How To Make A Great Pilot — Squid Game

00:14:05
https://www.youtube.com/watch?v=Y-Kwr70zOC8

摘要

TLDRVidiyo a nyochaa otú 'Squid Game' si egosipụta onye isi, Gi-hun, na-atụgharị na omume ya na ndọrọ ndọrọzi na-achịkwa n'oge mbụ. Ndị na-achọ ịmalite usoro nkiri kwesịrị ịmara mkpa nke imepụta onye isi nwere mmetụta na ọtụtụ ihe na-eme n'ikpeazụ. A na-atụle echiche nke Maslow's hierarchy of needs iji meziwanye ihe mgbakwunye na ịgụnye nke ọma ga-enwe mmetụta na ndị na-ekiri.

心得

  • 📅 Gi-hun bụ onye na-enweghị ihe niile.
  • 🎲 O jiri akwụmụgwọ nke nne ya na-aga igwu egwuregwu.
  • 📈 Nhọpụta ndị protagonist nke na-achọ ịma mma.
  • 🧩 N'ikpeazụ, ihe ihe na-egosi na akụkọ bụ "relatability".
  • 👏 "Likability" abaghị uru kama "relatability" bụ isi.
  • 🏆 Maslow's hierarchy of needs na-enyere aka.
  • 🔍 Ngwa na-achọ iduga na agwa.
  • ⚔️ Iji ozi na eziokwu chịkọta n'ichepụta akụkọ.
  • 🎭 Kwekọrọ na nchọpụta na ntọala abụghị naanị maka akụkọ viết dị ka Edenet.
  • 📚 Jiri Campfire maka ịhazigharị akụkọ gị.

时间轴

  • 00:00:00 - 00:05:00

    N'ịbụ onye a na-achọpụta ya dị ka onye na-adịghị tozu oke na mmalite, Gihon, bụ protagonist nke 'Squid Game', anwalebeghị nke a dị ụcha n'ụzọ kwesịrị ekwesị, na-eso nzọpụta gboo. N'oge mbụ, anyị na-ahụ nnukwu ihe ize ndụ na ọnwụnwa na ndụ ya, nke nwere ike ibute ndị na-ege ntị iwe nti. Agbanyeghị, site n'iji ntụziaka nke Maslow's hierarchy of needs, iji mee ka Gihon kwụsịrị iji atụnyịrị ego, na-adịghị nwere ego na mmiri na mpụ. Ajụjụ ahụ bụ maka otu esi abara ya uru? Iwe a na-emerịrị ya nke ọma site na ịdị na-enweghị ike imezu mkpa ndị mmadụ ga-eme ka ndị na-ege ntị nwee mmasị n'ịhụ Gihon lụọ ọgụ n'ịchọpụta ndụ na-adịbeghị anya.

  • 00:05:00 - 00:14:05

    N'ịga n'ihu, na-egosi na Gihon, si na әмәс na-amalite nke a na-ahụkarị na nzukọ mgbe egwuregwu mbụ, na-enye gị a dị mma pitch n'ịhụ maka ngosi, na-eme nri ahụ nke so na ya, na-eji ike n'echiche. O bụ ihe na-adịghị ahụkebe, na iji nweta ya na ya na-emeghe forụta nzube n'atha ịhụ Gihon, na-ajụ ebum n'obi n'ihi na ịbụ, dị ka onye na-agbakọba, na-enwe mmetụta nke inweta nchebe na ịhụnanya, na-enyere ndị na-ege ntị aka ikwenye na ya. E nwere ihe gbasara mgbanwe ahụ nke na-emetụta onye protagonist, na-enye ndị na-ege ntị ihe ngosi ikike ọnwụ na afọ ojuju na otú ndị huo agha emere ka ọdịnihu di na ya na-enwe edemede na ndụ.

思维导图

视频问答

  • Kedu ihe causen a na-egosi na Gi-hun bụ onye isi nwere mmetụta?

