How God of War Matured With its Audience

00:21:44
https://www.youtube.com/watch?v=uZHnb9a8JvU

Resumo

TLDRThis examination critiques Kratos from the original "God of War" trilogy for being an underdeveloped character defined solely by rage and violence. His actions are largely devoid of moral questioning, leading to a disconnection with the player regarding the consequences of his revenge. However, the 2018 reboot revitalizes Kratos, exploring his past and highlighting his relationship with his son as he strives to be a better person. The narrative progresses to show a character undergoing significant growth, choosing restraint over violence for the sake of protection, thus marking an evolution in storytelling within video games.

Conclusões

  • 🔥 Kratos was primarily an angry, violent character with little self-reflection.
  • ⚔️ The original trilogy lacks meaningful exploration of Kratos's motivations and morality.
  • 🤔 The 2018 reboot introduces a more evolved Kratos who confronts his past.
  • 👨‍👦 The story emphasizes Kratos's relationship with his son as a path to redemption.
  • 💔 Kratos's violence has significant repercussions on innocent lives.
  • 📖 Video games are evolving towards deeper narratives and character complexity.
  • 🌱 Themes of paternal responsibility and striving to be better are central in the reboot.
  • 💪 Choosing compassion over violence marks a turning point for Kratos.
  • 🌊 The reboot reflects a change in gaming audience, aligning with adult values.
  • 🚀 The growth of Kratos signals progress in video game storytelling norms.

Linha do tempo

  • 00:00:00 - 00:05:00

    In the original God of War Trilogy, the protagonist Kratos is predominantly characterized by extreme anger and violent retribution, lacking significant character development. His motivations are fueled by revenge for the tragic loss of his family due to Ares, yet the narrative fails to explore the moral implications of his actions or provide any self-reflection, presenting a one-dimensional character primarily focused on violence and destruction without questioning his past. As a result, players are not prompted to consider the broader consequences of Kratos's rage and actions throughout the game, framing the experience as juvenile entertainment focused on cinematic battles.

  • 00:05:00 - 00:10:00

    As the series progresses, particularly in God of War 3, Kratos's violent tendencies escalate, leading him to inflict widespread devastation across Greece, impacting countless innocent lives in his quest for vengeance. The game's narrative does not meaningfully address the morality behind these actions, leaving both Kratos and the player unchallenged regarding the destructive path chosen. The juxtaposition of sex and violence further contributes to the juvenile tone, making it difficult to reconcile the character's brutality with the tragedy he has endured, ultimately highlighting a lack of nuanced storytelling.

  • 00:10:00 - 00:15:00

    The 2018 reboot of God of War sharply contrasts the earlier title by depicting a matured Kratos who grapples with his past while attempting to raise his son. The narrative focuses on themes of fatherhood, legacy, and the desire for self-improvement set against the background of Norse mythology. The character arc emphasizes Kratos's need to confront his previous identity as a god of war and the fear of passing that rage onto his son. The dynamic between Kratos and his son becomes a lens through which he navigates his struggles, revealing a deeper thematic exploration of violence and morality that was absent in the original trilogy.

  • 00:15:00 - 00:21:44

    By the climax of the 2018 game, Kratos achieves a significant moment of growth by choosing mercy towards Balder, breaking the cycle of violence that defined his past. Through this act, he acknowledges his history while aspiring to be better for his son's sake. The narrative culminates in a self-aware introspection rarely seen in video game storytelling, highlighting a transformation from a mindless warrior to a character motivated by protection and teaching. This marked evolution represents a notable shift in video game narratives toward more complex and meaningful character development, raising questions about morality and legacy in storytelling that resonate with a mature audience.

Mostrar mais

Mapa mental

Vídeo de perguntas e respostas

  • What are the main issues highlighted with Kratos's character in the original trilogy?

    Kratos has little character development, primarily defined by anger, violence, and destruction, without meaningful reflection on his actions.

  • How does the 2018 reboot differ in its portrayal of Kratos?

