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let's talk about the Golden Era of
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Cinema the 1970s it was gritty raw
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experimental and packed with films that
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dared to push boundaries today we're
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shining a light on 10 forgotten gems
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from the' 70s get ready to dive into a
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world where every frame is a masterpiece
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and every story packs a punch so grab
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some popcorn and maybe a pen Because by
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the end of this your mustat list is
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about to get a lot longer let's rewind
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the reels and start uncovering some long
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cinematic
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gold the year is
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1973 and amidst a sea of crime Thrillers
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emerges something unexpected the last of
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Sheila a twisty razor sharp who done it
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it plays like a chess game written for
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ciles with a taste for dark wit and
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psychological Intrigue here's the setup
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a group of Hollywood insiders each
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carrying Secrets as murky as the
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Mediterranean Waters set sail on a
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lavish yacht owned by The Eccentric
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Clinton green played with icy Precision
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by James Coburn Clinton a film producer
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still reeling from the hit-and-run death
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of his wife Sheila has invited his
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friends to partake in a week-long game
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designed to expose their most shameful
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truths but what begins as a slightly
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malicious parlor trick spirals into a
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deadly unraveling of Lies rivalries and
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yes murder directed by Herbert Ross the
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film boasts a dream team of a cast Dian
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Cannon Raquel Welch Richard Benjamin Ian
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McShan Joan Hackett and James Mason
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behind the scenes the last of Sheila
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Sparkles with the cleverness of its
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screenwriters Anthony Perkins and Steven
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sonheim yes that sonheim the Broadway
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genius although it wasn't a box office
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Juggernaut grossing a modest $2.8
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million the movie found its Legacy among
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devoted fans of intricate intellectual
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Mysteries its labyrinthine plot and
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biting humor make it feel as fresh now
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as it did then like a puzzle waiting to
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ens snare the next unsuspecting viewer
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get ready to question every character
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and suspect yourself before the credits
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roll this isn't just a film it's a mind
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game Mikey and Nikki 1976 is a crime
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drama unlike anything you've seen
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directed by Elaine may it doesn't just
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tell a story it grabs you by the collar
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and drags you through a long dark night
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of friendship betrayal and paranoia at
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its core are two childhood friends Nikki
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John cassavetes a smalltime mobster
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whose world is implo
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and Mikey Peter Faulk his loyal or maybe
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not so loyal Ally Nikki's on the run
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after skimming money from the mob and he
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calls Mikey for help what follows isn't
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just a night of dodging Hitman but an
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unflinching exploration of their
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fractured Bond their conversations feel
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less like scripted dialogue and more
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like eavesdropping on something raw and
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uncomfortably real Mae direction is
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uncompromising she lets silences linger
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emotions simmer and moments explode with
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without warning the film's gritty
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realism owes a lot to the
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improvisational style of cassavetes and
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Faulk whose performances are as magnetic
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as they are unsettling the production
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was Infamous for its delays and over
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budget chaos ballooning to $4.3 million
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at the box office it stumbled hard
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making a mere $1.7 million but its
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reputation grew over time now hailed as
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a masterpiece of intimate storytelling
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this isn't your typical gangster film
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the long goodbye 1973 directed by Robert
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Alman this neon Noir takes Raymond
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Chandler's hard-boiled Philip Marlo and
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drops him in the shimmering chaos of
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1970s Los Angeles the result a film
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that's slightly irreverent endlessly
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intriguing and totally Unforgettable
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Elliot Gould steps into Marlo's shoes
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bringing a shambling disheveled charm to
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the private eye he's not the stoic gumo
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of yester year he mumbles he meanders
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and somehow he's magnetic
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the plot starts deceptively simple
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Marlo's friend Terry Lennox Jim Bhutan
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needs a quick ride to Mexico then bam
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Terry turns up dead his wife murdered
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and Marlo finds himself caught in a Web
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of Lies betrayal and conspiracy
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supporting players like Sterling Hayden
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as a washed up writer and Nina van
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palent as his enigmatic wife deliver
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layered performances that keep you
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guessing and let's not forget the
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unforgettable Cameo by a young Arnold
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Schwarzenegger in a hilariously outof
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Place moment moment critically
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celebrated but a box office misfire
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grossing
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$959,000 against its $17 million budget
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it has since been reappraised as a cult
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classic its languid pace and sardonic
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tone defy genre conventions proving that
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Noir doesn't have to be confined to
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Shadows sometimes it's best served under
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a blazing California
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Sun mccab and Mrs Miller 1971 isn't your
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average Western it's a ballot wrapped in
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fog and Melancholy delivered with an
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aching Beauty only Robert Alman could
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conjure set in the Pacific Northwest
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this isn't the dusty gunslinging
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Frontier you might expect it's damp raw
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and brimming with desperation as the
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dream of striking it rich slips through
