Coone | Q-dance presents: Legends | Full documentary

00:49:55
https://www.youtube.com/watch?v=Zi0bukF_eiA

概要

TLDRL'artiste se confie sur ses débuts dans la musique, le poids des attentes familiales et professionnelles, son évolution de jump style à hardstyle, et la lutte contre la pression de réussir. Il parle de ses performances marquantes, du soutien d'amis et collègues, et des défis mentaux liés à la célébrité. Il évoque aussi sa quête d'une vraie connexion avec son public et son souhait de transmettre ses émotions à travers sa musique. En fin de compte, il cherche un équilibre entre sa carrière et sa vie personnelle, soulignant l'importance de la loyauté envers la musique et ses fans.

収穫

  • 🎤 L'artiste se bat contre les attentes de ses parents traditionnels.
  • 🎶 Son parcours musical commence avec le jump style et évolue vers le hardstyle.
  • 💪 Il ressent une pression immense lors de performances importantes.
  • 📝 'Now or Never' explore des luttes personnelles et la recherche d'authenticité.
  • 🏆 Il a fondé son propre label pour protéger la qualité de sa musique.
  • 🤝 Les relations avec d'autres artistes ont été cruciales pour son succès.
  • 😓 La santé mentale et la pression sont des thèmes centraux de son récit.
  • 🌍 L'artiste veut partager sa vision musicale au niveau mondial.
  • 🎉 Des moments mémorables incluent des performances devant de grands publics.
  • 🌟 Sa connexion avec son public et sa famille est primordiale.

タイムライン

  • 00:00:00 - 00:05:00

    Le narrateur ressent une pression énorme de la scène artistique et de son entourage, mais il reste déterminé à poursuivre son rêve musical malgré les attentes de sa famille qui prône une carrière plus traditionnelle.

  • 00:05:00 - 00:10:00

    Il explore ses racines musicales, se distinguant de ses parents, et découvre sa passion pour la création musicale, particulièrement influencé par son frère DJ et le mouvement jump en Belgique.

  • 00:10:00 - 00:15:00

    Alors qu'il commence à créer sa propre musique jump, il fait face à des défis dans le processus d'enregistrement d'un contrat avec un label, mais parvient à surmonter ces obstacles avec l'aide d'amis.

  • 00:15:00 - 00:20:00

    Le narrateur met un accent fort sur la qualité musicale, se différenciant des autres artistes qui cherchent à commercialiser le jump, tout en créant sa propre étiquette pour préserver l'intégrité du genre.

  • 00:20:00 - 00:25:00

    Sa notoriété augmente lorsqu'il joue dans des événements de grande envergure, mais il doit faire face à la méfiance initiale de la scène hardstyle belge. Il continue à travailler pour gagner l'acceptation de ses pairs.

  • 00:25:00 - 00:30:00

    Le passage du jump au hardstyle est encore une fois un défi, mais il parvient à établir des amitiés et à créer des morceaux qui résonnent avec les amateurs de hardstyle.

  • 00:30:00 - 00:35:00

    Des collaborations importantes, comme celles avec d'autres DJs et labels, renforcent sa carrière alors qu'il recherche de nouvelles opportunités sur la scène internationale du hardstyle.

  • 00:35:00 - 00:40:00

    Malgré ses succès, il admet la pression intense qui accompagne sa carrière et les luttes personnelles liées à la santé mentale, se rendant compte qu'il doit maintenir un équilibre entre sa vie professionnelle et familiale.

  • 00:40:00 - 00:49:55

    À travers ses paroles et son processus créatif, le narrateur aspire à toucher ses fans et à partager ses expériences, tout en encourageant les artistes en herbe à trouver leur propre voix dans la musique.

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ビデオQ&A

  • Quel style musical l'artiste a-t-il commencé à jouer ?

    Il a commencé avec le jump style.

  • Comment l'artiste décrit-il l'influence de ses parents sur sa carrière ?

    Ses parents avaient une approche plus traditionnelle et sécurisée, tandis qu'il vise une carrière musicale en tant que performeur.

  • Quel est le message derrière la chanson 'Now or Never' ?

    La chanson aborde des thèmes de lutte personnelle et d'acceptation.

  • Qu'est-ce qui a motivé l'artiste à fonder son propre label ?

    Il souhaitait préserver la qualité de la musique hardstyle face à sa commercialisation.

  • Comment l'artiste perçoit-il son succès ?

    Il ressent une pression d'atteindre les attentes de la scène musicale.

