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in this video I'd like to talk about the
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last four stanzas of John Duns poem a
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valediction forbidding morning and as we
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pick it up here John Donne writes to his
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beloved to his wife our two souls
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therefore which are one though I must go
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and you're not yet a breach but an
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expansion like gold to Airy thinness
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beat now the idea here is that we start
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with this kind of paradox another
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paradox and in this case John Donne is
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saying that's they are truly one and yet
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they have two separate souls the idea is
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that as they separate from each other
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their souls are are going to remain
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connected to each other and he compares
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this to gold so if we have a block of
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gold and we kind of work with it and we
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beat it then it doesn't break okay it
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doesn't cause a breach but instead
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there's an expansion so the goal just
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gets thinner and thinner and thinner but
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it's still connected and in the same way
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as John Donne and his wife there leave
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each other as their souls are separate
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they are still connected in this goal
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that just keeps on stretching and gets
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thinner and thinner this connects back
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again to that notion of alchemy which we
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talked about in previous videos and gold
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is often seen as the noblest metal so
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again that ties in with this notion that
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their love is noble and special it's not
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just like any other metal and then
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finally the alchemical symbol symbol for
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gold is a circle with a dot in the
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middle and not two ties in I think with
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a lot of the symbolism or with a lot of
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the metaphors in this poem this notion
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of for instance the earth is surrounded
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by these spheres that go around it we
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can also think of a ring let's say a
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ring signifies an eternal kind of love
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it signifies infinity and in the same
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way gold the symbol for gold signify
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something similar okay so quite a
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beautiful stanza
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here and John Donne expands on this
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notion of how their love is
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interconnected despite distance in the
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last three stanzas and this is where he
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introduces the image of a compass
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now before we read this I want to show
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you a different picture here so bear
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with me here this is from an emblem book
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so this is George Withers a collection
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of emblems ancient and modern and these
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kinds of books were very popular in the
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Renaissance these are books where they
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had a picture an illustration like this
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and it symbolized something nature stood
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for something greater you could read
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nature in a way so that nature was
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symbolic of a larger meaning what you
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can see here is that we have these two
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ideas Constance constancy and labor and
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they're being related here to the image
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of a compass now there are two kinds of
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compasses that we can think about when
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we hear the word compass the one is a
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navigators compass which is where you've
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tried to figure out which way is north
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and then we also have this kind of
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compass which lets you draw circles you
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may remember these from elementary
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school perhaps and they're often called
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dividers or drafting compasses and as
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you look closely here you can see that
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there's a kind of circle being drawn
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with this so let's zoom in a little bit
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to the poem that goes with this and this
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is from 1635 so it's after the time when
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John Donne wrote the poem but a lot of
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the language is surprisingly similar and
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it's quite fascinating how the the two
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writers are bringing out similar ideas
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so we'll pick it up here and it says
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here for asked to draw a circle with our
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hand we cause the brazen compasses to
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stand and brazen here means made of
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brass with one foot firmly fixed on the
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ground and move the other in a constant
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round so the one foot of the compasses
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is standing firmly and the other one is
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moving around constantly you can see how
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the idea of constancy of staying the
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same
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is related to drawing a circle the poet
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continues right so when we shall purpose
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to proceed in any just and profitable
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deed we first stood by a constant
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resolution stand firm to what we put in
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execution and then with perseverance
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labor out those workings which we are
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employed about so the two ideas of
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constancy and labor are related if you
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work hard if you if you are constant to
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your task and your show resolution then
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you're going to create a perfect circle
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you're going to create something
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beautiful and perfect if we go back to
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our poem now we have a very similar idea
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here John Donne is saying that his wife
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is the one foot of the compass and that
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foot is firmly planted he is the other
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foot and maybe you will draw this in the
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way that it's often used in let's say
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elementary school so you may remember
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these kinds of dividers where your your
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little pencil is stuck to the one leg
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and then at the very top you know you
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got this little thing here you can
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adjust it a bit and maybe there's
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something that ties it two together so
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John Donne himself is over here he is
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this leg and his wife is the fixed foot
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and she's not going to move so he says
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if they they being the two Souls if they