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cold calloused hands John McCabe played
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by Warren Bey is a gambler with big
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ideas and little more than a knack for
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showing up he arrives in a bleak mining
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town and sets up a saloon and brothel
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but it's Constance Miller Julie Christie
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a shrewd opium smoking Madam who
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transforms his half-baked Vision into a
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thriving business their partnership
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crackles with tension part romantic part
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transactional but when ruthless
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corporate interests come knocking their
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world begins to unravel shot in muted
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tones with cinematography that feels
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like a sepia tinted memory the film
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isues Western tropes for something
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haunting and human Leonard Cohen's
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plaintive songs underscore the film
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tragic Rhythm weaving a mournful poetry
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through every frame though critics
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lauded it as a masterpiece audiences
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weren't ready for Altman's subversion it
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gross just $8.2 million on a $2 million
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budget today it's hailed as a genre
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defying gem proving that the West isn't
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always wild sometimes it's
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heartbreakingly
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quiet loving this Blast from the Past
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keep the Nostalgia Alive by hitting that
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subscribe button and joining vintage
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verse
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we've got more Treasures from your
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favorite eras waiting to be uncovered
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don't miss
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out scarecrow
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1973 isn't your typical Road movie it's
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an aching offbeat exploration of
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friendship hope and heartbreak set
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against the gritty backdrop of 1970s
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America directed by Jerry shatur this
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film pairs two screen Legends Jean
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Hackman and Al Pacino at the peak of
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their powers delivering performances so
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raw they leave you wondering where the
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the actors end and the characters begin
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Hackman plays Max a hardened excon with
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dreams of starting a car wash business
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and Pino is lion a naive Drifter
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carrying a fragile optimism and a secret
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that weighs him down their paths cross
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on a Dusty stretch of highway and what
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follows is a journey as unpredictable as
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it is
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poignant together they navigate bar
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fights prison stints and moments of
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startling vulnerability building a bond
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that feels both inevitable and
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precarious ious the cinematography
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captures the crumbling small towns and
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vast empty Landscapes of a
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post-industrial America setting the
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perfect stage for a story of Lost Souls
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seeking Redemption despite critical
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praise and the combined star power
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scarecrow earned only $4 million at the
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box office a modest sum that bellied its
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emotional impact today it's revered as a
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cult classic a reminder that sometimes
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the most powerful stories are the
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quietest blue collar 1978 isn't just a
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movie it's a gut punch a searing look at
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the lives of workingclass Americans
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caught in the gears of industry and
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Corruption directed by Paul schrder in
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his first outing behind the camera this
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raw drama peels back the layers of the
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American dream to reveal the fractures
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beneath the story follows three Auto
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Factory workers in Detroit Zeke Jerry
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and Smokey played by Richard prior
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Harvey kitel and YF Fett kado their
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chemistry is magnetic
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with prior's usual comedic charm giving
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way to a simmering Rage that's equal
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parts startling and captivating these
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men pushed to their limits by deadend
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jobs and suffocating debts hatch a
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desperate plan to rob their unions safe
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but what starts as a seemingly small
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Heist spirals into something far darker
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exposing corruption betrayal and the way
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the system pits people against each
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other shot with an unflinching eye the
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film captures the grit of factory floors
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grimy bars and the claustrophobic spaces
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where dreams shrink despite critical
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Acclaim Blue Collar brought in modest
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box office numbers reflecting the hard
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truths it dared to confront decades
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later it stands as a haunting reminder
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sometimes the Real Enemy isn't who you
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think it's the Machinery turning behind
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the
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scenes Assault on Precinct 13 1976 is
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John Carpenter's stripped down
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Masterpiece a Relentless Siege Thriller
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with a pulse pound ing score that still
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reverberates in cinema today made on a
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shring budget of $100,000 it didn't
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storm the box office on release but its
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Legacy has grown into that of a cult
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phenomenon the plot is pure adrenaline a
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nearly defunct police station in Los
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Angeles becomes the unlikely
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Battleground for survival when a
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bloodthirsty gang launches an allout
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assault inside a ragtag group a cop a
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convicted killer and a secretary forms
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an uneasy align
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barricading themselves against the
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onslaught there's no Cavalry coming no
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help on the horizon just grit Ingenuity
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and dwindling ammunition the cast
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includes Austin stoker as the stalwart
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Lieutenant Bishop Darwin Jost as the
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laconic anti-hero Napoleon Wilson and
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Lori Zimmer as the cool-headed Lee their
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understated performances ground the film
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in reality making the escalating chaos
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feel almost unbearable Carpenter's