    The reboot presents a more mature Kratos who confronts his past and aims to be a better father, teaching his son the importance of being better than he was.

  • What critical moments showcase Kratos's character growth in the 2018 game?

    Key moments include Kratos choosing to spare Balder and confronting his violent past, marking a significant shift in his character.

  • What thematic questions does the analysis raise about violence in video games?

    The analysis questions the morality of Kratos's violent actions and their consequences on innocent lives, urging a deeper examination of these actions.

  • What does the analysis suggest about the evolution of storytelling in video games?

    It suggests that the 2018 reboot marks a significant step forward in video game narratives, moving from simplistic storytelling to exploring complex character development.

Ver mais resumos de vídeos

Obtenha acesso instantâneo a resumos gratuitos de vídeos do YouTube com tecnologia de IA!
Legendas
en
Rolagem automática:
  • 00:00:00
    in the original God of War Trilogy
  • 00:00:02
    protagonist Kratos had very little
  • 00:00:05
    character development he basically only
  • 00:00:07
    had three character traits one he was
  • 00:00:11
    really angry all the time two he
  • 00:00:13
    responded to every challenge or insult
  • 00:00:16
    he encountered with immediate and
  • 00:00:18
    extreme violence and three he was really
  • 00:00:22
    good at smashing things he did have good
  • 00:00:25
    reason for being angry Ares the Greek
  • 00:00:28
    God of War tricked him into murdering
  • 00:00:30
    his own wife and daughter and that's
  • 00:00:32
    definitely a solid reason for being
  • 00:00:35
    really pissed off and seeking Revenge
  • 00:00:37
    however that anger and the theme of
  • 00:00:40
    Revenge generally are not explored with
  • 00:00:44
    any level of nuance or scrutiny in any
  • 00:00:47
    of the games Kratos doesn't seem to have
  • 00:00:50
    any self-awareness or willingness to
  • 00:00:53
    meaningfully self-reflect at all Kratos
  • 00:00:56
    never has to question his reasons or
  • 00:00:59
    motivation is never confronted with
  • 00:01:02
    questions of morality or whether he's
  • 00:01:05
    doing the right thing or whether there
  • 00:01:07
    might be other paths open to him to
  • 00:01:10
    right the wrong that was done to him and
  • 00:01:12
    his family I mean it sucks that you were
  • 00:01:14
    tricked into killing your wife and child
  • 00:01:16
    dude that's really terrible but before
  • 00:01:19
    then you are already a merciless Warrior
  • 00:01:22
    very willing to burn Villages down and
  • 00:01:25
    Slaughter anyone you encountered how
  • 00:01:27
    many wives and daughters had you already
  • 00:01:30
    killed very willingly how many Fathers
  • 00:01:33
    and Sons did you Slaughter on and off
  • 00:01:35
    the battlefield without ever giving it a
  • 00:01:38
    second thought Kratos is never
  • 00:01:40
    confronted with any of these questions
  • 00:01:42
    and so neither is the player Kratos
  • 00:01:44
    approaches every situation with oh I'm
  • 00:01:47
    so mad smash smash smash all the games
  • 00:01:50
    care about are these huge cinematic
  • 00:01:52
    climactic Monumental battles against the
  • 00:01:55
    gods and these battles are really cool
  • 00:01:58
    and hey look there's Eva even a sexual
  • 00:02:01
    intercourse minigame
  • 00:02:04
    these games can feel really juvenile at
  • 00:02:06
    times and when I first played them I was
  • 00:02:09
    a juvenile so I didn't care after
  • 00:02:11
    growing up playing nothing but Nintendo
  • 00:02:13
    games where every single character was
  • 00:02:16
    some Goody Two-Shoes do no evil selfless
