00:00:00
if you're an aspiring mangaka who knows
00:00:02
how to draw but doesn't know how to
00:00:04
write then this video is for you let's
00:00:08
get one thing clear being a mangaka
00:00:10
means being a good Storyteller mangas
00:00:13
were made to tell stories and making
00:00:16
manga usually involves doing two things
00:00:19
drawing and writing you don't have to be
00:00:21
a master at drawing but you at least
00:00:24
need to be good at writing stories and
00:00:27
writing a good story is the most
00:00:29
difficult and most important part of
00:00:32
making manga if you think you can't
00:00:34
write or that you're bad at storytelling
00:00:37
don't worry it's never too late to start
00:00:39
improving and we're here to help you
00:00:41
take that first step just leave it to me
00:00:44
in this video we're going to talk about
00:00:46
the tips and tools that can help you get
00:00:48
better at writing your own manga before
00:00:51
we continue we have a super exciting
00:00:54
announcement to make we are finally
00:00:56
opening enrollments again to our online
00:00:58
oneshot manga drawing program we'll
00:01:00
teach you how to design amazing
00:01:02
characters how to write compelling
00:01:04
stories how to put together a storyboard
00:01:06
how to draw stunning backgrounds and
00:01:09
basically all the skills and knowledge
00:01:11
that you need to create your first
00:01:13
one-hot manga you'll get to work with
00:01:15
pro-japanese mangakas who have over 50
00:01:18
years of experience in the industry
00:01:20
they'll give you feedback live during
00:01:23
our weekly Zoom sessions plus you'll be
00:01:25
in a supportive Community Learning with
00:01:28
fellow aspiring mangakas who are just as
00:01:30
awesome and passionate as you are if you
00:01:33
think you're ready to transform your
00:01:35
manga Journey then make sure to book a
00:01:37
free consultation call with us to see if
00:01:40
you'd be a good fit to work together the
00:01:42
link is in the description PS we're only
00:01:45
taking on students who are at least 18
00:01:47
years old if you're still below 18 then
00:01:50
make sure to subscribe to our Channel
00:01:52
and learn from our free manga tips and
00:01:54
tutorials keep working on your manga and
00:01:57
we'll talk to you in a few years there
00:01:59
are are thousands of amateur mangakas
00:02:02
out there amateurs filled with tons of
00:02:04
story ideas amateurs who can even draw
00:02:07
better than Pros do amateurs looking to
00:02:10
get their manga published but only a few
00:02:14
actually succeed and the reason behind
00:02:16
the success of most Pro mangakas is
00:02:19
their knack for storytelling according
00:02:22
to our Pro mangaka Mentor Ren asaya
00:02:24
mangas that have subpar art but an
00:02:27
excellent storyline actually tell better
00:02:30
than mangas with amazing art and a
00:02:33
boring story just think of one punch man
00:02:36
mob psycho 100 Attack on Titan and
00:02:39
fruits basket the art wasn't that good
00:02:41
for most of the earlier volumes of these
00:02:43
manga series but their stories were good
00:02:46
captivating iconic even they all went on
00:02:49
to become widely popular The Art of
00:02:53
Storytelling is something every mangaka
00:02:56
has to master being a good Storyteller
00:02:58
is a skill you develop with tons of
00:03:01
research and practice you got to read
00:03:03
and study a lot of manga and then you
00:03:05
get to practice developing your own
00:03:07
manga stories by writing your own
00:03:09
scripts and making your own storyboards
00:03:11
and the best way to practice is through
00:03:14
making short stories in the manga
00:03:17
industry these are called one shots a
00:03:20
oneshot also known as Yumi Kitt is a
00:03:23
type of manga that tells a story within
00:03:25
a single chapter learning how to create
00:03:28
one shots is crucial if you want to
00:03:30
become a pro mangaka as we explained in
00:03:33
our previous videos Publishers don't
00:03:36
commission you for an 800 chapter Series
00:03:38
right off the bat they only give you one
00:03:41
chapter one chapter to see if their
00:03:44
readers would actually enjoy your story
00:03:47
did you know that popular titles like
00:03:50
Naruto Dragon Ball bleach and one piece
00:03:53
all started as one-hot submissions
00:03:55
majority of successful makaka had their
00:03:58
start making one shots that's why we
00:04:01
teach our students how to create their
00:04:03
own oneshot but during the writing
00:04:06
process we noticed a very common
00:04:08
struggle that got a lot of them stuck
00:04:11
and you might actually be suffering from
00:04:13
the exact same problem as well what was
00:04:16
their biggest struggle organizing their
00:04:18
ideas they already had so many ideas and
00:04:22
they were all over the place they built
00:04:24
up so much lore around their characters
00:04:26
and some of them even fell into the
00:04:28
