Danielle ~ The Clay Lady - Throwing a Pot on the Potters Wheel Pt. 1

00:09:26
https://www.youtube.com/watch?v=Q3P5QrJkzx0

Résumé

TLDRIn this instructive segment, the origins and techniques of pottery wheel throwing are discussed. The term "throwing" comes from early potter's wheels where a stick was used to spin the wheel, originating 2500 years ago. The demonstration provides detailed guidance starting with the critical step of centering the clay, indicating that stability and wet hands are key factors. It further explains how to open the clay, cut it in, widen, and compress the bottom, each requiring careful pressure and technique. The guide critiques the coning method and emphasizes learning correct positioning and movements for effective pottery making.

A retenir

  • 🎡 The term "throwing" on the wheel dates back 2500 years.
  • 👐 Centering the clay is a critical first step.
  • 💧 Keep hands wet to avoid clay warping.
  • 💪 Coning involves reshaping clay into a cone and back, integrating water.
  • 📏 Stability is crucial, with elbows tucked and using body weight.
  • 👀 Visual and tactile checks ensure clay is properly centered.
  • 🔄 Compressing strengthens the clay bottom to avoid cracks.
  • 🚫 Coning may introduce too much water into the clay.
  • 🕛 Technique involves careful pressure application and timing.
  • ⬅️ Initial steps on the left, subsequent on the right side.

Chronologie

  • 00:00:00 - 00:09:26

    The initial segment introduces pottery basics from the DVD, focusing on why it's called 'throwing on the wheel.' Originally, potters threw a stick to spin the wheel, hence the term. The key step of centering clay is outlined as crucial for making good pots, with emphasis on positioning, wetting hands, and securing the clay to avoid warping. Centering involves tucking elbows, using body weight, and keeping hands wet without over-soaking, as dry hands disrupt rhythm. Teaching techniques are discussed, preferring arm stability over coning which may overly moisture the clay. Successful centering is achieving a still appearance of the clay.

Carte mentale

Mind Map

Questions fréquemment posées

  • Why is it called "throwing" on the wheel?

    It dates back to the first potter's wheels, where a stick was thrown to spin the wheel.

  • What is the first step in pottery wheel throwing?

    Centering the clay.

  • What is coning in pottery?

    A technique to adjust clay consistency by shaping it into a cone and back down.