  • 00:02:19
    Paragon of virtue playing as Kratos an
  • 00:02:22
    angry character who didn't seem to care
  • 00:02:24
    about doing what was right was actually
  • 00:02:26
    really exciting and all those moral and
  • 00:02:29
    thematic questions can be kind of
  • 00:02:32
    superseded by the simple fact that
  • 00:02:34
    Kratos is almost always acting in
  • 00:02:37
    self-defense all of these Gods and
  • 00:02:40
    Monsters and such are attacking him
  • 00:02:43
    first it's an interesting question what
  • 00:02:45
    the plot of these games would look like
  • 00:02:47
    if everyone was smart enough to just get
  • 00:02:50
    out of his way maybe he wouldn't have
  • 00:02:52
    heard anyone except the handful of evil
  • 00:02:55
    Gods who really deserved it that is
  • 00:02:57
    until the third game when Kratos actions
  • 00:03:01
    begin to seem more and more
  • 00:03:03
    reprehensible when he stops being
  • 00:03:05
    morally gray and at least partly
  • 00:03:08
    Justified and starts doing things that
  • 00:03:10
    seem very close to being outright evil
  • 00:03:13
    God of War 3 is this spectacular bloody
  • 00:03:17
    sweep through the entire Greek Mythos
  • 00:03:20
    where Kratos brutally Slaughters every
  • 00:03:22
    God demigod Titan hero mythical creature
  • 00:03:27
    Etc that has ever been mentioned in any
  • 00:03:30
    Greek story it's really cool it's one of
  • 00:03:32
    the best action video games ever made
  • 00:03:34
    for all my criticisms of the plot I have
  • 00:03:37
    to admit this is a really really well
  • 00:03:40
    crafted action game but very early in
  • 00:03:45
    the game it becomes clear that Kratos
  • 00:03:47
    slaughtering of the Greek gods is
  • 00:03:49
    affecting a lot more than just him when
  • 00:03:52
    he kills Poseidon a tsunami destroys the
  • 00:03:56
    coast of Greece when he kills Helios the
  • 00:03:58
    Sun goes out when he kills Hermes a
  • 00:04:01
    plague descends on Greece in this keeps
  • 00:04:04
    happening okay so the question has to be
  • 00:04:07
    asked is Kratos personal Revenge worth
  • 00:04:10
    the millions of lives of all the
  • 00:04:12
    innocent people living in Greece what
  • 00:04:14
    about all those wives and daughters do
  • 00:04:17
    they not matter to him at all if it was
  • 00:04:19
    a tragedy when he was tricked into
  • 00:04:21
    killing his wife and daughter what is it
  • 00:04:23
    when every wife and daughter in all of
  • 00:04:26
    Greece are killed as a result of his
  • 00:04:29
    actions the game never meaningfully
  • 00:04:32
    confronts Kratos with these questions
  • 00:04:34
    and so the player isn't confronted by
  • 00:04:36
    them either he never deals with these
  • 00:04:39
    questions at all even to say that he
  • 00:04:40
    doesn't care he just mindlessly trudges
  • 00:04:43
    from one Slaughter to the next now I'm
  • 00:04:46
    totally cool with stories about morally
  • 00:04:48
    gray or even morally evil characters I
  • 00:04:51
    definitely don't want every video game
  • 00:04:52
    to be about morally good characters who
  • 00:04:55
    always do the right thing that would be
  • 00:04:57
    narratively boring and inartistic
  • 00:04:59
    however if you're going to write a story
  • 00:05:01
    about a character like Kratos you do
  • 00:05:03
    have have to at least discuss it you
  • 00:05:06
    have to ask questions you have to take
  • 00:05:09
    some kind of substantial thematic
  • 00:05:11
    position on your subject what does it
  • 00:05:13
    mean for us for you for Humanity that we
  • 00:05:17
    might cheer for a character like Kratos
  • 00:05:20
    but the writers never ask any of these
  • 00:05:23