rabbit hole of world building they got
00:04:30
carried away thinking of Concepts like
00:04:33
magic systems power leveling or time
00:04:35
travel mechanics it was just one idea
00:04:38
after another it was impossible to fit
00:04:41
everything in just one chapter anymore
00:04:44
and there was also a lot of overthinking
00:04:46
and overwhelm as beginners with zero
00:04:49
experience you have to avoid analysis
00:04:52
paralysis if you make your manga longer
00:04:55
and more complicated you'll most likely
00:04:57
never finish it it's a guarantee recipe
00:05:00
for disaster so start simple you have to
00:05:05
come up with an idea that can fit into a
00:05:07
one shot and we'll learn how to do that
00:05:09
in a little bit just so we're clear with
00:05:11
how many pages you want to work with our
00:05:13
Pro mangaka Mentor now yazawa recommends
00:05:17
starting with 16 Pages now let's figure
00:05:20
out what kind of one-hot manga you want
00:05:22
to write ever heard this saying write
00:05:25
what you know when coming up with ideas
00:05:27
for your manga you can draw and ins
00:05:29
spiration from experiences in your
00:05:31
day-to-day life your own hobbies and
00:05:34
interests experiences that really
00:05:36
impacted you w I just had a really cool
00:05:39
idea for the Death Note creators writer
00:05:42
and illustrator Duo Gumi uba and tesi
00:05:45
obata writing about their lives as Pro
00:05:48
mangakas LED to their next successful
00:05:50
manga series after death note bakaman
00:05:53
Oba Sensei came up with the idea for
00:05:55
Bakuman after thinking of all the people
00:05:58
who long to be manga artists coming off
00:06:01
of their success with Death Note they
00:06:03
also wanted to share their experiences
00:06:06
dealing with the intense lifestyle Pros
00:06:08
have when producing bestselling manga
00:06:11
the Bakuman character akagi is a
00:06:14
counterpart for Oba and Mora maso is the
00:06:18
counterpart for obat sense these two
00:06:21
main characters have a rival n AI who's
00:06:24
a genius mangaka allegedly he was
00:06:27
inspired by legendary one piece mangaka
00:06:30
AO Bakuman became so successful that it
00:06:34
went on to be adapted into an anime live
00:06:37
action film and even a play so you see
00:06:40
you can make great stories based off of
00:06:43
your own experiences if you want to go
00:06:46
even further you can expand your
00:06:48
horizons and explore even more ideas you
00:06:51
can draw inspiration from real life
00:06:53
history people and culture and also
00:06:56
other media besides manga let's take our
00:06:59
student Raven for example she loves
00:07:01
female Le fantasy stories like Anastasia
00:07:05
Thumbelina and Quest for Camelot these
00:07:08
titles inspired her to start writing her
00:07:10
own oneshot about Eden a heroine who had
00:07:13
lost her confidence magic and status
00:07:16
after saving the world now she has to
00:07:19
readapt her regular old miserable life
00:07:22
intrigued so are we now why don't we try
00:07:25
brainstorming ideas for your manga think
00:07:29
of your your top three favorite stories
00:07:31
it could be from anime movies manga or
00:07:34
even books think about what you like
00:07:36
about these stories and why then write
00:07:39
what aspects of these stories you would
00:07:41
like to see in your own manga review
00:07:44
your ideas and refine it into a quick
00:07:47
one- sentence overview of a potential
00:07:49
one shot idea for example hajim isama
00:07:53
actually got the idea for Attack on
00:07:55
Titan from two main Inspirations
00:07:57
Jurassic Park and the fantasy visual
00:08:00
novel M love alternative isayama Sensei
00:08:03
had already been fascinated by dinosaurs
00:08:06
since he was in kindergarten he liked
00:08:08
them but at the same time felt some kind
00:08:10
of fear while playing m love alternative
00:08:13
he found the concept of being hunted
00:08:16
down by an unknown creature to be both
00:08:18
ominous and thrilling in the game the
00:08:21
whole universe was under attack from
00:08:23
Aliens and isayama Sensei thought that
00:08:26
if those Monsters Ate humans it could be
00:08:29
very interesting the cruelty of
00:08:31
man-eating Titans if you turn his ideas
00:08:34
into a one- sentence pitch it would go
00:08:36
like this what if the whole world was
00:08:39
under attack by some gigantic mysterious
00:08:42
manaing monsters that threatened the
00:08:44
existence of the human species if you
00:08:46
take musall and turn it into a pitch for
00:08:49
example it would go like this what if a
00:08:51
jimro who is super strong but has no
00:08:54
magical powers gets accepted into a
00:08:56
Wizarding school like Hogwarts where
00:08:58
everyone can do magic this isn't the
00:09:01
actual pitch for Marshall but it could
00:09:03
be right it sums it up pretty well
00:09:05
anyway you get the point your pitch
00:09:08
needs to be short straightforward and
00:09:11
