No One is Buying it

00:12:33
https://www.youtube.com/watch?v=Woi83uJFxzM

Summary

TLDRThe video explores the resurgence of online piracy as streaming services become more expensive and less user-friendly. It reflects on the golden age of piracy in the 2010s, where platforms like BitTorrent and Limewire thrived. The speaker shares personal experiences with piracy, emphasizing its convenience compared to purchasing content. As streaming services cut costs and cancel shows, users are returning to piracy, which is seen as a response to the industry's failures to provide accessible content. The video also discusses the financial implications for companies like Netflix and the broader Hollywood industry, highlighting the challenges they face in a changing market.

Takeaways

  • 📈 Online piracy peaked in the 2010s with platforms like BitTorrent.
  • 💻 Streaming services are becoming more expensive and less user-friendly.
  • 🔄 Users are returning to piracy as a response to streaming service failures.
  • 🎶 Piracy was once a convenient way to access music and movies.
  • 📉 Netflix and other services are cutting costs and canceling shows.
  • 💡 Consumers treat Netflix as a necessity, while other services are luxuries.
  • 💰 The streaming industry faces significant financial challenges.
  • 🔗 Mergers may be the future for struggling streaming services.

Timeline

  • 00:00:00 - 00:05:00

    The video discusses the resurgence of online piracy, particularly in the context of the 2010s being a golden age for it, with platforms like BitTorrent and Limewire dominating internet traffic. The speaker reflects on personal experiences with piracy, highlighting the convenience and thrill of accessing content for free, while also noting the moral dilemmas that come with it. As streaming services have become more expensive and less user-friendly, piracy is making a comeback, as consumers seek easier access to content.

  • 00:05:00 - 00:12:33

    The narrative shifts to the impact of streaming services on piracy, noting that while these platforms initially provided a convenient alternative, their rising costs and content restrictions have driven users back to piracy. The speaker emphasizes that Netflix, in particular, has adopted a strategy of canceling shows that do not attract new viewers, which may undermine brand loyalty. The video concludes by discussing the broader implications for Hollywood studios, which are struggling to adapt to the changing landscape and the potential for mergers in the streaming industry.

Mind Map

Video Q&A

  • What caused the decline of online piracy?

    The rise of streaming services like Spotify and Netflix provided easier and safer access to content.

  • Why is piracy making a comeback?

    As streaming services have become more expensive and less user-friendly, users are returning to piracy for convenience.

  • What was the peak of online piracy?

    In the 2010s, piracy peaked with platforms like BitTorrent accounting for a significant portion of internet traffic.

  • How do streaming services impact piracy?

    When content is removed from streaming platforms, piracy for that content often increases.

  • What is Netflix's strategy regarding piracy?

    Netflix aims to produce content faster than traditional studios can adapt, viewing piracy as a challenge to legacy studios rather than themselves.

  • How do consumers view streaming services?

    Many consumers treat Netflix as a necessity, while other services are seen as luxuries.

  • What are the financial challenges for streaming services?

    Streaming services face pressure to be profitable, leading to cost-cutting measures and content cancellations.

  • What is the future of streaming services?

    The industry may enter a phase of mergers as companies struggle to maintain profitability.