    questions I don't know if they're
  • 00:05:24
    unwilling to do so because they don't
  • 00:05:27
    want to challenge Their audience of teen
  • 00:05:29
    boys with tough questions about the
  • 00:05:32
    meaning of violence and what it means to
  • 00:05:34
    choose violence and in God of War 3
  • 00:05:37
    Kratos Slaughter gets less Justified as
  • 00:05:40
    it goes along at one point he is
  • 00:05:42
    confronted by a drunk and miserable
  • 00:05:44
    goddess hella everything around her has
  • 00:05:47
    collapsed her world and life have been
  • 00:05:49
    destroyed she is not a threat here she's
  • 00:05:52
    just a broken woman she doesn't even
  • 00:05:54
    really try to stop him and Kratos just
  • 00:05:57
    breaks her neck this is murder this is
  • 00:06:00
    bad in this other part of the game
  • 00:06:02
    Kratos grabs this terrified woman
  • 00:06:05
    enforces her to hold open these doors so
  • 00:06:08
    he can progress through a puzzle and
  • 00:06:10
    look she's naked
  • 00:06:13
    again this just feels so juvenile the
  • 00:06:16
    juxtaposition of sex appeal and cruel
  • 00:06:19
    violence is really uncomfortable but
  • 00:06:22
    anyway to solve the puzzle Kratos kills
  • 00:06:25
    her or at least leads her into getting
  • 00:06:28
    crushed to death by the door mechanism
  • 00:06:30
    and then he just keeps going who cares
  • 00:06:32
    about her just another dead wife or
  • 00:06:35
    daughter on Kratos journey to avenge the
  • 00:06:37
    death of his wife and daughter when I
  • 00:06:39
    was a teenager and I first played this I
  • 00:06:42
    wasn't that bothered by any of this I
  • 00:06:44
    was just here for the cool battles and
  • 00:06:47
    my empathy glands weren't fully
  • 00:06:48
    developed yet but when I replayed this
  • 00:06:50
    game years later in anticipation of the
  • 00:06:53
    2018 North mythology reboot of this
  • 00:06:56
    series I found it to be really
  • 00:06:58
    off-putting I did not enjoy playing as
  • 00:07:01
    this character he's a piece of Shame it
  • 00:07:04
    which would be fine except the writers
  • 00:07:07
    seem unwilling of writing a morally gray
  • 00:07:09
    character with any degree of nuance or
  • 00:07:12
    emotional depth he goes through the
  • 00:07:14
    whole series just being angry smart
  • 00:07:16
    smart smash have sex it's really
  • 00:07:19
    childish I almost wrote off the entire
  • 00:07:22
    reboot but then I read this preview of
  • 00:07:24
    the game where one of the writers talked
  • 00:07:26
    about the characterization of Kratos in
  • 00:07:28
    the new game he says Kratos believes
  • 00:07:31
    that being a God is a disease in that
  • 00:07:34
    rage is a side effect of that disease
  • 00:07:37
    and he's terrified that he's passed it
  • 00:07:40
    on to his son and this game is about
  • 00:07:43
    Kratos teaching his son how to be a God
  • 00:07:45
    in the kid teaching Kratos how to be
  • 00:07:48
    human again okay so that's really
  • 00:07:50
    interesting that sounds like a character
  • 00:07:53
    with a past of terrible rage and
  • 00:07:55
    violence who is going to actually
  • 00:07:57
    confront that past in a meaningful way
  • 00:07:59
    and is going to do so by raising his son
  • 00:08:02
    to be a better man than he he was I
  • 00:08:05
    think for a lot of men that's a really
  • 00:08:06
    meaningful story I want to be better
  • 00:08:09
    than my father I want my son to be
  • 00:08:11
    better than me these are powerful themes
  • 00:08:14
    that really matter and this is even more
  • 00:08:16
    interesting because one of the big
  • 00:08:18
    reveals in this series is that Zeus is
  • 00:08:21
    Kratos father and he's a pretty shitty