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  • 00:00:00
    there was a lot of uh weight on my
  • 00:00:02
    shoulders you know the whole whole art
  • 00:00:04
    style scene was looking at me uh but not
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    not only the whole art scene also my
  • 00:00:09
    management my
  • 00:00:10
    agency uh you know even got some text
  • 00:00:13
    messages of Q Dan like don't [ __ ] this
  • 00:00:18
    up C Dan
  • 00:00:22
    presents
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    [Music]
  • 00:00:26
    Legends my father and my mother are the
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    Swedish people people in the world but
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    are so far from this scene those people
  • 00:00:34
    are just a little bit a little bit
  • 00:00:36
    different than in the way they think um
  • 00:00:40
    more traditional you know I'm more like
  • 00:00:42
    a let's say like a businessman and
  • 00:00:45
    Entertainer and and and my father and my
  • 00:00:48
    mother are not like that at all the
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    thing is that my father worked for a
  • 00:00:53
    boss for all his life you know so of
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    course his son needs to do the same
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    because you get solid money you know
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    there's there's an income and no stress
  • 00:01:04
    and it's going good so yeah my parents
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    were um this hardworking guy and a
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    housewife and then suddenly you have a
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    son uh who wants to perform on stage and
  • 00:01:18
    wants to travel the world with his music
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    it's it's completely different but I was
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    always like no this is uh what I want to
  • 00:01:26
    do you know it's like I feel that this
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    is my pth you know
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    I was searching for some some some
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    things that were similar and of course
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    my uh my father he was playing as a as a
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    drummer on in the streets and my mother
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    uh is is still a country
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    dancer
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    I
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    who I F A
  • 00:01:53
    [Applause]
  • 00:01:55
    be I'm
  • 00:01:58
    b b
  • 00:02:05
    [Music]
  • 00:02:09
    I bought a
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    b so yeah so my brother is older and uh
  • 00:02:20
    he uh he was a DJ in his bedroom he was
  • 00:02:25
    uh playing uh at radio stations local
  • 00:02:27
    radio stations Etc and uh I was I was
  • 00:02:31
    interested you know I was a small
  • 00:02:32
    brother uh looking at all the all the DJ
  • 00:02:36
    gear uh but I was more interested in how
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    they make the music than playing the
  • 00:02:41
    music so I was like but but okay but you
  • 00:02:44
    play the music but there is somebody who
  • 00:02:47
    who made this you know and that was that
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    triggered me you
  • 00:02:55
    know yeah jump was big in Belgium back
  • 00:02:59
    in the day
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    uh basically it was the uh the leading
  • 00:03:03
    harder style sound in Belgium so so it
  • 00:03:06
    was dominating and uh I'm from Belgium
  • 00:03:08
    so I rolled into that scene and I was
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    like okay I know how to make this and so
  • 00:03:13
    I started making making jump when I was
  • 00:03:16
    still very young you know and um um
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    luckily there was no other big act doing
  • 00:03:24
    that in Belgium back then so at at first
  • 00:03:28
    you had in in in turnout where I where I
  • 00:03:31
    was born uh and I still live by the way
  • 00:03:36
    um you had tough music which was a big
  • 00:03:38
    uh big uh DJ store you know and they
  • 00:03:42
    were starting up their uh their record
  • 00:03:44
    label as well Zoo records and uh so I I
  • 00:03:48
    was like hey this is a great demo listen
  • 00:03:50
    to it and they did and they sent me a
  • 00:03:53
    contract back uh and together with my
  • 00:03:55
    best buddy Maran from Bas events now the
  • 00:03:58
    owner of B events H he he was like no
  • 00:04:01
    you cannot just sign this contract I
  • 00:04:04
    need to get deeper into the contract cuz
  • 00:04:07
    they're gonna [ __ ] you
  • 00:04:27
    [Music]
  • 00:04:28
    over
  • 00:04:52
    and we got back with the with the let's
  • 00:04:56
    say the contract that was all written in
  • 00:04:59
    in red uh pen all over you know like
  • 00:05:03
    this is not good and we want don't want
  • 00:05:04
    this but we were we were just like [ __ ]
  • 00:05:07
    [ __ ] little kids you know so we we
  • 00:05:09
    didn't know what what what was up and um
  • 00:05:13
    yeah so so they were like what what is
  • 00:05:16
    this what is this guy talking about so
  • 00:05:18
    the deal went off and then I went to a
  • 00:05:21
    um to effective music guys who released
  • 00:05:23
    also Arun 16 back in the days which was
  • 00:05:27
    uh artstock classic and that's where my
  • 00:05:30
    first relase uh yeah is on Kao was was
  • 00:05:35
    was laughing his ass off when he
  • 00:05:37
    received the contract back uh and then
  • 00:05:39
    years after uh because the relationship
  • 00:05:43
    with with the current uh record label
  • 00:05:46
    back then was wasn't that good so that's
  • 00:05:48
    why I moved to hman
  • 00:05:53
    again the return
  • 00:05:56
    onet uh in the plat and the
  • 00:06:00
    Gym style PL and um was so good that
  • 00:06:06
    was yeah an hit I got something for your
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    mind your body and your
  • 00:06:24
    soul I got something for your mind your
  • 00:06:26
    body and your soul the kind of jump
  • 00:06:28
    style I was doing
  • 00:06:30
    was so far off from what other jump
  • 00:06:33
    style artists were doing I was looking