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be one sorry if they be - they are - so
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as stiff twin compasses are - and by
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stiff - encompasses he means the two
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legs of the of the the compass the I saw
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the fixed foot so that's this one that's
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the wife makes no show to move but death
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if the other do so if John Donne if his
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leg starts to move further out right so
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if we want to make a bigger circle then
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we can go like this and we can make a
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circle like that there we go let's draw
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a circle in the background so if if John
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Donne is trying to make a bigger circle
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if he's going further away then
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obviously his wife this leg of the
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compass
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is going to move after him and she only
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moves when he moves so the I saw the
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fixed foot makes no show to move but
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death move if the other do and though it
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in the center sit right in the center of
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the circle yet when the other far death
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Rome the other foot is far away it leans
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and hearkens after it and there again we
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can see that notion at the the one leg
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of the compass is leaning towards the
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other one and grows erect as that comes
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home now erect here does not have any
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sexual connotations erect here means
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straight up so as this leg comes home
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again right then sorry as this this
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right leg comes home then we're gonna
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have the one leg much much straighter up
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it's gonna look more like that okay and
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the one leg is gonna return home alright
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so this is getting a little bit messy
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but I hope you can see what this compass
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image is all about then we get to the
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final stanza and this one reads reads
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such wilt thou be to me who must like
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the other foot right this this foot
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that's way out
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oblique Li run and obliquely here means
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on an angle there my circle just and
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just in this case has more the sense of
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perfect
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it's it's a good circle so thy firmness
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the fact that you're not wobbling you're
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not you're not nervous you're not
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trembling you're just firmly planted
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makes my circle just and there you can
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see that sense of constancy that we also
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saw in the emblem book that we just
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looked at this sense that there is no
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trepidation right if we think about
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early in the poem we had this notion
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that there was trepidation of the sphere
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spheres and we saw that that was
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referring to something in the heavens
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but that's also a pun it's a play on
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words on this sense of nervousness on
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wobbling on wavering and by contrast now
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we finish with a sense of firmness
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there is no wavering thy firmness makes
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my circle
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just now as we look back we can also
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start then to see that perhaps roaming
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could have a negative connotation if you
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roam maybe you're straying but maybe
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you're flirting with somebody else
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and it's almost as if John Dunn's wife
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is like you know following after him and
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making sure that he stays on the right
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path but maybe that's reading too much
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into these last lines and so he says and
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makes me end where I begun so as the the
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compass starts out and it draws a circle
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all the way around then at the end this
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leg is going to come back into the
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center and we're gonna have the too
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close together again and the journey is
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finished some critics have objected to
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this last little bit though even though
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it has this one wonderful sense of
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circularity and the whole poem now feel
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circular there's something not quite
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right about this image because it's
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really mixing up two things it's mixing
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up drawing a circle with its sense of
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perfection and then it's also thinking
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more about this this radius here right
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the sense of the the line that draws him
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back home because now he's not just
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drawing a perfect circle but he's
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actually coming back home into the
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middle and some critics have felt that
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the two ideas this notion of circular
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motion versus what might be called
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rectilinear motion so in a straight line
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rectilinear that the two are
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contradictory and some people have found
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a way to reconcile this by saying well
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maybe what's actually happening here is
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he's not thinking just of circles in
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rectilinear motion but he's thinking of
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the classic spiral so if we think of a
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spiral and we start in the middle and we
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just keep going then the spiral tradish
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traditionally is seen as the perfect
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reconciliation of these two forms of
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motion of rectilinear motion and
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circular motion and that could be one
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way in which we can kind of make sense
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of this but I don't know that you
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necessarily have to I think John Donne
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is quite content
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creates these startling images that
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shock that that make you think that
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maybe jostle with each other
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and sometimes maybe it's not perfectly
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executed but it really does create a
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sense of fireworks a kind of
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intellectual demonstration hopefully
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that makes some sense of the poem
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hopefully if I find it a beautiful
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intricate and really complex poem
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there's so much more we could say about
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this poem but I think hopefully this
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gives you a good introduction