Keep them watching - Tips for better story telling!

00:09:09
https://www.youtube.com/watch?v=iteHMISC2ds

概要

TLDRI videoen diskuteres viktigheten av sekvenser i film og videoproduksjon. Sekvenser, som består av 3-5 bilder, er essensielle for å drive historien videre og kan påvirke hvordan publikum oppfatter karakterer og fortellingens tone. Presentatøren gir eksempler på hvordan man kan konstruere sekvenser og viktigheten av å stille spørsmål til seerne. Det blir også hevdet at å vise i stedet for å fortelle er en mer effektiv metode innen visuell historiefortelling.

収穫

  • 🎥 Sekvenser er essensielle for å drive historien framover.
  • 🧠 Hver shot bør stille spørsmål eller gi svar.
  • 📽️ En sterk avslutning gir klarhet i sekvensen.
  • 💡 'Vis og ikke fortell' skaper bedre engasjement.
  • ❓ La publikum stille spørsmål og finne svar på egenhånd.

タイムライン

  • 00:00:00 - 00:09:09

    Videoen diskuterer viktigheten av sekvenser i filmskaping og videoredigering, noe som ofte er en svakhet i amatørfilmer og internettvideoer. Sekvenser, bestående av 3-5 klipp, beveger historien fremover og påvirker forståelsen av karakterer og deres motivasjoner. Eksempelet med en mann som smiler til en kvinne med baby kontra en kvinne i bikini illustrerer hvordan sekventering kan endre publikumets oppfatning. Hver opptak skal stille spørsmål eller besvare tidligere opplysninger for å engasjere seeren. Dette demonstreres gjennom en eksempelvideo der sekvenser fokuserer på en kul vinterdag og hvordan oppbyggingen av dem skaper et narrativt språk. Styrken i sekvensering ligger også i å gi tydelig oppløsning i historien, som i tilfellet med bygging av et kreativt rom av brukte fraktcontainere. Til slutt oppfordres til en 'vis, ikke fortell'-tilnærming i videoproduksjon, ved å inkludere visuelle elementer som vekker nysgjerrighet fremfor gjentatte forklaringer.

マインドマップ

ビデオQ&A

  • Hva er en sekvens i film?

    En sekvens er en serie med 3-5 bildene som er satt sammen for å flytte historien fremover.

  • Hvordan kan sekvenser påvirke publikum?

    Strukturen av sekvenser kan endre tonen i videoen og publikums forståelse av karakterer og deres motivasjoner.

  • Hva betyr 'vis og ikke fortell'?

    Det refererer til ideen om å bruke visuelle elementer for å fortelle en historie, i stedet for å forklare det med ord.

  • Hvorfor er slutten på en sekvens viktig?

    En sterk avslutning gir klarhet og oppsummerer hva som har skjedd.

  • Hvordan kan man bruke spørsmål i sekvenser?

    Hver shot bør stille spørsmål i publikums sinn eller gi svar på tidligere spørsmål.

