NEW UPDATES! | Post Cover Songs LEGALLY on YouTube 2025 (Step by Step Guide)

00:16:28
https://www.youtube.com/watch?v=OegBwyRBw2c

Resumo

TLDRCette vidéo explique comment interpréter et publier légalement des reprises de chansons, en clarifiant les erreurs communes concernant l'échantillonnage et l'interpolation, qui nécessitent des licences spécifiques. Pour les reprises, il est crucial de maintenir la structure et les paroles d'origine pour être légalement couvert. En vertu de la loi américaine, les plateformes de streaming gerent les licences nécessaires, facilitant ainsi la diffusion de reprises sur des plateformes comme Spotify. Toutefois, si vous vendez des copies physiques ou des téléchargements, une licence mécanique est requise. Concernant la publication sur YouTube, bien que la loi statue pour obtenir une licence de synchronisation, des accords existaient souvent entre les détenteurs des droits et les plateformes pour gérer les revendications et partager les revenus de la monétisation. L'article démystifie également les idées fausses, comme l'idée que créditer les créateurs originaux protège automatiquement contre les violations de droits d'auteur.

Conclusões

  • 🎵 Une reprise consiste à réinterpréter une chanson en respectant paroles et arrangement originaux.
  • 💼 Les émissions en streaming n'exigent pas de licences supplémentaires, mais la vente physique le fait.
  • 📜 Le Music Modernization Act clarifie que les DSP obtiennent les licences nécessaires.
  • 🖥️ Publier des reprises sur YouTube peut entraîner des réclamations de monétisation, mais pas de risques légaux.
  • 🔍 Dodges l'échantillonnage et l'interpolation sans licences spécifiques.
  • 🎤 Des petits changements dans les paroles peuvent toujours poser des problèmes légaux.
  • 💡 Publier des vidéos de reprises nécessite de comprendre les accords de licence de synchronisation existants.
  • 🔎 Toujours vérifier les lois locales si vous êtes hors des États-Unis.
  • 📀 Utiliser des agences pour obtenir des licences mécaniques pour les ventes physiques.
  • 🎶 Les reprises peuvent être un outil marketing puissant pour attirer de nouveaux fans.

Linha do tempo

  • 00:00:00 - 00:05:00

    Faire des reprises de chansons peut être une stratégie marketing puissante pour les artistes, mais il est important de le faire légalement, surtout en 2025. Les reprises sont souvent confondues avec le sampling et l'interpolation, mais elles sont distinctes : le sampling implique l'utilisation de segments préenregistrés d'une autre chanson, tandis que l'interpolation recrée des éléments d'une chanson existante. Les reprises, cependant, ne nécessitent pas de licence directe des détenteurs de droits si elles respectent l'arrangement et les paroles originaux.

  • 00:05:00 - 00:10:00

    Pour faire une reprise légalement, il est crucial de garder le même arrangement et les mêmes paroles que la chanson originale. Aux États-Unis, grâce à l'article 115 de la loi sur le droit d'auteur, vous pouvez obtenir une licence mécanique obligatoire pour distribuer votre reprise. Toutefois, la Music Modernization Act de 2018 a simplifié ce processus en exigeant que les plateformes numériques obtiennent cette licence pour les artistes lors du streaming. Pour les ventes directes comme le téléchargement numérique ou les CD, une licence mécanique est toujours nécessaire.

  • 00:10:00 - 00:16:28

    Concernant la vidéo, les lois actuelles exigent une licence de synchronisation pour utiliser la musique dans des vidéos, mais cela est souvent contourné par des accords entre les maisons de disques et les plateformes comme YouTube. Ces accords permettent de monétiser les reprises sans risque de blocage pour violation des droits d'auteur, bien que techniquement cette utilisation ne soit pas entièrement conforme à la loi sur le droit d'auteur. En résumé, les reprises sont légales mais nécessitent une attention particulière aux détails de licence selon le mode de distribution.

Mapa mental

Vídeo de perguntas e respostas

  • Qu'est-ce qu'une reprise de chanson ?

