Camille Paglia - "Mujeres libres, hombres libres: sexo, género, feminismo" (subtitulado EN ESPAÑOL)

00:33:33
https://www.youtube.com/watch?v=77gM0L5Tx8I

Summary

TLDREn el video, la autora Camille Paglia discute el renacimiento de su carrera pública al lanzar su nuevo libro, que aborda temas de sexo y género que considera relevantes nuevamente en el contexto actual. Critica duramente el estado de la educación superior en los Estados Unidos, señalando cómo se ha visto afectada por una burocracia creciente que ahoga la libertad de pensamiento y expresión. Paglia también ataca el posmodernismo y el postestructuralismo, describiéndolos como movimientos que han dañado gravemente las humanidades. Ella aboga por una educación más amplia que incluya el estudio de historias religiosas y filosóficas para evitar lo que llama "provincialismo mental". Además, sugiere que el sistema educativo y la cultura en general han perdido la noción de pensar en términos históricos amplios, algo esencial para comprender mejor los eventos contemporáneos. También critica la ley que prohíbe a los menores de 21 años beber alcohol en los Estados Unidos, argumentando que ha destruido el arte de la conversación y el cortejo en contextos adultos.

Takeaways

  • 🗣️ Camille Paglia crítica la corrección política y su efecto en la libertad de expresión.
  • 📚 Subraya la decadencia en la educación superior debido al crecimiento burocrático.
  • ⚠️ Destaca el impacto negativo del postestructuralismo en las humanidades.
  • 🕰️ Aboga por una educación que recupere la enseñanza de la historia y religión.
  • 🍺 Critica la restricción legal del consumo de alcohol para menores de 21 años.
  • 🧠 La falta de enseñanza de mitos y religión afecta el pensamiento crítico.
  • 💬 El arte de la conversación y del cortejo está deteriorado en la cultura actual.
  • 📉 Discute la pérdida de sentido histórico en los estudiantes y su implicación.
  • 🇺🇸 Argumenta que la educación estadounidense es deficiente comparada con la europea.
  • 🎓 Critica la postura de los académicos ante las tendencias de pensamiento modernas.

Timeline

  • 00:00:00 - 00:05:00

    Camille ha regresado al ámbito público tras años de dedicarse a la enseñanza y la escritura. Está sorprendida por el resurgimiento de la corrección política, algo que ya había abordado en el pasado, describiéndola como un freno al arte y la cultura debido a un pensamiento simplista y maniqueo. Critica la situación actual en las universidades, donde dice que los profesores han perdido poder en favor de administradores burocráticos que sofocan la libre expresión.

  • 00:05:00 - 00:10:00

    Camille describe cómo las ideas de género y feminismo que abordó hace 20-25 años siguen siendo pertinentes hoy. Se queja de la burocratización en las universidades y critica a los profesores que se muestran como izquierdistas pero a quienes considera realmente como burgueses que utilizan el izquierdismo como un emblema de carrera. Relata su experiencia en la universidad y cómo veía el verdadero radicalismo en sus inicios.

  • 00:10:00 - 00:15:00

    Comenta la decadencia de las humanidades debido al postestructuralismo, que critica vehementemente por haber destruido la erudición de generaciones. Alega que el postestructuralismo es elitista y alejado de los principios del verdadero izquierdismo. Se opone particularmente a la prominencia de Judith Butler y otras figuras que considera responsables de la debacle académica.

  • 00:15:00 - 00:20:00

    Explica que la educación superior en Estados Unidos ha decaído debido a la falta de una educación cultural amplia, lo que hace que los estudiantes sean ignorantes de la historia global. Argumenta que esto es evidente en sus estudiantes, quienes, según ella, no conocen figuras históricas básicas. Propone que la educación debe enfocarse más en el conocimiento religioso y cultural para entender mejor el mundo.

  • 00:20:00 - 00:25:00

    Critica el enfoque actual en la educación pública que evita temas difíciles y promueve una imagen superficial y positiva de la historia. Aboga por una visión educativa que exponga a los estudiantes a las realidades de la historia mundial para que tengan una perspectiva más robusta y contextualizada de los eventos actuales. Señala cómo esto afecta a las reacciones ante las crisis políticas.

  • 00:25:00 - 00:33:33

    Finalmente, critica la ley que eleva la mayoría de edad para el consumo de alcohol a 21 años, argumentando que ha tenido efectos negativos en la juventud al eliminar espacios seguros para la socialización adulta. Considera que la prohibición ha fomentado el abuso de sustancias más peligrosas y que ha afectado la cultura del conocimiento y la conversación entre jóvenes, proponiendo volver a un modelo más permisivo como el europeo.

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Mind Map

Mind Map

Faqs

  • ¿De qué trata el video?

    El video aborda temas de corrección política, libertad de expresión, educación universitaria y postestructuralismo.

  • ¿Quién es Camille Paglia?

    Camille Paglia es una académica y escritora que comenta sobre la política, educación y cultura en Estados Unidos.

  • ¿Qué opina la autora del postestructuralismo?

    Camille Paglia critica la influencia de postestructuralismo, argumentando que ha dañado las humanidades y la educación.

  • ¿Cuál es la prescripción educativa que propone Camille Paglia?

    Ella sugiere que la educación debe incluir la enseñanza de religiones comparadas y una conciencia histórica amplia.

  • ¿Cómo deberían enseñarse las religiones y la historia según Paglia?

    Sugiere que esos tópicos deberían estar integrados en un enfoque más profundo y completo para entender la cultura.

  • ¿Qué crítica hace Paglia sobre la educación actual?

    La crítica argumenta que la educación está demasiado centrada en el presente, sin comprensión histórica.

  • ¿Paglia menciona leyes específicas que deberían cambiarse?

    Sí, ella critica la ley que prohíbe a menores de 21 años comprar alcohol y sugiere que debería reconsiderarse.

  • ¿Cómo afecta la falta de enseñanza religiosa según Paglia?

    Ella piensa que la crianza actual excluye educación religiosa y mitológica, dejando un vacío en la formación crítica.

