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in the first part of this geology we
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looked at the basic things of Nina how
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to install it how to set it up how to
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connect the equipment how to change some
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settings and how to do some basic
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shooting now in the second part we look
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at sequencing
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hey this is few into space I'm Sasha
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from Switzerland security McDonald's and
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thanks for watching my channel so what
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do we know our sequencer was known until
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a few months ago as the advanced
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sequencer but what is a sequencer
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a sequencer is an automation tool
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because that's really what we want from
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Nina we do not want to care about all
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the nitty-gritty stuff which has to be
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done we want to let Nina do that and go
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peacefully to watch TV or sleep or
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anything else that's more interesting
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that's standing freezing beside your
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telescope
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and while the sequencer might look a
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little bit complex at the very start I
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will guide you now through it and at the
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end of the video it will not be that
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scary anymore and after a few times
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practicing it will be daily routine
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let's jump now right in the PC and let's
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have a look in Nina
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so welcome to Nina again so let's assume
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we have already connected all of our
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equipment the next thing we do we go to
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Sky Atlas and we want to look for
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something we want to shoot something in
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this light we want to shoot the player
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these so we enter here M45 we search for
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it and here it is so we see that's
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actually wonderful it's right on sinus
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at the moment Let's ignore that it's
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daylight
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so we say set for framing assistance and
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here it is the player this so it fits
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wonderful in my 400 millimeter scope
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you can still move it a little bit
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around and yeah that looks great let's
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do it like this so now that I have it
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actually framed the way that I want I go
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here add Target to sequence and I have
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now two options either I can say a
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Target to sequence or I can say add
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Target to Target list so let's first of
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all move it to a Target list I can then
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state of which sequence and we will look
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at that in a second so I'll put it now
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there so I can now go and actually look
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for something else let's say I also want
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to look for Orion also here framing
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assistant
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and here we have Orion this I think
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actually looks better if I do it
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vertically so let's move it around great
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and I do the same again at the Target
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list
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move it to my sequence we will see in a
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second How We Do sequences and it's done
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now let's remember that we have done
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that and we leave that at the moment as
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it is and now we go here in sequencer so
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in the sequencer we have actually
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instructions
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we have templates
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and we have targets
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and when we go to targets what you see
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m42 and M45 so the two which we just
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entered now right where we want it
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already framed so these are our targets
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and so we can store all the targets that
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we actually want to shoot at one point
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of time the wave frames that we want to
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shoot him already here so we have them
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ready now when it comes to sequences we
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could start now from scratch but you
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know it's a little bit like with
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everything why reinvent the wheel so so
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I did not start from scratch I took some
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templates from Patriot Astro actually
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you still see them here but then I also
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modified them to my taste and what I
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will provide now to you isn't quite
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altered template that I feel is the most
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efficient but it's also most efficient
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for my case again it might be very
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different from you and so that
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definitely also go to Patriot Astro he
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has really a lot of different templates
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that you can actually use but we take
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now the template that I will also
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provide to you and let's throw this now
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in here just drag and drop and as stated
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at the beginning this looks now
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extremely complex and confusing
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and what we're doing now we go step by
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step
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through the script
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and you will see that it's not that
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confusing at all and also very easy to
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modify so the first thing you have to
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know if you want to delete this template
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again you go on the very top to this
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trash pin if I click it the whole thing
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is gone again if you modify anything on
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this script we're not talking about the
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object we just talk about anything else
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if you modify anything just click here
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on this button on the floppy disk and it
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saves it and before we go any further
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you might have one question rightfully
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so how do I actually get these templates
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to appear here good question let's jump
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over to options and in options to
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Imaging and you see here sequence and on
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the second line here you see sequence
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templates folder that's a folder that's
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already there by default you could
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change it but on the other side you can