    Une reprise de chanson implique de jouer une chanson existante en gardant les mêmes paroles et la même structure, sans avoir besoin de permission des détenteurs de droits, contrairement à l'échantillonnage et l'interpolation.

  • Dois-je obtenir une licence pour publier une reprise musicale sur des plateformes de streaming ?

    Non, selon la loi américaine, les plateformes de streaming obtiennent les licences nécessaires, donc vous n'avez pas besoin d'une licence pour diffuser vos reprises.

  • Ai-je besoin d'une licence pour vendre des reprises de musique en format physique ?

    Oui, si vous vendez des téléchargements numériques, des CDs ou des vinyles, une licence mécanique est nécessaire pour chaque format vendu.

  • Qu'est-ce qu'une licence mécanique et comment l'obtenir ?

    Une licence mécanique est nécessaire pour vendre de la musique physiquement. Elle peut être obtenue via des agences comme Harry Fox ou Easy Song Licensing.

  • Puis-je modifier les paroles ou la structure d'une chanson lors d'une reprise ?

    Non, pour qu'une interprétation soit considérée comme une reprise, il est crucial de conserver les paroles et la structure originales de la chanson.

  • Les reprises de chansons sur YouTube nécessitent-elles une licence spéciale ?

    Non, généralement des accords existent entre les détenteurs de droits et YouTube, donc vous pouvez publier des reprises sur cette plateforme sans obtenir de licence spécifique.

  • Que se passe-t-il si je reçois une revendication de droits d'auteur sur mes reprises vidéo ?

    Il est probable que le détenteur des droits ait un accord avec la plateforme, ce qui implique qu'une partie ou la totalité des revenus de la vidéo soit collectée par le propriétaire des droits.

  • Est-il légal de modifier légèrement les paroles d'une reprise ?

    Des changements minimes peuvent parfois être acceptables, mais modifier de manière significative les paroles ou l'arrangement ferait que ce ne soit plus considéré comme une reprise.

