
    Steve how you like my new
  • 00:11:38
    Duds you know for now I didn't know that
  • 00:11:40
    burky was my
  • 00:11:42
    color incredible it was it was an
  • 00:11:44
    All-Star Game Kristoff was me and
  • 00:11:46
    Kristoff worked for 12 weeks first
  • 00:11:48
    before anyone else came on the set so we
  • 00:11:51
    shootting nothing Kristoff's amazing and
  • 00:11:53
    then all of a sudden Here Comes Leonardo
  • 00:11:56
    Dicaprio and samuy Jackson onto the set
  • 00:11:58
    walking inow slow motion with their
  • 00:12:00
    Vapes I said o these [ __ ] is
  • 00:12:02
    called here was the thing though the
  • 00:12:04
    subject matter the nword specifically
  • 00:12:06
    Leo had a hard time saying the n-word
  • 00:12:10
    we're doing a read and Leo say and then
  • 00:12:13
    he hey man hey guys cut I I I I I I just
  • 00:12:17
    can't do this this is this is not me
  • 00:12:19
    Samuel Jackson say that [ __ ]
  • 00:12:22
    [ __ ] it's just another Tuesday
  • 00:12:25
    [ __ ]
  • 00:12:27
    him and I and I told Leo us and Leo you
  • 00:12:30
    know in slavery days we would never talk
  • 00:12:32
    to each other so I'm not your friend I'm
  • 00:12:34
    not Jamie Fox I'm you know I'm Jango so
  • 00:12:36
    and as I told him I said you won't be
  • 00:12:38
    able to play that character unless you
  • 00:12:39
    really understand what slavery was about
  • 00:12:41
    it was it was tough it was horrific
  • 00:12:43
    ain't no key King with the slave so the
  • 00:12:44
    next day I see Leo he walks in Leo
  • 00:12:47
    what's
  • 00:12:48
    up
  • 00:12:49
    l l what's up he don't speak to me he
  • 00:12:53
    ready so everybody started you know uh
  • 00:12:57
    digging in
  • 00:12:59
    M show him
  • 00:13:01
    Sam show him Sam give him that range I
  • 00:13:05
    count six shots and samuy Jackson was
  • 00:13:07
    better than all of us he should have got
  • 00:13:08
    an Oscar the way he would turn it on and
  • 00:13:10
    turn it off say action M candy who's
  • 00:13:14
    this on this
  • 00:13:16
    snack M can I say who is this on this
  • 00:13:21
    snack say cut cut what you think and I'm
  • 00:13:25
    like this [ __ ] is alien I was
  • 00:13:27
    waiting him to do like this but
  • 00:13:30
    that's what the level was in this
  • 00:13:32
    incredible movie you up son of
  • 00:13:38
    a Quon Tarantino he the best matter of
  • 00:13:41
    fact CRA people don't know like you in
  • 00:13:42
    the movie when the when the house blew
  • 00:13:44
    up it didn't go like that if he blew the
  • 00:13:46
    house up which is supposed to be the end
  • 00:13:47
    of the movie he goes ah it's all wrong
  • 00:13:49
    it's all wrong everybody go home I did
  • 00:13:51
    it in the wrong order I'm going to
  • 00:13:52
    rewrite the whole ending of the movie we
  • 00:13:54
    faked the explosion because he had
  • 00:13:57
    already blew the house up and they had
  • 00:13:58
    took months to blow it up but the genius
  • 00:14:00
    of Quinton Tarantino he just re rewrote
  • 00:14:02
    it and made it what you what you
  • 00:14:09
    [Applause]
  • 00:14:09
    [Music]
  • 00:14:12
    [Applause]
  • 00:14:14
    saw what do you have against youin got
  • 00:14:17
    it's been a long time since I've done
  • 00:14:19
    this well maybe you just distracted
  • 00:14:20
    because your old boyfriend is trying to
  • 00:14:21
    kill us went on one dayon we talked
  • 00:14:24
    about Manchester United the entire time
  • 00:14:26
    so you admit it it was a day go
  • 00:14:35
    Cameron
  • 00:14:36
    is back in Action Cameron is a National
  • 00:14:41
    Treasure she's done so many Incredible
  • 00:14:43
    movies and uh trying to get her to come
  • 00:14:45
    back I said Cameron listen we got this
  • 00:14:47
    movie we promise that your feet won't
  • 00:14:49
    touch the ground you just have a good
  • 00:14:50
    time and if you just wave at your fans
  • 00:14:52
    there's a lot of fans that are needing
  • 00:14:54
    you think about it she thought about it
  • 00:14:56
    for a while and she came back and then
  • 00:14:58
    we were like oh oh man I hope we don't
  • 00:14:59
    [ __ ] the bed I hope the movie is
  • 00:15:01
    actually good but what was great about
  • 00:15:02
    her when she got on the set she would
  • 00:15:04
    see things okay why don't we put this
  • 00:15:05
    here and put that there and do this that
  • 00:15:06
    and do this thing the other and so she
  • 00:15:08
    was handson making sure that what you
  • 00:15:10
    saw was amazing and then the kids now
  • 00:15:12
    luckily I was I have a 16y old so I I
  • 00:15:15
    said Cameron I can tell you how it Go
  • 00:15:17
    when they turn
  • 00:15:19
    16 they go somewhere else and you get
  • 00:15:21
    them hella short answers you know you
  • 00:15:24
    you be excited aren't you just happy
  • 00:15:25
    good good morning yeah hey I'm your
  • 00:15:29
    father I'm Jamie Fox I get it so we were
  • 00:15:32
    able to to to put that into the film and
  • 00:15:35
    Beyond the incredible action and the
  • 00:15:37
    fighting I think the Quiet Moments with
  • 00:15:39
    Cameron trying to connect with her
  • 00:15:42
    daughter is like gold I said if if if
  • 00:15:44
    we're able to do that through this movie
  • 00:15:47
    it's great it's popcorn friendly it's
  • 00:15:49
    Netflix just sitting at the house you
  • 00:15:50
    want the whole family to check it out
  • 00:15:52
    and then the kids that were in it were
  • 00:15:54
    amazing you know so it was a
  • 00:15:57
    um fun ride and and and at this point in
  • 00:16:00
    our careers that's what you want
Etiquetas
  • 杰米·福克斯
  • 碧昂丝
  • 雷·查尔斯
  • 电影
  • 表演
  • 剧本
  • 导演
  • 成就
  • 音乐
  • 合作