  • 00:08:23
    and worthless father who Kratos
  • 00:08:25
    ultimately kills so how does that
  • 00:08:27
    patricide affect Kratos in the raising
  • 00:08:30
    of his own son I was still very
  • 00:08:32
    skeptical of the 2018 reboot but then it
  • 00:08:35
    came out and I played it and wow I mean
  • 00:08:38
    really wow the 2018 God of War presented
  • 00:08:41
    a Kratos who had truly matured along
  • 00:08:44
    with his audience his original audience
  • 00:08:46
    of children and teenagers are adult men
  • 00:08:49
    now many of them with Children of their
  • 00:08:51
    own and that mindless violence and rage
  • 00:08:53
    of the previous games is not acceptable
  • 00:08:56
    to the Kratos of this new game just as
  • 00:08:59
    it should no longer be acceptable to us
  • 00:09:01
    at the start of the game Kratos is
  • 00:09:03
    already a father and he has a very poor
  • 00:09:07
    relationship with his son the mother has
  • 00:09:09
    just passed away and everybody is really
  • 00:09:12
    bummed out about it her final wish was
  • 00:09:15
    for her Ashes to be spread on the
  • 00:09:17
    highest Mountaintop in the land but
  • 00:09:19
    Kratos feels his son is incapable of the
  • 00:09:22
    journey bad feelings all around then
  • 00:09:26
    this guy shows up this is balder son of
  • 00:09:30
    Odin and Odin is the head of the Norse
  • 00:09:32
    pantheon of gods for narrative purposes
  • 00:09:35
    Kratos is essentially being confronted
  • 00:09:38
    with himself here balder is arrogant
  • 00:09:41
    full of Rage mindlessly violent doesn't
  • 00:09:44
    care who his violence hurts and resorts
  • 00:09:47
    to that violence immediately whenever
  • 00:09:49
    confronted with a problem and he's
  • 00:09:51
    really good at smashing things this is a
  • 00:09:54
    younger Kratos this is Kratos battling
  • 00:09:56
    his own younger self balder quickly
  • 00:09:59
    forces Kratos into a confrontation he
  • 00:10:02
    does not want setting crate his son off
  • 00:10:05
    on their Journey Kratos in this game is
  • 00:10:08
    still pretty angry and violent but
  • 00:10:11
    noticeably less so and noticeably tries
  • 00:10:13
    to avoid it when he can he doesn't want
  • 00:10:16
    to talk about the man he used to be does
  • 00:10:18
    not want to confront his past sins and
  • 00:10:22
    does not want his son to find out about
  • 00:10:24
    them notably he keeps the old weapons
  • 00:10:27
    with which he destroyed Greece hidden
  • 00:10:29
    underneath his home and orders his son
  • 00:10:31
    to Never Go Near The Hiding Place lest
  • 00:10:34
    his son discover who his father really
  • 00:10:37
    is Kratos does not want to confront his
  • 00:10:40
    past but he is forced to do so through
  • 00:10:43
    his son there's this moment early on in
  • 00:10:45
    the game when Kratos and his son are
  • 00:10:48
    attacked by a troll and when they defeat
  • 00:10:50
    it his son goes crazy and starts
  • 00:10:53
    stabbing its corpse in a petulant rage
  • 00:10:56
    this is a Proto version of the exact
  • 00:10:58
    kind of mindless violent rage that
  • 00:11:01
    Kratos used to lose himself to the
  • 00:11:04
    source of all his sins you can see it in
  • 00:11:07
    his son already you can see Kratos
  • 00:11:09
    seeing it in his own son and it deeply
  • 00:11:12
    disturbs him he needs to set his son on
  • 00:11:15
    a better path and he does not know how
  • 00:11:17
    to do this Kratos can't be the better
  • 00:11:20
    example that his son needs because he
  • 00:11:23
    cannot be the better man that he needs
  • 00:11:25
    to be until he confronts his own past
  • 00:11:28
    which he is unwilling to do instead
  • 00:11:30