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  • 00:00:00
    how to do cover songs legally and this
  • 00:00:02
    includes posting those cover songs on
  • 00:00:04
    YouTube the myths and what people get
  • 00:00:06
    confused on cuz I've just done this for
  • 00:00:08
    so long you got to do it the right way
  • 00:00:10
    and the way that I'm going to walk you
  • 00:00:13
    through how to do cover songs legally in
  • 00:00:16
    2025 this is so important because
  • 00:00:20
    sometimes cover songs get confused with
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    sampling with interpolation and I've
  • 00:00:24
    done this for a long time I'm a lawyer
  • 00:00:26
    of 10 years now but I've been doing
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    music and making music myself since my
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    teens I started learning classical music
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    when I was four I love all of this and
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    what I can tell you is that cover songs
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    are very powerful marketing tools it is
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    something to incorporate with what you
  • 00:00:41
    do as a music Creator so with that being
  • 00:00:44
    said today I'm going to walk you through
  • 00:00:47
    how to do cover songs legally and this
  • 00:00:49
    includes posting those cover songs on
  • 00:00:51
    YouTube now if you do need more help by
  • 00:00:54
    the end of this video you can go over to
  • 00:00:56
    topmusic attorney.com I have resources
  • 00:01:00
    free resources I have a music business
  • 00:01:01
    program you can go through and if you
  • 00:01:03
    want to be directed to hire an actual
  • 00:01:05
    attorney I got you there as well we do
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    know that doing cover songs it's really
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    powerful for marketing because here's
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    the thing as original artists of
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    original songs we have to sell people on
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    so many things it's not just that
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    hopefully they like the song which is a
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    whole separate creative piece it's they
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    have to like the song and then they have
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    to like the genre of music and then the
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    fan needs to fall in love with the
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    singer's voice and they need to fall in
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    love with the production the mixing and
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    the mastering and so there's so many
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    places that you can lose people and so
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    one way to kind of bridge the gap for
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    purposes of marketing to do a cover song
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    so cover songs awesome really great for
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    the general algorithm and the way I like
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    to treat them is I use them as the Gap
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    fillers between the original songs that
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    I do I am also an independent artist and
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    so between the releases of my original
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    songs I'm going to do covers because
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    it's a way to get a lot of Engagement
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    from people who are in love with B BS
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    right other bands other artists and then
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    now you're playing someone's favorite
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    song and it just gives a new potential
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    fan the opportunity to hear your voice
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    hear your production hear your good
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    stuff for the first time so what I'm
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    going to talk about through this segment
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    is I'm going to talk about the cover
  • 00:02:16
    song as it relates to the audio version
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    and then I'm going to talk about the
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    cover song as it relates to the video
  • 00:02:22
    all right so let's start with just the
  • 00:02:24
    audio version itself first and foremost
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    you may say well is it okay to do cover
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    song and I've actually had someone ask
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    this before and they go I've heard that
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    it's illegal to do cover songs that's
  • 00:02:34
    not the case okay but let's clarify why
  • 00:02:37
    someone might think that and we'll start
  • 00:02:39
    from what essentially a cover song is
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    not so a cover song is not sampling when
  • 00:02:45
    we think of sampling we think of taking
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    something from someone else's
