Don't make these LINEART mistakes

00:08:13
https://www.youtube.com/watch?v=-wK7gADHjJ0

Resumo

TLDRThe video addresses common frustrations artists face with line art, emphasizing reasons line art may look worse than the initial sketch. It provides key strategies to improve the appearance of line art, such as adjusting sketch opacity, maintaining neatness, and varying line widths. It explains how our perception influences the transition from sketch to clean lines and encourages artists to trust their sketches rather than overcorrect. The speaker reassures viewers that line art doesn't need to be flawless and even shares alternative methods for achieving desired artistic outcomes without rigid lines. The takeaway is that creating art should be a comfortable process, tailored to individual preferences.

Conclusões

  • 🖊️ Adjust sketch opacity for clarity before inking.
  • 🎨 Keep sketches neat with similar line widths to the final art.
  • ❌ Trust your successful sketches; don’t overcorrect.
  • 💪 Understand gesture drawing to enhance energy in poses.
  • 🔄 Vary line thickness for more dynamic visuals.
  • 🚫 Imperfection adds personality to line art.
  • ➗ Experiment with skipping line art altogether.
  • 📏 Lines are tools, not strict rules; use them creatively.

Linha do tempo

  • 00:00:00 - 00:08:13

    In this video, the speaker discusses common struggles with line art versus sketches, sharing personal experiences and solutions. They highlight that when transitioning from sketching to line art, artists often lose the energy and fluidity of their original sketches. The speaker suggests checking the opacity of the sketch layer and ensuring it's not too visible. They explain the Gestalt principles of visual perception, emphasizing that our brains perceive forms rather than individual strokes in messy sketches. To remedy this, they recommend creating neater sketches with consistent line widths and trusting the original sketch, rather than stiffening the line art with unnecessary corrections. Additionally, the speaker offers tips on varying line thickness to enhance the dynamic quality of line art while acknowledging that imperfections can add character, encouraging artists to embrace their unique style. Ultimately, they advocate for the idea that line art is not essential and that artists should choose the method they feel most comfortable with, even suggesting alternatives to traditional line art that maintain the integrity of the original sketch.

Mapa mental

Vídeo de perguntas e respostas

  • Why does my line art look worse than my sketch?

    It may be due to issues with line visibility or your perception of the sketch versus the clean line art.

  • How can I improve my line art skills?

    Try making your sketches neater, adjusting opacity, and varying line widths when inking.

  • Should I use thick or thin lines in my line art?

    Varying line widths can enhance visual interest; thicker lines can be used on surfaces creating shadows or for forms closer to the viewer.

  • Are clean lines essential in art?

    No, imperfections can add personality to your line art and make it feel more lively.

  • Is it necessary to do separate line art after sketching?

    No, you can clean up your sketch instead or create line art directly with shapes.

  • What is gesture drawing, and why is it important?

    Gesture drawing captures the energy and form of a pose, helping improve the overall dynamic of your line art.