    O juru na edemede ntọala, n'ikwu banyere ihe ọ na-achọ na ndụ ya na ọdịmma ya.

  • Gịnị bụ isi ihe na-ekwu banyere "likability" nke protagonist?

    A naghị eche banyere "likability", kama a na-elekwasị anya na "relatability".

  • Kedu ihe Maslow's hierarchy of needs gbasara?

    Ọ bụ pyramid nke na-egosi ihe ndị mmadụ chọrọ na ndụ ha, nke na-enyere aka ịmepụta ụdị ikpeazụ na-adịghị na akụkọ.

  • Gịnị bụ nnukwu ihe kpatara na "Squid Game" nwere ihe ịma aka na ndụ?

    Eziokwu na Gi-hun na-achọ ịhụ na ọ nweghị ego, nke dị mkpa n'ichepụta akụkọ ya.

  • Kedu otú a ga-esi wee kpọlata ndị na-ekiri na usoro a?

    Site n'ịmụta otú e si eme ka onye protagonist nwee mmetụta na-enwe mmetụta na ọ chọrọ ịga nke ọma.

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  • 00:00:00
    do you want to know what i find most
  • 00:00:02
    interesting about squid games pilot it's
  • 00:00:04
    how the protagonist gihon at the
  • 00:00:06
    beginning is shown to be nothing but a
  • 00:00:08
    total loser like it opens with his
  • 00:00:11
    mother telling them that he's forgotten
  • 00:00:12
    that today's his daughter's birthday and
  • 00:00:14
    then he immediately whines about how she
  • 00:00:16
    needs to give him more money and then
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    when she says no he steals her credit
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    card for getting her birthday too as he
  • 00:00:22
    tries to guess her pin and then he
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    gambles it all away on the horse tracks
  • 00:00:28
    that is our introduction to this show's
  • 00:00:32
    protagonist like if you were to ask
  • 00:00:34
    around if that was a good way to open
  • 00:00:36
    your show most people would tell you
  • 00:00:38
    that you're an idiot you can't open a
  • 00:00:40
    story like that that would make your
  • 00:00:42
    protagonist unlikable and no one will
  • 00:00:44
    enjoy your story then however squid game
  • 00:00:48
    is the most popular show netflix has
  • 00:00:50
    ever had so clearly they had to be doing
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    something right here by all means the
  • 00:00:55
    guy does show some likable qualities as
  • 00:00:57
    the show goes on like he turns out to be
  • 00:00:59
    a nice enough guy but how do we
  • 00:01:01
    reconcile with how this show gave us
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    such an unpleasant first impression of
  • 00:01:06
    its protagonist well i'll answer that
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    mystery later in the video but firstly
  • 00:01:09
    there's something vital that every pilot
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    episode must do it has to convince an
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    unconvinced viewer that your show really
  • 00:01:17
    is worth their time fundamentally your
  • 00:01:19
    pilot isn't just the beginning of your
  • 00:01:21
    show it's also its trailer in the same
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    way a movie trailer gets the viewer
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    excited to go to the cinema a tv pilot
  • 00:01:29
    has to get the viewer excited to watch
  • 00:01:31
    episode two in the recent spider-man
  • 00:01:33
    trailer when we see those mechanical
  • 00:01:35
    arms come up and then we get
  • 00:01:37
    hello peter the internet exploded
  • 00:01:41
    because this right here isn't just a fun
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    reveal it's the pitch for the movie and
  • 00:01:45
    it's a bloody good one what if tom
  • 00:01:47
    holland's spider-man has to face down
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    the villains from sam raymie's trilogy
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    it's an inherently exciting pitch for a
  • 00:01:53
    superhero film when you boil it down
  • 00:01:56
    this right here isn't storytelling it's
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    pure marketing and when you're writing
  • 00:02:00
    the pilot to your show you need to do
  • 00:02:03
    exactly this what is your hello peter