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    pre-recorded song okay so this is going
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    to be we're listening to a Metallica
  • 00:02:54
    song and we use a portion of a guitar we
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    use a portion of a drum we use a portion
  • 00:03:00
    of a vocal and we put it in our new song
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    that is sampling there's also another
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    category called interpolation and
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    interpolation comes up where you have
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    someone who doesn't want to use any
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    actual piece from the song so it
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    wouldn't be sampling but they go I want
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    to redo this song this song was such a
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    huge hit in the 80s and now I want to
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    redo it and I'm going to revamp it and
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    give it some new better words but
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    otherwise I'm really just redoing the
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    song you see major labels doing this all
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    the time because it's a little bit of a
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    shortcut and we know it's a shortcut
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    because it's a way to use something that
  • 00:03:34
    was already a big hit and you just kind
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    of repackage it together for one of the
  • 00:03:38
    new artists and then it becomes another
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    hit so we have sampling we have
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    interpolation and now we have cover
  • 00:03:44
    songs with sampling with interpolating
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    you get licenses directly from the
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    rights holders now with cover songs the
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    reason why we love it is that doing
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    cover songs you don't need to go and get
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    a direct license from the rights holders
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    and so right now you're like okay this
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    is good and of course if you're a band
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    if you are musician an artist you can do
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    cover songs legally but you got to do it
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    the right way and the way that I'm going
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    to walk you through all right so what is
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    a cover song I guess maybe let's put
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    this way we'll have a little list of
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    myths that I commonly have to answer
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    when I'm giving you guys just
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    consultations on how to do this but one
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    of them will be well what if I make my
  • 00:04:23
    own version of a song which generally
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    okay we're thinking that this is a cover
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    because if you go with me I do dark
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    popop music and so what I love to do is
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    to take like a very happy sounding
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    Disney song and I've done covers that
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    are dark pop covers and so I am now in
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    reenvisioning them and that's okay I can
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    do brand new production okay but we want
  • 00:04:46
    to make sure we're using the same words
  • 00:04:48
    very important and the same Arrangement
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    so a common question I might get would
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    be well I took the Disney song and I
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    rearranged it and so I put it in a
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    different order I put the chorus first
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    and then I put the ver and the second
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    verse together for some reason and then
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    I did a double course and so now it's
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    the same Parts but it's put into a
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    different Arrangement it is no longer a
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    cover if you do that and this is
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    important because part of the analysis
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    can be sometimes you guys will come to
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    me and you'll say well I've done a cover
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    but what I did is I kept everything the
  • 00:05:19
    same I did my own rendition but I
  • 00:05:20
