00:00:02
[Music]
00:00:16
[Applause]
00:00:17
[Music]
00:00:42
oh
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[Music]
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oh
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[Music]
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[Music]
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is
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[Applause]
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[Music]
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[Applause]
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[Music]
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[Music]
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see
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[Music]
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oh
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i am
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[Music]
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everyone always has their moments they
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deem
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important or life-altering
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most of the time we are reminded of the
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good times when we think about them
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first day of school
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regardless of what school graduation
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marriage if you really want to go that
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far or when you had your first kid
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but to really sink in and experience
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those moments
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there's always that one instance where
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you instinctively know
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you've grown up one of the more honest
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and ambitious examples of this is the
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2001 film all about lily chocho one of
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the first films to incorporate themes of
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loneliness and disconnection with the
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internet
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and yet it's a complex and mesmerizing
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movie
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about looking for salvation from all the
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ethereal monotony
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the new age has introduced the world
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while also trying to break free from
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these societal norms japan has put
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on its youth for decades
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this was the hardest thing i've watched
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for a video so far
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like when i watched this for the first
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time i had no
00:03:44
idea what the hell was going on
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fortunately that's
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not the case obviously i've watched it
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like two or three times
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but when i did find out how the film was
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constructed it was
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interesting and as i looked more into it
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fitting now all about lily chocho is
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told in a non-linear narrative but
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not in the way we all picture it not
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like films like
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pulp fiction or magnolia where it's just
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a bunch of stories connected into one
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story
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this is this is just one story one
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timeline
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it just so happens that the movie begins
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not with the first act
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but with the second act and the inciting
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incident happens midway through the film
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this is just one of a number of
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decisions made on all fronts of all
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about lily chocho which relate
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thematically to feeling disconnected
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or feeling lost just like what i was
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when i saw this film for the first time
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the film intended for me to feel that
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way a reminder that this isn't just
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any ordinary coming of age film it was
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at that moment i knew
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this this was an experience
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set in the year 2000 the actual movie
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begins with a hypnotic dreamlike
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sequence which sees our first main
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character
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let's say 14 year old yuichi with
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headphones on
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listening to music which frequently cuts
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into white text on a black screen
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this is brilliant because before we know
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anything about this dude we know he's
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the type of person who wants to be in
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his
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own space his own world and later on we
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find out why
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it's later revealed the text is a part
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of a conversation in a chat room run by
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yuichi
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who goes under the name philia
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surrounding the underground alt rock
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star lily
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chocha with philia being the name of i
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believe lily's former band or the band
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that she used to be with
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it frequently cuts between his