  • 00:06:36
    for the quality you know and there were
  • 00:06:38
    some guys who I'm not going to name any
  • 00:06:42
    any artist but but some of them were
  • 00:06:44
    like yeah let's just put a hard kick on
  • 00:06:46
    it let's put like a sound that we
  • 00:06:48
    sampled somewhere from I don't know from
  • 00:06:50
    kunon or whatever it was frustrating to
  • 00:06:52
    see that they over
  • 00:06:55
    commercialized uh the style once again
  • 00:06:58
    because I was trying to protect the
  • 00:07:00
    quality um you got the you know the the
  • 00:07:04
    dance uh the jump Style dance which
  • 00:07:07
    which is okay by the way but they yeah a
  • 00:07:11
    lot of big companies saw money fast
  • 00:07:13
    money not not long-term but fast money
  • 00:07:15
    and and they they they yeah they signed
  • 00:07:19
    contracts with with with with dancers
  • 00:07:21
    and with you know very commercial
  • 00:07:24
    artists and uh artists that weren't
  • 00:07:27
    doing jump Style
  • 00:07:30
    uh before you know so it was the it it
  • 00:07:33
    didn't F uh it didn't feel very good you
  • 00:07:37
    know and um um I was I was just feeling
  • 00:07:42
    that heart style the quality that heart
  • 00:07:44
    style was after wasn't happening in Jump
  • 00:08:12
    and so I told like hey um I'm not
  • 00:08:16
    feeling it with Zoo records anymore I
  • 00:08:19
    want to do my own thing is there an
  • 00:08:20
    option I can get my own record label um
  • 00:08:24
    and that was Dirty Works yeah
  • 00:08:31
    [Music]
  • 00:08:42
    PR
  • 00:09:06
    sucess gy Tex stle and the rest
  • 00:09:10
    was heart style heart dance
  • 00:09:39
    well yeah of course I was resident in a
  • 00:09:42
    club called complex which was basically
  • 00:09:44
    the the leading harder Styles Club in
  • 00:09:48
    Belgium back then I had some awesome
  • 00:09:50
    nights there you know my birthday bashes
  • 00:09:52
    were [ __ ] awesome and uh uh after a
  • 00:09:56
    while I was doing goon and a gang in in
  • 00:09:59
    in Sport Palace in an worp which was
  • 00:10:01
    basically also a jump style uh event
  • 00:10:05
    with some hard style acts attached like
  • 00:10:09
    hatun for example or Isaac or you know
  • 00:10:12
    deepack um de block and asan as well uh
  • 00:10:16
    yeah so
  • 00:10:17
    so how was that it was it was huge in
  • 00:10:21
    Belgium it was it was back then if if if
  • 00:10:25
    somebody who was in in 2007 man that's a
  • 00:10:29
    long long time ago and then you can sell
  • 00:10:30
    out the Sport Palace which is like
  • 00:10:33
    30,000 people something like that for
  • 00:10:36
    such a young guy it's insane it's insane
  • 00:10:38
    cuz like TV media they didn't know who
  • 00:10:41
    [ __ ] was they didn't know they were like
  • 00:10:44
    who's this guy and he selling how the
  • 00:10:45
    sport P yeah because the scene is so
  • 00:10:47
    [ __ ] underground so [ __ ] huge
  • 00:10:50
    please [ __ ] off
  • 00:10:56
    [Music]
  • 00:11:06
    [Music]
  • 00:11:20
    yeah the first time my father uh saw me
  • 00:11:24
    in the sport BS by the way um yeah there
  • 00:11:27
    were some tears
  • 00:11:29
    there were some tears I can obvious saw
  • 00:11:32
    that but um but of course he's too tough
  • 00:11:35
    to admit it was a struggle to convince
  • 00:11:37
    them because um because my father is
  • 00:11:40
    obviously not a fan of the music it's
  • 00:11:43
    too hard it's too aggressive whatever
  • 00:11:46
    being an artist an Entertainer a
  • 00:11:49
    producer earning money money with music
  • 00:11:53
    it's no you cannot earn money with music
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    you need to go you know be a lawyer or
  • 00:11:59
    be uh I don't know work in the
  • 00:12:01
    construction or whatever you know so
  • 00:12:04
    yeah it took a while before they saw it
  • 00:12:05
    with their own eyes but now they're like
  • 00:12:08
    yeah they're they're proud you
  • 00:12:14
    know at first I was an outsider of
  • 00:12:17
    course cuz um yeah a lot of a lot of new
  • 00:12:20
    Acts were um was were um making their
  • 00:12:24
    way you know for example William Head
  • 00:12:27
    Hunters was doing that whil us was doing
  • 00:12:29
    that Brandon Hart uh frontliner yeah you
  • 00:12:32
    know those those those Dutch acts
  • 00:12:35
    and and then this Belgium dude came you
  • 00:12:38
    know at first at first also my hard
  • 00:12:40
    style tracks if you listen carefully
  • 00:12:42
    they were not jump style they were not
  • 00:12:44
    hard style they were something in
  • 00:12:45
    between so I get that a lot of them were
  • 00:12:48
    like who is he and you know but uh me
  • 00:12:51
    being me I guess uh my pet was forward
  • 00:12:55
    and I didn't care about a lot of uh a
  • 00:12:58
    lot of negativity so um so yeah I just
  • 00:13:02
    did my thing I already noticed that when
  • 00:13:04
    he was playing drum Style music that
  • 00:13:06
    yeah he's always like a guy that uh is
  • 00:13:09
    hungry for more for the next thing to do
  • 00:13:12
    so um yeah because basically in Jump
  • 00:13:15
    Style music he had done it all already
  • 00:13:19
    so I noticed this very uh uh very early
  • 00:13:24
    on that uh you know he had his mind set
  • 00:13:28
    uh uh his next goal was to uh you know
  • 00:13:32
    get into the heart style scene and uh do
  • 00:13:35
    his thing uh over there and Conquer new
  • 00:13:38
    new new projects doing new stuff you
  • 00:13:41
    know yeah I think in the beginning it
  • 00:13:43
    was pretty you know tough for him to get
  • 00:13:47
    accepted in some way it was it was a
  • 00:13:50
    roller coaster by the way cuz you're
  • 00:13:52
    you're going from a jump style DJ in
  • 00:13:54
    Belgium you're suddenly Doing Hard style
  • 00:13:58
    uh you lose a lot of jump fans uh but
  • 00:14:02
    you gain a lot of hardstyle fans uh and
  • 00:14:05
    and and that that that whole transition
  • 00:14:08
    of getting into that hardstyle scene of
  • 00:14:10
    course was a was a bit of a struggle
  • 00:14:13
    suddenly I I I became good friends with
  • 00:14:16
    dblock and estan for example we went to
  • 00:14:18
    um uh to Center Parks or or on a small
  • 00:14:21
    vacation together also with fillan and
  • 00:14:24
    with deep and uh and then and then
  • 00:14:28
    suddenly you you you um you you're not
  • 00:14:30
    colleagues anymore but you're almost
  • 00:14:32
    friends and then that's what the point
  • 00:14:34
    when they started to um uh yeah accept
  • 00:14:39
    me yeah let's let's put it that way you
  • 00:14:41