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Rolagem automática:
  • 00:00:00
    why does my line art always look worse
  • 00:00:02
    in the sketch what can I do to make it
  • 00:00:03
    look better I struggled with line art
  • 00:00:05
    for the longest time and learned all
  • 00:00:07
    sorts of tips tricks and techniques to
  • 00:00:09
    improve my line art skills and I'll tell
  • 00:00:11
    you what I figured out so maybe you
  • 00:00:13
    don't have to struggle as long as I did
  • 00:00:16
    here's a scenario that might just sound
  • 00:00:18
    a little bit familiar you sketch
  • 00:00:20
    something and you actually end up with a
  • 00:00:21
    pretty nice one this one deserves to be
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    taken further so you lower the opacity
  • 00:00:26
    of your sketch make a new layer on top
  • 00:00:28
    and draw your lineer s and now that
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    you're done with your liner you delete
  • 00:00:32
    your sketch layer and oh oh no not again
  • 00:00:36
    why does it look so bad so there are a
  • 00:00:39
    lot of reasons this can happen here's a
  • 00:00:41
    quick thing you can check first is your
  • 00:00:43
    sketch layer too visible the problem
  • 00:00:45
    with your sketch layer being too visible
  • 00:00:47
    is that you might confuse it with the
  • 00:00:48
    liner I used to do this all the time
  • 00:00:52
    luckily there's a very easy fix for this
  • 00:00:54
    just make your sketch layer more
  • 00:00:55
    transparent so that you can barely see
  • 00:00:57
    it I like to make it a different color
  • 00:01:00
    entirely so I can make sure I don't
  • 00:01:01
    confuse my sketch and line art but what
  • 00:01:04
    if you already do this in fact you might
  • 00:01:06
    be thinking that this is way too obvious
  • 00:01:09
    the problem is definitely something else
  • 00:01:12
    so my sketches used to look something
  • 00:01:14
    like this there's actually a problem
  • 00:01:16
    with the sketch and I think the problem
  • 00:01:18
    is that our human brains just work too
  • 00:01:21
    well humans are fantastic at perceiving
  • 00:01:24
    patterns and organizing visual
  • 00:01:25
    information even when that information
  • 00:01:27
    is incomplete take a look at these
  • 00:01:30
    images even when there are only
  • 00:01:31
    disperate elements the human eye tends
  • 00:01:33
    to perceive it as a whole United form
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    Instead This is known as the Gestalt
  • 00:01:38
    gestal how do you pronounce this gestal
  • 00:01:43
    pronunciation this is known as the
  • 00:01:45
    gestal principles of visual perception
  • 00:01:48
    but how does that relat to the sketch
  • 00:01:50
    see when we're looking at a messy sketch
  • 00:01:52
    we generally don't perceive each
  • 00:01:54
    individual stroke Instead The Strokes
  • 00:01:56
    come together to imply a larger form
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    even if some of the lines are missing
  • 00:02:01
    unfortunately once I start doing line
  • 00:02:03
    art I was forced to actually start
  • 00:02:05
    nailing down these implied forms which
  • 00:02:07
    meant I had to understand them fully to
  • 00:02:09
    draw them and at this point any gaps
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    there were in my knowledge started to
  • 00:02:13
    make themselves very
  • 00:02:15
    apparent this was because I tended to
  • 00:02:17
    use much thinner lines for my liner so I
  • 00:02:19
    had to be way more precise so how do you
  • 00:02:22
    prevent this well one way of doing it is
  • 00:02:25
    that I started making my sketch much
  • 00:02:26
    neater and also I made sure to keep the
  • 00:02:29
    lines a similar width to the line art
  • 00:02:31
    this way you can do more of the problem
  • 00:02:33
    solving during the sketch phase when
  • 00:02:35
    it's time to do liner I can mostly just
  • 00:02:37
    Trace over the neat sketch but even when
  • 00:02:40
    I made sure to have neat sketches I
  • 00:02:42
    started encountering a different problem
  • 00:02:45
    so for example let's say I have this
  • 00:02:47
    sketch it's not too messy and it has
  • 00:02:49
    some movement and energy to it so then I
  • 00:02:51
    do some line art and it looks like this
  • 00:02:55
    what why is it so stiff so here's what's
  • 00:02:58
    happening when I'm doing line art I have
  • 00:03:00
    a tendency to try to fix the mistakes I
  • 00:03:02
    see in my sketch for example maybe it
  • 00:03:05
    seems like that the arm is bending
  • 00:03:06
    unrealistically here maybe we should fix
  • 00:03:08
    it and make it straighter but remember
  • 00:03:11
    we're artists and we don't have to make
  • 00:03:13
    everything 100% realistic in fact
  • 00:03:16
    sometimes you want to exaggerate or
  • 00:03:18
    simplify things to make them look better
  • 00:03:19
    than reality you might be surprised but
  • 00:03:22
    if you already made a successful sketch
  • 00:03:24
    try trusting it even if the lines feel
  • 00:03:26
    wrong and another thing let's consider
  • 00:03:29
    gesture drawing for a second if you're
  • 00:03:31
    not familiar gesture drawings are
  • 00:03:32
    sketches usually timed where you try to
  • 00:03:35
    capture the energy and form of a pose
  • 00:03:37
    they're Dynamic and energetic but rarely
  • 00:03:40
    have detailed Anatomy that actually
  • 00:03:42
    helps them feel more lively when you're
  • 00:03:44
    drawing lines there are some lines that
  • 00:03:46
    help the energy and others that hinder
  • 00:03:48
    it if you're not careful and draw too
  • 00:03:50
    many hindering lines you can end up
  • 00:03:52
    making the pose feel stiff or static and
  • 00:03:55
    that's actually a reason when drawing
  • 00:03:56
    action poses Anatomy is often smooth and
  • 00:03:59
    simplified way to help sell the action
  • 00:04:02
    honestly I still find this really hard I
  • 00:04:04
    think it's pretty Advanced but there's
  • 00:04:06