    Kratos and his son both find that better
  • 00:11:33
    example in stories about tear tear is
  • 00:11:37
    the Norse god of war just like Kratos
  • 00:11:39
    was once the Greek God of War but unlike
  • 00:11:42
    Kratos tear used his powers to create
  • 00:11:45
    peace and Harmony among the races and
  • 00:11:48
    only ever went to war when there was no
  • 00:11:50
    other choice when he had to fight to
  • 00:11:53
    protect others while tear never actually
  • 00:11:56
    appears in the game he becomes something
  • 00:11:59
    of an inspiration to both Kratos and his
  • 00:12:02
    son the kind of God both of them M could
  • 00:12:04
    become and Kratos son really needs that
  • 00:12:07
    better example because almost every
  • 00:12:10
    powerful person he Encounters in the
  • 00:12:12
    story like balder are a piece of [ __ ]
  • 00:12:15
    and when the son finds out that he is a
  • 00:12:17
    God that he is powerful to the sun
  • 00:12:19
    begins to act like a piece of [ __ ]
  • 00:12:22
    following their example the only living
  • 00:12:24
    examples of a god he's ever known this
  • 00:12:27
    comes to a head when they are confronted
  • 00:12:29
    by a wounded Modi now Magnus and Modi
  • 00:12:32
    are sons of Thor the famous God of
  • 00:12:35
    Thunder though in these games he's
  • 00:12:37
    presented much more poorly than in the
  • 00:12:39
    Marvel movies Magnus and Modi had
  • 00:12:42
    previously attacked Kratos and Magnus
  • 00:12:44
    was killed in the confrontation Modi had
  • 00:12:47
    run away Modi reappears later a broken
  • 00:12:51
    and pathetic man beaten by his father
  • 00:12:54
    Thor who blames him for the death of his
  • 00:12:56
    brother and this is another example of a
  • 00:12:58
    broken father-son relationship in the
  • 00:13:01
    series Modi here is not a threat he's
  • 00:13:04
    already beaten and he's not even really
  • 00:13:06
    in their way they could just walk right
  • 00:13:09
    past him and then Kratos son murders him
  • 00:13:12
    anyway this is a very very similar to
  • 00:13:15
    the death of hella in God of War 3 which
  • 00:13:18
    is surely one of Kratos least Justified
  • 00:13:20
    acts of violence in his life and I don't
  • 00:13:23
    think that's an accident Kratos is
  • 00:13:25
    horrified by what his son has done
  • 00:13:27
    because his son is becoming exactly the
  • 00:13:30
    man he used to be his son is committing
  • 00:13:32
    these same disgusting acts of violence
  • 00:13:34
    as he did he is failing to set his son
  • 00:13:37
    on a better path and he knows it but how
  • 00:13:39
    can he confront this disease of Rage in
  • 00:13:42
    his son if he cannot confront his own
  • 00:13:45
    Past after they get trapped in literally
  • 00:13:48
    hell and his son keeps acting like a
  • 00:13:50
    little spoiled brat Kratos unleashes
  • 00:13:53
    this scolding on his son
  • 00:13:56
    you will listen to me and not speak a
  • 00:13:58
    word
  • 00:13:58
    I am your father and you boy are not
  • 00:14:01
    yourself
  • 00:14:02
    you are too good to temper you are rash
  • 00:14:05
    insubordinate and out of control
  • 00:14:08
    this will not stand
  • 00:14:10
    you honor your mother and abandon this
  • 00:14:13
    path you have chosen
  • 00:14:16
    it's not too late
  • 00:14:21
    it's far from over
  • 00:14:23
    we are here because of you boy
  • 00:14:27
    never forget that
  • 00:14:35
    in many ways this is exactly the kind of
  • 00:14:37
    talk that a younger Kratos needed to
  • 00:14:40
    hear from a father figure this is what
  • 00:14:42
    he needed to hear to curb his own worst
  • 00:14:45
    impulses he needed someone to slap his
  • 00:14:47