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Sous-titres
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  • 00:00:12
    these are the steps I will be teaching
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    you in this portion of the
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    DVD before we get our hands muddy let me
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    tell you why it's called throwing on the
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    wheel the first potter's wheel were
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    about 2500 years ago and only the wheel
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    head was on the ground and only men were
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    allowed to be po ERS and they would sit
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    cross-legged by the wheel head and they
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    would have a big heavy stick with a
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    string on it the string would wrap
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    around the wheel head and then they
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    would throw the stick which would spin
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    the wheel head like a top and that's why
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    it's called throwing to this day even
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    though there's really not any throwing
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    involved just for your information so
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    the first step is called centering
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    centering is not the hardest step but it
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    is the first step if you talk to anybody
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    about throwing on The Potter's Wheel
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    they will tell you that they never got
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    their pot centered well that's why they
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    never really made any good pots because
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    centering is very important but there's
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    just a couple basic hints that you need
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    to know to where you can Center your
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    clay there's a lot of different ways of
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    teaching centering but I'll show you the
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    way that works so you need to have your
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    ball of clay nice and round we're
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    throwing a round pot on a round wheel
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    going round and round this needs to be
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    nice and round you want to make it sure
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    that it's secure to the wheel head so we
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    want to give it a little bit of a tap
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    maybe Pat it on the top and then it's
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    time to get our hands wet it's very
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    important that you keep your hands wet
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    while you're working on the wheel you
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    always want your hands slipping across
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    the surface of the clay if at any time
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    your hands get dry and it drags on the
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    clay that's going to throw off the
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    Rhythm and the rotation of the pot and
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    that's when you start getting a lot of
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    warping and a little bit of sagging so
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    make sure that your hands are nice and
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    wet a lot of times a teacher will teach
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    you to hold a sponge and keep squeezing
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    the sponge over the clay the entire time
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    in a couple steps that works but I will
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    tell you that you don't want to get too
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    wet because then your Olive clay start
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    slipping off the wheel head so I'm going
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    to get my hands wet and it's time to
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    Center my position at the wheel is good
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    my elbows are tucked in I'm going to
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    lean the whole weight of my body behind
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    my elbow to where it goes down my arm to
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    the heel of my hand I'm going to push
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    the heel of my hand into the clay on the
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    left hand side it's the left hand side
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    of the ball of clay with my left hand my
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    right hand is going to grab the thumb of
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    my left hand and push down so as I push
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    the clay down it swells out to hit the
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    heel of my hand with the whole weight of
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    my upper body pushed into the clay this
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    is a wonderful way of centering let me
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    show you we want our wheel head about
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    fast medium fast I'm going to push in
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    and down in and
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    down I'm getting a little dry so I'm
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    going to put some water on my hands and
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    again again I'm going to push in and
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    down it's very important that your left
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    elbow is tucked into your body right on
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    that pelvic bone that's why it's
  • 00:03:11
    important that the pelvic Bone's a
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    little bit higher than the wheel head if
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    I have my elbow out on my leg and my
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    clay is not centered the whole wobble of
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    the clay pushes my hand which pushes my
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    leg there's no stability there if you're
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    having a hard time centering just
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    tucking that left elbow in will make all
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    the difference there are a couple of
  • 00:03:29
    ways of teaching centering some people
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    will have you Center like this squeezing
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    both on the left and the right hand side
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    again my elbows are spread out and so I
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    do not have any stability a lot of times
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    you'll be taught to Cone where you pull
  • 00:03:44
    the clay up into an upside down ice
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    cream cone and then you push it back
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    down again this relies all on upper body
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    strength being able to squeeze that clay
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    in I'm not really a fan of coning
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    because I think as you cone up and add
  • 00:03:58
    water and push it back down you're
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    actually wedging water into the clay
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    which will make your clay too wet and
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    then it will be hard to make the shape
