"Documentário Performático" XavanteVê entrevista Bill Nichols

00:06:07
https://www.youtube.com/watch?v=SVqb5Ovv04Q

Resumo

TLDREn aquesta discussió sobre documentals performatius, s'explora com els cineastes expressen la seva presència i punts de vista personals. Contrasten els estils de documentals tradicionals amb els performatius, citant exemples com 'People I Could Have Been' de Boris Garret i 'David Holzman's Diary'. L'orador destaca com les veus minoritàries i les experiències personals donen forma al cinematògraf documental, subratllant la importància de les perspectives individuals a l'hora de representar les condicions socials. La narració personal es destaca com un mitjà d'expressió política, especialment per a les comunitats marginades.

Conclusões

  • 🎥 Les documentals performatius es centren en la presència del cineasta.
  • 🌍 Delinen perspectives personals i flueixen amb experiències úniques.
  • 📽️ 'People I Could Have Been' és un exemple de documentari performatiu.
  • 🗣️ Les veus de les minories poden influir en l'estil documental.
  • 📝 La narració personal pot ser un acte polític.
  • 👩‍🎤 Les cineastes dones sovint adopten un enfocament performatiu.
  • 📅 La influència dels anys 80 en les veus diverses dels cineastes.
  • 📷 La tecnologia digital oferix més flexibilitat en la filmació.

Linha do tempo

  • 00:00:00 - 00:06:07

    El documentari performatiu és un gènere on el cineasta està més present físicament i expressa els seus sentiments i opinions sobre el món. Un exemple destacat és 'The People I Could Have Been' de Boris Garret's, que utilitza el telèfon mòbil per documentar la seva experiència a Londres, contrastant amb 'Avalsh', on la identitat del cineasta és ambigua. A 'David Holtzman's Diary', tot i ser un assaig, és performatiu perquè reflecteix les obsessions del personatge, real o fictici. Molts cineastes documentals es centren en els temes generals i eviten fer-se notar, però un enfocament més performatiu pot incloure més la veu del cineasta. Les veus de cultures minoritàries, com les de cineastes gais o africans americans, poden expressar perspectives úniques que reflecteixen les seves condicions socials, destacant la diversitat i l'autenticitat en les narratives.

Mapa mental

Vídeo de perguntas e respostas

  • What are performative documentaries?

    They are films where the filmmaker is visibly present and expresses their feelings and views.

  • Can you give an example of a performative documentary?

    'People I Could Have Been' by Boris Garret is highlighted as a notable example.

  • How do performative documentaries differ from traditional ones?

    Performative documentaries focus more on the filmmaker's personal presence and viewpoint, unlike traditional ones that may center more on external subjects.

  • Why is diversity in documentary filmmaking important?

    It allows different voices and perspectives to be heard, especially from underrepresented communities.

  • What impact does personal storytelling have in documentaries?

    It serves as a means of political expression for marginalized voices, highlighting their unique experiences.

  • Do women filmmakers have a different approach to documentary filmmaking?

    Yes, many women filmmakers adopt more performative styles to convey their unique perspectives and experiences.

  • What historical context influences performative documentaries?

    The rise of personal and minority voices in the 1980s helped shape this style of documentary filmmaking.

  • How does the use of technology affect documentary filmmaking?

    Digital cameras allow for greater flexibility and accessibility in filmmaking.

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    and it's hard time
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    this is like the essay in some senses
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    but it's where
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    to me
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    performative documentaries are ones
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    where the filmmakers
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    the filmmaker is more
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    palpably
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    physically present
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    feelings and views of the world their
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    so
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    of the films i showed today
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    for example i would say the people i
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    could have been and maybe am by boris
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    garrett's is the most performative
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    because
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    unlike avalsh where you are watching a
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    home movie and you don't really know
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    who's actual filmmaker is it the little
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    is it the father who we don't see or you
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    know who's making the film and what do
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    they think about it
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    we don't know so much but with people
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    and the
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    that film it's very performative in that
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    everything we see is
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    through his cell phone and his
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    experience of london and meeting other
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    people by chance
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    which leads to you know a romance with
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    sandrine from here from brazil
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    uh i think there are other films that
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    are even well like david holtzman's
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    diary which i showed yesterday i think
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    uh
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    you know that's more of an essay but
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    it's performative in that everything we
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    see in here
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    is what david holtzman is preoccupied by
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    we later learned david holtzman is a
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    fiction
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    but in the course of the film
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    it seems like this is what obsesses this
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    real person david holtzman so
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    a lot of documentary filmmakers i think
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    feel
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    modest about themselves as the subject
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    of the film
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    they really want the film to be about
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    you know a general subject like the
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    environment or nuclear energy or war
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    or they want it to be about the film the
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    person they're filming
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    and they don't want you thinking about
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    them so much as what
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    someone they're filming says
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    so like you said to me you're going to
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    edit yourself out when the viewers of
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    this on youtube won't hear your
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    questions
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    if you were making this performatively
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    we would have the cameras on you as much
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    as me
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    and we would be hearing
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    as much
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    from you as me about why these things
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    matter and what you make of them or
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    about how you feel doing an interview
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    with somebody else that you haven't met
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    before you know so on and so forth
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    so
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    uh it gives the filmmaker more chance to
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    expand and express themselves and
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    you know it could be related to the
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    essay and diary kind of traditions
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    and i think it's also related to
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    minority cultures people who come from
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    more not from the mainstream of society
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    but from
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    some of the
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    side currents
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    that are not in minorities
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    and if they want to have a voice they
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    may want to draw attention to that as a
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    different and distinct voice
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    so for gay and lesbian filmmakers
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    for african in the states for
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    african-american filmmakers
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    for members of other ethnic minorities
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    who for whom their identity
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    is tied to that position you know being
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    gay or african-american
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    expressing how they see the world
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    becomes a political act women as well
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    so a lot of women filmmakers
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    you know have a more performant some
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    have more performative
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    approach to their material
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    not to become
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    a star and a celebrity and say i'm
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    important but to make us aware that they
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    see things differently they see things
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    from their particular perspective which
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    is related to
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    social conditions
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    so i think there's a
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    you know it goes back maybe to the 80s
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    you know in the beginnings but
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    uh i think the idea that there are
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    multiple voices and that people can
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    speak in a voice that is true to their
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    specific socioeconomic and ethnic uh
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    specificity
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    rather than try to speak in a
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    homogeneous
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    i'm everybody i'm representing everybody
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    kind of voice
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    leads to a more performative style a
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    more
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    first person style a more personal style
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    and as with tarnation and a number of
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    other films a more um
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    imaginative and
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    like i was saying today about blurring
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    fantasy and reality
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    more liberty in in choosing how you
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    represent yourself
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    if we took the camera and pointed it at
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    the other camera you would see some of
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    the difference because these are digital
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    cameras right
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    and they're very tiny
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    you could almost put them in your pocket
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    you
Etiquetas
  • documentari
  • performatiu
  • cineasta
  • perspectiva
  • voce
  • minoria
  • expressió
  • narrativa personal
  • història
  • identitat