  • 00:02:06
    moment you've got to ask the question
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    where in my pilot will i pitch what the
  • 00:02:11
    show will be about and crucially is that
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    pitch exciting enough
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    the walking dead for example pretty much
  • 00:02:18
    had its pitch be the opening scene we
  • 00:02:20
    see a gritty looking apocalypse then our
  • 00:02:22
    protagonist faces down a zombie he
  • 00:02:24
    shoots it and that's it that's the
  • 00:02:26
    entire pitch right there it's telling
  • 00:02:29
    you exactly what the walking dead is
  • 00:02:30
    going to be about this might seem like a
  • 00:02:32
    pretty weak pitch for a show but it
  • 00:02:34
    genuinely wasn't because back in 2010
  • 00:02:36
    when this pilot came out which that
  • 00:02:38
    makes me feel a bit old to be honest um
  • 00:02:40
    this was a fantastic pitch because the
  • 00:02:42
    public's brief but enthusiastic
  • 00:02:44
    obsession with zombies was just on the
  • 00:02:46
    rise if you were making a pilot in 2010
  • 00:02:49
    simply having the pitch for your story
  • 00:02:51
    be it's a grim tale about the zombie
  • 00:02:53
    apocalypse would have been enough to
  • 00:02:55
    sell millions of people on your show but
  • 00:02:57
    now after being so oversaturated with
  • 00:03:00
    zombie stories what was once a strong
  • 00:03:02
    pitch is now a fairly weak one you can
  • 00:03:04
    look at invincible too as the audience
  • 00:03:06
    sees the first episode they think well
  • 00:03:07
    this is just another generic superhero
  • 00:03:09
    story but then the tables turn and the
  • 00:03:12
    show gives us its real pitch when
  • 00:03:14
    omniman does
  • 00:03:15
    well
  • 00:03:16
    what he does i won't show the details
  • 00:03:18
    here because according to my analytics
  • 00:03:20
    children are watching and i'd prefer not
  • 00:03:22
    to be demonetized
  • 00:03:25
    and of course squid game's pitch moment
  • 00:03:27
    is when we finally enter the first game
  • 00:03:29
    that bloke gets shot and it's
  • 00:03:31
    immediately establishes an interesting
  • 00:03:33
    premise what if hunger games had a
  • 00:03:34
    crossover with a game show you know what
  • 00:03:37
    if mr beast did a video except everyone
  • 00:03:39
    whose hand leaves the lamborghini gets
  • 00:03:41
    shot it's an inherently exciting pitch
  • 00:03:44
    for a show and even better we then spend
  • 00:03:46
    the next 10 minutes exploring it as we
  • 00:03:48
    see the first game play out giving the
  • 00:03:50
    audience an appetizer delivering the
  • 00:03:52
    goods on the pitch they just made and
  • 00:03:54
    they deliver on an already exciting
  • 00:03:55
    pitch so well it's a lot like lightning
  • 00:03:57
    in a bottle as the viewer physically
  • 00:03:59
    can't turn their eyes away it creates
  • 00:04:01
    the kind of pilot that has the potential
  • 00:04:03
    to be catapulted into international
  • 00:04:06
    popularity the kind of pilot when it's
  • 00:04:08
    over the viewer feels a really strong
  • 00:04:11
    urge to watch episode two but back to
  • 00:04:14
    the initial question of this video how
  • 00:04:16
    did squid game get away with having such
  • 00:04:17
    an unlikable protagonist in its
  • 00:04:20
    beginning well i think the big point to
  • 00:04:22
    make here is that likability is a total
  • 00:04:25
    myth no way not this time is totally
  • 00:04:28
    made up pure fiction
  • 00:04:30
    it's false like seriously if you're
  • 00:04:32
    creating a protagonist and you're asking
  • 00:04:34
    how can i make this person more likeable
  • 00:04:36
    you're asking the wrong question but
  • 00:04:38
    what is the right question how do you
  • 00:04:40
    give your shows pilots a great
  • 00:04:42
    protagonist well it isn't actually
  • 00:04:44
    likability that matters here instead
  • 00:04:47
    it's relatability when you boil it down
  • 00:04:50
    every great protagonist the kind where
  • 00:04:52
    you just can't help but want them to