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Subtitles
en
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  • 00:00:00
    please join me in welcoming Camille
  • 00:00:02
    Paula yeah okay so I have this new book
  • 00:00:09
    okay you know I had thought I was done
  • 00:00:13
    with these subjects so I thought okay
  • 00:00:16
    that I had dealt I had stomped okay on
  • 00:00:18
    political correctness I went back to
  • 00:00:22
    teaching and writing I didn't have to go
  • 00:00:24
    back in public again I was writing on
  • 00:00:25
    poetry on arch on movies etc I felt so
  • 00:00:29
    liberated and now okay you know class
  • 00:00:32
    okay I'm back okay I have to come go
  • 00:00:35
    back on the heat on the road again okay
  • 00:00:37
    this enormous surge of political
  • 00:00:39
    correctness and it's gotten even worse
  • 00:00:41
    okay you know you know people attacking
  • 00:00:44
    speakers and Berkeley okay which is one
  • 00:00:47
    of the great influences on me okay when
  • 00:00:49
    I arrived in college 1964 fall of 64 it
  • 00:00:53
    just happened that spring Mario Savio
  • 00:00:55
    the Free Speech Movement okay huge
  • 00:00:58
    influence on me okay all right the
  • 00:01:00
    essence of the 60s the essence
  • 00:01:02
    okay was free speech you know for free
  • 00:01:03
    thought and free speech what the heck
  • 00:01:05
    happens okay you know we've got the
  • 00:01:07
    situation today where people go out they
  • 00:01:10
    have in their heads these boobies these
  • 00:01:11
    slogan words jargon words load low
  • 00:01:14
    determines or we're against racism
  • 00:01:16
    sexism homophobia who isn't okay and so
  • 00:01:19
    on all right all right and and we are
  • 00:01:21
    the forces of light they are the forces
  • 00:01:23
    of darkness what kind of like Manichean
  • 00:01:25
    you know if they're simplistic thinking
  • 00:01:28
    is this all of art and culture in the
  • 00:01:30
    u.s. is coming to a dead halt because of
  • 00:01:32
    this hysteria okay so anyway I'm back
  • 00:01:34
    and I'm back okay all right so all right
  • 00:01:37
    oh my god all right
  • 00:01:42
    so I was looking I've been looking
  • 00:01:44
    forward for years to getting Mike Mike
  • 00:01:46
    my third essay collection now my last
  • 00:01:48
    one was vamps and tramps in 1994 okay
  • 00:01:50
    I saw all these years have passed and
  • 00:01:53
    I'm so in my third essay collection was
  • 00:01:55
    part of the package deal with my
  • 00:01:58
    publisher cannot double they you know
  • 00:02:00
    with with glittering images so it's been
  • 00:02:02
    years I've been waiting finally I
  • 00:02:04
    thought I at last I'll get so many
  • 00:02:05
    essays which I've written important
  • 00:02:07
    essays I feel we are scattered all over
  • 00:02:09
    the world in one place at last you know
  • 00:02:12
    and but instead okay as I'm assembling
  • 00:02:14
    all the material my publisher says gee
  • 00:02:17
    all these things you know that you were
  • 00:02:19
    saying 20 25 years ago about sex and
  • 00:02:21
    gender seem like they're now they belong
  • 00:02:23
    now so they had this idea they invented
  • 00:02:26
    this idea they invented this book okay
  • 00:02:27
    they could be called these essays off of
  • 00:02:30
    the mass of the other things I wanted
  • 00:02:32
    out right ends and put it into this into
  • 00:02:35
    this book okay so it took me a long time
  • 00:02:37
    I had to have you know go through
  • 00:02:38
    everything I'd ever been written and
  • 00:02:39
    presented them the editors with this
  • 00:02:41
    pile of stuff and all on these subjects
  • 00:02:43
    of sex gender and feminism and then and
  • 00:02:45
    then they decided what would be you know
  • 00:02:48
    they thought would be most interesting
  • 00:02:50
    to contemporary readers because of how
  • 00:02:51
    prophetic I was you know but so many
  • 00:02:53
    issues including okay the you know the
  • 00:02:56
    growth of that parasitic you know master
  • 00:02:59
    class of administrators and college
  • 00:03:01
    campuses is one of my big themes okay I
  • 00:03:03
    was when the first thing you know send
  • 00:03:04
    up that oh I mean probably be first to
  • 00:03:06
    like send this warning shot up about it
  • 00:03:08
    I said watch out okay that this
  • 00:03:09
    bureaucracy you know that is slowly
  • 00:03:12
    expanding and getting his tentacles into
  • 00:03:14
    into into the operations of colleges and
  • 00:03:16
    universities and look what's happened
  • 00:03:18
    okay the faculty has totally lost power
  • 00:03:20
    the faculty are eunuchs okay the faculty
  • 00:03:23
    in this country have not yet what what
  • 00:03:24
    have they ever said where have they
  • 00:03:25
    stood up OK against against all these
  • 00:03:27
    incursions on free speech free thought
  • 00:03:29
    speeches nothing they're all they're all
  • 00:03:30
    think they pose as leftist none of them
  • 00:03:32
    are leftist this is like this is a
  • 00:03:34
    delusion okay they're bourgeois
  • 00:03:36
    careerists who latched on to leftism as
  • 00:03:39
    a wonderful badge
  • 00:03:42
    okay and I know because that when I
  • 00:03:44
    entered graduate school in 1968 okay
  • 00:03:48
    there weren't any leftists okay let's
  • 00:03:50
    just didn't go to graduate school are
  • 00:03:52
    you kidding me okay
  • 00:03:53
    alright if there was anyone who was
  • 00:03:54
    really you know kind of a radical they
  • 00:03:57
    dropped out after a semester or two okay
  • 00:03:59
    you know I mean I'll give you an example
  • 00:04:01
    but night when I my last year of college
  • 00:04:03
    I went to Harper College State
  • 00:04:06
    University of New York at Binghamton and
  • 00:04:09
    it's basically called Berkeley East as a
  • 00:04:11
    matter of fact it so many radicals with
  • 00:04:13
    all it's all these like incredibly
  • 00:04:14
    progressive Jews you know from from New
  • 00:04:16
    York City
  • 00:04:17
    oh my god I I was like I'm from upstate
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    a nob State girl so I'll do it the girls
  • 00:04:22
    you know they were they were dressed in
  • 00:04:24
    black leotards Martha Graham leotards
  • 00:04:26
    everything they knew about abstract arts
  • 00:04:28
    and so on I think we absolutely radical
  • 00:04:29
    it was there forever
  • 00:04:30
    anyway he's like so I know what a real
  • 00:04:32
    radical looks like seething real radical
  • 00:04:35