impactful our PR mangaka mentors
00:09:13
emphasized how crucial it is that you
00:09:16
can explain the overview of your story
00:09:18
in just a few simple sentences imagine
00:09:21
you enter an elevator and stumble upon
00:09:23
an editor or publisher who could help
00:09:26
publish your story this is your chance
00:09:28
you have 30 seconds to impress them with
00:09:31
your story pitch so make it short and
00:09:33
make it count you can keep spitballing
00:09:35
story pitches like this until you find
00:09:37
one that sticks one that you really like
00:09:40
and something simple and doable in 16
00:09:42
Pages if you're ready with your story
00:09:44
pitch feel free to share it in the
00:09:46
comments below once you've got an idea
00:09:49
you like the next step is to start
00:09:51
developing your idea even further into
00:09:53
an actual story line but where do you
00:09:56
even begin writing the main character
00:09:58
the world
00:09:59
the conflict actually you have to start
00:10:02
with all three and you have to tackle
00:10:05
all of this in your story's premise a
00:10:07
premise is the central concept of a
00:10:09
story and it's made in just about 1 to
00:10:12
three sentences the premise is often the
00:10:15
first thing potential readers encounter
00:10:18
it's like the cover of a book or the
00:10:20
trailer of a movie it's what draws
00:10:22
people in a strong premise can Captivate
00:10:25
your readers attention and invite them
00:10:27
to explore further for example let's
00:10:30
look at the premise of Ki can't
00:10:32
communicate on her first day attending
00:10:34
High School shoko Ki immediately
00:10:37
receives an overwhelming surge in
00:10:39
popularity due to her beauty and
00:10:41
seemingly refined Elegance however only
00:10:45
hito tadano an exceedingly average
00:10:48
school boy who sits next to her
00:10:50
discovers that behind her bishojo
00:10:52
appearance Comey has a severe
00:10:54
communication disorder tadano learns
00:10:57
that come's goal is to make 100 friends
00:11:00
and he resolves to help her reach her
00:11:02
goal in these three sentences we're
00:11:04
given four things any good premise
00:11:07
should have the story's Central
00:11:09
characters the setting the character's
00:11:11
motivation or goal and the obstacles
00:11:14
they face or the conflict and this
00:11:16
premise we also know that the central
00:11:19
characters are shoko Ki and hito tadano
00:11:22
they're in high school come's goal is to
00:11:24
make a 100 friends kito's goal is to
00:11:27
help her but come has a severe
00:11:29
communication disorder according to our
00:11:32
Mentor now yazawa when you're writing
00:11:34
your premise remember keep it clear and
00:11:37
simple one to three sentences should be
00:11:40
enough to deliver a solid clear idea for
00:11:43
your story after all you don't need to
00:11:45
have every single detail of your entire
00:11:47
plot figured out right away the premise
00:11:50
is just there to guide you in the right
00:11:52
direction and it's also there to give
00:11:55
your readers just enough info they need
00:11:58
to get invested in and actually want to
00:12:00
read your manga overall the premise
00:12:03
outlines the characters setting and the
00:12:05
core conflict or theme this clear
00:12:07
outline helps guide the creation process
00:12:10
ensuring that your manga stays on track
00:12:13
and delivers a coherent story once you
00:12:16
have your premise you can expand the
00:12:17
details even further one of the best
00:12:20
ways to do this is to answer these
00:12:22
questions first is who who are your
00:12:26
characters understanding The Who
00:12:28
involves creating well-developed
00:12:29
characters with distinct personalities
00:12:32
motivations and backstories you might
00:12:35
want to focus on just one or two main
00:12:37
characters in a one shot next is the
00:12:40
what what is it about the What refers to
00:12:43
the central plot or conflict of your
00:12:45
story you need to define the core
00:12:47
problem or goal the characters will face
00:12:50
third is the we where did it happen the
00:12:53
where is the location the setting it can
00:12:55
influence the atmosphere mood and tone
00:12:58
of your story fourth is the when when
00:13:01
did it happen the when determines the
00:13:03
time frame of your story whether it's
00:13:05
set in the past present or future having
00:13:08
a clear timeline helps you structure
00:13:10
events logically and maintain
00:13:12
consistency throughout your story next
00:13:14
is the why why did it happen
00:13:17
understanding the why involves exploring
00:13:20
the characters motivations and the
00:13:22
reasons behind their actions this adds
00:13:24
depth to your characters and provides a
00:13:26
compelling reason for readers to stick
00:13:28
around until the end of your one shot
00:13:31
lastly is the how how does it happen the
00:13:34
how addresses how the characters will