  • 00:04:53
    succeed the reason behind it all is that
  • 00:04:56
    that character is relatable from geekin
  • 00:04:59
    to walter white to mr incredible but
  • 00:05:02
    this begs a really interesting question
  • 00:05:04
    because how are these three characters
  • 00:05:06
    relatable like what is the quality they
  • 00:05:08
    share that binds them together i
  • 00:05:10
    remember watching the incredibles when i
  • 00:05:12
    was about 10 and despite the fact i
  • 00:05:13
    didn't work a boring office job at the
  • 00:05:15
    time and wasn't going through a mid-life
  • 00:05:17
    crisis i still cared about bob's
  • 00:05:19
    character and that is mental because how
  • 00:05:22
    the hell is it possible that children
  • 00:05:24
    can relate to protagonists going through
  • 00:05:26
    a mid-life crisis or i mean look at
  • 00:05:29
    gehun from squid game like his two
  • 00:05:31
    biggest character flaws at the start are
  • 00:05:33
    tremendous dishonesty and a crippling
  • 00:05:35
    gambling addiction like you might have
  • 00:05:37
    none of those character traits yourself
  • 00:05:39
    but you probably felt compelled by
  • 00:05:40
    gehun's character where the hell is all
  • 00:05:44
    of this relatability coming from well
  • 00:05:46
    i've been giving this one a good thing
  • 00:05:47
    because it's admittedly a pretty tricky
  • 00:05:49
    question and the other day i think i
  • 00:05:51
    realize what the key is here it's
  • 00:05:53
    something that all of you psychologists
  • 00:05:54
    out there will be familiar with and i've
  • 00:05:57
    only just realized how crucial a role
  • 00:05:59
    this plays when creating characters in
  • 00:06:01
    fiction it's maslow's hierarchy of needs
  • 00:06:05
    what that is is a pyramid that was
  • 00:06:07
    proposed unsurprisingly by a guy called
  • 00:06:09
    abraham maslow in 1943 and it lays out
  • 00:06:12
    all of the things a human wants for in
  • 00:06:15
    life i've begun to realize that when
  • 00:06:16
    you're crafting a character's motivation
  • 00:06:18
    this pyramid right here is perhaps the
  • 00:06:21
    most useful tool you can have at your
  • 00:06:23
    disposal the way this works in real life
  • 00:06:25
    is if you watching were to reach a point
  • 00:06:27
    where every level of this pyramid is
  • 00:06:29
    fulfilled you should in theory want for
  • 00:06:32
    nothing you know you'll look at the
  • 00:06:33
    mirror from harry potter 1 and see
  • 00:06:34
    nothing but yourself exactly as you are
  • 00:06:37
    it goes without saying that that's a bad
  • 00:06:39
    thing for your protagonist to do because
  • 00:06:40
    they must want something otherwise
  • 00:06:43
    where's the story but admittedly this
  • 00:06:45
    does look pretty complex how do we
  • 00:06:47
    digest this pyramid into something we
  • 00:06:49
    can understand and apply well let's give
  • 00:06:52
    a few examples to break it down let's
  • 00:06:54
    look at walter white from breaking bad
  • 00:06:56
    breaking bad kicks off showing walter
  • 00:06:58
    going about his everyday life which by
  • 00:07:01
    the way is something nearly every
  • 00:07:02
    successful story begins with as when you
  • 00:07:04
    show protagonists everyday life it gives
  • 00:07:06
    you a wonderful opportunity to not just
  • 00:07:09
    give exposition on who they are but
  • 00:07:11
    importantly to demonstrate the whole in
  • 00:07:13
    their life it's this hole in their life
  • 00:07:15
    that must motivate the character and
  • 00:07:18
    drive the story forwards for walter he's
  • 00:07:20
    got the first level of this pyramid
  • 00:07:22
    covered basic physical needs you know
  • 00:07:24
    food and shelter he's got all that no
  • 00:07:26
    problem he has the next one up security
  • 00:07:28
    you know there aren't any assassins out
  • 00:07:30
    there gunning for him he also has the
  • 00:07:31
    next one up too was he's got a wife and
  • 00:07:33
    son who love him but everywhere above
  • 00:07:36
    this he's lacking he has no status nor
  • 00:07:39
    respect and he's constantly demeaned by
  • 00:07:41
