00:00:00
learning Anatomy is hard right eh it
00:00:05
depends you can certainly make it harder
00:00:07
for you by diving head first into muscle
00:00:09
groups without having a solid foundation
00:00:12
or take care of set Foundation First so
00:00:15
that drawing the actual musculature
00:00:17
becomes a breeze so in this video I'm
00:00:19
going to share with you an easy process
00:00:21
that got me from this to this spoiler
00:00:25
it's manne caniz let's
00:00:28
go all right let's address the elephant
00:00:31
in the room first proportions and I'm
00:00:34
going to use our trusty Stickman for
00:00:37
this first and I could tell you you know
00:00:39
to follow the plethora of tutorials and
00:00:42
guides that tell you that an ideal male
00:00:44
body is eight head stall and blah blah
00:00:47
blah blah blah uh I'm not going to do
00:00:49
that instead I'm going to go against
00:00:51
current and tell you that the only
00:00:53
proportions you really want to care
00:00:56
about at least for humans are crouch in
00:00:58
the middle knee Midway through a leg
00:01:02
elbow Midway from shoulder to wrist and
00:01:05
that's it why well because chances are
00:01:09
you're going to morph your figures
00:01:10
depending on gender body type age and
00:01:13
even style like if you draw anime
00:01:15
characters you're probably not going to
00:01:17
make them eight heads tall right
00:01:19
especially not girls right also most of
00:01:22
these hard R proportions are going to
00:01:25
fall short once you introduce the
00:01:26
almighty and scary for sure
00:01:31
we're not going to dive into that right
00:01:33
now since it's a topic for a whole
00:01:34
separate video but do realize how little
00:01:37
these hard rules apply to actual
00:01:38
illustration like take this one like the
00:01:41
hand is huge but it's still
00:01:43
[Music]
00:01:45
correct so with that out of the way the
00:01:48
one most important aspect you need to
00:01:51
consider is making the character solid
00:01:56
I'm going to use a box for the head a
00:01:58
box for the chest and and one for the
00:02:00
pelvis then I'm going to add cylinders
00:02:03
for neck connecting the Torso arms
00:02:08
legs and then finally some wedges for
00:02:11
hands and feet just to keep them very
00:02:13
very very
00:02:15
simple please notice I did not do this
00:02:21
this is flat and it never happens you
00:02:24
always always see perspective even if
00:02:27
you are right in front of the character
00:02:30
and this one is the most basic character
00:02:33
you can draw you have to start here if
00:02:36
you can't draw this mannequin please
00:02:38
don't try to add anything on top of your
00:02:40
frame because it's really not going to
00:02:42
work out so let's talk about some key
00:02:44
points notice that the rape cage form
00:02:46
needs to move with the shoulders more or
00:02:48
less so don't make the top box too big
00:02:52
this is not the actual size of a rape
00:02:53
cage which is this it's just a
00:02:56
simplification that I made then relative
00:02:59
position
00:03:00
when you study reference be mindful of
00:03:02
the various positions of the limbs uh
00:03:06
especially of joints like you want to
00:03:08
know what the wrist is or at least where
00:03:09
the hand is the hips knees feet elbows
00:03:13
please don't break your characters
00:03:15
female figures obviously have slightly
00:03:17
different proportions you want to edit
00:03:19
the box of the chest a little bit add
00:03:21
some protrusion unless the preference is
00:03:23
Zia of course and usually the shoulders
00:03:26
are slightly narrower and the hips a bit
00:03:29
wider
00:03:30
just bear in mind the main masses are
00:03:32
head chest and
00:03:35
pelvis actually I found that some people
00:03:38
have trouble figuring out the
00:03:39
orientation of the lymphs you know
00:03:41
because they're cylinders and if this is
00:03:44
the case for you you can absolutely swap
00:03:47
those for more boxes like something like
00:03:50
this it's really just a matter of
00:03:52
preference and how sensitive you are at
00:03:54
figuring out orientation and now let's
00:03:57
see real quick how this applies to
00:03:58
actual figures
00:04:06
[Music]
00:04:14
at this point you're probably thinking
00:04:16
Nemo you amazing Godlike artist I want
00:04:20
to draw actual characters not
00:04:23
mannequins all right all right my
00:04:26
impatient friend let's use something
00:04:29
slightly more more complicated for the