    hand and say this is not an acceptable
  • 00:14:50
    way to behave and not an acceptable way
  • 00:14:53
    to treat others he never got that and
  • 00:14:56
    look how his life turned out krato's
  • 00:14:58
    journey still isn't over though while
  • 00:15:00
    he's confronted those rage-filled parts
  • 00:15:02
    of his son he still hasn't confronted it
  • 00:15:05
    in himself near the climax Kratos and
  • 00:15:08
    balder have won final confrontation and
  • 00:15:11
    it is crazy Kratos and his son and
  • 00:15:14
    balder are battling it out while
  • 00:15:16
    Baldur's mother Freya is trying to stop
  • 00:15:18
    them by possessing the corpse of this
  • 00:15:21
    giant and it's really wild very cool the
  • 00:15:25
    end of this confrontation is really
  • 00:15:27
    fascinating Kratos beats balder because
  • 00:15:29
    I mean of course he does but for what
  • 00:15:32
    I'm pretty sure is the first time in his
  • 00:15:34
    life after defeating another god Kratos
  • 00:15:37
    chooses to let that God live and it's
  • 00:15:41
    all at the insistence of his son this is
  • 00:15:43
    actual real demonstrable character
  • 00:15:46
    growth this is a character who has made
  • 00:15:48
    the same mistake over and over and over
  • 00:15:51
    in his life and for the first time ever
  • 00:15:54
    is choosing another path but it doesn't
  • 00:15:57
    end there remember balder is Kratos he
  • 00:16:01
    is just a younger Kratos as soon as he
  • 00:16:03
    lets Boulder go balder continues on his
  • 00:16:06
    path of violence and destruction he
  • 00:16:08
    immediately begins strangling Freya
  • 00:16:11
    Kratos grabs him and says the cycle ends
  • 00:16:14
    here we must be better than this and
  • 00:16:18
    kills him in some ways this can feel
  • 00:16:20
    like a contradictory moment Kratos has
  • 00:16:23
    just chosen pacifism and compassion over
  • 00:16:26
    violence and then immediately turns
  • 00:16:28
    around and chooses the opposite again
  • 00:16:30
    but remember who Kratos and his son are
  • 00:16:33
    looking up to as an example of a good
  • 00:16:35
    god tear tear was a God of War he fought
  • 00:16:38
    when he had to he fought to protect
  • 00:16:41
    others Kratos isn't going to kill balder
  • 00:16:44
    just for being a pain in his ass like he
  • 00:16:46
    did every other person he ever killed
  • 00:16:49
    but he will kill balder to protect
  • 00:16:51
    someone else and when he's finally
  • 00:16:53
    completed this transformation from Wild
  • 00:16:56
    rage and hate-filled murderer who
  • 00:16:59
    committed violence without thought or
  • 00:17:01
    question into someone who only chooses
  • 00:17:03
    violence for the protection of others
  • 00:17:05
    that's when he's finally able to openly
  • 00:17:07
    confront his own violent past his own
  • 00:17:10
    past sins boy
  • 00:17:14
    listen close
  • 00:17:18
    I'm from a land called Sparta
  • 00:17:21
    I made a deal with the god that caused
  • 00:17:24
    me my soul
  • 00:17:26
    I killed many who were deserving
  • 00:17:32
    and many who were not
  • 00:17:38
    [Music]
  • 00:17:44
    I killed my father
  • 00:17:46
    [Music]
  • 00:17:48
    that was your father in health
  • 00:17:53
    that's what it is to be a god
  • 00:17:55
    [Music]
  • 00:17:58
    this letter always ends
  • 00:18:01
    Sun's killing their mothers
  • 00:18:04
    their fathers
  • 00:18:08
    [Music]
  • 00:18:13
    did not those who have been
  • 00:18:17
    who I was
  • 00:18:19
    is not who you
  • 00:18:22
    'll be we must be better
  • 00:18:24
    [Music]
  • 00:18:28
    it's hard to over exaggerate how
  • 00:18:32
    unprecedented a moment this is in the
  • 00:18:35