    looks like and when I was confronted by
  • 00:04:38
    the leader of the campus radicals in my
  • 00:04:41
    last semester of college and they said
  • 00:04:44
    we heard okay that you're going to the
  • 00:04:47
    Yale graduate school do one deal right
  • 00:04:48
    and I said yeah okay alright and they
  • 00:04:52
    said no you don't go to Yale okay in
  • 00:04:54
    fact you don't even go to graduate
  • 00:04:55
    school okay if you're gonna go to
  • 00:04:57
    graduate school you have to go to
  • 00:04:58
    Buffalo SUNY Buffalo know that now I
  • 00:05:00
    actually would have been like you know I
  • 00:05:02
    actually applied to Buffalo and would
  • 00:05:04
    have been very happy to have gone there
  • 00:05:05
    because it had Leslie Fiedler game who
  • 00:05:07
    was an extremely radical writer in the
  • 00:05:11
    forefront of all these studies about
  • 00:05:13
    racism sexism homophobia okay i huge
  • 00:05:16
    influence on me okay huge influence and
  • 00:05:18
    also there was Norman Holland's okay who
  • 00:05:20
    did psychoanalytic criticism at a time
  • 00:05:22
    when it was not you know fashionable and
  • 00:05:24
    during the period of the declining new
  • 00:05:25
    criticism all right so I would have gone
  • 00:05:27
    there but I chose Yale because of the
  • 00:05:30
    library and I made the right choice
  • 00:05:31
    because the library Sterling library was
  • 00:05:33
    indeed the basis of all of my work i
  • 00:05:36
    ransacked the stacks okay of that
  • 00:05:38
    library but I just want to point out to
  • 00:05:39
    you okay that's you know that my going
  • 00:05:42
    to graduate school was regarded as in
  • 00:05:44
    some way you know offensive to radical
  • 00:05:46
    politics right and my choosing of Yale
  • 00:05:48
    it was in particularly because it was an
  • 00:05:50
    intolerable right so this idea I mean
  • 00:05:52
    and then the people around me or my
  • 00:05:54
    fellow students
  • 00:05:55
    I mean they were they were progressive
  • 00:05:57
    tending I would say but the idea that
  • 00:05:59
    any of those people okay where actual
  • 00:06:02
    radicals is such a joke okay alright as
  • 00:06:05
    they as they you know as they trim
  • 00:06:07
    themselves to fit into the wonderful
  • 00:06:09
    career system moving up I well I thought
  • 00:06:11
    I was there I might buy my third year at
  • 00:06:13
    Yale as this stuff the French theory
  • 00:06:17
    started leaking in okay from from the
  • 00:06:19
    from the yearly visits from Derrida okay
  • 00:06:22
    right and it was brought in this plague
  • 00:06:24
    was brought in okay from Johns Hopkins
  • 00:06:26
    you know University
  • 00:06:27
    okay right so I saw it starting and I
  • 00:06:30
    said I remember saying to a fellow
  • 00:06:31
    student I said they're like high priests
  • 00:06:34
    murmuring to each other okay I saw the
  • 00:06:39
    disgusting elitism okay of
  • 00:06:41
    post-structuralism from the start the
  • 00:06:44
    idea that that is any kind of a leftist
  • 00:06:47
    system is absolute nonsense okay all
  • 00:06:51
    right so do you mean like well I don't
  • 00:06:53
    start naming names already doing don't
  • 00:06:55
    really want to all right what I've been
  • 00:06:58
    on the attack against the queen of
  • 00:06:59
    Gender Studies Judith Butler
  • 00:07:02
    okay now Judith Butler okay it's like
  • 00:07:05
    presents herself as the great leftist
  • 00:07:07
    who the Berkeley right now and so on and
  • 00:07:08
    so on but she practices post
  • 00:07:10
    structuralism okay this this labyrinth
  • 00:07:12
    in contorted jargon ridden thing the
  • 00:07:15
    most elitist system in the world what
  • 00:07:17
    does that have to do with leftism I mean
  • 00:07:19
    this is a woman okay who now I I knew
  • 00:07:21
    her because when I arrived at my first
  • 00:07:23
    job at Bennington College and nothing
  • 00:07:25
    was I was I was there right
  • 00:07:26
    undergraduate gold 1972 um and she
  • 00:07:29
    entered Bennington maybe a year or two
  • 00:07:31
    after that so I knew her okay as a
  • 00:07:33
    student and I and I mean she's like a
  • 00:07:37
    smart smart okay but what can I say okay
  • 00:07:42
    sweet and quirky individual okay in no
  • 00:07:45
    way
  • 00:07:46
    okay was Judith Butler ever okay an
  • 00:07:48
    opponent of any system never did she
  • 00:07:50
    challenge any system okay at all
  • 00:07:53
    okay whereas I was in constant trouble
  • 00:07:54
    if anything as a professor they finally
  • 00:07:56
    kicked me out of there after I'd like
  • 00:07:58
    you know seven or eight years
  • 00:07:59
    it was like one incident after another I
  • 00:08:00
    was either kicking someone and you know
  • 00:08:02
    we're having a fistfight or
  • 00:08:03
    doing some you know I always like this
  • 00:08:05
    end
  • 00:08:06
    was a police oh you know when I came on
  • 00:08:08
    the scene in people said oh she's too
  • 00:08:10
    much oh my god I am a shadow okay by 99
  • 00:08:13
    when I came on the scene 1990 I was a
  • 00:08:14
    shadow of what I was
  • 00:08:15
    Amazon feminist you know in the in
  • 00:08:19
    anyway so I know Judith Butler okay and
  • 00:08:22
    you know and she wasn't even in my
  • 00:08:24
    classes but I had her her girlfriends
  • 00:08:28
    you know in my classes and so anyway she
  • 00:08:30
    transferred to Yale she transferred to
  • 00:08:32
    yell in the middle of the band and it
  • 00:08:34
    Bennington at that moment was in the
  • 00:08:35
    David Bowie
  • 00:08:36
    you know transgender okay you know
  • 00:08:39
    flamboyant moment huge influence on me
  • 00:08:42
    enormous David Bowie yeah I mean over
  • 00:08:44
    that period she transfers to you okay at
  • 00:08:47
    the very moment as post-structuralism
  • 00:08:50
    is the hip thing to do okay it's very
  • 00:08:53
    hip in no way was it some sort of a act
  • 00:08:56
    of defiance or resistance okay
  • 00:08:58
    she adapted herself to the smoothly
  • 00:09:01
    careerist thing post-structuralism which
  • 00:09:04
    has destroyed the humanities okay
  • 00:09:07
    absolutely destroyed it and my prescient
  • 00:09:09
    book there is a reprint of what I wrote
  • 00:09:11
    for The Chronicle of Higher Education
  • 00:09:12
    which was a review about
  • 00:09:15
    2013 maybe okay they asked me to review
  • 00:09:18
    three new books by women young women
  • 00:09:21
    academics and the trendy new fate thing
  • 00:09:24
    of a bondage and you know and damage in