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  • 00:00:00
    The first one is from how money works
  • 00:00:02
    and it's called online piracy's great
  • 00:00:05
    comeback. I like how money works because
  • 00:00:07
    they left a comment on one of my videos.
  • 00:00:09
    Actually they put me in a video and then
  • 00:00:10
    when I reacted to that video they said
  • 00:00:12
    this. Big A reacts to a video featuring
  • 00:00:14
    Big A. This is what we call the circular
  • 00:00:16
    economy.
  • 00:00:18
    It seems like when you guys talk 99% of
  • 00:00:21
    you are frequent pirates.
  • 00:00:24
    Seems like maybe this will be relevant
  • 00:00:26
    to you. The 2010s were the golden age of
  • 00:00:29
    piracy. True. Bit Torrent accounted for
  • 00:00:30
    a third of all internet traffic.
  • 00:00:32
    Limewire had more monthly users than
  • 00:00:34
    Facebook and the Pirate Bay was the only
  • 00:00:36
    video store in town. [ __ ] love the
  • 00:00:38
    Pirate Bay in college. I got textbooks
  • 00:00:41
    on it. I got every movie that I couldn't
  • 00:00:43
    afford on it. I got music on it. It's
  • 00:00:45
    still going. Yeah, but it's just a pain
  • 00:00:47
    in the ass now. Piracy is not convenient
  • 00:00:50
    enough. Plus, every day I think like,
  • 00:00:52
    how am I helping a CEO's bottom line?
  • 00:00:54
    And if I don't do enough, I feel shame.
  • 00:00:56
    So some days if I do pirate a show, I'll
  • 00:00:58
    just mail a check to like Universal
  • 00:01:01
    Studios CEO or something. Actually, I'll
  • 00:01:02
    tell you what I pirate. I pirate the NBA
  • 00:01:06
    because the [ __ ] of the NBA haven't
  • 00:01:09
    figured out the basic truth that you
  • 00:01:11
    have to make it at least somewhat easy
  • 00:01:13
    to watch your product. I'll pay. I'll
  • 00:01:15
    even [ __ ] pay. But you make it so dog
  • 00:01:18
    [ __ ] difficult and confusing and have so
  • 00:01:20
    many loopholes and rules that I have to
  • 00:01:22
    go to Stream East cuz I can just click
  • 00:01:24
    and watch it. So annoying. Figure it
  • 00:01:27
    out. My god. At its peak, 95% of all
  • 00:01:30
    music downloads were pirated because it
  • 00:01:32
    had become cheaper and above all else,
  • 00:01:34
    an easier way to fill up large digital
  • 00:01:36
    libraries that were being made possible
  • 00:01:38
    by cheap digital storage. Bro, getting
  • 00:01:40
    your first iPod and filling that [ __ ] up
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    with pirated music. You'll never
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    understand. You never understand how it
  • 00:01:48
    felt like I was a god.
  • 00:01:51
    I felt like I cracked the system. I felt
  • 00:01:53
    like I had just beat the wholeing
  • 00:01:56
    Matrix. No one could stop me. Man, that
  • 00:01:58
    was a rush. Instead of having to ask
  • 00:02:00
    your parents for money to buy a CD and
  • 00:02:03
    getting songs you didn't even like, you
  • 00:02:05
    could get all the songs you wanted on an
  • 00:02:06
    iPod Go Anywhere and download them for
  • 00:02:08
    free. It was insane. The only problem
  • 00:02:09
    was I remember people would just label
  • 00:02:11
    everything wrong. You'd be on a Torrent
  • 00:02:13
    website or you'd be on Lime Wire and
  • 00:02:15
    you'd be like, I want to download the
  • 00:02:16
    new Eminem album. It would be something
  • 00:02:18
    it would be Britney Spears or something.
  • 00:02:19
    It would just be something different.
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    They would just always And then I'd
  • 00:02:21
    listen to Britney Spears. cuz that [ __ ]
  • 00:02:22
    was
  • 00:02:24
    every illegal torrent or file would name
  • 00:02:27
    it wrong. They would spell the band name
  • 00:02:29
    wrong or they would spell the song name
  • 00:02:31
    wrong and you'd have it all in your
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    thing and you'd have to go through if