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    of the pot later on but coning does work
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    if your Clay is a little stiff if your
  • 00:04:11
    Clay is a little stiff go ahead cone it
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    up douse it with water push it down to
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    that two or three times and you're
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    wedging water right into the clay so
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    let's go back to the centering position
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    I'm grabbing my thumb my right hand
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    pushing down on the top my left hand is
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    pushing into the clay you know your Clay
  • 00:04:30
    is centered when you look at it it
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    almost looks like it's sitting still
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    another thing is to close your eyes and
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    feel the clay and make sure that there's
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    not any wobble to it at all I will tell
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    you that you can have the top of your
  • 00:04:42
    clay centered and the sides are
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    not you can also have the sides
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    centered with the top not centered it's
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    very important that you have both the
  • 00:04:55
    sides and the top smooth and centered
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    if your Clay is a good consistency and
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    soft your elbows tucked in you lean your
  • 00:05:06
    body into the clay you will Center very
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    quickly our next step is opening I'm
  • 00:05:12
    going to get my hands wet the clay wet
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    my left hand stays in position it's not
  • 00:05:17
    really pushing on the clay it's just
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    resting on the left hand side of the
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    clay and then I'm going to take my
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    finger and just lean it in to the center
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    of the clay again I can be the Rock and
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    the stream will move around I don't have
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    to find the Center and just poke
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    straight in I can just lean in and the
  • 00:05:33
    clay will move around the finger finding
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    the center you want to make sure that
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    your hands are wet because as you're
  • 00:05:38
    opening you're getting into fresh clay
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    so you want to slide in notice how my
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    right hand is braced on my left with a
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    thumb so that I have still good
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    stability elbows are tucked in and I'm
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    nice and stable you don't want to keep
  • 00:05:51
    poking all the way through the clay or
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    you'll poke all the way down to the
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    wheel head and then your bottom of the
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    pot will be non-existent you'll just
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    have a donut so be sure that you leave
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    at least a half in or a/4 of inch of
  • 00:06:02
    clay at the bottom of the pot once we've
  • 00:06:05
    opened it's time for what I call cut in
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    and widen my hands are in the opening
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    position I'm going to crook my fingers
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    into the palm of my hand cutting into
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    the clay almost creating a ledge of clay
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    right here cutting in again we don't
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    want to cut all the way to the palm of
  • 00:06:23
    the hand or I'll have a doughnut in my
  • 00:06:25
    hands so what we want to do is just
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    barely cut in leaving about a half inch
  • 00:06:30
    to 3/4 inch of a wall between the palm
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    of my hands and my fingers so I'm going
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    to start cutting
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    in my hands are crooked and I have a
  • 00:06:41
    little shelf of clay right there on top
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    of those fingers now I'm going to widen
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    and what I do is with these two fingers
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    I just flatten the clay right into the
  • 00:06:50
    palm of my hand when you're working on
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    the wheel you have to remember that the
  • 00:06:54
    pot is going around and around and
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    whatever pressure you put on the pot you
  • 00:06:58
    need to wait for one full Revolution so
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    that the clay can adjust all the way
  • 00:07:02
    around the pot and then you can continue
  • 00:07:04
    with your pressure that's why you move
  • 00:07:06
    very slow and very steady when you're
  • 00:07:08
    working with the wheel you know that
  • 00:07:11
    you've done cut in and widen
  • 00:07:12
    appropriately when you can look into
  • 00:07:14
    your pot and you can see a definite wall
  • 00:07:16
    and bottom on your pot you want this
  • 00:07:19
    squared off edge a lot of beginner
  • 00:07:20
    Potters will make a little U on the
  • 00:07:22
    inside they're not making a definite
  • 00:07:24
    bottom so we want to make sure that we
  • 00:07:26
    have a definite wall and bottom this
  • 00:07:29
    will make pulling up so much easier the
  • 00:07:31
    next step is compressing the bottom and
  • 00:07:34
    the compressing the bottom a lot of
  • 00:07:35
    teachers leave this step out but I think
  • 00:07:37
    it's very important the bottom of your
  • 00:07:39
    pot is a little uneven and also we want
  • 00:07:43
    to make it strong we want to comess that
  • 00:07:46
    clay making the little mic particles of
  • 00:07:48
    clay lay flat and strong next to each
  • 00:07:51
    other I take the sponge and I push it
  • 00:07:53
    from the center to 3:00 pushing down
  • 00:07:56
    making sure that it's nice and flat as
  • 00:07:59
    as well as
  • 00:08:00
    compressed compressing the bottom is
  • 00:08:03
    important because as your pot dries
  • 00:08:05
    normally on a pot the walls are thicker
  • 00:08:08
    than the bottom and so it will dry
  • 00:08:10
    unevenly and then when it starts drying
  • 00:08:13
    the bottom of the pot can give a little
  • 00:08:15
    bit quicker than the walls will and so
  • 00:08:18
    it develops a little s crack in the
  • 00:08:19
    bottom but if you compress the bottom
  • 00:08:21
    99% of the time you will not get an S
  • 00:08:24
    crack the other thing about compressing
  • 00:08:26
    the bottom I call it the Breather step
  • 00:08:27
    because there's a couple things that you
  • 00:08:29
    need to know no when you're compressing
  • 00:08:30
    the bottom your wheel speed needs to
  • 00:08:32
    slow down to medium also from now on
  • 00:08:35
    every other Step At the Wheel is going
  • 00:08:37
    to be on the right hand side the first
  • 00:08:40
    three steps were on the left we centered
  • 00:08:43
    we opened we cut in and widen now we're
  • 00:08:47
    compressing the bottom and this is just
  • 00:08:49
    our clue that from now on everything's
  • 00:08:50
    on the right hand side the way that you
  • 00:08:52
    get a clue is if I try to compress on
  • 00:08:54
    the left side that Clay is feeding
  • 00:08:56
    underneath my sponge and it's jabbing
  • 00:08:59
    into into my fingers so it's just
  • 00:09:01
    natural for me to put it over here from
  • 00:09:02
    the center to 3:00 so the clay will feed
  • 00:09:05
    underneath my sponge where the sponge is
  • 00:09:07
    under my fingers and the clay is sliding
  • 00:09:10
    underneath the sponge so this is our
  • 00:09:12
    clue it's time to slow the wheel down
  • 00:09:15
    and move to the right hand side
Tags
  • pottery
  • wheel throwing
  • centering
  • coning
  • clay techniques
  • potter's wheel
  • compressing
  • opening
  • artisanal craft