    know and uh yeah so words from the gang
  • 00:14:44
    is one of my um uh yeah one of my
  • 00:14:47
    Classics I guess it was one of the first
  • 00:14:50
    tracks uh in the deblock and haapan
  • 00:14:52
    remix which was um picked up by a lot of
  • 00:14:56
    heart style acts and um my first version
  • 00:15:00
    of course is a jump version uh because
  • 00:15:03
    it was also attached to [ __ ] and the
  • 00:15:05
    Gang uh in the Sport Palace in
  • 00:15:07
    2007 so um so yeah it was um it was the
  • 00:15:11
    first track that that they they they
  • 00:15:14
    appreciated um at least the hardstyle
  • 00:15:18
    lovers appreciated so and that's how I
  • 00:15:20
    tried to push myself into the into that
  • 00:15:23
    scene uh and it it worked you know it
  • 00:15:26
    worked after a while I was I was getting
  • 00:15:29
    good in my at my own heart style solo
  • 00:15:33
    releases as well from that point
  • 00:15:36
    they let's say the heart sty lovers
  • 00:15:38
    worldwide started uh accepting
  • 00:15:41
    [Music]
  • 00:15:55
    me after evading the clutches of the law
  • 00:15:58
    for almost a
  • 00:15:59
    [Music]
  • 00:16:02
    decade high-profile surveillance led to
  • 00:16:05
    the takedown of [ __ ] forcing his crew
  • 00:16:10
    underground in an isolated region of the
  • 00:16:14
    city the Crooked Hands of corruption
  • 00:16:16
    plan to break the criminal
  • 00:16:18
    mastermind in a bid to bring the gang to
  • 00:16:22
    Justice
  • 00:16:29
    little do they
  • 00:16:30
    know the Gang has its own plan
  • 00:17:02
    [Applause]
  • 00:17:05
    [ __ ] in the gang escape on New Year's
  • 00:17:09
    [Music]
  • 00:17:14
    Eve when you first hear okay [ __ ] you're
  • 00:17:17
    booked in the US you're like [ __ ] yeah
  • 00:17:20
    we made it hey
  • 00:17:22
    Mike where we going California baby
  • 00:17:27
    [Music]
  • 00:17:36
    the funny thing is of course we had an
  • 00:17:39
    amazing time and we did so many fun
  • 00:17:42
    stuff in the USA uh but the actual party
  • 00:17:45
    was kind of yeah [ __ ] to say because
  • 00:17:49
    yeah we have been uh yeah so much
  • 00:17:53
    looking forward to to play for uh uh for
  • 00:17:56
    the Americans what we going to do
  • 00:17:58
    tonight
  • 00:18:00
    we're going to play some hard [ __ ] you
  • 00:18:01
    know 150 bpm those guys I think go was
  • 00:18:05
    pretty fast but let me show the guys how
  • 00:18:09
    do how do we do it you see the first gig
  • 00:18:12
    you're booked for and you're like oh no
  • 00:18:15
    this is not that rock and roll that we
  • 00:18:17
    thought it would be you know um for us
  • 00:18:20
    it was USA was America let's do this but
  • 00:18:24
    it was an illegal Rave and they shut it
  • 00:18:26
    down they they were they were big uh
  • 00:18:29
    ghetto Birds that's how they call it um
  • 00:18:32
    police obviously and and suddenly you
  • 00:18:36
    know the whole [ __ ] uh area was like
  • 00:18:39
    uh people you saw people going through
  • 00:18:41
    uh through uh holes and stuff like that
  • 00:18:45
    and and me and fillan were okay we we
  • 00:18:49
    Haven we haven't played yet um there are
  • 00:18:52
    no people anymore where are the
  • 00:18:53
    promoters in a way it was rock and roll
  • 00:18:56
    but it was not kind of rock and roll we
  • 00:18:58
    expected you
  • 00:19:04
    [Music]
  • 00:19:21
    know the label will make some goddamn no
  • 00:19:30
    listen up guys I just want to say this
  • 00:19:32
    in 2008 the psycho punks joined our
  • 00:19:36
    label in
  • 00:19:38
    2010 the Tweakers joined our label in
  • 00:19:41
    2012 Mr hard driver CH their
  • 00:19:45
    label so now I want to show some
  • 00:19:48
    appreciation Q dance dirty works thank
  • 00:19:51
    you guys very much I love you guys some
  • 00:19:54
    guys mailed me or whatever um cuzz
  • 00:19:57
    they're they're doing hardstyle in
  • 00:19:59
    Norway and we were searching of course
  • 00:20:01
    for um yeah new countries you know we we
  • 00:20:05
    didn't want to focus on on Belgium the
  • 00:20:08
    Netherlands France Germany so we were
  • 00:20:10
    like okay Norway this could be something
  • 00:20:13
    and I heard the tracks and to be honest
  • 00:20:16
    I was not feeling it at all I was I
  • 00:20:20
    was they made such uh such a different
  • 00:20:24
    kind of hard style but
  • 00:20:26
    then uh I was like okay but I also was
  • 00:20:30
    an outsider I made jump before I made
  • 00:20:33
    hard style so uh why not let's give it a
  • 00:20:36
    shot yeah so we were living in Norway uh
  • 00:20:39
    at the beginning of our hard style
  • 00:20:41
    career and we did not have a lot of
  • 00:20:43
    influence from other DJs because we be
  • 00:20:46
    at that point we were pretty much the
  • 00:20:48
    only hardstyle dj/ producers in Norway
  • 00:20:52
    and we for some reason we were
  • 00:20:54
    registered on party flock and back then
  • 00:20:57
    as far as we know that was the site for
  • 00:20:59
    events in Holland and Belgium and
  • 00:21:02
    whatnot and then I remember Marcus came
  • 00:21:04
    over and he's like I got this weird
  • 00:21:06
    inbox message uh on party flock yeah it
  • 00:21:09
    said base events I remember
  • 00:21:10
    distinctively it said Bas events and
  • 00:21:12
    said hi guys uh somebody tipped me about
  • 00:21:15
    you guys they called you the next noise
  • 00:21:17
    controllers uh I would like to is there
  • 00:21:19
    a possibility for me to come to Norway
  • 00:21:21
    and visit you so we can talk about maybe
  • 00:21:23
    signing you cuz we have a new vision for
  • 00:21:25
    our label Dirty Works and at first the
  • 00:21:28
    first thing when when you're a young DJ
  • 00:21:31
    you think oh who this is this is big and
  • 00:21:34
    then you start thinking and think it's a
  • 00:21:36
    scam cuz who's what's base events we did
  • 00:21:39
    not know about Dirty Works we did not
  • 00:21:41
    know about [ __ ] we did not know about
  • 00:21:43
    rever or anything because we were used
  • 00:21:45
    to going to all the Q dance events so
  • 00:21:48
    when he came over um he just to check
  • 00:21:50
    the vibe cuz that's what they did and he
  • 00:21:52
    was talking about uh they just signed uh
  • 00:21:55
    psychop punks and uh I think think [ __ ]
  • 00:21:59
    was in the transition of being a jump DJ
  • 00:22:02
    and now transitioning into being the
  • 00:22:04
    hardstyle DJ because I remember he was
  • 00:22:06
    asking us um if we knew anything about
  • 00:22:09
    Belgian jump music and we both were like
  • 00:22:12
    no nothing we never heard about [ __ ]