    nothing to do but to keep practicing it
  • 00:04:08
    but there's something you still might be
  • 00:04:10
    wondering about maybe something obvious
  • 00:04:13
    that I seem to have skipped where are
  • 00:04:15
    these lines supposed to go in the first
  • 00:04:17
    place this is actually a slightly
  • 00:04:20
    different problem I get asked questions
  • 00:04:22
    all the time about lineart when I stream
  • 00:04:24
    the way I draw I'm usually drawing lines
  • 00:04:26
    to make arts so that makes it line art
  • 00:04:29
    right right but I think what they're
  • 00:04:31
    actually asking about is draftsmanship
  • 00:04:33
    also known as well drawing and the
  • 00:04:36
    process of learning that is long and
  • 00:04:38
    convoluted to say the least but not
  • 00:04:40
    impossible as long as you keep working
  • 00:04:43
    at it what people usually mean when they
  • 00:04:45
    say line art is the process of tracing
  • 00:04:47
    over your sketch to make clean lines so
  • 00:04:49
    let's go back to that for now and see
  • 00:04:51
    what kind of things we can do to make
  • 00:04:52
    your line art look even better so one
  • 00:04:55
    tip you might have heard is to vary your
  • 00:04:57
    line width instead of having your line
  • 00:04:59
    all the same boring width you can make
  • 00:05:01
    it more exciting by making your lines
  • 00:05:03
    thicker or thinner in certain places
  • 00:05:05
    except for the most part I don't use it
  • 00:05:09
    in fact I love the look of art that uses
  • 00:05:11
    uniform linewidth all the way through
  • 00:05:13
    you can see a lot of this in some
  • 00:05:15
    animators work and I think they're some
  • 00:05:16
    of the most cracked artists out there I
  • 00:05:18
    love how their work manages to be so
  • 00:05:20
    expressive despite how minimal the line
  • 00:05:22
    work is that said linewidth can be used
  • 00:05:25
    to help make your art more interesting
  • 00:05:27
    but there is one important thing to
  • 00:05:29
    remember lines don't exist in real life
  • 00:05:32
    lines are a tool to help artists depict
  • 00:05:35
    form so there's no strict rule telling
  • 00:05:37
    you where lines should be thicker that
  • 00:05:40
    entirely depends on the artist so here
  • 00:05:42
    are some places I like to thicken my
  • 00:05:44
    lines first the areas where two surfaces
  • 00:05:47
    touch and create a very dark shadow I
  • 00:05:49
    might also make lines thicker for forms
  • 00:05:51
    that are closer to the viewer or
  • 00:05:52
    sometimes I like to thicken the lines on
  • 00:05:54
    the outside of an object to make it
  • 00:05:55
    stand out and finally when working with
  • 00:05:57
    thicker liner sometimes I like to have
  • 00:05:59
    thickness where the lines curve the most
  • 00:06:01
    think about where you would naturally
  • 00:06:03
    press harder when drawing curves you can
  • 00:06:05
    try it for yourself anyway while adding
  • 00:06:07
    line width is optional it can help make
  • 00:06:09
    your line work look more lively and
  • 00:06:11
    dynamic however adding line width can be
  • 00:06:14
    a bit tedious I have to draw over my
  • 00:06:16
    lines over and over again to get the
  • 00:06:18
    perfect thickness and it takes ages to
  • 00:06:21
    get them perfectly smooth and the
  • 00:06:23
    perfect shape but then I learned maybe I
  • 00:06:25
    don't have to do that I know there's art
  • 00:06:28
    out there that seems to to have super
  • 00:06:30
    clean perfect line art so when I tried
  • 00:06:33
    to replicate this I zoomed in all the
  • 00:06:35
    way to make sure every single Pixel is
  • 00:06:38
    perfect but I realized that when I
  • 00:06:40
    looked more closely at these pictures
  • 00:06:41
    with perfect line art it was actually a
  • 00:06:44
    lot messier than I expected to be honest
  • 00:06:47
    I really like seeing liner that isn't
  • 00:06:49
    Flawless a bit of wobble and
  • 00:06:51
    imperfection gives lines a lot of
  • 00:06:53
    personality that's the reason I never
  • 00:06:55
    actually use rulers or Circle Tools in
  • 00:06:58
    any case if you find yourself spend too
  • 00:06:59
    long on line arts remember not to zoom
  • 00:07:01
    in too far most people won't even notice
  • 00:07:04
    if individual pixels are a little messy
  • 00:07:06
    but what if despite that you still don't
  • 00:07:09
    want to do line art then don't when
  • 00:07:12
    doing digital art especially the
  • 00:07:14
    distinction between sketch and line art
  • 00:07:16
    is arbitrary anyway I think my sketching
  • 00:07:19
    is usually pretty clean so I often don't
  • 00:07:21
    bother doing a separate line art layer
  • 00:07:23
    remember what I said before lines don't
  • 00:07:25
    actually exist if you don't like line
  • 00:07:27
    art then don't do it in fact in fact
  • 00:07:29
    plenty of artists prefer to Simply clean
  • 00:07:31
    up their sketch with an eraser rather
  • 00:07:33
    than going over it again with clean
  • 00:07:34
    lines and lots of people prefer to go
  • 00:07:36
    straight in with shapes to carve out
  • 00:07:38
    their forms that's perfectly valid I
  • 00:07:41
    wish I could do that actually even if
  • 00:07:43
    you like the look of liner you can
  • 00:07:44
    always go back in and add it afterwards
  • 00:07:46
    what's important is that the process
  • 00:07:48
    feels comfy for you there's no real
  • 00:07:50
    wrong way of doing it thanks for
  • 00:07:52
    watching anyway if you ever wanted a
  • 00:07:54
    chibi pirate majima sticker a cute
  • 00:07:56
    little bunik sticker or a $6 million
  • 00:07:58
    banana of your own you can pick up some
  • 00:08:00
    stickers at my store and help support
  • 00:08:02
    the channel as well but in any case I'll
  • 00:08:04
    catch you next time
  • 00:08:07
    bye-bye oh there was a car
  • 00:08:09
    outside is it gone now
Etiquetas
  • line art
  • sketching
  • art techniques
  • visual perception
  • Gestalt principles
  • line width
  • dynamic art
  • gesture drawing
  • digital art
  • art personality