  • 00:09:27
    bondage and domination okay and these
  • 00:09:29
    are books from University presses so I'd
  • 00:09:32
    like to know what what to expect and my
  • 00:09:35
    essay which is a lengthy and detailed
  • 00:09:36
    essay in the book okay
  • 00:09:38
    demonstrates that how post structuralism
  • 00:09:41
    has destroyed and destroyed a whole
  • 00:09:44
    generation of young scholars maybe two
  • 00:09:46
    generations now alright these these
  • 00:09:48
    young women each one of their voices you
  • 00:09:50
    can feel their personalities okay these
  • 00:09:53
    are lively women okay you know lively
  • 00:09:55
    optimistic idealistic women and and that
  • 00:09:58
    horrible freight they have to carry in
  • 00:10:01
    order to try to get a job okay in this
  • 00:10:03
    profession with so many so few jobs you
  • 00:10:05
    know because there's all kind the the
  • 00:10:07
    bottom dropped out of the teaching
  • 00:10:08
    profession like in the 1970s basically
  • 00:10:10
    okay so in order to preserve any kind of
  • 00:10:13
    job opportunity for them so they have to
  • 00:10:14
    mouth platitudes about Foucault as
  • 00:10:17
    Foucault so powerfully said okay
  • 00:10:20
    on and on and on I mean you can't
  • 00:10:22
    believe these books are ruined okay
  • 00:10:24
    there's what this one book in particular
  • 00:10:25
    that I really love meant in this essay
  • 00:10:27
    okay which is about dominatrixes okay of
  • 00:10:30
    big city Braavos so can she wouldn't did
  • 00:10:32
    actual you know field research you know
  • 00:10:34
    it if happens book that should have been
  • 00:10:36
    published by it by a trade in a press
  • 00:10:38
    didn't hear to it to a general audience
  • 00:10:40
    with all but the crap that's in there
  • 00:10:42
    okay
  • 00:10:43
    the couldn't gobbledygook okay all right
  • 00:10:45
    like actually even in the preface you
  • 00:10:48
    know this young woman says and I want to
  • 00:10:51
    thank my professor blah blah blah at
  • 00:10:53
    Princeton okay for for telling me that
  • 00:10:55
    possibly pure okay had much to say of
  • 00:10:59
    know about dominators I had nothing to
  • 00:11:02
    say about dominators this okay that guy
  • 00:11:04
    has which is a con he's come he's
  • 00:11:05
    absolutely required reading for
  • 00:11:07
    undergraduates
  • 00:11:07
    the guys are fraud okay he knows that
  • 00:11:09
    this is a guy who knows nothing about
  • 00:11:11
    about the history of the earth they like
  • 00:11:13
    the base like this Oh II please
  • 00:11:15
    pretentious theory people the amount of
  • 00:11:18
    time that students are wasting at the
  • 00:11:20
    undergraduate and graduate level okay
  • 00:11:22
    reading this crap okay this post post
  • 00:11:25
    structuralist cramp okay and then we
  • 00:11:27
    having to read critics in English trying
  • 00:11:30
    to imitate the contorted sound of a
  • 00:11:33
    translated you know into English version
  • 00:11:35
    of a French original okay that's what
  • 00:11:37
    that's what's out there right now okay
  • 00:11:38
    I mean and they all go to conferences
  • 00:11:40
    and then they Mir back you know to each
  • 00:11:42
    other and this the same discourse and oh
  • 00:11:44
    oh wait and as a whole style you have to
  • 00:11:47
    get this is slightly it's a kind of a
  • 00:11:49
    superior there's a superior kind of
  • 00:11:52
    snide style you have to get very knowing
  • 00:11:57
    slightly smirking
  • 00:12:00
    Serperior okay I mean it it's sick it's
  • 00:12:05
    an absolute sickness okay
  • 00:12:06
    parents are bankrupting themselves okay
  • 00:12:09
    to send their kids to the Ivy League to
  • 00:12:12
    have this junk inject it into their
  • 00:12:14
    heads okay and then we wonder why
  • 00:12:16
    okay the arts are the American arts are
  • 00:12:18
    so boring even the popular arts are not
  • 00:12:20
    boring okay
  • 00:12:21
    even the popular arts can't get it right
  • 00:12:23
    like right you know like this week I've
  • 00:12:25
    listened spaz tweak in despair okay this
  • 00:12:28
    much-touted series okay starring Susan
  • 00:12:31
    Sarandon whom I love okay Jessica Lange
  • 00:12:33
    a great actress okay Joan Crawford
  • 00:12:35
    versus Betty Davis yet they can't even
  • 00:12:37
    get that right okay
  • 00:12:38
    I mean the films are there they invade
  • 00:12:40
    if like the production that the clothing
  • 00:12:43
    the sets the direction the writing every
  • 00:12:47
    single thing shoddy crappy okay this is
  • 00:12:50
    what we're surrounded by this is why I
  • 00:12:51
    only watch now Turner Classic Movies the
  • 00:12:53
    great things of the past to watch a
  • 00:12:55
    great production values alright r.i.p
  • 00:12:59
    robert osborne okay you know when one of
  • 00:13:01
    the great kind of sirs a film my
  • 00:13:04
    goodness alright at any rate okay
  • 00:13:06
    I've been out for 25 oh my god how long
  • 00:13:09
    I've been going on about these things
  • 00:13:11
    and you're both the left and the right
  • 00:13:14
    are guilty of ignoring the problems of
  • 00:13:16
    the universities okay I blame you know
  • 00:13:19
    you know William F Buckley okay as well
  • 00:13:21
    okay they need none of them took it
  • 00:13:23
    seriously and they said all
  • 00:13:25
    post-structuralism
  • 00:13:26
    it's a fad it'll go away I kept warning
  • 00:13:28
    and warning like my own mentor Harold
  • 00:13:30
    Bloom okay when I was writing my expose
  • 00:13:33
    about a post structuralism junk bonds
  • 00:13:36
    and corporate raiders you know they took
  • 00:13:37
    six months to do it began is just a
  • 00:13:39
    review of two books of you know of
  • 00:13:41
    classics books by and by right these gay
  • 00:13:44
    guys Foucault you know followers and so
  • 00:13:46
    on I had no idea that's all just gonna
  • 00:13:48
    give them a positive review and then I
  • 00:13:49
    saw this - horror okay no was a full
  • 00:13:52
    coat world and I spent six months doing
  • 00:13:54
    this even my mentor Harold Bloom you
  • 00:13:56
    said to me you're wasting your time okay
  • 00:13:59
    you're wasting your time this is this
  • 00:14:01
    was the attitude of the senior
  • 00:14:02
    professors yeah you're right you're
  • 00:14:04
    wasting your time to try to reform the
  • 00:14:06
    Academy okay right so the entire
  • 00:14:09
    professorial okay the Liberals and the
  • 00:14:11
    Conservatives ignored this
  • 00:14:13