  • 00:22:15
    maybe we heard a few tracks we heard a
  • 00:22:17
    words from the gang he came over and it
  • 00:22:20
    literally was just the the the beginning
  • 00:22:22
    of the best collaboration um that we've
  • 00:22:25
    had it was a good click and when he left
  • 00:22:28
    on Sunday super hung over after partying
  • 00:22:31
    with us he said by the way guys welcome
  • 00:22:33
    to Dirty Works and then the bowl started
  • 00:22:36
    rolling um and I feel like as soon as
  • 00:22:39
    they saw the potential you know they
  • 00:22:40
    just literally said we're just going to
  • 00:22:42
    let you be you uh we did have a few
  • 00:22:46
    years where we sent in demos of our
  • 00:22:49
    tracks to Dirty Works and uh uh H and
  • 00:22:53
    Marine and also [ __ ] would uh give us
  • 00:22:57
    feedback and say we feel that you should
  • 00:22:59
    change this and this and this and we
  • 00:23:02
    said dear everybody
  • 00:23:06
    no this is what we do so H and at some
  • 00:23:10
    point they just you know what we feel
  • 00:23:12
    that you guys know what you guys are
  • 00:23:14
    doing you do what you do best let the
  • 00:23:16
    Tweakers be the Tweakers and it's been
  • 00:23:18
    the the TR the same trust ever since and
  • 00:23:21
    that's also why Dirty Works is that
  • 00:23:24
    diverse now we don't want to put uh the
  • 00:23:27
    artist into a box because we just let
  • 00:23:30
    them
  • 00:23:31
    be who they want to be as artists you
  • 00:23:34
    know and uh so so and and and of course
  • 00:23:37
    the Tweakers is is is is proof that that
  • 00:23:39
    it all turned out good Dirty Works was
  • 00:23:42
    getting really big I was doing the an
  • 00:23:44
    anr for years um listening to demos and
  • 00:23:48
    being um uh at every meeting and blah
  • 00:23:52
    blah blah doing the events and and stuff
  • 00:23:55
    but cou was also getting really big you
  • 00:23:57
    know more worldwide outside of Europe
  • 00:24:00
    and and let's say the last few years I
  • 00:24:02
    was not really focused not during the
  • 00:24:05
    meetings or the anr was not going the
  • 00:24:08
    way I was like okay who is this track at
  • 00:24:11
    oh who is this artist at skand tracks
  • 00:24:13
    yeah you had this demo like months ago
  • 00:24:16
    you know so I was not really focused uh
  • 00:24:19
    anymore and that's when I decided to
  • 00:24:22
    just um leave Dirty Works um you know um
  • 00:24:27
    it's it's my baby you know I'm the
  • 00:24:29
    founder but I'm not the owner now I
  • 00:24:32
    think it's it's not um um you shouldn't
  • 00:24:36
    do that anymore cuz Dirty Works right
  • 00:24:38
    now it's a machine of so many talented
  • 00:24:41
    people um I'm not going to um give
  • 00:24:45
    myself the credits anymore I'm the
  • 00:24:47
    founder it's my baby it's in my heart uh
  • 00:24:50
    but um uh I decided years ago to focus
  • 00:24:54
    on [ __ ] at some point um it turned uh
  • 00:25:05
    [Music]
  • 00:25:08
    worldwide you're my Superman Superman
  • 00:25:15
    [Applause]
  • 00:25:24
    [Music]
  • 00:25:25
    [Applause]
  • 00:25:42
    suddenly Asia was was doing things and
  • 00:25:45
    then South America was doing things she
  • 00:25:47
    had some awesome events in in in Chile
  • 00:25:50
    for example also with Q dance and stuff
  • 00:25:53
    and um and it was like whoa what what's
  • 00:25:57
    happening you know and uh
  • 00:25:59
    if we still want to get bigger as a as
  • 00:26:03
    artists I cannot do this [ __ ] on my own
  • 00:26:05
    you know I need somebody to you know to
  • 00:26:08
    guide me and and actually from the first
  • 00:26:10
    moment we met we really had a like a
  • 00:26:12
    good
  • 00:26:13
    connection um where as a booing agent I
  • 00:26:17
    kind of felt like I would be more
  • 00:26:19
    interested even in intensifying the
  • 00:26:22
    collaboration on a management level
  • 00:26:24
    purely due to the fact that we really
  • 00:26:26
    had the same ideas and vision
  • 00:26:28
    about [ __ ] as an artist and Heartstone
  • 00:26:31
    in general and from there actually I
  • 00:26:34
    became his manager but [ __ ] always was
  • 00:26:37
    really had a vision where he wanted to
  • 00:26:39
    come like go in his career the steps he
  • 00:26:41
    wanted to take and I think mainly he
  • 00:26:46
    needed
  • 00:26:47
    that business support like the
  • 00:26:50
    management role where he be was the
  • 00:26:52
    artist and I was the manager and
  • 00:26:54
    together we would try to accomplish his
  • 00:26:58
    goals as a DJ goon always had this
  • 00:27:02
    mission of telling his musical story to
  • 00:27:06
    his fans he wanted to share instead of
  • 00:27:09
    like he just wanted to be on stage now
  • 00:27:11
    he wanted to share what he feels for the
  • 00:27:12
    music and you can hear it back in his
  • 00:27:14
    music the lyrics When [ __ ] released his
  • 00:27:17
    album Global dedication this was a
  • 00:27:20
    collaboration between DX St yoki's label
  • 00:27:23
    and dirty works for a lot of fans it was
  • 00:27:25
    kind of like What's Happening Here Right
  • 00:27:28
    just to be clear it was a fullon
  • 00:27:29
    hardstyle album cuz that was the whole
  • 00:27:32
    idea [ __ ] did not collaborate with Steve
  • 00:27:35
    Aoki because he wanted to go just around
  • 00:27:37
    the world now he wanted that hard copy
  • 00:27:39
    CD with hardell to go worldwide Global
  • 00:27:43
    dedication the same Dedication that we
  • 00:27:46
    already knew for years here in Holland
  • 00:27:48
    in Belgium Europe at one point after
  • 00:27:51
    that whole demac and Steve Aoki uh story
  • 00:27:54
    I was losing Touch of of the of the fan
  • 00:27:57
    base you know and um
  • 00:27:59
    um I I'm still very honored that qan
  • 00:28:03
    came with with uh with Devcon uh with
  • 00:28:06
    the anthem cuz that um at least for me
  • 00:28:09
    it felt like that was um it was re
  • 00:28:13
    reignited uh with with with you know
  • 00:28:15
    with the core again and uh I'm really
  • 00:28:18
    glad that I did that cuz after that you
  • 00:28:20
    know uh things started to to to take
  • 00:28:24
    shape again you know
  • 00:28:31
    I was getting tired of um the big acts
  • 00:28:35
    on the main stage playing one or two
  • 00:28:38
    tracks uh hardstyle tracks uh at the end
  • 00:28:41
    of their set I was like okay this is a
  • 00:28:44
    gimmick which is cool you know cuz they
  • 00:28:46
    play our tracks uh but um after a few
  • 00:28:50
    years um I was like okay we lost the
  • 00:28:54
    gimmick here it's time to put a real
  • 00:28:56