    everyone around him hey mr white
  • 00:07:45
    make that style shine huh oh my god
  • 00:07:49
    and to top it all off walter is not
  • 00:07:51
    achieving his potential and our
  • 00:07:54
    investment in his character the reason
  • 00:07:55
    why walter is so compelling to follow in
  • 00:07:57
    the early episodes of breaking bad is
  • 00:07:59
    because the holes in his life stem from
  • 00:08:01
    such universal relatable problems from
  • 00:08:04
    the hierarchy of needs and crucially as
  • 00:08:07
    well as the pilot goes along we see
  • 00:08:08
    walter get a taste of what it's like for
  • 00:08:10
    the holes in his life to be satisfied we
  • 00:08:13
    see that when he goes from being
  • 00:08:14
    powerless to beating up a bully for
  • 00:08:16
    insulting his son or how nobody respects
  • 00:08:19
    him not even his family but upon
  • 00:08:21
    breaking bad and making meth he finally
  • 00:08:23
    finds the admiration he's always wanted
  • 00:08:27
    this is pure glass
  • 00:08:28
    you're a goddamn artist and back to the
  • 00:08:31
    incredibles believe it or not walter
  • 00:08:33
    white and mr incredible are identical
  • 00:08:36
    characters in this respect because sure
  • 00:08:38
    bob's having a mid-life crisis but
  • 00:08:40
    that's not the core of why he's
  • 00:08:41
    relatable and it's not his boring office
  • 00:08:44
    job either rather it's how he feels like
  • 00:08:46
    he isn't realizing his potential which
  • 00:08:49
    again is a hole that stems from right at
  • 00:08:51
    the top of the hierarchy of needs
  • 00:08:53
    therefore every human being alive can
  • 00:08:56
    relate to him if you want to come up
  • 00:08:58
    with a relatable character motivation in
  • 00:09:00
    a story or screw it if you just want to
  • 00:09:02
    have a good protagonist referring to
  • 00:09:05
    maslow's hierarchy of needs is a really
  • 00:09:07
    like shockingly effective way of
  • 00:09:09
    achieving both of those things you can
  • 00:09:11
    have it come from the top like walter
  • 00:09:13
    white and mr incredible or you can go
  • 00:09:14
    all the way down to the bottom and have
  • 00:09:16
    a character's motivation be them dying
  • 00:09:18
    of thirst in a desert and they're
  • 00:09:19
    hunting for a glass of water doing this
  • 00:09:22
    will ensure they have the kind of
  • 00:09:23
    motivation that everyone everywhere will
  • 00:09:26
    be able to relate to from them being a
  • 00:09:28
    10 year old kid all the way to living in
  • 00:09:30
    a totally different country not knowing
  • 00:09:32
    your language and so needing to watch
  • 00:09:34
    your show in a rather bad dub do you
  • 00:09:36
    know where your son happens to be now on
  • 00:09:39
    business in the united states uh i'm
  • 00:09:40
    afraid that mr cho song woo has a
  • 00:09:42
    warrant out for his arrest
  • 00:09:44
    huh if he were to break down gee hun
  • 00:09:46
    from squid game his motivation stems
  • 00:09:48
    from these two areas in the pyramid love
  • 00:09:51
    and safety needs he's in crippling debt
  • 00:09:53
    that's so bad it's at the point now that
  • 00:09:55
    the loan sharks are beating him up in
  • 00:09:56
    the bathrooms he has no security and to
  • 00:10:00
    top it all off he's on the brink of
  • 00:10:01
    losing his daughter as his ex is about
  • 00:10:02
    to move with her to america two
  • 00:10:05
    different holes in his life stemming
  • 00:10:07
    from two levels on the pyramid and what
  • 00:10:09
    is the cause of both of them not having
  • 00:10:11
    enough money and so when the squid games
  • 00:10:14
    start and we see that piggy bank descend
  • 00:10:16
    from the ceiling just like walter white
  • 00:10:17
    does when he starts stealing drugs just
  • 00:10:19
    like mr incredible does when he sees
  • 00:10:20
    that opportunity to relive his glory
  • 00:10:22
    days giehun gets a glimpse of what it
  • 00:10:24
    might be like for the holes in his life
  • 00:10:26
    to be filled and because the first half
  • 00:10:28
    of the pilot did such a good job at
  • 00:10:30
    establishing the relatable problems of