    history of narrative in video games the
  • 00:18:38
    medium of video games does not have the
  • 00:18:41
    same reputation for Meaningful
  • 00:18:43
    storytelling that books and film do and
  • 00:18:46
    that's for good reason in many ways
  • 00:18:48
    video games are still a very very young
  • 00:18:51
    medium and storytelling has never really
  • 00:18:54
    been the focus looking through the
  • 00:18:56
    history of video games most stories are
  • 00:18:59
    just Vehicles do get to the gameplay
  • 00:19:01
    with rare exceptions those kinds of
  • 00:19:04
    stories which only serve the gameplay
  • 00:19:07
    tend to be simplistic tend to lack
  • 00:19:10
    nuance and complexity tend to not ask
  • 00:19:13
    the player hard questions about what's
  • 00:19:15
    happening on screen the original God of
  • 00:19:18
    War Trilogy is exactly the kind of
  • 00:19:20
    simplistic even childish storytelling
  • 00:19:23
    where all the writers cared about was
  • 00:19:25
    setting up up the next big fight not
  • 00:19:27
    caring at all about the meaning of what
  • 00:19:30
    they were creating not caring about the
  • 00:19:33
    questions not caring about the emotions
  • 00:19:35
    not caring about the Thematic
  • 00:19:37
    consequences of their character's
  • 00:19:39
    choices and what they were saying about
  • 00:19:41
    the world or what we as Their audience
  • 00:19:43
    value this is the first time in video
  • 00:19:46
    game narrative history that a character
  • 00:19:48
    from a narratively juvenile Series has
  • 00:19:51
    gone from a simplistic and Mindless
  • 00:19:53
    vehicle for cool action sequences to
  • 00:19:56
    being a mature nuanced and self-aware
  • 00:19:59
    character this is pretty amazing and I
  • 00:20:02
    strongly suspect from a narrative
  • 00:20:04
    standpoint that the God of War series
  • 00:20:06
    should have ended right here the sequel
  • 00:20:09
    God of War Ragnarok is releasing next
  • 00:20:11
    week and maybe I'll eat my words but I'm
  • 00:20:14
    not expecting it to tell as meaningful
  • 00:20:16
    of a story as this game did now as an
  • 00:20:19
    action fan and a fan of the series I
  • 00:20:22
    definitely still want to see Kratos
  • 00:20:24
    battle it out with the rest of the Norse
  • 00:20:26
    pantheon I want to spend more time
  • 00:20:28
    exploring the world of Norse mythology I
  • 00:20:30
    want to see more of all these characters
  • 00:20:33
    however from a narrative standpoint and
  • 00:20:36
    from a what does all this mean for video
  • 00:20:39
    games as a storytelling medium
  • 00:20:41
    standpoint I'm not sure what Ragnarok
  • 00:20:44
    can really accomplish that the first
  • 00:20:46
    game didn't already the story of Kratos
  • 00:20:50
    feels complete to me I don't think
  • 00:20:52
    there's much growth left for him to do
  • 00:20:55
    if Ragnarok was focused solely on the
  • 00:20:58
    sun solely on him trying to be that
  • 00:21:00
    better man that better God that his
  • 00:21:03
    father believes he can be then that
  • 00:21:05
    would be a different story but Kratos at
  • 00:21:08
    least according to all the marketing
  • 00:21:10
    material is going to remain the main
  • 00:21:12
    character and I'm not sure what story is
  • 00:21:15
    left for him to tell but hey maybe I'm
  • 00:21:18
    wrong and Ragnarok will knock my socks
  • 00:21:20
    off I guess we'll all see here in a week
  • 00:21:24
    two
  • 00:21:27
    two
  • 00:21:31
    oh yeah
  • 00:21:36
    oh
Etiquetas
  • God of War
  • Kratos
  • Character Development
  • Violence
  • Revenge
  • Game Narrative
  • Father-Son Relationship
  • God of War 2018
  • Morality
  • Norse Mythology