    hardstyle act on that main stage so I
  • 00:28:59
    sent m a text message like hey hey let's
  • 00:29:03
    get rid of the gimmick and put a real
  • 00:29:05
    hardstyle act on the stage and I was not
  • 00:29:08
    even talking about myself just put
  • 00:29:11
    somebody decent on there and we [ __ ]
  • 00:29:14
    kill it you know I know for sure it's
  • 00:29:16
    it's time and then he sent me a text uh
  • 00:29:19
    text message back like yeah it's okay
  • 00:29:21
    let's do this so yeah I was like holy
  • 00:29:23
    [ __ ] are we are we are we actually going
  • 00:29:26
    to do this
  • 00:29:28
    land listen up my name is T and this is
  • 00:29:31
    my first time at the main stage
  • 00:29:36
    Tomorrowland I got to say you guys look
  • 00:29:38
    [ __ ] beautiful too
  • 00:29:40
    today so I I think I represent the whole
  • 00:29:44
    scene at that stage uh I didn't even
  • 00:29:48
    focus on my own tracks or my new tracks
  • 00:29:50
    or whatever I was like okay I'm here to
  • 00:29:53
    represent the scene and that's what I'm
  • 00:29:54
    going to do but it's going to be a set
  • 00:29:57
    that you can convince people that
  • 00:30:00
    haven't heard of heart style and that
  • 00:30:02
    the real Fanatics are also like yeah
  • 00:30:05
    this was good this was how we see the
  • 00:30:07
    scene it was pretty um
  • 00:30:11
    [Music]
  • 00:30:13
    historic
  • 00:30:14
    alone
  • 00:30:16
    alone
  • 00:30:18
    alone
  • 00:30:19
    alone
  • 00:30:21
    alone how are you feeling
  • 00:30:25
    [Music]
  • 00:30:32
    [Music]
  • 00:30:42
    Dan
  • 00:30:53
    tomorrow DJI
  • 00:30:59
    [Music]
  • 00:31:15
    that was the main stage toland and
  • 00:31:24
    weekend of
  • 00:31:26
    the next level so as you can
  • 00:31:30
    see it was it only made sense at the at
  • 00:31:33
    the time for him to be the very first
  • 00:31:36
    Harel act to solo play on the main stage
  • 00:31:39
    of Tomorrowland representing his country
  • 00:31:41
    representing the genre it it only made
  • 00:31:43
    sense goon closed the set and it was
  • 00:31:45
    really it was was amazing I think for me
  • 00:31:49
    I think one of the coolest sets I've
  • 00:31:50
    witnessed goon playing and there also he
  • 00:31:52
    felt like see the people are really
  • 00:31:54
    ready for this regardless if they were
  • 00:31:56
    dedicated hard fans people wanted to
  • 00:31:58
    party and they just wanted to like feel
  • 00:32:01
    feel the
  • 00:32:02
    [Music]
  • 00:32:09
    music it opened a lot of doors cuz the
  • 00:32:13
    let's say the the the not even the year
  • 00:32:15
    after I was at seat Festival also as the
  • 00:32:17
    First artstyle
  • 00:32:19
    Act uh and and and of course a lot of a
  • 00:32:22
    lot of a lot of
  • 00:32:24
    festivals uh outside art style yeah just
  • 00:32:27
    I was was closing uh in Chile I was
  • 00:32:29
    closing the main stage after Armen vuran
  • 00:32:32
    and in in in in in Asia I was doing a
  • 00:32:35
    lot of a lot of club shows the the the
  • 00:32:38
    kind of stages man I've been doing the
  • 00:32:40
    last couple of years it's it's insane
  • 00:32:42
    it's insane the festivals I never heard
  • 00:32:45
    of and then you you fly fly to the
  • 00:32:48
    country and and you're you're like ah
  • 00:32:50
    how many people do you expect tonight
  • 00:32:52
    and you're like 5,000 and then they say
  • 00:32:54
    40,000 people
  • 00:32:56
    okay now now what you know and but it's
  • 00:32:59
    cool it's really cool and it's like you
  • 00:33:01
    need to know what you you need to look
  • 00:33:04
    at your crowd and know what to play and
  • 00:33:06
    um it's still about global dedication
  • 00:33:08
    it's still about
  • 00:33:11
    those uh people who are uh or or at a
  • 00:33:15
    stage who don't don't know what our
  • 00:33:17
    style is or don't know what who [ __ ] is
  • 00:33:20
    I want to convince you I want to
  • 00:33:22
    convince you uh of what I've been doing
  • 00:33:25
    for the last couple years
  • 00:33:31
    in in 2018 because of the Tomorrowland
  • 00:33:34
    main stage um a lot of there there was a
  • 00:33:38
    lot of uh weight on my shoulders you
  • 00:33:41
    know the whole whole art style scene was
  • 00:33:42
    looking at me uh but not not only the
  • 00:33:45
    whole heart cell scene also my
  • 00:33:47
    management my
  • 00:33:48
    agency uh you know even got some text
  • 00:33:52
    messages of qan like don't [ __ ] this up
  • 00:33:54
    because this is our scene you know so so
  • 00:33:57
    a lot of pressure and after that I don't
  • 00:34:00
    know why but I started looking at me
  • 00:34:03
    like hey um the set was good said was
  • 00:34:07
    was was awesome but I started looking at
  • 00:34:09
    me like you're not a real artist um uh
  • 00:34:14
    just just look at you you're just some
  • 00:34:16
    guy from from a small town in in Belgium
  • 00:34:19
    and I was being really hard uh on myself
  • 00:34:23
    and I guess it has to do with mental
  • 00:34:27
    health and and some some struggles of
  • 00:34:30
    course ER stress is is a big thing of
  • 00:34:33
    course um because because this like I
  • 00:34:37
    said it's a roller coaster man you keep
  • 00:34:38
    on going and of course the whole avichi
  • 00:34:41
    story made us made us think as well um
  • 00:34:44
    same for a lot of Acts that when you ask
  • 00:34:48
    like is it really going that good no it
  • 00:34:50
    actually it's not cuz it's like the
  • 00:34:52
    pressure is so high and all the
  • 00:34:54
    festivals and it's getting so big so I
  • 00:34:57
    feel that um sometimes you're not
  • 00:34:59
    allowed to have a a dark um period in
  • 00:35:04
    your life you know when it is what it is
  • 00:35:07
    and I had and I still have to be honest
  • 00:35:11
    sometimes some struggles you know and
  • 00:35:14
    and and it's not that I don't love the
  • 00:35:17
    scene and I love to be on stage and I
  • 00:35:20
    like I said I was being way too hard on
  • 00:35:23
    myself and um all the traveling and you
  • 00:35:27
    know all the the extras that you're you
  • 00:35:30
    don't always want to do um that make it
  • 00:35:33
    really hard sometimes and I was just be
  • 00:35:36
    like I said I was just being a a pain in
  • 00:35:38
    the ass uh there was this this guy on my
  • 00:35:41
    shoulder and sometimes he's still there
  • 00:35:44
    um who says you cannot do it and then
  • 00:35:46
    the other gu is yeah watch me I'm I'm
  • 00:35:48
    doing this you know so it's a struggle
  • 00:35:50
    and that's where now or never if you
  • 00:35:52
    listen to the lyrics and if you listen