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also leave it exactly where it is so
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just find this folder on your hard drive
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and throw the template that you download
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either from page with Astro or from me
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and just throw it in here and as soon as
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you have done that you will find it in
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the sequencer on the templates here and
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you can use it and so also every time
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you save a template for example a
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version from what you have done it will
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simply go in here and also be in the
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folder that I just shown you so let's go
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back so we have our template you know
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now how to close it how to save it so
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the next thing you will see is a lot of
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these red marks here and what they state
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is that whatever should be used here is
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not connected which is quite obvious
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because I'm not outside so for example
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my telescope my camera is at the moment
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not connected and that's very helpful
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because once you configured it you need
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and there might be things you don't even
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have like for example a filter wheel so
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these you will all delete
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but at the end when you have your
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template with your equipment if you
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actually go in the template to fill it
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in for the night and you see any of
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these red signs still appearing it means
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something you have forgotten to connect
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it's a very good sign to still connect
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it until every least one of these is
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disappeared so a sequence is actually
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red from the top to the bottom so we
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start at the very top and the very top
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actually gives us the object the Target
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that we want to shoot
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at the moment there's nothing in there
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and we can now go to these targets which
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we saved before
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and we for example say we want to play
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these and 45 we take it and throw it in
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here and it's in here now it will shoot
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the Pleiades if we change our mind
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we want to shoot Orion we take this drag
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and drop
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now it's Orion
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so whatever is up here is the one thing
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that will be shot there is by the way
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another way to do that if we go back now
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to the framing assistance where we have
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been remember here Orion
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I can also say here add Target to
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sequence if I click that
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and I say sequencer I can choose here
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from all the templates that I have
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I click on it automatically this
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template will be opened and you go into
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the sequencer and you have exactly the
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same picture as you have right now so
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now let's go down and you see now that
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we have certain blocks
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they always start with a header for
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example here it says equipment ready so
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what we do in this block is get the
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equipment ready and then there's three
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groups the first one is triggers
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and the trigger where we don't have here
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one is something that has to happen that
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it triggers something for example if
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temperature goes down and autofocus is
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triggered next is Loop conditions
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if you want to Loop something that it
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happens again and again and again
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we stayed here until when this should
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Loop for example until a certain time or
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until the moon gets up and so on also we
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don't need that here and then next come
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the instructions so let's now see what
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we instruct our rig to do first of all
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we tell it to wait wait until 40 minutes
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before astronomical dusk so then then we
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start with the preparation
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then please unpark the scope then set
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the tracking to side rail then cool the
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camera to -10 degrees Celsius once this
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is done put the two heater at the camera
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on switch the filter in the filter wheel
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to an opt along L Pro so that we're
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definitely not on a narrow band filter
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for plate solving and then do a plate
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solve and sync it with the scope and
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then our first box is complete now you
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might say
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um find Sasha but I don't have a filter
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wheel no problem
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you go to this line here and you see the
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trash bin
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just throw it in the trash gone your
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camera doesn't have a do heater no
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problem
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gone and I'll just show you how to
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delete things but afterwards I also show
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you how to add things okay so then we
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have here a Waits time again so when it
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when this is completed the rig has to
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wait again until we are 20 minutes
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before astronomical dusk then we go on
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with the preparation of the target
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so we ask now the rig to slew to the
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Target
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based on the target we entered on top of
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here
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and Center on it so it will now slew
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plates off and ensure that it's within
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the tolerance that we already given once
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this is done we ask that the guiding is
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started we can also say if a calibration
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has to be done each time and that's in
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principle if you leave your guide scope
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alone
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it's no need if you only need to do it
00:11:04
the first time and then we ask you to do
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an autofocus again if you have an
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electronic autofocuser otherwise you
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know how to delete it once it's all done