    changed all the words for the chorus so
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    instead of this melodic singy thing I
  • 00:05:25
    did a WAP with my own rap on it that's
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    no longer a cover so the the framework
  • 00:05:30
    we're thinking through this is It's a
  • 00:05:32
    cover song so long as you're keeping the
  • 00:05:35
    same Arrangement and you're keeping the
  • 00:05:37
    same lyrics very important okay if you
  • 00:05:39
    are someone that is needing help in the
  • 00:05:41
    music business at the end of this video
  • 00:05:43
    you can check out topmusic attorney.com
  • 00:05:45
    I have courses I have free stuff just to
  • 00:05:47
    kind of get you started if you do want a
  • 00:05:48
    deep dive if you do want to train with
  • 00:05:50
    me I always say go through my music
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    business program which is how to think
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    like a record label become a record
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    label and then if you do want to get
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    into touch with me or one of my lawyers
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    we got your covered but you can do your
  • 00:06:01
    whole own production around it so this
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    is where you get to have a lot of
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    creativity now the reason we're allowed
  • 00:06:06
    to do all this is because pursuing to 17
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    USC 115 so 115 of the Copyright Act you
  • 00:06:12
    have the ability to get what's called a
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    compulsory mechanical license now I'm
  • 00:06:17
    going to simplify this for you hang
  • 00:06:19
    tight with me for two seconds okay so
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    pursuing to the Copyright Act originally
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    it had said well if you go get this
  • 00:06:25
    compulsory license which you can get
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    from Harry Fox agency you can get it
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    from easy song licensing super cheap it
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    means you don't have to go to Metallica
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    and negotiate anything you get it
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    automatically okay and then these
  • 00:06:37
    companies are in charge of paying out
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    the rights holders I'm like oh my gosh
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    okay great so that's how it used to be
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    but there was an update because a lot of
  • 00:06:45
    people didn't know about this and a lot
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    of artists were not actually getting
  • 00:06:47
    this license and so pursuing to the
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    music modernization act this was in 2018
  • 00:06:52
    there's a little update mate and they go
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    you know what we're going to make the
  • 00:06:56
    digital service providers so the dsps
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    we're going to make them go and get
  • 00:06:59
    these mechanical licenses so now it says
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    in the copyright act that the dsps are
  • 00:07:05
    the ones that get it so what does this
  • 00:07:06
    mean for you this means because we're
  • 00:07:08
    again we're talking just about the audio
  • 00:07:10
    version only so this means when you want
  • 00:07:13
    to do a cover song one you're okay to do
  • 00:07:14
    a cover song two you can make it your
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    own rendition your own production all
  • 00:07:18
    good things but keep in mind what I said
  • 00:07:20
    make sure you use the same lyrics make
  • 00:07:22
    sure you keep the same Arrangements but
  • 00:07:23
    then when you put it on music platforms
  • 00:07:25
    you have to go get some special license
  • 00:07:27
    the answer is no this is pursuing to US
  • 00:07:30
    law I want to clarify that because I
  • 00:07:31
    know I have followers in different
  • 00:07:33
    countries what I'm speaking to is US law
  • 00:07:36
    so with that being said we go well
  • 00:07:38
    Spotify has to go and get this license
  • 00:07:41
    so all you need to do is just distribute
  • 00:07:43
    your song Put it on music platforms and
  • 00:07:45
    the license covers streaming take a b
  • 00:07:49
    listen closely if you are doing
  • 00:07:51
    something to sell your music that is not
  • 00:07:53
    streaming such as we talk about direct
  • 00:07:55
    to Fan selling on your website so
  • 00:07:58
    digital downloads we talk about CDs we
  • 00:08:00
    talk about selling finals if you're
  • 00:08:01
    doing something that is not just
  • 00:08:03
    streaming the music on platforms like
  • 00:08:06
    Spotify platforms like Amazon if you
  • 00:08:08
    actually are going to download it you do
  • 00:08:10
    need to get a mechanical license still
  • 00:08:12
    so there is a caveat okay but for the
  • 00:08:15
    majority of you watching right now
  • 00:08:16
    you're just going to put your song on
  • 00:08:18
    streaming platforms and so you're good
  • 00:08:20
    to go the music platforms are in charge
  • 00:08:22
    of getting these licenses they take a
  • 00:08:24
    little share of the royalties they pay
  • 00:08:25
    it to the rights holders through the
  • 00:08:27
    mechanical licensing Collective you're
  • 00:08:29
    good all right you're doing great hang
  • 00:08:31