    can this thing it's gonna go away it's
  • 00:14:14
    gonna go away well no it didn't UK
  • 00:14:16
    because once the job we want to let you
  • 00:14:17
    know the body fell out of the job market
  • 00:14:18
    for in 1970s suddenly you had the system
  • 00:14:21
    okay where you have you know essentially
  • 00:14:24
    a system of servitude where a young
  • 00:14:26
    faculty members have got to talk the
  • 00:14:29
    talk okay I've got to show okay that
  • 00:14:31
    same that they believe in the same
  • 00:14:32
    things that their superiors right now
  • 00:14:34
    you know where I really noticed the
  • 00:14:36
    drop-off and quality of scholarship was
  • 00:14:38
    when I was doing glittering images my
  • 00:14:39
    last book which came out five years ago
  • 00:14:41
    okay so for that I chose like you know I
  • 00:14:45
    it was like some of the 29 works of art
  • 00:14:46
    whatever okay and for each each work I
  • 00:14:49
    ended up with I read through all of the
  • 00:14:51
    available scholarship and writing
  • 00:14:54
    comments Haryana okay so I would begin
  • 00:14:57
    chronologically and I would work through
  • 00:14:58
    okay at or to the present every single
  • 00:15:01
    case okay
  • 00:15:02
    oh my god it was so obvious okay my
  • 00:15:05
    great period is that of the late 19th
  • 00:15:08
    century into the mid 20th century the
  • 00:15:10
    great period of German philology in
  • 00:15:11
    British classical scholarship which had
  • 00:15:14
    like a great woman Jane Harrison won one
  • 00:15:16
    of the you know important figures of the
  • 00:15:18
    Cambridge School of anthropology and so
  • 00:15:19
    on I love that period I love the
  • 00:15:21
    wonderful lucidity of the prose of those
  • 00:15:24
    great British classicists of the first
  • 00:15:26
    part over the you know of the 20th
  • 00:15:28
    century and so on okay so that's my
  • 00:15:30
    period so I went into wouldn't we knew
  • 00:15:31
    anything about that for you know for the
  • 00:15:33
    older works of our my goodness okay
  • 00:15:35
    the incredible you know depth of and
  • 00:15:38
    breadth of the air you dition and the
  • 00:15:40
    ability to articulate you to use as
  • 00:15:42
    graceful English that has that has
  • 00:15:44
    lasted Tuesday alright so I wouldn't
  • 00:15:45
    move through and without fail in every
  • 00:15:49
    single case okay by the time I mean the
  • 00:15:51
    last thing worth reading okay in art
  • 00:15:54
    history you know about anything okay
  • 00:15:56
    it's like it's like the 1960s okay the
  • 00:15:59
    70s okay it starts to weaken by the 80s
  • 00:16:02
    that you know the horror of post
  • 00:16:04
    structuralism has has set in okay and by
  • 00:16:06
    the ninety it's a complete crap you
  • 00:16:08
    cannot believe the books that are
  • 00:16:10
    published and you know it's open know
  • 00:16:13
    there will be books okay there are good
  • 00:16:15
    quality scholarship in a very narrow
  • 00:16:16
    area you you will find good monographs
  • 00:16:19
    that by specialists okay in this last
  • 00:16:22
    period but the entire broad learning the
  • 00:16:26
    broad vision that you need to be an
  • 00:16:28
    undergraduate teacher and I point out
  • 00:16:30
    okay that's what you absolutely you need
  • 00:16:31
    the big trans historical vision okay the
  • 00:16:34
    whole but no no no the narrative of art
  • 00:16:37
    history is now declared specious okay so
  • 00:16:39
    couldn't that now we have this new
  • 00:16:40
    things things like new New Historicism
  • 00:16:42
    where you take like a little thing here
  • 00:16:44
    you just choose one thing at random here
  • 00:16:45
    choose one thing at random here
  • 00:16:47
    one thing you random there and then you
  • 00:16:48
    mix them all together and you make some
  • 00:16:50
    a few clever gestures toward it and
  • 00:16:52
    that's your form of oh it's fraud an
  • 00:16:55
    absolute fraud okay alright until you
  • 00:16:58
    know what they've abandoned they've
  • 00:17:00
    abandoned the great those great survey
  • 00:17:03
    courses the art history survey courses
  • 00:17:05
    first semester you know Stone Age that
  • 00:17:08
    you know happened I'm going half way all
  • 00:17:10
    the way down second semester to
  • 00:17:12
    modernism to Abstract Expressionism and
  • 00:17:14
    so on
  • 00:17:14
    they've abandoned that okay all right
  • 00:17:16
    it's considered naive too naive for our
  • 00:17:19
    super sophisticated post-structuralist
  • 00:17:21
    okay you're saying oh no we don't want
  • 00:17:23
    to do that okay
  • 00:17:24
    all right please all right so what we
  • 00:17:26
    want to do is our narrow little
  • 00:17:28
    specialty areas like that so you can't
  • 00:17:30
    even find faculty members who you know
  • 00:17:32
    young faculty who are trained to think
  • 00:17:33
    in these great historical periods like
  • 00:17:37
    that so what's the end result is that
  • 00:17:39
    students have absolutely no historical
  • 00:17:42
    sense whatever okay they're in it we
  • 00:17:46
    reflected with what's called present ISM
  • 00:17:49
    okay that is this focus on the present I
  • 00:17:51
    mean I'm always complaining like Susan
  • 00:17:53
    Sontag you know I always say Susan
  • 00:17:55
    Sontag knew nothing before the
  • 00:17:56
    Enlightenment that's it's okay but
  • 00:17:58
    post-enlightenment fine okay post-french
  • 00:18:01
    revolution better okay but she had no
  • 00:18:03
    broad vision of anything the old the old
  • 00:18:06
    universal scholarship or the aspiration
  • 00:18:09
    toward universal scholarship is
  • 00:18:10
    completely gone this is ridiculous it's
  • 00:18:12
    absolutely ridiculous right I mean
  • 00:18:14
    that's those survey courses in the
  • 00:18:17
    timeline the timeline of it is very
  • 00:18:20
    helpful to young people to get a sense
  • 00:18:22
    of human history okay all right so
  • 00:18:24
    that's another reason why young people
  • 00:18:26
    get so upset by current politics okay
  • 00:18:29
    it's because they have no sense that you
  • 00:18:31
    know you know what the history of the
  • 00:18:33
    world has been Empire is rising
  • 00:18:36
    empires falling nothing but ruins and
  • 00:18:38
    this huge cycle of things happening and
  • 00:18:41
    so an election that happens in a
  • 00:18:43
    temporary election it's not the end of
  • 00:18:44
    the world it's not the apocalypse okay
  • 00:18:46
    regroup and try again hello okay all