00:04:30
head I still want to show side and front
00:04:33
cuz that's really important then I'm
00:04:36
going to modify the box of the rape cage
00:04:38
with something a little more like a vest
00:04:41
I guess use a sort of underwear shape
00:04:44
for the pelvis and edit some of these
00:04:48
cylinders into drumsticks or in general
00:04:51
making them you know slightly more
00:04:53
organic feeling obviously real people
00:04:56
have elbows and knees so for now I'm
00:04:59
going to to put a box or maybe just even
00:05:01
a line in place cuz I want to show the
00:05:04
orientation of the joint cuz bear in
00:05:06
mind these are both hinges so they can
00:05:10
only move in One Direction they can only
00:05:11
Flex up and down but while you can
00:05:15
usually align the elbow box with the
00:05:17
forearm because that's basically part of
00:05:19
the Ona the kneecap is kind of free
00:05:23
floating let's say actually it really is
00:05:26
floating in front of leg so usually I
00:05:28
just thr it in a in between position
00:05:30
between the two parts of the leg
00:05:32
obviously let's not forget about hands
00:05:34
and
00:05:38
feet and it's easy enough to connect the
00:05:41
waist since well we're you still using
00:05:44
some sort of boxy form so that's easy
00:05:46
enough and lastly let's not forget the
00:05:49
ball
00:05:50
joints uh not not there um I'm talking
00:05:55
about shoulders and hips come on for
00:05:56
shoulders I like to merge the ball of
00:05:59
the joint with with the upper arm just
00:06:00
cuz I like the for more but I prefer to
00:06:03
keep the hips to leg joint separate
00:06:06
because for some reason it just feels
00:06:07
like I'm stiffening the pose too much if
00:06:10
I merge them so key points about this
00:06:13
the drumstick of the form ends in a box
00:06:17
and the same can be said for the lower
00:06:20
leg make sure you do this because it's
00:06:23
going to be fundamental especially for
00:06:25
the wrist also speaking of the lower leg
00:06:27
you do want to add a bit of a curve to
00:06:29
it because otherwise the whole figure is
00:06:32
going to stiffen up a lot this curve of
00:06:35
the tibia which is the main bone of the
00:06:38
lower leg is actually really important
00:06:40
for gesture you can use a box for the
00:06:42
knee as well especially where it's bent
00:06:45
but really the most important thing here
00:06:47
is the
00:06:49
orientation and do separate hands and
00:06:52
feet from forearm and lower leg because
00:06:55
otherwise it's going to look strange
00:06:58
again you can just merge them with a
00:07:00
little bit of a squishy in between form
00:07:03
so that it does look like there is a
00:07:04
joint in there okay let's see some of
00:07:06
these in action
00:07:13
[Music]
00:07:38
and that's probably as far as you want
00:07:41
to go for a long time and trust me if
00:07:45
you can draw this then it's really just
00:07:48
about studying the main muscles one by
00:07:50
one and laying those secondary and even
00:07:53
tertiary forms on top like literally you
00:07:56
you can just add them on top nothing
00:07:58
else it's going to be so much easier of
00:08:03
course you can come up with your own
00:08:05
version of The Mannequin as you learn
00:08:07
more but if you have trouble remembering
00:08:09
all of these I actually made some
00:08:10
convenient cheat sheets that you can
00:08:12
download in the video description of
00:08:13
course it's free as always don't worry
00:08:16
about that but in general what do you
00:08:18
think about these like have you tried
00:08:20
simplifying the body so far do you have
00:08:23
a favorite method of maniz or what other
00:08:27
issues did you have when stunning
00:08:28
Anatomy let me know in the comments
00:08:29
ments down below and hopefully it's
00:08:30
going to be material for another video
00:08:32
but remember the body is squishy it's
00:08:35
made mostly of water so try to get past
00:08:38
the heart for mannequins as soon as you
00:08:41
can and
00:08:43
organifi
00:08:45
organ
00:08:46
organic organize make the forms look
00:08:49
more organic okay and if you're still
00:08:52
lost and need some extra help you might
00:08:54
want to check out my mentorship program
00:08:56
which is 101 and tailor to your specific
00:08:59
needs and where you are in your art
00:09:01
Journey link on screen now and in the
00:09:03
video description all right that's all I
00:09:06
got for you today go drawing now