  • 00:35:54
    closely of course um you hear
  • 00:35:58
    uh what the track is about and um um
  • 00:36:01
    yeah I'm pretty proud of that one cuz
  • 00:36:02
    it's also it's opening up to your
  • 00:36:05
    emotions and your feelings and this one
  • 00:36:08
    was not the easiest look in the mirror
  • 00:36:11
    who's looking back at me it's like I
  • 00:36:13
    carry the weight of the world on the
  • 00:36:15
    back of me my head is in a dark cloud
  • 00:36:17
    coming after me yeah I'm high but I'm
  • 00:36:20
    still held down by gravity now never now
  • 00:36:26
    never it's now or
  • 00:36:34
    [Music]
  • 00:36:44
    never it's going way better and the
  • 00:36:46
    reason the reason is just simple I I
  • 00:36:49
    start caring I start caring about trying
  • 00:36:52
    to be the best version of myself I don't
  • 00:36:54
    need to be that and uh that's also what
  • 00:36:57
    Now or Never is is about is you don't
  • 00:37:00
    want to complain because because it's a
  • 00:37:02
    dream job and it it still is but then
  • 00:37:05
    again um together with your management
  • 00:37:08
    who who also relay on you and and and
  • 00:37:11
    and your agency you're like like hey how
  • 00:37:13
    many shows that we're going to do this
  • 00:37:14
    year uh 500 you know they they don't
  • 00:37:17
    they don't they care but they don't you
  • 00:37:20
    know because they want to do as much
  • 00:37:21
    shows as possible but I care and also
  • 00:37:24
    Maro and and and and my daughter cares
  • 00:37:26
    you know so I have to find that perfect
  • 00:37:29
    balance as well um so yeah so yeah you
  • 00:37:33
    have to you have to be careful you know
  • 00:37:35
    you have to be careful because if you're
  • 00:37:37
    there you cannot be here you know so
  • 00:37:39
    it's uh yeah Focus well um yeah like the
  • 00:37:43
    artist [ __ ] is way different than the
  • 00:37:45
    family man [ __ ] you know and it's hard
  • 00:37:48
    to put that uh button off you know um
  • 00:37:52
    cuz if you're doing a tour of three
  • 00:37:53
    weeks let's say in China and you're
  • 00:37:55
    coming back home um suddenly you're [ __ ]
  • 00:37:58
    the family man you know you need to take
  • 00:38:00
    care of of your daughter getting to
  • 00:38:02
    school um um it's it's not that obvious
  • 00:38:07
    it's it's not that easy it's [ __ ] and
  • 00:38:09
    [ __ ] the same name two different people
  • 00:38:12
    as in the DJ and then the the friend um
  • 00:38:18
    out of all my friends he's the
  • 00:38:21
    less he's the most normal guy sometimes
  • 00:38:24
    he keeps surprising me I was there last
  • 00:38:26
    week and he opens the door and um a
  • 00:38:30
    family man in extreme when we go on tour
  • 00:38:33
    and we go back he's always super happy
  • 00:38:35
    he loves the tour CU that's like the
  • 00:38:37
    shows that's his his his passion going
  • 00:38:41
    home Fay Malo his two favorite women
  • 00:38:45
    like he wants to go home and also then
  • 00:38:48
    um his friends and stuff he really has
  • 00:38:50
    his private life and I know he needs
  • 00:38:52
    that balance it's home you know it's
  • 00:38:54
    it's it's it's it's it's a place where I
  • 00:38:57
    can be myself where I can relax um so so
  • 00:39:02
    luckily uh I'm one of the lucky guys
  • 00:39:05
    that that that have such a such a good
  • 00:39:08
    base at home you know with friends and
  • 00:39:10
    family and stuff yeah I really
  • 00:39:12
    appreciate that I always say like fa is
  • 00:39:14
    a real Superstar you know I'm I'm this
  • 00:39:16
    this bside artist but fa is the aside
  • 00:39:20
    you know f is uh yeah see she's such a
  • 00:39:24
    funny funny lady and also such a smart
  • 00:39:26
    lady and she wants to get attention like
  • 00:39:29
    Daddy probably but um it's uh yeah my
  • 00:39:33
    connection with her is is because of
  • 00:39:36
    because of covid and stuff like that my
  • 00:39:38
    connection and my my band with with with
  • 00:39:41
    my daughter is is is is at its best at
  • 00:39:44
    the moment you know she I I really know
  • 00:39:46
    her and um so that's that's why co uh
  • 00:39:50
    wasn't that bad at least for me you know
  • 00:39:54
    um that that period of rest you know
  • 00:40:02
    what you need to know is I'm A hip-hop
  • 00:40:04
    lover and in hip-hop they tell a story
  • 00:40:06
    and that's what I like something is
  • 00:40:08
    happening in your life and you want to
  • 00:40:10
    share this you know and I do that
  • 00:40:12
    through music and in Hip Hop they they
  • 00:40:14
    are able to yeah tell three or four
  • 00:40:18
    minutes what's on their mind and in art
  • 00:40:21
    style you basically don't have any
  • 00:40:24
    minutes to do that cuz it's instrumental
  • 00:40:27
    with with some punch lines so what I do
  • 00:40:30
    not all the time but I have a long break
  • 00:40:33
    with the speech the things I want to
  • 00:40:35
    tell the people and then a massive
  • 00:40:38
    Melody kicks in allow me to introduce
  • 00:40:43
    myself I'm not an identity I'm not a
  • 00:40:46
    religion nor
  • 00:40:48
    Creed I'm not even a being of
  • 00:40:52
    matter I don't have a home nor do I care
  • 00:40:55
    for the greed of materialism political
  • 00:40:58
    stature or the pitfalls of
  • 00:41:00
    ego I'm an unyielding frequency of
  • 00:41:04
    vibrational
  • 00:41:05
    ecstasy I'm a form of art I am your
  • 00:41:08
    guide on this path to
  • 00:41:10
    Enlightenment through the purity of
  • 00:41:14
    [Music]
  • 00:41:24
    sound pleased to meet you they call me
  • 00:41:28
    St Yours
  • 00:41:30
    [Music]
  • 00:41:43
    Truly you know and that's how I want to
  • 00:41:45
    tell the people what's up I want to move
  • 00:41:48
    people not only with the music but also
  • 00:41:50
    with the lyrics with the text with the
  • 00:41:52
    with the slogans with whatever and they
  • 00:41:55
    put it on their arms and it's it's crazy
  • 00:41:58
    so so this one is uh Global dedication
  • 00:42:01
    that's what I always wanted I want heart
  • 00:42:04
    style to get worldwide and now it is but
  • 00:42:06
    I I still want more people to feel what
  • 00:42:09
    I felt when I first heard art style it
  • 00:42:12
    made such impact in my uh life uh I
  • 00:42:16
    cannot be the only one that feels that I
  • 00:42:19
    want more people to feel it this is Les
  • 00:42:21
    is more um I was producing um I was over
  • 00:42:25
    producing you know and and uh Les is
  • 00:42:28
    more which basically says says it all uh
  • 00:42:32
    going to the core when a track is good