  • 00:18:49
    right yeah yeah everyone says oh no
  • 00:18:51
    there's nothing but the present nothing
  • 00:18:53
    or or or more speak more spacious okay
  • 00:18:56
    is like once there was a utopia in fact
  • 00:18:59
    everywhere but here everyone but here in
  • 00:19:01
    America is a utopia okay and therefore
  • 00:19:03
    there are there are problems with
  • 00:19:05
    America okay hello okay the no say the
  • 00:19:12
    horrors of history have been totally
  • 00:19:14
    hidden from from young people do you
  • 00:19:16
    know that yes the banality of public
  • 00:19:19
    school education today absolute
  • 00:19:21
    emptiness okay sorry I don't I'm gonna
  • 00:19:23
    definitely all right so the banality
  • 00:19:26
    okay did this picture of human life
  • 00:19:29
    everyone nice very nice Ness okay is the
  • 00:19:32
    answer in the public schools you get no
  • 00:19:35
    bullying okay alright let's treat
  • 00:19:37
    everyone nice be actually open and
  • 00:19:38
    tolerant make never make any judgments
  • 00:19:40
    etc but the actual hard facts of human
  • 00:19:43
    history and world geography and my point
  • 00:19:46
    out all right they know nothing they
  • 00:19:47
    know nothing okay all right
  • 00:19:50
    I think me and Ivan a good position you
  • 00:19:52
    seem to judge this because I am NOT
  • 00:19:54
    teaching X hen okay I am NOT just from
  • 00:19:57
    teaching thank God I'm not teaching at
  • 00:20:00
    any of the big elite schools where they
  • 00:20:02
    get the you know the feeders coming from
  • 00:20:04
    all the private schools and the best
  • 00:20:05
    suburban school so they're getting the
  • 00:20:06
    best of the best of the brightest of
  • 00:20:08
    eager beaver's everyone perfect everyone
  • 00:20:10
    but they're very good you know it all
  • 00:20:11
    that and say no I'm getting like
  • 00:20:13
    aspiring artists who come from a huge
  • 00:20:15
    variety of educational backgrounds so I
  • 00:20:18
    have people from good suburban school
  • 00:20:20
    districts I also have you know you know
  • 00:20:22
    people from inner city brilliant dancers
  • 00:20:25
    jazz musicians and so on I have people
  • 00:20:27
    from farms you know in North Carolina
  • 00:20:30
    and so on okay so I'm able to judge the
  • 00:20:33
    general degeneration
  • 00:20:35
    okay of American public school education
  • 00:20:37
    and I'm able to compare it with to
  • 00:20:41
    contrast it with the European public
  • 00:20:44
    school education okay so when I go to
  • 00:20:46
    Europe there's a sense of general
  • 00:20:47
    cultural now I don't
  • 00:20:48
    like you know enshrine Europe you know
  • 00:20:50
    III think we're far more open in society
  • 00:20:54
    than the Europe is nevertheless the
  • 00:20:56
    level of education okay of general
  • 00:20:59
    cultural education that is that a
  • 00:21:01
    standard for India in Europe okay it
  • 00:21:04
    puts to shame what's happening in the
  • 00:21:06
    United States okay alright the students
  • 00:21:08
    know absolutely nothing okay I mean I
  • 00:21:10
    mean literally nothing I'm sorry I
  • 00:21:12
    remember standing on this stage of made
  • 00:21:14
    from one from one of my books and and
  • 00:21:17
    talking about the you know my shock when
  • 00:21:19
    let me just tell that story okay and
  • 00:21:22
    it's getting it's getting worse
  • 00:21:24
    this happened making out maybe fifteen
  • 00:21:26
    years ago I have a course which I
  • 00:21:28
    invented called the art of song lyrics
  • 00:21:31
    and I have a section of the course
  • 00:21:34
    that's on the great Negro spirituals of
  • 00:21:36
    the late 19th century okay so I was I
  • 00:21:38
    was new and one of my favorite ones for
  • 00:21:41
    them and go down Moses okay and which
  • 00:21:43
    I've done many times so I give him the
  • 00:21:45
    lyric we listen to it you talk about the
  • 00:21:47
    lyric and then we you know listen to it
  • 00:21:50
    again
  • 00:21:50
    okay so one that's one case like a one
  • 00:21:53
    you know I was going on and on I thought
  • 00:21:55
    I was feeling something something's
  • 00:21:56
    wrong I could tell I wasn't
  • 00:21:58
    communicating and I didn't know why why
  • 00:22:00
    and it suddenly hit me to my heart they
  • 00:22:03
    did not recognize the name Moses okay
  • 00:22:08
    and that's what's happened secular
  • 00:22:10
    humanism is a big bust I'm telling you
  • 00:22:12
    now okay alright because with me if you
  • 00:22:15
    take religion away and politics becomes
  • 00:22:18
    a religion okay
  • 00:22:19
    dogma becomes comes a religion and
  • 00:22:22
    that's what's happened okay all these
  • 00:22:23
    enlightened parents want to to raise
  • 00:22:25
    their children without any you know
  • 00:22:27
    religious contacts and the end result is
  • 00:22:30
    inability to recognize the great myths
  • 00:22:33
    you know the great stories the great
  • 00:22:34
    legends of the West
  • 00:22:36
    okay so that was very disturbing but
  • 00:22:38
    then I recently in the past fall I you
  • 00:22:42
    know and I you know I was normally you
  • 00:22:45
    know I'm talking I'm talking I'm talking
  • 00:22:46
    to the class I'm always reading you know
  • 00:22:48
    their faces and so on and I suddenly had
  • 00:22:51
    this sense that's not the terror class
  • 00:22:55
    but a good proportion of the class was
  • 00:22:59
    not recognizing the name Hitler
  • 00:23:04
    okay
  • 00:23:05
    and I thought afterward why should they
  • 00:23:09
    why should they think of it these are
  • 00:23:11
    kids born 1718 years ago right okay so
  • 00:23:15
    we're talking about the turn of the
  • 00:23:16
    century Hitler for them 30s and 40s that
  • 00:23:20
    would be like World War one for me who
  • 00:23:23
    grew up you know after world war ii and
  • 00:23:25
    way and we didn't we know nothing about
  • 00:23:27
    World War one so why should they know
  • 00:23:30
    about Hitler okay but you know excuse me
  • 00:23:35
    okay this is like should be the basic
  • 00:23:37
    knowledge but the public schools don't
  • 00:23:40
    want to teach that because that would be
  • 00:23:41
    upsetting they don't want it you don't
  • 00:23:43
    want to ever upset young people no we
  • 00:23:45
    don't like to upset them with anything
  • 00:23:46
    so we'll have happy talk okay in the
  • 00:23:48
    school about the universally you know
  • 00:23:50
    universal benevolence of mankind not a
  • 00:23:53
    good idea okay my view I I think