  • 00:02:35
    you cared you'd have to go through and
  • 00:02:37
    like rename and yeah it' be like perk
  • 00:02:40
    and you'd download different albums at
  • 00:02:42
    different times. So like on your iPod
  • 00:02:44
    you'd be like scrolling to find Lincoln
  • 00:02:46
    Park. But if I wanted to listen to numb
  • 00:02:48
    well that's under Lincoln Pork.
  • 00:02:51
    Like I'd have four different Lincoln
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    Parks in my iPod cuz they were named
  • 00:02:55
    different from different torancets that
  • 00:02:56
    I downloaded. Since 2015, peer-to-peer
  • 00:02:58
    file sharing has collapsed in
  • 00:03:00
    popularity. And you might think you
  • 00:03:01
    already know why. Streaming services
  • 00:03:03
    like Spotify, Netflix were just a
  • 00:03:05
    better, easier, and safer way to access
  • 00:03:07
    content. And now, as these services have
  • 00:03:09
    become marketkedly worse and
  • 00:03:10
    simultaneously more expensive, piracy is
  • 00:03:13
    making a comeback. Yeah. I mean, it was
  • 00:03:15
    never going to last. The early 2020 2021
  • 00:03:18
    2022 was the streaming wars, right?
  • 00:03:20
    Every big tech company was trying to win
  • 00:03:23
    the streaming wars. So, they were
  • 00:03:24
    offering a ton of [ __ ] at low prices and
  • 00:03:27
    they were burning hundreds of millions
  • 00:03:29
    on brand new shows that didn't make
  • 00:03:31
    their money back. Like, they were doing
  • 00:03:33
    all this prestige TV. They were throwing
  • 00:03:35
    money at everybody. They were they just
  • 00:03:37
    wanted to win the war. And so, as a
  • 00:03:39
    consumer, you got a good deal. You got a
  • 00:03:41
    ton of stuff for a low price. And then
  • 00:03:43
    they realized, wait a minute, we're a
  • 00:03:45
    business. We're all just lighting money
  • 00:03:47
    on fire so that millennials can watch
  • 00:03:50
    more TV. So, they all started cutting
  • 00:03:52
    back and now everyone's going back to
  • 00:03:53
    piracy because they realized that like
  • 00:03:54
    there is no free launch on this. A
  • 00:03:56
    survey coming out of Australia at the
  • 00:03:58
    peak of online piracy found that people
  • 00:03:59
    who pirated content were actually more
  • 00:04:01
    likely to pay for it if it was
  • 00:04:02
    available. In a finding that really
  • 00:04:04
    ages, okay, I'll say this is one area
  • 00:04:07
    where I would not trust the survey.
  • 00:04:10
    People will say whatever the they want.
  • 00:04:13
    That's you know what I'm saying? Like
  • 00:04:14
    that's that would need I wouldn't even
  • 00:04:15
    see hard data on that. It could be true,
  • 00:04:18
    but people lie about [ __ ] like that all
  • 00:04:20
    the time. And like I'm sure it makes a
  • 00:04:22
    pirate feel good to be like, "Yeah, I
  • 00:04:24
    would pay for it." Then came along the
  • 00:04:25
    streaming sites that thanks to faster
  • 00:04:27
    internet speeds could let users watch
  • 00:04:29
    content on demand without granting them
  • 00:04:31
    direct access to digital files which
  • 00:04:32
    could then be copied and shared
  • 00:04:34
    illegally. The big thing was that these
  • 00:04:36
    options were just so easy compared to
  • 00:04:38
    piracy and so cheap compared to buying
  • 00:04:41
    songs or movies one by one that it just
  • 00:04:43
    didn't really make sense to bother with
  • 00:04:45
    anything else. I mean, people remember
  • 00:04:46
    early Netflix before the rest of
  • 00:04:48
    Hollywood figured out they were getting
  • 00:04:50
    ripped off. Netflix hading everything
  • 00:04:52
    and it cost nothing. Netflix had every
  • 00:04:54
    show and was dog [ __ ] cheap is because
  • 00:04:58
    no one understood like Hollywood didn't
  • 00:05:00
    fully get it. Music streaming by
  • 00:05:01
    comparison is decent. There are multiple
