Humoresques, Op. 101 (Antonin Dvorak) | Featuring Pianist Mariel Ilusorio & violinist Denise Huang

00:07:00
https://www.youtube.com/watch?v=vlk_24szQ24

الملخص

TLDRThe video delves into the origins and dissemination of the term 'Humoresque' in music, initially introduced by Schumann and later popularized by Dvorak, particularly through his Humoresque No. 7. This piece, recognized for its impact across various media, originates from Dvorak's tenure in New York as the director of the National Conservatory of Music, a post notable for its high salary yet challenging environment. Dvorak's creative process involved jotting down musical ideas in America, which evolved from the New Scottish Dances to the Eight Humoresques, marking a significant yet unintended achievement in his oeuvre.

الوجبات الجاهزة

  • 🎹 Schumann was the first to use 'Humoresque' in his piano compositions.
  • 🎼 Dvorak's most renowned Humoresque is No. 7 from Opus 101.
  • 👨‍🏫 Dvorak took up a director post in New York with a high salary of $25,000.
  • 🎒 His role in New York was challenging but financially rewarding.
  • 🌍 Dvorak's journeys included London, Russia, and a previous Prague position.
  • 🗒️ In America, his musical ideas were documented in a sketchbook.
  • 🔄 The New Scottish Dances transformed into the Eight Humoresques.
  • 🎹 Ironically, Dvorak's most famous piece is a piano composition, Humoresque No. 7.
  • 🎥 Humoresque No. 7 has been adapted into films, shows, and songs.
  • 🎻 The piece is popularly arranged for various instruments, including violin and piano.

الجدول الزمني

  • 00:00:00 - 00:07:00

    Schumann was the first composer to use the title Humoresque for piano compositions characterized by their good-humored nature. However, the most famous Humoresque is Dvorak's Humoresque No. 7 from his 1894 composition, Opus 101. In 1892, Dvorak took on the role of director at the National Conservatory of Music in New York, an opportunity with a salary 25 times greater than his previous job, but also more responsibility. Composing light-hearted pieces like the Humoresques might have been a form of distraction for him. Some of his ideas from his American musical sketchbook were initially used in the 'New Scottish Dances,' which transformed into the Humoresques. Despite not being known as a great piano composer, Dvorak's most famous piece remains his piano composition, Humoresque No. 7, widely used in media and arranged for various instruments.

الخريطة الذهنية

فيديو أسئلة وأجوبة

  • Who was the first composer to use the title 'Humoresque' in piano compositions?

    Schumann was the first composer to use the title 'Humoresque' in his piano compositions.

  • What is Dvorak's most famous Humoresque?

    Dvorak's most famous Humoresque is No. 7 from Opus 101.

  • What was the salary Dvorak received in New York?

    Dvorak received an annual salary of $25,000 in New York.

  • How did Dvorak's Humoresque No. 7 gain popularity beyond the piano?

    Humoresque No. 7 has been used in movies, animated TV shows, and songs, and arranged for various instruments.

  • What transformation did Dvorak's musical ideas undergo?

    Dvorak's musical ideas were initially part of the New Scottish Dances and eventually transformed into the Eight Humoresques.

عرض المزيد من ملخصات الفيديو

احصل على وصول فوري إلى ملخصات فيديو YouTube المجانية المدعومة بالذكاء الاصطناعي!
الترجمات
en
التمرير التلقائي:
  • 00:00:06
    schumann was the first composer to use
  • 00:00:09
    the title humoresque in his piano
  • 00:00:11
    compositions pertaining to a good
  • 00:00:14
    humored character piece
  • 00:00:17
    but the most famous humorous of all
  • 00:00:20
    is dvorak's humorous number seven
  • 00:00:23
    out of the eight humorous he composed
  • 00:00:26
    opus 101
  • 00:00:28
    in 1894
  • 00:00:31
    in 1892 dvorak got a post to be the
  • 00:00:35
    director of the national conservatory of
  • 00:00:38
    music in new york
  • 00:00:40
    he had already traveled to london
  • 00:00:42
    to russia and he was already appointed
  • 00:00:45
    professor at the prague conservatory the
  • 00:00:47
    year before
  • 00:00:49
    but the post in new york was a very
  • 00:00:51
    challenging one
  • 00:00:52
    his annual salary was 25 000
  • 00:00:56
    and at that time it was 25 times
  • 00:01:00
    bigger than his salary at the prague
  • 00:01:02
    conservatory
  • 00:01:04
    imagine earning 25 times more than your
  • 00:01:07
    current salary
  • 00:01:08
    but it was a very heavy responsibility
  • 00:01:10
    for dvorak and
  • 00:01:12
    maybe
  • 00:01:13
    composing these light pieces the
  • 00:01:15
    humorous
  • 00:01:17
    provided a good distraction for him
  • 00:01:21
    when he was in america he wrote down his
  • 00:01:23
    musical ideas in his musical sketchbook
  • 00:01:26
    and when he went home to czechoslovakia
  • 00:01:29
    for a holiday he used some of these
  • 00:01:31
    musical ideas
  • 00:01:32
    and incorporated them in a set of pieces
  • 00:01:35
    called the new scottish dances
  • 00:01:38
    but the new scottish dances eventually
  • 00:01:40
    got transformed to the eight humorous
  • 00:01:44
    i did mention previously that
  • 00:01:47
    dvorak was not a great piano composer
  • 00:01:51
    ironically the most popular piece of all
  • 00:01:55
    that he composed is an original piano
  • 00:01:57
    composition the humorous number seven
  • 00:02:01
    it is so popular that it's been used in
  • 00:02:03
    movies
  • 00:02:04
    in animated tv shows
  • 00:02:07
    and songs
  • 00:02:08
    there's a 1930 song that became very
  • 00:02:11
    popular with this melody and the text is
  • 00:02:13
    about using toilets and passenger trains
  • 00:02:18
    this melody has been arranged for so
  • 00:02:20
    many different combinations of
  • 00:02:22
    instruments
  • 00:02:23
    and today
  • 00:02:24
    you will hear it arranged for the violin
  • 00:02:27
    and piano
  • 00:02:39
    um
  • 00:02:47
    [Music]
  • 00:03:05
    me
  • 00:03:06
    [Music]
  • 00:03:36
    me
  • 00:03:44
    [Music]
  • 00:03:49
    me
  • 00:03:50
    [Music]
  • 00:04:03
    hey
  • 00:04:05
    [Music]
  • 00:04:25
    [Applause]
  • 00:04:28
    um
  • 00:04:32
    [Music]
  • 00:04:52
    [Music]
  • 00:04:56
    me
  • 00:05:00
    [Music]
  • 00:05:42
    um
  • 00:05:45
    [Music]
  • 00:06:10
    me
  • 00:06:12
    [Music]
  • 00:06:32
    [Applause]
  • 00:06:37
    me
  • 00:06:40
    [Music]
  • 00:06:44
    [Applause]
  • 00:06:45
    [Music]
  • 00:07:00
    you
الوسوم
  • Schumann
  • Dvorak
  • Humoresque
  • Piano Composition
  • National Conservatory of Music
  • New York
  • Prague Conservatory
  • Music Sketchbook
  • New Scottish Dances
  • Violin and Piano