    tight with me because we're not to the
  • 00:08:32
    video piece yet the video piece is just
  • 00:08:35
    as important as the audio for the
  • 00:08:36
    monetization and later really it's sync
  • 00:08:40
    licensing so we talk about all the time
  • 00:08:42
    ways that you guys can make money from
  • 00:08:43
    your music and this includes cover songs
  • 00:08:45
    too but what happens is that you know
  • 00:08:47
    copyright and all these updates that
  • 00:08:49
    happened were so that you could do your
  • 00:08:51
    cover songs and then put your cover
  • 00:08:52
    songs on music platforms but no one made
  • 00:08:55
    updates in regards to using your songs
  • 00:08:58
    in video so obviously if you do a cover
  • 00:09:01
    song whole big group of us like to do a
  • 00:09:05
    music video right we want to do clips
  • 00:09:07
    for social media I mean it's like part
  • 00:09:09
    and parcel with releasing your song is
  • 00:09:11
    that you're going to promote it if
  • 00:09:12
    you're going to promote it there's going
  • 00:09:13
    to be some kind of visual to it right so
  • 00:09:15
    the wrinkle here is that everything I
  • 00:09:17
    just told you on your good to go with
  • 00:09:19
    making your cover song putting it on
  • 00:09:21
    streaming platforms dsps pay and do all
  • 00:09:23
    the things with the mechanical licensing
  • 00:09:25
    Collective great well what about video
  • 00:09:29
    and the way that it is technically under
  • 00:09:31
    the law is that you're supposed to go
  • 00:09:32
    and get a sync license because we are
  • 00:09:34
    syncing the audio to video does that
  • 00:09:37
    make sense in any kind of way that you
  • 00:09:38
    need to now go and like figure out who
  • 00:09:40
    to contact you know to do your Metallica
  • 00:09:43
    cover well no and so again we had all
  • 00:09:46
    these companies that were like all right
  • 00:09:47
    this doesn't make sense we got to figure
  • 00:09:48
    something out because everyone's just
  • 00:09:49
    doing their cover songs and they're just
  • 00:09:51
    putting it on YouTube so what record
  • 00:09:53
    labels in particular did the rights
  • 00:09:55
    holders they're the ones that ended up
  • 00:09:57
    going and doing direct deals with
  • 00:10:00
    YouTube right with Facebook Instagram
  • 00:10:03
    right AKA meta Tik Tok so they've gone
  • 00:10:05
    and done direct licensing deals and they
  • 00:10:08
    go what we're going to do is that when
  • 00:10:10
    the songs pop up on your platform we are
  • 00:10:13
    going to lay claim to the cover song so
  • 00:10:16
    we get paid the monetization so we're
  • 00:10:17
    not going to do strikes anymore which is
  • 00:10:19
    what they used to do was you know scary
  • 00:10:21
    to get a to get a strike for sure what's
  • 00:10:23
    happening with the video aspect doesn't
  • 00:10:25
    technically comply with copyright law
  • 00:10:28
    but practically speaking the work around
  • 00:10:30
    is that most of the time you're okay
  • 00:10:33
    just to put your video on these
  • 00:10:34
    platforms because there are deals in
  • 00:10:36
    place directly between the labels and
  • 00:10:40
    the platforms and we're like okay you
  • 00:10:41
    know that's good right so at least you
  • 00:10:44
    know people are not getting sued for
  • 00:10:45
    copyright infringement they're not
  • 00:10:47
    getting strikes on their videos so there
  • 00:10:49
    is a workaround this is the general good
  • 00:10:52
    news so these are the practical
  • 00:10:53
    considerations so we go all right we
  • 00:10:55
    started with audio we feel comfortable
  • 00:10:57
    that we know we can do our own versions
  • 00:11:00
    we do in fact own our own versions
  • 00:11:02
    because one of the common questions that
  • 00:11:04
    come up is in regards to cover songs can
  • 00:11:06
    I register my song for copyright
  • 00:11:08
    protection and the answer is yes the way
  • 00:11:10
    that it works is that you just have to
  • 00:11:12
    make sure to disclaim when you file and
  • 00:11:14
    you got to tell the copyright office
  • 00:11:16
    don't beat up your microphone you tell
  • 00:11:18
    the copyright office I did this cover of
  • 00:11:21
    the Metallica song and I don't own the
  • 00:11:24
    underlying composition and then you put
  • 00:11:25
    the names of who actually does so the
  • 00:11:27
    good news is that you can register I've
  • 00:11:28
    done music
  • 00:11:29
    sales in the millions of dollars selling
  • 00:11:33
    cover songs and so everything that I'm
  • 00:11:35
    talking about of just the due diligence
  • 00:11:37
    of getting the licenses for the the
  • 00:11:38
    video pieces or otherwise not doing it
  • 00:11:42
    because there are these workarounds this
  • 00:11:44
    is what is practically happening now on
  • 00:11:46
    the last video I did on on this someone
  • 00:11:49
    comically left a comment just being like
  • 00:11:51
    look at the dumpster fire of copyright
  • 00:11:52
    law and what's happening with music I
  • 00:11:55
    think that's fair to a degree but the
  • 00:11:57
    good news is that this is practically
  • 00:11:59
    how it works now what I want to kind of
  • 00:12:01
    wrap this with is specifically the myths
  • 00:12:03
    and what people get confused on because
  • 00:12:05
    I've just done this for so long and I
  • 00:12:07
    and I wrote out my notes here because
  • 00:12:09
    this just comes up so often one myth
  • 00:12:11
    will be well if it's okay to do a cover
  • 00:12:13
    song and it's okay to do it so long as I
  • 00:12:16
    do the same Arrangement as the original
  • 00:12:18
    if I put two together right on one song
  • 00:12:21
    so it's a compilation so I have one
  • 00:12:24
    separate cover song I have another
  • 00:12:25
    separate cover song and I put it as one
  • 00:12:27
    long song is it okay I go and get one of
  • 00:12:30
    these mechanical licenses that you're