  • 00:05:04
    services, but almost all of them have
  • 00:05:06
    almost all of the music that you would
  • 00:05:08
    possibly be looking for. Yeah. As a
  • 00:05:10
    result, nobody really bothers to pirate
  • 00:05:12
    songs anymore. Any of you still pirate
  • 00:05:14
    songs? I certainly do not. Spotify has
  • 00:05:16
    got me covered. I do not pirate songs.
  • 00:05:18
    And that was what I it was the main
  • 00:05:20
    thing I used to pirate. But it just
  • 00:05:21
    feels like a waste of time. I feel like
  • 00:05:23
    even if you're a Spotify, I'm not going
  • 00:05:26
    to pay for it person. You probably just
  • 00:05:28
    watch the song you want on YouTube and
  • 00:05:30
    have a small music taste. I can't
  • 00:05:32
    imagine people are straight up pirating.
  • 00:05:34
    But from its very first days of online
  • 00:05:36
    streaming, they knew they would
  • 00:05:37
    eventually lose people back to piracy.
  • 00:05:39
    They just really didn't care. And to see
  • 00:05:41
    why, I'm sorry, but you are going to
  • 00:05:43
    have to look at some financials. Last
  • 00:05:45
    year, it made $8.7 billion in net income
  • 00:05:47
    after taxes, which is extremely
  • 00:05:49
    impressive. But it still makes it hard
  • 00:05:51
    to justify the valuation of more than
  • 00:05:53
    half a trillion. At that rate,
  • 00:05:55
    shareholders would need 57 years for
  • 00:05:56
    their investment to pay off, which is
  • 00:05:58
    not a reason. We don't care about
  • 00:06:00
    valuations,
  • 00:06:01
    it's 2025. I own Netflix and Tesla and
  • 00:06:07
    uh Palunteer. I just like the stock when
  • 00:06:10
    it goes up. I don't care about
  • 00:06:12
    valuations. I don't care about the math
  • 00:06:14
    if I can get my money back. I just want
  • 00:06:16
    to buy Green Line up. It only goes up.
  • 00:06:19
    The vibes are good and you're harshing
  • 00:06:21
    the [ __ ] vibe. Companies don't make
  • 00:06:23
    money anymore. That's a old idea. Okay?
  • 00:06:25
    They do something better than that. They
  • 00:06:27
    make the stock go up. They don't need to
  • 00:06:28
    be profitable because I'll always find
  • 00:06:30
    somebody else willing to pay me more for
  • 00:06:32
    this stock. I prefer the Isaac Newton
  • 00:06:34
    tra trading strategy. Isn't the Isaac
  • 00:06:36
    Newton trading strategy to uh buy a
  • 00:06:38
    stock, make some money, sell it, feel
  • 00:06:41
    good about yourself, then it keeps going
  • 00:06:42
    up, you get FOMO, buy in with your
  • 00:06:45
    entire net worth, it crashes, you are
  • 00:06:47
    broke forever.
  • 00:06:49
    That's a dope That's a dope strat.
  • 00:06:51
    Netflix's cost of revenue adjusted for
  • 00:06:53
    inflation has actually been stable since
  • 00:06:55
    2022 despite adding almost 100 million
  • 00:06:57
    new users in that time. Included in
  • 00:06:59
    those costs are the affformentioned
  • 00:07:01
    servers and network infrastructure. But
  • 00:07:02
    it also includes the cost to license and
  • 00:07:04
    produce their own movies, TV shows, and
  • 00:07:06
    games. Another big reason their costs
  • 00:07:08
    have been improving is because they just
  • 00:07:10
    aren't licensing as much content as they
  • 00:07:12
    used to. And that's for two reasons. The
  • 00:07:14
    first was a business decision to cut
  • 00:07:16
    down on a cost, especially for content
  • 00:07:18
    that wasn't drawing in new users. The
  • 00:07:20
    second reason is simply because they
  • 00:07:22
    mean Netflix has gotten way way almost
  • 00:07:25
    ruthlessly data dependent on cancelling
  • 00:07:28
    shows, cutting shows, and letting shows
  • 00:07:30
    go. If people aren't watching it, or
  • 00:07:33
    they're the type of watchers that only
  • 00:07:34
    come in, watch one thing, and leave,
  • 00:07:36
    they just let the show go or they they
  • 00:07:38
    cancel it after one season or they
  • 00:07:39