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conversations and his life as we are
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introduced to his family
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and the prospect of having his name
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changed and the gang of boys he hangs
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out with
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among them a boy named hoshino who
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mainly treats him like [ __ ]
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back at the chat room a new fan arrives
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named
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blue cat and talk of a new lily album is
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making the rounds but unfortunately
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back in real life when that album is
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released
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yuichi steals it from a music store and
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gets caught
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a teacher from yuichi's school saves him
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from being arrested
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and his mother only expresses
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disappointment and sports a
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boys will be boys type of attitude about
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the whole matter
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this is also where we are introduced to
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yuichi's love interest kuno
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and the school they both go to the group
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he hangs out with finds out he got
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caught stealing and he gets
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beaten up and humiliated by them life
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is pretty depressing for uiji but it
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wasn't
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always that way as we go back in time to
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one year earlier in 1999 back when
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yuichi and hoshino were good friends
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and the latter was the best student in
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their class one night oshino tells
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yuichi that
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nobody understands him to which he
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introduces him to
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lily chocho and her music fast forward
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to that summer and yuichi hoshino and a
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few friends go on a trip to the beach
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meanwhile they meet a man who seems
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genuinely happy to be there
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as he tells him it's his fourth time
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there and he
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just is a fan of nature but later that
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day they find the man again
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only he wasn't alive
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he had just jumped in front of a bus he
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died in his happy place
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things only get more scarring the next
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day when the film's inciting incident
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takes place as hoshido almost drowns at
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the beach
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this changes everybody on the trip but
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none more than hoshino
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a once bright student no longer the same
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once school starts there he attacks
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another kid who was bullying their
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classmates he pushes the desk out from
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under him
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and throws a chair at him they would
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further humiliate him after school by
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cutting off his hair and making him
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crawl in the mud
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as the days go by hoshino starts smoking
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and quits the kendo club where he was an
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avid member with uichi
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not long afterwards the year 2000
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arrives known as the
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age of gray in the chat room and hoshino
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has only gotten worse
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he blackmails a girl named suda and
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yuichi's class into what is known as
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anjokosai or to put it simply
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prostitution
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and yuichi is ordered to follow her and
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collect her money
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to which she only gets a small cut
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basically hoshino told yuichi to be her
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pimp
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on their way home suda shows how
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emotionally traumatized she's become in
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all of this in an emotional scene and
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tries to clean herself of what had
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happened with the garden hose when she
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gets home
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for a little bit we are introduced more
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to yuichi's love interest kuno as she
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becomes ostracized by her class
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as even though she's an excellent
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pianist none of her students want her to
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play and they bully her off
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the second big moment in the film occurs
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when yuichi who becomes a droid to
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hoshino's bullying
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allows for cuno to be raped while this
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happens the other girls are watching and