  • 00:10:32
    gehun's life when the last half kicks
  • 00:10:34
    off with him joining the squid games the
  • 00:10:36
    audience can't help but want him to
  • 00:10:39
    succeed the audience can't help but be
  • 00:10:41
    compelled by his character despite how
  • 00:10:44
    he's been a pretty bad father lies
  • 00:10:46
    steals and in general does some very
  • 00:10:48
    unlikable things but by all means having
  • 00:10:51
    a likable protagonist really can work
  • 00:10:54
    effectively i think of marta cabrera
  • 00:10:56
    from knives out right the fact she's
  • 00:10:58
    surrounded by some really just quite
  • 00:10:59
    detestable people it contrasts with how
  • 00:11:02
    likable she is and that only makes us
  • 00:11:04
    want her to succeed in the end more
  • 00:11:06
    however saying to yourself i must have a
  • 00:11:09
    likable protagonist is a lot like saying
  • 00:11:11
    i'm only going to buy a house if it's
  • 00:11:13
    already painted white by all means
  • 00:11:15
    you'll probably find some good houses
  • 00:11:17
    painted in that color but you're
  • 00:11:18
    tremendously limiting yourself as a
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    house buyer you're limiting yourself as
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    a storyteller because before you've even
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    begun you've cordoned off so many other
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    fantastic ways to craft your protagonist
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    if you do what squid games does with
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    presenting what's lacking in their life
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    then begin a plot where they get a taste
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    of what it's like to not have that issue
  • 00:11:37
    anymore that's enough that's the key to
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    introducing your protagonist whether
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    you're doing a pilot a movie or a novel
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    squid games pilot while not the best
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    pilot of all time did a phenomenal job
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    at doing what any pilot must do not
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    hooking the audience that terms too
  • 00:11:53
    vague so vague it's downright useless
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    instead pitching what the show will be
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    about while simultaneously establishing
  • 00:12:01
    a protagonist with a relatable enough
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    motivation that anyone from any culture
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    can get behind and when you're writing
  • 00:12:07
    your own stories don't fall for the trap
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    of keeping all of your thoughts in a
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    messy document without any kind of
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    organization i've made that mistake
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    before and trust me it's a right pain
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    unorganized notes for a novel series
  • 00:12:21
    i've been planning and it's
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    jesus
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    painful to look through and downright
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  • 00:12:30
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    anyway thanks for watching don't forget
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    to hit that like button and i'll see you
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    guys next time on the closer look
标签
  • Squid Game
  • Gi-hun
  • Protagonist
  • Likability
  • Relatability
  • Maslow's hierarchy
  • Pilot Episode
  • Character Motivations
  • Storytelling
  • Audience Engagement