    they're very algorithm pill. Now, I
  • 00:07:41
    think there's an argument to be made
  • 00:07:42
    that long term that that reduces
  • 00:07:44
    people's trust, brand value of the the
  • 00:07:47
    name. you know, if every time they make
  • 00:07:48
    a show you like, they cancel it
  • 00:07:50
    instantly. But it has worked for them.
  • 00:07:52
    They're the only streaming service
  • 00:07:53
    that's profitable. They're the only one.
  • 00:07:54
    So, they're doing something right. You
  • 00:07:55
    know, their data shows that after two
  • 00:07:58
    seasons, a show does not bring in new
  • 00:08:00
    users. So, like House season 1, okay,
  • 00:08:03
    people are watching. House season 2,
  • 00:08:05
    people are watching. House season 3,
  • 00:08:06
    it's only house fans now. There's nobody
  • 00:08:09
    new is like checking it out in season 3.
  • 00:08:10
    So, they usually just cancel it. They
  • 00:08:12
    have almost no shows make it past two
  • 00:08:14
    seasons. What about Game of Thrones?
  • 00:08:15
    Again, a smash mega hit like Stranger
  • 00:08:17
    Things or Game of Thrones, they have let
  • 00:08:19
    that go. Game of Thrones is not them,
  • 00:08:20
    but I mean, Stranger Things, you know,
  • 00:08:21
    for the average show, first two seasons
  • 00:08:23
    is all that matters. They've been
  • 00:08:24
    canceling it. I think Netflix is trying
  • 00:08:26
    to play the odds and thinking it just
  • 00:08:27
    won't work out, so just cut it. That
  • 00:08:28
    might backfire on them, but it's working
  • 00:08:30
    for now. Yeah. Also worth mentioning,
  • 00:08:32
    someone made a great point. A huge part
  • 00:08:34
    of that is like the longer a show goes,
  • 00:08:36
    the more they have to pay residuals. I
  • 00:08:38
    think there's a specific thing about it
  • 00:08:39
    might be three plus seasons. Oh, it's
  • 00:08:41
    100s. It's 100. Exactly. It's 100 Fs.
  • 00:08:43
    That's okay. Perfect. I knew that. Yeah.
  • 00:08:44
    Okay. 100 apps. After a certain number
  • 00:08:45
    of episodes, they have to pay a higher
  • 00:08:47
    percentage of residuals to the writers,
  • 00:08:49
    actors, directors, everyone. And so,
  • 00:08:51
    they just cut it off first. They cut it
  • 00:08:52
    off early. A 2023 paper in the Journal
  • 00:08:54
    of Economic Behavior and Organization
  • 00:08:56
    titled Pirating Chill found that when
  • 00:08:58
    movies moved off Netflix to another
  • 00:09:00
    platform, piracy of that content
  • 00:09:01
    increased by more than 20%. I mean, this
  • 00:09:03
    goes, we said this a long time ago when
  • 00:09:05
    we were doing marketing Mondays about
  • 00:09:07
    the streaming wars, but if you look at
  • 00:09:08
    consumer behavior generally, and this is
  • 00:09:11
    could be different now, but at the time,
  • 00:09:12
    this is what it was. People treated
  • 00:09:14
    Netflix like a like a tax, like I have
  • 00:09:16
    to pay the water, the heating, and the
  • 00:09:18
    Netflix. It was like universal. You just
  • 00:09:20
    have to do it. And they treated
  • 00:09:21
    everything else like a luxury. So like
  • 00:09:24
    for HBO, they would buy HBO, but only to
  • 00:09:27
    watch the show they wanted, then they
  • 00:09:29
    would cancel it. But Netflix was like a
  • 00:09:31
    a mainstay. You know, what he's saying
  • 00:09:33
    here really ties into that where it's
  • 00:09:35
    like, I think many people have one
  • 00:09:37
    streaming service. It's Netflix, and if
  • 00:09:39
    it's not on that, they pirate it. It
  • 00:09:41
    showed why Netflix hasn't been too
  • 00:09:43
    concerned with online piracy. In a now
  • 00:09:45
    infamous quote from the company's chief
  • 00:09:46
    content officer, they said that in order
  • 00:09:48
    for Netflix to be successful, we need to
  • 00:09:50
    become movie studios faster than movie
  • 00:09:52
    studios can become us. Piracy that
  • 00:09:54
    disproportionately hurt legacy movie