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laughing and yuichi is crying to the
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side
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showing how far the two have come in
00:08:45
comparison when they were still friends
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the next day yuichi meets suda again not
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sad
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or traumatized but desensitized at the
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work they forced upon her
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like yuichi and hoshino she has changed
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as well
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their conversation ends when yuichi
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gives her the cd of lily's first album
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the third act begins back in the chat
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room where yuichi admits the blue cat
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that he has thought about committing
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suicide multiple times but he couldn't
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get himself to do it
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to which blue cat responds that they
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understand
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what he's going through we cut back to
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the field
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only it's not yuichi this time it's
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hoshino
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the pieces come together we discover
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blue cat is
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hoshino now the only question is
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when will yuichi find out meanwhile we
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cut the suda walking on a field watching
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the kites above her fly in the air and
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she ends up actually messing around with
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the guys who are flying those kites as
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she ends up flying one herself
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she's always wanted to know what it felt
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like to fly like a kite
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unfortunately she tried
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the final resolution is put into place
00:09:58
when yuichi discovers lily chocho is
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playing live in tokyo but hoshino throws
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away his ticket
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so we can't go to the concert leading to
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one of the most heartbreaking scenes in
00:10:07
the film
00:10:08
where yuichi is dwarfed by the large
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screen
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in front of the venue when the concert
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ends hoshino runs into yuichi quickly
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chats with him
00:10:17
and goes on his way yuichi then screams
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at the top of his lungs that lily is
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outside prompting the fans to run back
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to the venue
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there while nobody noticed yuichi
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stabs and kills hoshino
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the true resolution of the film in this
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context by taking someone else's life
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yuichi and everyone else affected by
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hoshino
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can begin their lives all over again the
00:10:41
credits roll and more text appears on
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the screen
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all the while we see all the characters
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in that same field
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listening the lily's music a way to
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express how similar their experiences
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have been
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throughout the entire film from what
00:11:00
i've said in the plot just now there are
00:11:02
a lot of heavy topics mentioned and
00:11:04
demonstrated in the film but to really
00:11:06
understand
00:11:07
the significance of lily chocho as well
00:11:10
as why i'm talking about this film in
00:11:12
particular
00:11:13
we got to take a look at the years that
00:11:14
preceded the film's production
00:11:16
and release in 1991 at the beginning of
00:11:19
what is known as the lost decade in
00:11:21
japan caused by the collapse of the
00:11:23
country's asset price bubble
00:11:24
plunging it into an economic recession
00:11:27
that unfortunately
00:11:28
they're still feeling the effects of to
00:11:29
this day but back then it proved
00:11:32
horrible for the youth of the 90s as
00:11:34
they collectively came to a realization
00:11:36
that they're never going to rise up to
00:11:38
the standards their parents and country
00:11:40
rose them to achieve and eventually they
00:11:42
would go against the japanese people and
00:11:44
their four standards
00:11:46
leading to a wave of youth rage in the
00:11:48
90s that range from
00:11:49
bullying in schools backed by a 1996
00:11:52
study with the rates of
00:11:53
bullying in both middle and high schools
00:11:55
rose sharply
00:11:57
to arrest which is also backed by a
00:11:59
study showing the arrests in minors have
00:12:01
doubled since 1990
00:12:02
to singular incidents that i refuse to
00:12:05
not only mention
00:12:06
but show in this video because they
00:12:09
are some of the most disturbing stuff
00:12:12
i've ever read
00:12:13
in my entire life and i'm not even that
00:12:16
squeamish
00:12:17
and just talking about it to you guys
00:12:19
would just be
00:12:20
wrong like i refuse to believe some of
00:12:24
that's even real
00:12:26
but regardless this craze has gone on
00:12:28
for
00:12:29
long enough and has been going on so
00:12:31
often
00:12:32
that films were made on the teen
00:12:35
delinquency genre
00:12:36
exploring either the topic itself or the
00:12:39
factors around its relevance
00:12:40
the genre first catapulted into the
00:12:42
mainstream in 1996 with the takashi mike
00:12:45
film fudo the new generation
00:12:47
regarded as one of his more essential
00:12:49
films about a group of teenage assassins
00:12:51
the peak of this trend was the 2000 cult
00:12:53
classic battle royale
00:12:55
which is set in a dystopian future where
00:12:57
youth rage has gotten so bad
00:12:59
japanese legislation signed what is
00:13:01
known as the br act
00:13:03
and the movie pits a group of teenagers
00:13:05
against each other in a lord of the
00:13:06
flies-esque scenario all for the
00:13:08
government's enjoyment
00:13:10
and after a 1998 study came out which
00:13:12
states
00:13:13
that 152 students committed suicide
00:13:16
during the calendar year
00:13:17
director sion sono got the idea to make