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  • 00:00:04
    [Music]
  • 00:00:26
    let's talk about sequences which
  • 00:00:29
    in my opinion is one of the most
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    important foundational things that you
  • 00:00:33
    need to understand for
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    filmmaking video editing content
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    creation really any type of visual
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    storytelling
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    at all and in my opinion
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    this is where most internet videos and
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    amateurish films fall apart a poorly
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    built sequence is gonna either confuse
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    your audience or they're just gonna get
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    bored and click away okay so then what
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    is a sequence well functionally it's
  • 00:01:01
    just a few shots typically around three
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    to five that are strung together in
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    order to help move the story along the
  • 00:01:09
    assembly of filth and how
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    it can be changed what's interesting is
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    that depending on how you structure that
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    sequence depending on how you move the
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    story along it can drastically alter the
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    tone of the video and your audience's
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    understanding of your characters and
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    their motivations etc etc
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    let's assume
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    he saw a woman holding a baby in her
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    arms
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    now we cut back
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    to his reaction to what he sees
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    and he smiles
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    he's a kindly man
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    he's sympathetic
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    now we'll put in a piece of film of a
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    girl in a bikini he looks
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    girl in a bikini
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    he smiles
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    what is he now the dirty old man
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    he's no longer the benign gentleman
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    who loves babies
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    so the first thing that i want to talk
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    about here in regards to sequencing is
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    this idea of questions and answers and
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    so what that means is that each shot
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    should either be instilling a question
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    into your viewer's mind somewhat
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    subconsciously or it should be answering
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    some of the questions that you stated
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    previously in those other shots these
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    are simple questions things like who is
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    it what are they doing why are they
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    doing it very simple subconscious
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    questions so for example at the start of
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    this video we want to set the scene and
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    here in hamilton we've got a lot of snow
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    recently and it was coming down pretty
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    good so we shot a nice long lens shot
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    compressing a lot of that snow together
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    to make it seem
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    cold like a an environment that you
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    would want to get out of
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    that might give me just enough contrast
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    and it's also the location that we're
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    heading to so it's somewhat significant
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    and also maybe helpful i'm gonna go this
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    way i'll be right back and from that
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    snowy shot we cut right away to some
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    winter gloves unlocking a lock now we
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    don't know who's unlocking it we don't
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    even know what the thing they're
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    unlocking is the first time we shot this
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    i actually had my hood down and i
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    realized oh we see right away that's me
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    so we decided let's reshoot it put the
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    hood up and obscure the image of myself
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    finally we have the last reveal which is
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    you now see the tires of my van rolling
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    in which then punches out once more to a
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    nice wide shot where we see this large
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    warehouse and finally we have one last
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    shot from the front of my van where you
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    get to see it is i jesse driving into
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    the location where you would eventually
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    uh see me here delivering these lines to
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    hello
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    [Music]
  • 00:04:04
    so
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    [Music]
  • 00:04:29
    one of the things that i like to pay a
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    lot of attention to and it's just
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    important for sequencing in general is
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    that there is a strong resolution to
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    your sequence now we know it was
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    kristoff he was cutting a hole but not
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    only was he cutting one hole he was
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    cutting several holes into several
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    shipping containers
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    resolution if you saw our last video
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    then you'd know what this is all about
  • 00:04:52
    which is that we were recently evicted
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    from our studio and in a last-ditch
  • 00:04:57
    effort to figure what to do next we
  • 00:05:00
    decided to buy a bunch of used shipping
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    containers and we are now in the process
  • 00:05:04
    of building out our dream creative space
  • 00:05:06
    and so obviously we're shooting a lot of
  • 00:05:09
    sequences bringing in containers cutting
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    insulating
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    every step of the way is gonna have to
  • 00:05:17
    get sequenced
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    also this video is taking so much longer
  • 00:05:21
    to shoot than we had anticipated we are
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    very quickly losing light and we ended
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    up having to shoot this now with a 120d
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    in the fresnel we've got a
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    p60c
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    up through the skylight we've got hi
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    dave
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    we've got another p60c over here
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    um making videos takes a long time
  • 00:05:41
    [Music]
  • 00:05:42
    this video is brought to you by the very
  • 00:05:44
    fine folks over at storyblocks
  • 00:05:47
    thumbs up what
  • 00:05:50
    storyblocks is the go-to resource for
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    super high quality stock footage sound
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    effects graphic elements after effects
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    templates and more and more the list
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    goes on storybox currently has well over
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    one million digital assets and they're
  • 00:06:05
    continuously adding to this week after
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    week after week and with their very
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    affordable unlimited all-access
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    subscription package you get access to
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    all of that so that means there are
  • 00:06:16
    millions of ways for you to improve your
  • 00:06:18
    videos in fact when we started shooting
  • 00:06:20
    the opening sequence of this video so we
  • 00:06:22
    actually use some of storyblocks's
  • 00:06:24
    digital snow assets and doing things
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    like that just really helps tie your
  • 00:06:28
    sequences together
  • 00:06:30
    so if you're looking to learn more about
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    storyblocks and their unlimited
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    all-access plan click the link down in
  • 00:06:35
    the description or go to
  • 00:06:37
    www.storyblocks.com
  • 00:06:40
    jesse driftwood
  • 00:06:52
    if you uh if you pay attention those
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    lights actually take quite a long time
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    to turn on so the sequence what it does
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    is it shows the passage of time the
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    first shot you start seeing a glowing
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    ember you're not sure what it is and
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    then suddenly
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    lights are turning on you see a finger
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    switching the breakers and that brings
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    us
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    back here where kristoff's in the
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    background turning the lights on for me
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    because
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    we took too long to make this video
  • 00:07:19
    one final tip i wanted to throw in here
  • 00:07:21
    isn't necessarily just about sequencing
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    and it's kind of directed at all of you
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    internet video creators the vloggers the
  • 00:07:29
    tick tuckers which is this idea that's
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    commonly referred to as show
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    don't tell because filmmaking video
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    making is a visual storytelling medium
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    we don't always have to use visuals and
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    dialogue in order to move the plot
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    forward i can't tell you how many times
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    i've watched someone's video where
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    they're like oh i've got to go to the
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    grocery store to pick up bananas and
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    oats for this new banana oat recipe i'm
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    working on and then the next sequence is
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    them at the grocery store and you're
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    watching them buy bananas and you're
  • 00:08:00
    watching them by oats and you're like
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    yeah i know you already said this
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    whereas i think it's a much more
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    powerful way of telling that story to
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    start at the grocery store and we're
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    wondering who is this what are they
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    shopping for oh why did they get that
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    and then maybe when we get back to the
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    house you can tell us like this is why i
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    got these because this is what we're
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    going to do but you still want to leave
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    space for intrigue you want to leave
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    space for your audience to ask those
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    questions because it feels good when
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    they feel like they found the answers
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    that they came to the conclusion on
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    their own they're not constantly being
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    spoon-fed
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    thank you so much for watching this
  • 00:08:41
    video i i really hope you did learn
  • 00:08:43
    something you had some type of takeaway
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    um if i had to boil it all down to
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    something it's make sure your sequences
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    not just your whole story but even your
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    sequences have a beginning
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    a middle
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    and uh
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    and then and an end
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    [Music]
  • 00:09:01
    that's what film can do for you
  • 00:09:04
    or
  • 00:09:05
    you for it as it were
タグ
  • film
  • sekvenser
  • historiefortelling
  • video
  • redigering
  • visuelle elementer
  • publikumsopplevelse
  • spørsmål og svar
  • show don't tell
  • inngang-midt-punkt-avslutning