  • 00:09:56
    studios and their libraries of content
  • 00:09:58
    was not something that Netflix would
  • 00:09:59
    encourage. But behind closed doors, they
  • 00:10:01
    certainly weren't too sad it was
  • 00:10:03
    happening. Another way to think about
  • 00:10:04
    this is that obviously Amazon isn't
  • 00:10:06
    encouraging shoplifting. But it's a
  • 00:10:08
    problem that hurts their competition far
  • 00:10:10
    more than it hurts them. You're saying
  • 00:10:12
    Jeff Bezos is the guy looting.
  • 00:10:16
    He puts on a ski mask and starts looting
  • 00:10:18
    in order to make retail stores seem
  • 00:10:20
    unsafe. How else do you afford that
  • 00:10:22
    wedding? He's a reverse Batman.
  • 00:10:26
    Jeff Bezos is the billionaire who makes
  • 00:10:29
    the city worse so he can make more
  • 00:10:31
    money. That's hype. Okay, so Netflix
  • 00:10:33
    doesn't care about the rise of piracy,
  • 00:10:35
    but what about the actual Hollywood
  • 00:10:37
    studios? Hollywood weird, I call it.
  • 00:10:38
    They obviously do, and they crack down
  • 00:10:40
    on IP theft with furious anger. In the
  • 00:10:42
    past, poor box offices wouldn't matter
  • 00:10:44
    as much because mid-budget movies could
  • 00:10:46
    make a lot of their money back through
  • 00:10:47
    DVD sales, but obviously that's not
  • 00:10:50
    really a thing anymore. So, studios have
  • 00:10:52
    put even more effort into pushing their
  • 00:10:53
    streaming services to eventually make
  • 00:10:55
    back the difference. It's a bold
  • 00:10:57
    strategy, and there are hundreds of
  • 00:10:58
    billions of dollars in market cap at
  • 00:11:00
    stake. So executives really want to
  • 00:11:02
    pretend that eventually it'll work out,
  • 00:11:04
    but if it doesn't, there are some
  • 00:11:05
    lessons. Dude, that is uh that is the
  • 00:11:07
    statement of so many industries right
  • 00:11:09
    now. We're losing hundreds of billions
  • 00:11:12
    of dollars, but it'll eventually work
  • 00:11:14
    out. What if it doesn't, bro? So much is
  • 00:11:17
    propped up on like it'll work out. Well,
  • 00:11:19
    this will this will make sense. We're
  • 00:11:20
    not crazy. What if it doesn't? I get
  • 00:11:22
    paid 300k a year every CEO. Bro, you're
  • 00:11:25
    talking to some broke CEOs.
  • 00:11:28
    It's almost sweet that you said that.
  • 00:11:30
    That makes me think highly of you as a
  • 00:11:32
    person that you thought what's the
  • 00:11:33
    craziest thing these greedy CEOs could
  • 00:11:35
    be making. I would be your friend off
  • 00:11:38
    that comment. I think that was really
  • 00:11:39
    nice of you to say. No, it's way more,
  • 00:11:41
    bro. It's way look ating um Bobby Kodc
  • 00:11:44
    walked away with $400 million at the
  • 00:11:46
    buyout. Yeah, that's right. I think if
  • 00:11:48
    Netflix doesn't want to go along with
  • 00:11:49
    it, the only thing Well, the problem is
  • 00:11:52
    Amazon wouldn't go along with it either
  • 00:11:53
    cuz Amazon doesn't care and Apple
  • 00:11:55
    doesn't really care about making money.
  • 00:11:56
    Like Apple TV is just a little side
  • 00:11:58
    project to make Apple more valuable.
  • 00:12:00
    They don't care if they lose money on
  • 00:12:01
    it. And Amazon Prime's the same way,
  • 00:12:03
    Prime Video. But ideally, every company
  • 00:12:05
    other than Netflix would team up to
  • 00:12:07
    create one subscription, a Spotify like
  • 00:12:10
    thing, and they would just split based
  • 00:12:11
    on contribution to production. We're
  • 00:12:13
    definitely entering into the mergers
  • 00:12:15
    phase of the streaming war because
  • 00:12:16
    they're going to start burning out.
  • 00:12:21
    [Music]
Tags
  • online piracy
  • streaming services
  • BitTorrent
  • Limewire
  • Netflix
  • content accessibility
  • consumer behavior
  • Hollywood
  • financial implications
  • digital media