  • 00:23:56
    students should be exposed to the
  • 00:23:58
    horrors of history okay okay and to the
  • 00:24:00
    disasters of history I think it's
  • 00:24:02
    exactly what they need
  • 00:24:03
    okay and so the people wonder how do we
  • 00:24:05
    get this snowflake generation where they
  • 00:24:06
    can't tolerate anything it's because of
  • 00:24:08
    the again the pablum that they're being
  • 00:24:10
    taught at the public school level okay
  • 00:24:12
    all right it's an entire system that now
  • 00:24:14
    is devoted to like grinding everything
  • 00:24:17
    down into gruel okay we don't want to
  • 00:24:20
    offend anyone okay all right so I'm
  • 00:24:23
    always saying you know my prescription
  • 00:24:25
    for education always is start in the
  • 00:24:27
    most distant pink antiquity in case they
  • 00:24:30
    love the stories of ancient Egypt and so
  • 00:24:33
    on show the great empires you know with
  • 00:24:36
    all the artworks and mean everything and
  • 00:24:38
    talk about the great trajectories you
  • 00:24:40
    know of history and I and I've also been
  • 00:24:42
    saying and I'm an atheist I've been
  • 00:24:44
    saying are the best multiculturalism the
  • 00:24:48
    optimal one it puts comparative religion
  • 00:24:51
    the world great world religions at the
  • 00:24:53
    center I have been saying that for 25
  • 00:24:55
    years that's you know that to the true
  • 00:24:59
    world understanding will only come from
  • 00:25:01
    an exploration of the religious
  • 00:25:03
    background you know of the peoples of
  • 00:25:05
    the world that's the you know the main
  • 00:25:07
    texts the main belief systems that the
  • 00:25:09
    holy spots the your the artifacts they
  • 00:25:11
    it's a great the great you know
  • 00:25:13
    interdisciplinary way
  • 00:25:14
    to teach culture ok invite me by talking
  • 00:25:17
    about you because because that oh
  • 00:25:18
    nothing I'm always saying is that that
  • 00:25:20
    was actually the essence of the 1960s
  • 00:25:22
    that's been lost until one of those
  • 00:25:24
    essays that I was hoping to finally get
  • 00:25:26
    out front and one be cool next year now
  • 00:25:27
    is this essay I wrote and it's now G was
  • 00:25:31
    my probably 2003 when the last when it
  • 00:25:33
    was published and it's called cults and
  • 00:25:36
    cosmic consciousness the religious
  • 00:25:39
    vision of the American 1960s which has
  • 00:25:42
    been completely forgotten all people
  • 00:25:44
    look back and all they see is the
  • 00:25:45
    politics of the 60s they don't see the
  • 00:25:47
    cosmic perspective okay and the way the
  • 00:25:50
    whole generation turned away from the
  • 00:25:53
    career system turned away from
  • 00:25:54
    materialism okay and sought spiritual
  • 00:25:57
    enlightenment
  • 00:25:58
    alright that was bigger than politics
  • 00:26:00
    okay all right so what's happened that's
  • 00:26:01
    all that's left in the 60s is this idea
  • 00:26:04
    of social reform which is very important
  • 00:26:06
    okay but that's not the whole of human
  • 00:26:08
    life if you for people who are not
  • 00:26:09
    religious or come from a secular home
  • 00:26:11
    they don't have any of this the
  • 00:26:13
    metaphysics okay of the cosmic vision
  • 00:26:15
    okay so that's why I think teaching
  • 00:26:17
    religion is a very good idea it and by
  • 00:26:20
    the way if that if if my prescription
  • 00:26:22
    had been adopted we wouldn't have all
  • 00:26:24
    this chaos and confusion about Islam
  • 00:26:27
    today people would know about it they
  • 00:26:29
    would know the holy texts and be able to
  • 00:26:31
    talk about it you know yeah
  • 00:26:33
    contradictions in the text or this group
  • 00:26:35
    follows this part or this group calls
  • 00:26:36
    that part okay so everybody is like you
  • 00:26:38
    talking in this blank zone of total lack
  • 00:26:42
    of knowledge of these very passionate
  • 00:26:44
    belief systems that are out there okay
  • 00:26:46
    and I'm always warning I've been warning
  • 00:26:48
    for years okay that the West should not
  • 00:26:51
    repeat the mistake of the Roman Empire
  • 00:26:53
    okay you know the Roman Empire got very
  • 00:26:56
    comfortable and tolerant in his late
  • 00:26:59
    phases I mean very sophisticated they
  • 00:27:02
    open to homosexuality into all you know
  • 00:27:04
    all kinds of things you're very except
  • 00:27:06
    and and there was nothing there was
  • 00:27:07
    nothing at the heart of it okay there
  • 00:27:09
    was there was no passionate belief at
  • 00:27:11
    the heart of Imperial Roman culture
  • 00:27:13
    except political power you know by by
  • 00:27:15
    Rome itself right so into that vacuum
  • 00:27:17
    what came hello class what came from
  • 00:27:20
    Palestine okay this you this of two very
  • 00:27:23
    passionate belief system right Chris
  • 00:27:26
    Jannetty okay came and spread because of
  • 00:27:29
    the hollowness of that very tolerant
  • 00:27:32
    secular lifestyle of Imperial Rome and
  • 00:27:34
    here we are two thousand years later and
  • 00:27:36
    Christianity is thriving so well I'm
  • 00:27:38
    always warning okay you know if you have
  • 00:27:40
    if you believe in nothing okay
  • 00:27:42
    nothing but a certain comfort level and
  • 00:27:45
    you're tolerant to everything and
  • 00:27:47
    there's a system out there that is
  • 00:27:49
    passionate and militants okay it's the
  • 00:27:52
    passion okay
  • 00:27:53
    the belief system you know that is
  • 00:27:55
    passionate that's core there's going to
  • 00:27:56
    win so I'm warning so for me the remedy
  • 00:28:00
    is always education better education
  • 00:28:02
    broader education deeper education okay
  • 00:28:05
    and anyway okay now what else okay right
  • 00:28:09
    which I was telling you okay don't just
  • 00:28:12
    put together the book okay and you know
  • 00:28:15
    there are things in here in the book
  • 00:28:17
    okay which some things people would know
  • 00:28:19
    but other things I've been writing in
  • 00:28:21
    the last few years
  • 00:28:22
    okay you know for like for like Time
  • 00:28:23
    magazine and so on op eds
  • 00:28:25
    and one in particular your issue that
  • 00:28:28
    that nobody is talking about but me
  • 00:28:29
    apparently is this stupid age 21 law
  • 00:28:33
    okay that there was passed you know in
  • 00:28:35
    the in the mid 1980s were young people
  • 00:28:38