00:13:19
the 2001 film suicide club
00:13:22
which revolves around a suicide cult
00:13:23
full of school children
00:13:25
and the adults who passed it off as a
00:13:26
fad popularized by the media
00:13:29
and right from the opening scene you
00:13:30
could tell how insane this film is
00:13:33
and again i'm not gonna say it
00:13:36
because i care about you guys hell if
00:13:38
you go farther down the rabbit hole
00:13:40
there's even a fair amount of anime
00:13:42
which also touches on this topic
00:13:43
thematically in a way like evangelion
00:13:47
veiled up by a very thin thread and
00:13:50
one of the more iconic ones that pop up
00:13:52
in my mind especially when it comes to
00:13:54
how teenagers think and their
00:13:56
development
00:13:57
fully coolly nothing amazing happens
00:14:00
here
00:14:01
everything is ordinary meanwhile as the
00:14:04
late 90s crept around the corner
00:14:06
technology played a bigger part of
00:14:08
society as well as the ramifications of
00:14:11
its use in everyday life
00:14:13
would be taken advantage by jayhorr
00:14:15
creating a sub-genre known as
00:14:17
techno-horror
00:14:18
starting with the 1998 classic ringu
00:14:20
about a haunted videotape and that one
00:14:22
scene with the tv and joon the grudge
00:14:30
[Applause]
00:14:35
i don't know how they pulled that off
00:14:36
but that's badass the use of technology
00:14:38
would take
00:14:39
a more existential angle on the 2001
00:14:42
horror film pulse
00:14:43
directed by kiyoshi kurosawa the film
00:14:45
follows two different plot lines of two
00:14:47
people who find their friends have
00:14:48
either gone missing
00:14:50
or have gone into states of depression
00:14:51
after using their computers the source
00:14:53
from one story a floppy disk
00:14:55
and the source for the other a new isp
00:14:58
or internet
00:14:59
service provider new internet after
00:15:01
years of films made either acknowledging
00:15:03
the situation exists
00:15:04
and or profiting off of it pulse feels
00:15:07
like the first film which offers
00:15:09
audiences some insight as to why it's
00:15:11
still around
00:15:12
in a way it's a psa about the dangers of
00:15:14
the internet and technology disguised as
00:15:17
a horror film
00:15:18
but eight months after the film's
00:15:20
release all about lily chocho was
00:15:22
released into theaters and would end up
00:15:23
serving as the antithesis of what pulse
00:15:26
stands for
00:15:27
instead of the internet being the cause
00:15:29
of the damage the movie also
00:15:31
shows it works as a possible solution
00:15:34
something these kids can go
00:15:35
and feel safe and be away from the real
00:15:38
world which is which was becoming more
00:15:40
dangerous by the year
00:15:41
which leads me to the reasons why i'm
00:15:43
talking about this film
00:15:44
first off i have never heard anybody
00:15:47
talk about this movie granted it's a
00:15:48
comic of age film and all the other
00:15:50
films i just mentioned were thrillers
00:15:52
and horror films
00:15:53
but thematically they come from the same
00:15:54
place and out of all these films
00:15:57
this one in my opinion has aged the best
00:16:01
because all those other films were
00:16:03
mainly made for
00:16:04
japanese audiences when you look under
00:16:06
the surface of just a cult
00:16:08
genre classic lily chocho touches on
00:16:11
themes of
00:16:11
violence isolation and disconnection in
00:16:14
a more general way
00:16:15
which where it appeals to more than just
00:16:19
a japanese audience a trend which would
00:16:21
continue
00:16:22
in the decades to come throughout many
00:16:24
different platforms especially
00:16:26
anime where easily the the first thing
00:16:29
that pops into my mind
00:16:30
are the films of makoto shinkai
00:16:33
someone who probably was inspired by a
00:16:36
number of aspects
00:16:37
of this movie especially when it came to
00:16:39
technology
00:16:40
uh disconnection i'm getting some garden
00:16:42
of words vibes
00:16:43
if i'm going to be completely honest
00:16:45
with you here the music was a
00:16:46
collaborative effort between
00:16:48
the director shunji iwai singer
00:16:50
ayakomori aka
00:16:52
salyu who hadn't made her debut at the
00:16:54
time and music producer takashi
00:16:56
kobayashi who worked with ewy before
00:16:58
on a previous film singles were being
00:17:01
released in april 2000 and
00:17:03
salyu who went under the name of lily
00:17:05
chojo would perform
00:17:06
on the music show's heihei hey music
00:17:09
champ on june 19th
00:17:11
and music station four days later on
00:17:13
june 23rd
00:17:14
in the film's universe lily released her
00:17:16
debut album erotic in 1998 and her
00:17:19
second album
00:17:20
kokyu or breath the following year while
00:17:23
in actuality
00:17:24
kokyu is her debut record and was
00:17:26
released a week and a half
00:17:27
after the film did and a couple of years
00:17:29
later the
00:17:30
track healing wounds would be used in
00:17:33
the tarantino film kill bill volume 1
00:17:35
although if you try to find it in the
00:17:37
film soundtrack
00:17:38
it's nowhere to be found
00:17:47
[Music]
00:17:52
[Laughter]
00:17:53
[Music]
00:17:57
since then the lily chocho name has
00:17:59
rarely been used until
00:18:01
2010 when the digital single ether was
00:18:03
released
00:18:04
but ever since salyu would debut under
00:18:06
her own name in 2004 and has since been
00:18:08
performing lily chocho songs live
00:18:11
and is pretty open with having it be a
00:18:13
part of her discography
00:18:20
the idea for the film was first
00:18:21
conceived in april of 2000
00:18:23
the same time the film's story is set
00:18:26
when ey created a fake
00:18:28
message board called lily holick where
00:18:30
he would post fake messages to each
00:18:31
other
00:18:32
and fans on the of the site can respond
00:18:34
to the messages that were posted so far
00:18:36
on a bulletin board system
00:18:38
after the main incident of the film
00:18:39
occurred the site was taken down the
00:18:42
only place where you can read the novel
00:18:43
is on a cd
00:18:44
but it's only been released in japan
00:18:48
four months after the internet novel
00:18:49
began production on the film began
00:18:51
and concluded in late september of 2000
00:18:54
more info is posted on the film's
00:18:55
official website but unfortunately when
00:18:57
you go there now
00:18:58
you're reminded that flash is dead but
00:19:01
when the site was up apparently you
00:19:02
could read a couple of fake news
00:19:04
articles which directly connect to the
00:19:05
climax of the film
00:19:07
in the movie the messages give off the
00:19:09
idea that a the ether is everywhere as
00:19:11
seen by how the messages are
00:19:13
interspersed throughout the film
00:19:14
and b the rock star lily chocho is the
00:19:17
either
00:19:18
personified something which was hinted
00:19:20
on in that first conversation when many
00:19:23
lily fans say
00:19:24
she is exactly that because she was born
00:19:26
on the exact day
00:19:28
and the exact time on december 8 1980
00:19:32
at 10 50 p.m when john lennon was
00:19:35
assassinated
00:19:36
and they say jon had the ether which is
00:19:38
described in the film as the fabric of
00:19:40
the universe
00:19:40
and the many emotions one feels every
00:19:42
day like hope or despair
00:19:44
this is also further proven by how much
00:19:46
lily's music is played throughout the
00:19:47
film's
00:19:48
two and a half hour run time at the time
00:19:51
of the film's release ewy
00:19:52
was the first japanese director to use
00:19:54
an entirely digital video camera the
00:19:56
since discontinued sony hdw
00:19:59
f900 also known as a cine alta camera
00:20:02
which replicates many of the features of
00:20:04
a
00:20:05
35 millimeter film camera and it was
00:20:07
thought
00:20:08
ey was inspired to do this after seeing
00:20:10
his friend fellow director hideaki anno
00:20:13
use digital in his live-action debut
00:20:15
love and pop which was released in 1998.