  • 00:42:35
    enough leave it you know leave it
  • 00:42:38
    release it cuz it's good enough you know
  • 00:42:40
    like that and then this is trip to
  • 00:42:42
    tomorrow here somewhere it's uh it's
  • 00:42:45
    about my you know my trip to
  • 00:42:48
    Tomorrowland H and this is my latest
  • 00:42:50
    album which is uh loyalties is
  • 00:42:52
    everything which basically says that
  • 00:42:55
    even in in times that you don't do show
  • 00:42:58
    um the Loyalty towards heart style is
  • 00:43:01
    still everything uh so all albums
  • 00:43:04
    basically so my father doesn't like me
  • 00:43:07
    to make a lot of albums anymore because
  • 00:43:11
    uh my arm will be full
  • 00:43:17
    but my strength is is sketchiness and
  • 00:43:21
    and lyrically wise um getting a team um
  • 00:43:26
    you know getting it 100% um um I I tell
  • 00:43:32
    um young talents a lot like it's not it
  • 00:43:36
    is about the the quality and the
  • 00:43:39
    production but be before all of that you
  • 00:43:43
    need to find something signature
  • 00:43:45
    something that that is you um because
  • 00:43:49
    you of course you can produce a noise
  • 00:43:52
    controllers kind of track um if you're
  • 00:43:55
    good enough but it's just a copy of the
  • 00:43:58
    noise controllers track you know what I
  • 00:44:00
    mean it's it's it's just a track try to
  • 00:44:02
    create a song Try to try to yeah create
  • 00:44:06
    a team you know Superman is a track of
  • 00:44:09
    of me which is a perfect example it it
  • 00:44:12
    was just a track with lyrics about a
  • 00:44:14
    superman but the way I created the whole
  • 00:44:18
    campaign and putting the um putting the
  • 00:44:21
    [ __ ] logo which basically is s of
  • 00:44:24
    Superman but upside down and created
  • 00:44:26
    this as a as a as a logo of Superman um
  • 00:44:30
    telling the people to get one fist in
  • 00:44:32
    the air and fly with me like real
  • 00:44:34
    Superman makes it um an experience makes
  • 00:44:38
    one track an experience and and and I
  • 00:44:41
    I'm definitely sure that that's one of
  • 00:44:43
    the reason why this track is one of the
  • 00:44:46
    most uh popular [ __ ] tracks because
  • 00:44:48
    because of that you give the people
  • 00:44:50
    something more than just a track the
  • 00:44:52
    reason why I'm I'm a fan for example of
  • 00:44:54
    Eminem is because I listen to his tracks
  • 00:44:58
    and I I feel his struggles and you know
  • 00:45:01
    to to put that into a very getchy track
  • 00:45:06
    is done you know that's that's all you
  • 00:45:08
    need and and yeah I'm trying to do that
  • 00:45:11
    as well with my track so that that that
  • 00:45:13
    makes goon I'm not saying unique but at
  • 00:45:17
    least very strong in in in in in in the
  • 00:45:20
    hard sty
  • 00:45:25
    SC best experience for me was the
  • 00:45:28
    Gathering in
  • 00:45:29
    2017 they were shanting my name for at
  • 00:45:33
    least 5 minutes I guess it was like goon
  • 00:45:36
    goon [ __ ] and I was like behind the desk
  • 00:45:39
    like [ __ ] of course I'm [ __ ] but I look
  • 00:45:43
    at me way different than other people so
  • 00:45:46
    to hear what is it like 15,000 people at
  • 00:45:50
    the Gathering maybe more um hearing you
  • 00:45:54
    know chanting your your name like the
  • 00:45:57
    it's crazy man it's crazy it's it's
  • 00:45:59
    beyond belief but but but yeah that that
  • 00:46:02
    one that that one gave me Goose Bobs and
  • 00:46:04
    still do
  • 00:46:06
    [Music]
  • 00:46:19
    crazy when I first heard that I was
  • 00:46:21
    going to do the anthem I was already
  • 00:46:24
    convinced that I was going to do it in
  • 00:46:26
    triplet you know triple it is is uh I'm
  • 00:46:28
    I'm I'm not sure how uh how much I I
  • 00:46:31
    want to go in detail it's been a while
  • 00:46:34
    when uh people did a triplet track back
  • 00:46:39
    then you know and I was I was sure okay
  • 00:46:41
    I'm definitely going to do it in triplet
  • 00:46:43
    before the first meeting and then I went
  • 00:46:44
    to Q Dan and we sit together of course
  • 00:46:46
    and that's when uh I I knew that uh um
  • 00:46:50
    the team was going to be survival of the
  • 00:46:52
    fittest with the lion and stuff and I
  • 00:46:54
    instantly that's that's what I'm trying
  • 00:46:57
    to tell you I instantly see a lot of
  • 00:47:00
    things and I feel a lot of things and um
  • 00:47:04
    what I what I what I instantly thought
  • 00:47:06
    about it was was okay Rambo and and it's
  • 00:47:10
    it's survival of the fest with a lion
  • 00:47:13
    and and it made me that's that's when
  • 00:47:16
    you hear
  • 00:47:17
    that it has this Warrior Warrior
  • 00:47:21
    survival of the fittest kind of feel is
  • 00:47:24
    theor we call
  • 00:47:28
    the one and only DJ Two
  • 00:47:56
    [Music]
  • 00:47:59
    it's it's it's still is is is a great
  • 00:48:02
    Anem um at least for me it it's still is
  • 00:48:05
    also production wise was kind of the the
  • 00:48:07
    turning point where I was like okay um
  • 00:48:11
    also production wise you need to step up
  • 00:48:13
    your game and uh yeah was a good um was
  • 00:48:17
    a good connection
  • 00:48:23
    yeah on its own art style Goods of VI
  • 00:48:27
    I'm sure um cuz the sound is so solid um
  • 00:48:32
    but at least I want to explore new new
  • 00:48:37
    uh new territories and I want to um
  • 00:48:40
    involve other Jaris into heart style you
  • 00:48:43
    know I'm a hard style DJ and I always
  • 00:48:46
    will be but I'm saying I'm not going to
  • 00:48:49
    be the next profit or the next Isaac I
  • 00:48:52
    still want to do a lot of [ __ ] and I
  • 00:48:55
    mean um if I see uh if I if I look at
  • 00:48:59
    what my talent is I want to give that to
  • 00:49:02
    the young talents who are very good at
  • 00:49:04
    producing but still miss that branding
  • 00:49:07
    part or still miss that that push in
  • 00:49:10
    that direction um so so I want to do
  • 00:49:13
    that a little bit more not saying ghost
  • 00:49:16
    producing but but more let's say
  • 00:49:18
    creative management um yeah I even want
  • 00:49:21
    want to make um uh kid songs man my my
  • 00:49:25
    my my little one uh of course keeps on
  • 00:49:28
    uh stalking we me with uh with the kid
  • 00:49:31
    songs and if I hear those chords I can
  • 00:49:34
    do that way
  • 00:49:36
    better so why why not why not in 10
  • 00:49:39
    years you see me uh uh producing for a I
  • 00:49:42
    don't know Mickey
  • 00:49:46
    Mouse Legends
タグ
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