  • 00:12:31
    talking about and the answer is no and
  • 00:12:33
    why would that be right the answer is
  • 00:12:35
    because well technically the arrangement
  • 00:12:37
    is not the actual arrangement of the
  • 00:12:39
    song Anymore the arrangement is the
  • 00:12:40
    entire song and then you have a whole
  • 00:12:42
    other song at the end so a compilation
  • 00:12:44
    of two nope you're gonna have some
  • 00:12:46
    trouble with that another question in in
  • 00:12:48
    myth really is so long as I use just the
  • 00:12:52
    same Parts in the song I can rearrange
  • 00:12:56
    it you know and kind of put my little
  • 00:12:58
    creative spin on it no you cannot you
  • 00:13:00
    have to keep the same Arrangement one of
  • 00:13:01
    my clients got into such a situation on
  • 00:13:04
    this because the arrangement had been
  • 00:13:05
    like 5 minutes previously and to try to
  • 00:13:08
    just make it a little more digestible
  • 00:13:11
    they adapted it to a different genre of
  • 00:13:12
    music it was pretty cool but they cut it
  • 00:13:14
    down pretty significantly and so part of
  • 00:13:17
    our analysis is going in like as
  • 00:13:18
    copyright attorneys and just being like
  • 00:13:20
    look have you changed and modified the
  • 00:13:22
    song so it really is no longer a cover
  • 00:13:24
    yes or no all right so that's another
  • 00:13:25
    myth you generally want to keep the same
  • 00:13:27
    Arrangement keep the same lyrics Another
  • 00:13:29
    myth is what if I give credit if we give
  • 00:13:31
    credit I don't own this and you put a
  • 00:13:33
    little disclaimer in the description I'm
  • 00:13:36
    okay it's not copyright infringement the
  • 00:13:39
    answer is putting a little disclaimer
  • 00:13:41
    that you are intentionally doing
  • 00:13:43
    something you know that you may not have
  • 00:13:45
    the rights but you're not claiming
  • 00:13:46
    ownership do you see where I'm going
  • 00:13:48
    with this so the logic behind that is no
  • 00:13:50
    I don't think it's going to make any
  • 00:13:52
    difference if you say this is who I got
  • 00:13:54
    it from but at least what I'm telling
  • 00:13:55
    you is that the state of copyright law
  • 00:13:58
    is you do want to get this Sy license
  • 00:14:00
    the majority of people don't or can't
  • 00:14:02
    because it's too expensive and so
  • 00:14:05
    there's kind of this group think of
  • 00:14:07
    you'll just go on YouTube and be like
  • 00:14:08
    hey is there like a bunch of Metallica
  • 00:14:10
    covers of this song have they been taken
  • 00:14:13
    down or is it likely that the rights
  • 00:14:15
    holder is collecting and monetizing
  • 00:14:17
    because they have an actual relationship
  • 00:14:19
    with YouTube right all right and lastly
  • 00:14:20
    another myth is if I only change one
  • 00:14:23
    section of the lyrics is that okay I
  • 00:14:25
    used this example one time because I
  • 00:14:27
    love the song Blue by I 65 just one of
  • 00:14:30
    the best songs and it was actually
  • 00:14:31
    interpolated funny enough in recent
  • 00:14:33
    years and so they took the same song
  • 00:14:35
    they did a new rendition they put new
  • 00:14:37
    lyrics to it and I've done a cover of
  • 00:14:39
    that song previously and where normally
  • 00:14:42
    they say I have a girlfriend they have a
  • 00:14:44
    girlfriend and she is so blue when I did
  • 00:14:46
    mine I said I have a boyfriend and he is
  • 00:14:49
    so blue and so we could analyze that and
  • 00:14:50
    say well if we like materially changed
  • 00:14:52
    the song and so it's no longer a cover
  • 00:14:55
    song I go well that's pretty di Minimus
  • 00:14:57
    it's so small we're probably okay so
  • 00:15:00
    sometimes we do have to get granular
  • 00:15:01
    sometimes we do need to kind of analyze
  • 00:15:03
    it and just to see but what I want you
  • 00:15:05
    to know is here's the good news recap
  • 00:15:08
    it's okay to do cover songs and not only
  • 00:15:10
    is it okay to do cover songs but
  • 00:15:12
    copyright law has actually been updated
  • 00:15:14
    to cover you so that when you do your
  • 00:15:16
    cover song and you put it on the music
  • 00:15:18
    streaming platforms you actually don't
  • 00:15:20
    have to get any kind of license when
  • 00:15:22
    people say well what about Dr kid if you
  • 00:15:24
    distribute through Dro kid they will say
  • 00:15:26
    hey if you're doing a cover song we can
  • 00:15:28
    help you get the mechanical license
  • 00:15:30
    that's nice you don't have to do that
  • 00:15:32
    really important piece there you don't
  • 00:15:34
    have to do that but caveat if you are
  • 00:15:37
    selling your music directly through
  • 00:15:38
    digital downloads you're doing CDs
  • 00:15:40
    you're doing vinyls that's different and
  • 00:15:42
    then you do want to get the mechanical
  • 00:15:43
    license okay if you do need to get a
  • 00:15:45
    mechanical license personally I use easy
  • 00:15:47
    song licensing you can use Harry Fox
  • 00:15:49
    agency either one is fine so that is the
  • 00:15:51
    audio version when it comes to the video
  • 00:15:54
    version generally speaking when people
  • 00:15:57
    do their cover songs and they put them
  • 00:15:59
    as videos and they put them on YouTube
  • 00:16:01
    there are these licenses that have been
  • 00:16:03
    negotiated directly and you'll likely
  • 00:16:04
    get a claim on your video saying Hey
  • 00:16:06
    Universal is collecting 100% of your
  • 00:16:09
    monetization which is a whole other
  • 00:16:12
    thing so if you found this valuable
  • 00:16:13
    please be sure give it a big thumbs up
  • 00:16:16
    and I will see you on the next one
Etiquetas
  • musique
  • reprises
  • droits d'auteur
  • YouTube
  • licence mécanique
  • interpolation
  • échantillonnage
  • distribution numérique
  • monétisation
  • sync licensing