    in America I can't go out and buy a beer
  • 00:28:40
    okay alright if they have to in
  • 00:28:42
    meanwhile okay what did that well in
  • 00:28:44
    what did that / - you know the only
  • 00:28:46
    countries in the world that have a
  • 00:28:48
    strict a rule about that are very
  • 00:28:51
    repressive Muslim regimes and Qatar and
  • 00:28:54
    so on all right
  • 00:28:55
    I mean that in Europe young people can
  • 00:28:57
    buy alcohol they're 1415 they learn how
  • 00:29:00
    to drink right now the disastrous
  • 00:29:02
    cultural effects of that law I point out
  • 00:29:06
    okay is that is once young people in
  • 00:29:10
    college could go men and women could go
  • 00:29:13
    to a bar sit at a table in a public
  • 00:29:17
    place over a cheap beer and flirt with
  • 00:29:20
    each other learn how to converse in
  • 00:29:22
    adult context in a protected zone what
  • 00:29:24
    happened the minute that law happened
  • 00:29:26
    you know Mothers Against Drunk Driving
  • 00:29:28
    we married your own business is what I
  • 00:29:30
    glad I say to them okay I mean all right
  • 00:29:32
    so what was the end result okay the
  • 00:29:35
    fraternity parties keg parties okay I'm
  • 00:29:38
    fistic ated elfish Dionysian routes okay
  • 00:29:42
    that's what happens okay big kid now
  • 00:29:45
    they're all drinking like this and so on
  • 00:29:47
    what kind of conversation what kind of
  • 00:29:49
    sophistication are you gonna get at a
  • 00:29:51
    noisy fraternity party okay the whole
  • 00:29:53
    art of conversation of flirting gone
  • 00:29:56
    immediately what happened in the 80s the
  • 00:29:59
    date-rape furor started immediately all
  • 00:30:02
    of a sudden by the late 80s you're
  • 00:30:04
    getting all this confusion okay wait
  • 00:30:08
    wait do it again do it again
  • 00:30:09
    how many minutes oh three minutes all
  • 00:30:11
    right okay all right all right
  • 00:30:13
    so I say no don't it's gonna be the Q&A
  • 00:30:16
    don't okay so I say okay all right this
  • 00:30:20
    is redic young people need okay to you
  • 00:30:25
    know step over into delirium in some way
  • 00:30:28
    okay and so what you'd be again getting
  • 00:30:31
    the pills okay all right right
  • 00:30:33
    Molly all that stuff okay things from
  • 00:30:35
    off the streets okay they're all
  • 00:30:37
    wonderful okay that was that's a big
  • 00:30:39
    improvement okay all right you start
  • 00:30:41
    getting the raves and so on pencil the
  • 00:30:43
    brains our pickles from that crack
  • 00:30:44
    what's wrong with alcohol it goes back
  • 00:30:46
    thousands of years
  • 00:30:48
    okay beer wine and not today your
  • 00:30:51
    margaritas
  • 00:30:52
    it's a scotch and sodas whiskey sours
  • 00:30:56
    and so on all right all right and
  • 00:30:59
    another thing you know you like you get
  • 00:31:01
    drunk it's too much okay
  • 00:31:04
    you know you don't want to hunter goal
  • 00:31:05
    you know bottle of tequila okay but what
  • 00:31:07
    I'm saying is there's a hangover it goes
  • 00:31:09
    okay all that other crap stays in the
  • 00:31:12
    brain okay the kids are great their
  • 00:31:14
    brains are pickled from all that stuff
  • 00:31:16
    and now adding with the antidepressants
  • 00:31:18
    you know the entire professional class
  • 00:31:19
    of Manhattan is on all this
  • 00:31:20
    antidepressants go get a beer okay is
  • 00:31:24
    what I say
  • 00:31:25
    yeah I can remember okay you know and I
  • 00:31:29
    was recently I was looking at say like
  • 00:31:32
    this 1940s movies and I would see like
  • 00:31:34
    the men would go into the bar to have a
  • 00:31:36
    beer and it'll be like little 6 ounce
  • 00:31:38
    glasses 6 ounce and that's what we had
  • 00:31:40
    in college so I actually went on Amazon
  • 00:31:42
    and I found them okay I found the 6
  • 00:31:45
    ounce glass and I thought this is great
  • 00:31:46
    ok because you know you know today with
  • 00:31:48
    the mugs they give you a big mug hope I
  • 00:31:50
    could turn you to half way it's warm who
  • 00:31:52
    wants the warm half of the so if you
  • 00:31:54
    have the six ounces okay you keep
  • 00:31:56
    getting the nice frothy you know nice
  • 00:31:58
    cold beer and so I thought let's go back
  • 00:31:59
    to the six ounces that that's what we
  • 00:32:01
    had you know in college right and so
  • 00:32:03
    that's how young people learn to be
  • 00:32:06
    adults okay and actually you know wrote
  • 00:32:10
    this one of my my gate engage students
  • 00:32:13
    said to me how he lamented the that
  • 00:32:17
    particular law okay because he said in
  • 00:32:19
    the old days he said obviously older gay
  • 00:32:22
    men okay were you know a great help you
  • 00:32:25
    know to the younger gay men the younger
  • 00:32:27
    gay men learned about gay culture
  • 00:32:29
    through conversations in bars now you
  • 00:32:32
    know he said young gay men that here's
  • 00:32:34
    here is in the gate the gate overheard
  • 00:32:36
    you know that in the gay district is
  • 00:32:38
    where my university is and so on and and
  • 00:32:40
    to get sex or to or to flirt with anyone
  • 00:32:43
    it's being done on tinder right
  • 00:32:45
    all of a sudden you're like you're
  • 00:32:46
    matching up to have sex okay in but
  • 00:32:49
    there's no conversation okay
  • 00:32:50
    conversation is gone now that is a
  • 00:32:52
    cultural disaster okay to to Americans
  • 00:32:55
    young people not to have environments
  • 00:32:59
    adult environments where you can just
  • 00:33:01
    take the edge off with a little alcohol
  • 00:33:02
    okay and converse okay in a rational way
  • 00:33:05
    okay it's going on all the time that's
  • 00:33:07
    one for heaven's sakes existentialism
  • 00:33:09
    you know all those things began in
  • 00:33:11
    Parisian you know places are people are
  • 00:33:13
    drinking a glass of wine etc so it again
  • 00:33:15
    to provincialism of our culture okay I
  • 00:33:18
    want that rule ok abolish it's they're
  • 00:33:22
    selling marijuana in Colorado okay and
  • 00:33:24
    you can't get it and young people can't
  • 00:33:25
    walk into a bar here in Philadelphia
  • 00:33:27
    it's outrageous I want you to be
  • 00:33:29
    outraged
  • 00:33:30
    all right okay anyway
Tags
  • corrección política
  • educación
  • libertad de expresión
  • posmodernismo
  • postestructuralismo
  • historia
  • humanidades
  • crianza
  • relaciones interpersonales
  • leyes sobre alcohol