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haunting electronic score which he
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composed himself Act like a second
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antagonist its ominous repeating synth
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beats echoing the gang's cold Relentless
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Pursuit while the movie wasn't a
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blockbuster its tension style and
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Unapologetic boldness cemented Carpenter
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as a filmmaker to watch Assault on
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Precinct 13 is a brutal minimalist
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Masterpiece in 1972 director Peter
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bogdanovich Unleashed what's up doc a
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screw ball comedy that revived a jean R
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many thought had packed up and left
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decades earlier with its whip smart
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dialogue chaotic charm and unlikely
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pairings this film landed a punchline in
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the hearts of audiences worldwide the
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story pandemonium in San Francisco as
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four identical suitcases set the stage
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for a dizzying mixup Ryan O'Neal plays
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Howard banister a timid musicologist
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with a dream to make rock sing Barbara
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strand is Judy Maxwell an unpredictable
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force of nature who bulldozes her way
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into Howard's life turning his orderly
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existence upside down
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as they cross paths with Crooks spies
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and the hilariously flustered Unice
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Burns meline Khan in a scene stealing
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performance chaos becomes an art form
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the cast delivered comedy gold and
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audiences responded in kind with a
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budget of just over $4 million the film
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raked in more than $66 million at the
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box office an astronomical return that
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cemented it as one of the year's biggest
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hits part Love Letter part reinvention
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what's up doc is a master class in
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controlled absurdity every pratfall
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every Zinger every absurd twist has
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stood the test of time proving that
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sometimes all you need for magic is a
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little
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Madness in 1974 Francis Ford cppa
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shifted gears from sprawling gangster
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sagas to something far more intimate and
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far more haunting the conversation
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drills into the mind of Harry call a
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surveillance expert played by Jean
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Hackman with a quiet intensity that
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could snap steel Harry is the best in
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the business but his meticulous nature
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comes at a cost paranoia isolation and a
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gnawing guilt he just can't shake the
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story centers on a single recording an
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innocuous seeming exchange between a
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young couple in a crowded square but as
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Harry meticulously pieces together the
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fragments something chilling begins to
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emerge the couple may be in grave danger
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and Harry might be
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complicit the film becomes a slow
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Relentless unraveling as the lines
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between observation and responsibility
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blur Hackman leads a cast that includes
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John kazal Alan Garfield and a young
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Cindy Williams all perfectly calibrated
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to capa's suffocating Vision made for a
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modest 1.6 million the film earned 4.4
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Millions at the box office but its
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Legacy far outstrips its Financial
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return it claimed the Palm Door at KH
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and received three Oscar nominations
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including best picture the conversation
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isn't just a thriller it's an eerily
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precient dive into surveillance culture
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and moral Decay a film that asks what
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happens when listening becomes
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dangerous New York City the heartbeat of
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chaos becomes a ticking time bomb in the
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taking of pelum 123 a mundane subway
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ride morphs into a nerve shredding
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ordeal when a gang of four armed men
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hijack a train and demand $1 million
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delivered within an hour or passengers
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will die the leader code name Mr Blue is
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played with icy Precision by Robert Shaw
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while Walter math House's Transit
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Authority Lieutenant Garber must
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outsmart them in a race against the
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clock tension hums throughout this 1974
00:14:09
Thriller directed by Joseph Sargent it's
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not just a cat and mouse game it's a
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masterclass in suspense the hijackers
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are ruthless yet frighteningly
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methodical while Garber and his team are
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scrambling to turn limited resources
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into a miracle the ensemble cast is as
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sharp as the dialogue Shaw's cold Menace
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Ma 's World weary charm and Martin
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balsam's jittery
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nervousness even New York itself feels
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alive its gritty streets and crowded
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subway tunnels pulsing with desperation
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produced for $3.8 million the film raked
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in $18.7 million at the box office a
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commercial hit that cemented its Legacy
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critics hailed it for its taught pacing
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and sardonic wit A Perfect Blend of
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White Knuckle action and dark humor that
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final twist it lingers like the echo of
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a train pulling into an empty station
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every story has a rhythm a beat that
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lingers long after the credits roll and
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here at vinage verse we bring those
00:15:08
Echoes back to life from the bold colors
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of Technicolor dreams to the shadows of
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1970s grit we dive deep into the
00:15:16
Forgotten Treasures the missteps and the
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golden moments of Cinema Tech and
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culture that shaped
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Generations so which movie will you
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watch next what piece of the past Sparks
00:15:27
your imagination drop it in the comments
00:15:30
below let's make this a time machine
00:15:32
fueled by your curiosity and if you want
00:15:35
to keep delving into these Timeless
00:15:36
Tales don't just click away hit
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subscribe and ring the bell because the
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best way to preserve history is to share
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it let's keep this journey alive one
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vintage moment at a time this is vintage
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verse where the past is forever present