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we are centered on the target we are
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guiding we are in Focus so we're
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actually ready in principle to shoot But
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It's Not Dark Yet so we wait until it's
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about 10 minutes before astronomical
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dusk and that's now the time when we're
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ready to shoot and now comes our
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shooting sequence here and now here you
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see a lot of triggers and also Some
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Loops so what do we State here in the
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triggers we state that please autofocus
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after an HFR increase so if the stars
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get bigger by an amount of 10 percent
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then please autofocus again because that
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might one of the reason why we have a
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bigger HFR also please autofocus after a
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temperature change
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every time the temperature changes by 2
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degrees it autofocuses then we also tell
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it to Center off the drift so this will
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be evaluated after each exposure and if
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the drift is bigger than two arc minutes
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it reads loose so that we're always
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exactly at the same place and if there's
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anything that stops the clock hiding
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like the re-slowing and so on WE State
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restore The Guiding before we start
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shooting so these are all the triggers
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now there's a loop we State please shoot
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continue shooting until it's nautical
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done because then it's not dark anymore
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so please stop shooting and now finally
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finally
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we are ready to shoot
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and what I give you in my template are
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three shooting sequences if you have
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different filters or one different
00:12:57
exposures but again if you do not need
00:13:00
all three you can delete them now
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there's only two so in each line we
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State now what we want and this is every
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time obviously different so for example
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here
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we State we want to have 50 pictures
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by 60 seconds these are lights
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we leave the binning at one gain and
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offset is already entered by the camera
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settings
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filter if you have a filter wheel you
00:13:30
can choose it now for example for this
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iucent Leo
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and you want to dither every for example
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two exposures afterwards I want to have
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another 50 pictures also 60 seconds but
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this time with the color magic filter
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again I did every two time
00:13:52
and that's it so what's going to happen
00:13:54
now it starts shooting after each photo
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it takes it goes up here did the edge of
00:14:02
our change did the temperature change
00:14:04
did we have a drift
00:14:06
and if it has it autofocuses or it reads
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loose
00:14:10
and then it continues every second photo
00:14:13
it did There's once it has down the 50
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pictures here it goes down that's the 50
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picture with the other filter
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and now you know what happens there's a
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loop so if there's still enough time it
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goes up again here starts to shoot again
00:14:29
with the unclear then with the color
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magic and so on and it does this Loop
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until there's nautical Dawn and once
00:14:37
nautical Dawn comes it jumps down here
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then we say please stop guiding now
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Park the scope now as I have an eagle
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five I can also say it to stop to do
00:14:49
heater then it warms the camera up and
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once the camera is warmed up I also
00:14:55
switch off the energy to the camera to
00:14:58
save electricity to save the camera and
00:15:01
then my sequence is done and nothing is
00:15:04
happening anymore
00:15:05
so that is a whole sequence and as you
00:15:08
can see it's not that difficult
00:15:11
especially when you already have such a
00:15:13
template now but what if you want to add
00:15:16
something for that we go to instructions
00:15:19
and you will see there's a lot of
00:15:21
instruction and actually there's even
00:15:23
more if you go up here on this icon you
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see some icons that are red and these I
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actually
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this activated so you can go down
00:15:36
and you can say oh I don't have a dome
00:15:38
for example
00:15:40
because I don't have a dome so you just
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click on them
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that they're red and they will not
00:15:46
appear so you only leave the one which
00:15:49
have some relevance to you everything
00:15:51
else you just cross out and at the end
00:15:54
you click here the icon again
00:15:57
and so you really only work with the
00:15:59
stuff that you want to work with now for
00:16:01
example you say well actually
00:16:05
right after the autofocus here I want to
00:16:07
already take one exposure so just as a
00:16:10
test exposure then I see how it will
00:16:13
look like so we can actually go here say
00:16:15
take exposure by the camera
00:16:18
and I just take it
00:16:20
and drag and drop throw it in here see
00:16:22
time it's also 60 seconds and that's
00:16:26
done another example you might have a
00:16:28
mount where you need to do a Meridian
00:16:30
flip so you go here to telescope you see
00:16:32
here Meridian flip it's this Arrow which
00:16:35
means it's a trigger and I just throw it
00:16:37
here by the triggers
00:16:39
and so it will be done when it's
00:16:41
actually needed when and how to do a
00:16:44
Meridian flip you're already defined in
00:16:46
the settings and there are also easier
00:16:48
things for example here Loop until time
00:16:50
instead of an article down you can also
00:16:53
say sunset or you can simply enter time
00:16:56
sometimes I do that if for example I
00:16:59
only want to shoot one object and at one
00:17:01
point this actually is too low to shoot
00:17:04
then I choose Center here the number
00:17:06
until two o'clock in the morning for
00:17:08
example now it shoots until then so I
00:17:11
really encourage you to play around with
00:17:13
this and really look at them it this is
00:17:15
not a program language this is really
00:17:18
all clear text and even there are a lot
00:17:21
of things you can actually change it all
00:17:24
makes pretty much sense if not you see
00:17:27
there's some help text which explains it
00:17:29
to you and so you will get the hang of
00:17:31
it pretty fast now you might have the
00:17:34
question so what if I want to shoot two
00:17:36
Targets in one night you can actually
00:17:39
use more than one of these sequences so
00:17:42
you go all down I go back to templates
00:17:44
take my default again
00:17:48
and I just throw it below now here I
00:17:51
would now enter Target
00:17:54
I would argue I would enter another
00:17:55
Target and there's obviously now a few
00:17:58
modifications which you have to do
00:18:00
mostly that you would actually delete
00:18:03
here the first sequence or the end part
00:18:07
it's gone there's also a few things
00:18:11
in the second one which you do not have
00:18:14
to do anymore the wait time on Park all
00:18:18
this stuff the whole equipment you can
00:18:20
actually delete that but once you have
00:18:22
done that
00:18:23
everything's fine so Loop until time so
00:18:26
you stayed Now by time until when it
00:18:30
actually should Loop for this first
00:18:32
object and as soon as it's finished here
00:18:35
it goes down into the second sequence
00:18:37
and starts to shoot there and so you can
00:18:40
do that with as many objects in one
00:18:42
night as you want to
00:18:44
so I hope you agree that it's not that
00:18:47
difficult and from now on your computer
00:18:50
will do the work and you will enjoy the
00:18:53
safe time the template that I mentioned
00:18:55
is available in the link below and if
00:18:58
you feel it's helpful and you want to
00:18:59
support the Channel please also have a
00:19:01
look in description below there's a link
00:19:04
to my patreon channel you also get a lot
00:19:06
of additional workflows and cheat sheets
00:19:08
for the price of a coffee see you next
00:19:10
time and clears guys
00:19:11
[Music]