00:13:37
resolve the central conflict it helps
00:13:39
you plan the climax and conclusion of
00:13:42
your One-Shot manga when writing your
00:13:44
story use this framework as a guide to
00:13:47
make sure all aspects of your story are
00:13:49
clear and consistent from start to
00:13:52
finish the next step is to actually
00:13:55
write down your plot you've got your
00:13:57
story pitch your pre your five W's and
00:14:00
one H down but now it's time to fill the
00:14:04
gaps in between and actually arrange it
00:14:06
all into a cohesive plot in manga the
00:14:10
story is typically divided into four
00:14:13
parts key show 10 K introduction
00:14:17
development twist and conclusion in the
00:14:19
introduction the audience is introduced
00:14:22
to the main characters setting an
00:14:24
initial situation or conflict the intro
00:14:27
establishes the foundation
00:14:29
of your story it creates Intrigue or
00:14:32
curiosity that hooks the audience and
00:14:34
encourages them to continue reading in
00:14:36
the development or expansion part of the
00:14:39
story the initial elements introduced in
00:14:41
the key are further explored and
00:14:43
developed new characters conflicts or
00:14:46
plot twists may be introduced to add
00:14:49
more depth to the story the show phase
00:14:51
builds tension and momentum driving the
00:14:54
story forward and keeping the audience
00:14:56
engaged the 10 represents the plot twist
00:14:59
or turning point of the story The Twist
00:15:02
changes everything like the direction of
00:15:04
the plot or the character's
00:15:06
circumstances it could be a sudden
00:15:08
conflict reveal or unexpected challenge
00:15:12
the goal of the 10 is to surprise the
00:15:14
audience create suspense and Propel the
00:15:17
story toward its climax in the
00:15:20
conclusion the conflicts introduced
00:15:23
earlier in the story are resolved and
00:15:25
loose ends are tied up the protagonist
00:15:28
under goes character growth or
00:15:30
transformation and the story reaches a
00:15:32
satisfying end the KET phase provides
00:15:36
closure for the audience and leaves them
00:15:38
with a sense of fulfillment if you
00:15:41
follow this framework you'll be able to
00:15:43
create a compelling story with a proper
00:15:45
start middle and end just to be clear
00:15:48
you don't have to write your manga plot
00:15:50
like you're writing a novel for a
00:15:52
16-page one shot our Mentor Rena said
00:15:56
that you should be able to fit your plot
00:15:58
into a single page maybe too if you go
00:16:01
with more details and add in dialogue as
00:16:04
well think of your plot as more like an
00:16:06
outline of what happens in your manga
00:16:08
you don't have to write each and every
00:16:10
detail in fact most mangakas just go
00:16:13
straight to the storyboard without even
00:16:15
writing a full-fledged script some
00:16:18
mangakas like hirohiko araki do spend
00:16:20
some time writing before drawing but he
00:16:23
really just makes an outline for his
00:16:24
dialogue for every page of his manga he
00:16:27
writes out all the dialogue and then
00:16:29
moves on drawing the storyboard usually
00:16:32
a lot of writing happens during the
00:16:34
storyboarding phase because manga is all
00:16:37
about visual storytelling your writing
00:16:39
and your visuals have to go hand in hand
00:16:42
they have to support each other but if
00:16:44
you're a beginner we recommend writing
00:16:47
your scenes first just so you already
00:16:49
have a plan as you go into the
00:16:51
storyboarding phase when you writing
00:16:53
don't worry about perfecting your
00:16:55
grammar and sentence structure the point
00:16:57
isn't to make a prize winning novel but
00:16:59
to set the foundation a guide for your
00:17:02
scenes at the end of the day getting
00:17:05
good at storytelling is going to take
00:17:07
time even if you feel like you're bad at
00:17:09
it it's simply another skill that you
00:17:12
can develop through constant practice if
00:17:15
you're serious about finally creating
00:17:17
your own manga and you want to develop
00:17:19
your writing storyboarding character
00:17:21
design and visual storytelling skills
00:17:24
with proper guidance and mentorship from
00:17:26
PR mangakas then we inv invite you to
00:17:29
apply to our online onot manga drawing
00:17:32
program our doors are finally open to
00:17:35
new students and we can't wait to help
00:17:37
you create your first one shot you can
00:17:40
click the link in the description to
00:17:42
book a consultation call with us to see
00:17:44
if you're a good fit again we're only
00:17:47
taking on applicants who are at least 18
00:17:50
years old in the meantime you can learn
00:17:52
how to storyboard by checking out this
00:17:55
video
![Ternyata Ini penyebab Gas LPG 3 Kg 'DIKIRA' Langka - [Metro Siang]](https://ruhnrawpgxrzdrgaohnf.supabase.co/storage/v1/object/public/images/video/LxVLP2U65WI/thumbnail.jpg)