00:20:18
it's the choice of camera and the
00:20:20
cinematography by nomadu shinoda
00:20:22
which adds to the overall feel of the
00:20:24
movie and the dreamy rhythm thanks to
00:20:26
the film's use of long shots
00:20:28
and wide angle shots so much so that
00:20:30
every time there was a wide angle
00:20:32
close-up
00:20:32
it felt like i was watching a terence
00:20:34
malik movie before terence malik adapted
00:20:36
that style
00:20:37
which adds on to the notion this film is
00:20:39
mostly handheld and if isn't
00:20:42
the framing is still gorgeous it pairs
00:20:45
well with the smart editing by yoshiharu
00:20:47
nakagami which is also
00:20:48
pretty rhythmic and goes well with the
00:20:50
rebellious nature of the film
00:20:51
just oozes out in practically every
00:20:53
chance they get
00:20:54
cutting at key moments after long shots
00:20:56
to give off that attitude while also
00:20:59
other sequences are shot like music
00:21:01
videos cutting to the rhythm
00:21:03
of the music in order to show how
00:21:05
connected those characters are
00:21:07
to lily's music
00:21:13
going back to what i said earlier the
00:21:14
film sticks out among the other films
00:21:16
which cover the topic of youth rage
00:21:19
while it doesn't propose a solution to
00:21:21
the problem it still puts in more effort
00:21:23
for the long haul
00:21:24
and acknowledges it for what it is a
00:21:27
problem
00:21:28
while clearly on a different scale there
00:21:30
is a widespread problem right now with
00:21:31
kids and high schoolers especially
00:21:34
experiencing a sense of
00:21:35
disconnect with themselves and their
00:21:37
friends after spending over a year
00:21:39
in front of a computer screen giving
00:21:41
them this false sense that this is what
00:21:43
the real world is like
00:21:44
and it's made to [ __ ] them over among
00:21:47
other things especially for the ones who
00:21:49
just graduated and are gonna go out into
00:21:51
that real world
00:21:53
fortunately there are a bunch of people
00:21:55
especially in middle school in high
00:21:57
school who have found ways to
00:21:58
cope with how everything is set up but
00:22:02
unfortunately it's not everyone this is
00:22:04
also one of the reasons why i decided to
00:22:06
talk about this movie
00:22:08
not only do more people need to see it
00:22:10
because it's a great movie but given the
00:22:12
climates
00:22:12
and struggles today's youth us are
00:22:16
struggling with now that we're at the
00:22:18
tail end of the pandemic
00:22:20
it's a movie i think personally a lot of
00:22:23
people can benefit from watching
00:22:25
in short all about lily chocho is
00:22:27
essential for today's isolated world
00:22:29
because it tells teens what they're
00:22:31
feeling is normal
00:22:32
and gives adults an idea of what is
00:22:34
going on in their kids heads
00:22:36
the only things i could say the film
00:22:38
misses the mark on is is a couple of
00:22:39
times where it felt like ey
00:22:41
was a tad too ambitious with the camera
00:22:43
regarding the 180 rule
00:22:45
but it did next to nothing to break me
00:22:46
away from the experience
00:22:48
overall although the film has a
00:22:50
non-linear structure that may be
00:22:52
intimidating on a first
00:22:53
watch the story is easy to follow and
00:22:55
was compelling enough to keep me
00:22:57
interested throughout its
00:22:58
two and a half hour run time it's
00:23:01
moments like this why i really latch
00:23:03
onto movies and just ones that
00:23:06
especially
00:23:07
cover topics like this not only does it
00:23:09
give platforms for people like ey to
00:23:11
make these
00:23:12
grand resourceful energetic forms of
00:23:15
artistic expression
00:23:17
but when done right we can experience
00:23:19
what goes on in the minds of someone
00:23:21
else completely different
00:23:23
and in this case gives reassurance to
00:23:26
people like this and basically tells
00:23:27
them
00:23:28
hey i know what you're going through
00:23:30
only it does more than that
00:23:33
in this case all i can merely do is
00:23:36
say it is just say that's what the film
00:23:39
does
00:23:41
but with all about lily chocho no matter
00:23:43
who you are
00:23:45
or what's on your mind the moment you
00:23:46
press play
00:23:48
it's more than just a set of words
00:23:52
it's ethereal my name is payne and this
00:23:56
was all about lily chojo
00:24:06
i wanna be
00:24:19
[Applause]
00:24:19
[Music]
00:24:24
i wanna be
00:24:32
[Music]
00:24:36
i wanna be
