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hello and welcome to anthony's tv my
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name is jeff ducksbury he's tate
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i'm just loki flexing over here with uh
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using nords as armrests but the nords
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i've got under my arms
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are the nord piano five which is brand
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spanking new
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did a video on that that i'm sure will
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be linked below
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there's a lot of questions that popped
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up from that video saying
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i was an idiot for not comparing it to
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the grand and you were right
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i was an idiot because i'd imagine that
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someone if you don't know much about
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nords or these pianos
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what are the differences between the
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grand and the piano but i also
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am a big nord stage user so i've got a
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stage three here we're going to talk
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about the different actions
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i'm going to try and communicate that to
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you what the differences are and this is
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all going to be through
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the lens of the latest john mayer song
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last train home so i'm going to play
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a piano version of it and we're going to
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move up through the ranks
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and kind of add some more sound design
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so
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in this video hopefully you should learn
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about why you maybe want to choose the
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grand over the piano five or the stage
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and even learn how to play last train
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home and how to make that noise so let's
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get into the video
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cheers
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[Music]
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this is the nord grand why would you buy
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the nord grand over the nord piano five
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they're very similarly priced at the
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moment north piano five is brand
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spanking new grand's been out
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a little bit i think two years year and
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a half
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let's address the obvious look at the
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size of it
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the difference when we have the piano on
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here you'll see it but we've got
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a much taller product here in terms of
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height
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a lot more weight right taylor way a lot
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heavier so check the specs on the weight
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all leading you towards the conclusion
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that this
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is the product from nord for someone
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that maybe
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wants that nord sound they love it maybe
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they've seen it on
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stage but you know i'm not really a
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gigging guy
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or a guy or girl i'm just at home and i
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want the best sounding electric piano i
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can get
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and this is nord's product for you
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because i it's not made to be moved
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around
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or to be gigged with per se i would
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definitely just
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skip on to the next bit if you think i'm
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doing gigs
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pretty much uh unless
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you are the discerning that's why i did
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that version at the beginning
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of playing a piano only version say
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you're someone
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that does piano music only
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and you're a wicked classical player
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which i am not
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the big headline about this product is
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the action
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so the action is from a different brand
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called kawaii
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and it's it was the first time you could
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get a triple sensor
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action so that means it's got three
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sensors in there which means you can do
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very light stuff
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[Music]
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really beautiful action to play even
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when i was playing then
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[Music]
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i've got a lot of reverb on there so
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just you can see the sample
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that was something that came up quite a
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bit i will still keep that in because
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i've demoed it a few times if you're a
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wavy hand guy like me
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maybe you're not wavy hand guy but i
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just flicked on the tremolo without even
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knowing it
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but you can lock the panel but that
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again gigging
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guess what gig all those controls flat
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means that
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you know if i'm there like getting gin
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and tonics or you know just getting
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numbers from
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chicks no no um that's why we got the
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flat controls this is all up front
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which is lending to that person that's
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at home or the considered pianist
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stick with the point jack
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it's the best action you can get if you
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want to buy a nord and you're a serious
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piano person a little bit about the
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other
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aspects of it you could layer another
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sound with it with this sample synth
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section
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so i can turn that on it's already got
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some strings in there so let's hear that
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[Music]
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put a bit more release on it
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bit slower attack
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[Music]
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[Applause]
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[Music]
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so you can layer up the sound so if
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you're
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at that solo piano gig you're a wedding
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or you're a recital
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this is the keyboard for you won't go
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into too much we've got other videos on
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it
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and if you want a great video saving
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yourself the time of watching this one
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go to sound technology's youtube channel
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rob wallace has done a video
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very concisely about all the product
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differences this is just me
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my take on it all right so let's move on
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quickly let's get the piano
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five on there
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[Music]
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that is the next level up of last train
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home
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and the reason why i play that sound is
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that that matches with what i think
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the type of person maybe you should look
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away from the grand
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to the new nor piano five so what are
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the components what the things that are
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new about the
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piano five that maybe can because it's
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the same price essentially as the nord
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grand at the moment things obviously
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change but there's some new stuff in
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here
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check out the other video i did on the
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nor piano five where i go through
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in more depth but we're just looking at
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the differences right so this keyboard
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action
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first off the back it's got the triple
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sensor
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in like the kawaii action but we don't
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have that
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ivory feel and to the touch
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people have asked me to kind of
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communicate actions and i've been wary
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in other videos to talk about action
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because it's so
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personal and you know what's good to
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someone is bad to another person and i
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understand that i'm not the most
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educated player so sometimes people who
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are really
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into actions are a different type of
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player to me
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in all honesty i don't care it's a bit
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like the table
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everyone comments on the table being
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wobbly i don't even notice
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i just don't care maybe because i've
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done so many crap gigs in my life that
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this is a pleasure
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anyway this action
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[Applause]
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let's just go to the playing piano sound
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that's the white grand one point to make
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all the keyboards that i play today you
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can have exactly the same
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sound that's why i'm not talking about
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in terms of piano
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you can have the same sound on all three
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because
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you can go to the website and choose
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which pianos you load in
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big difference between the grand and
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this this has double the memory
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so you can take a lot more sounds
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to your gig or have a lot more sounds at
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your disposable
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without having to go to the computer the
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other
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big technical change here is this is the
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only keyboard out of these three that
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can use
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the new sample format from nord and
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i did this in my other video so go check
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that out
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essentially when we get into the sample
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synth section
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where i put in some strings behind the
00:09:56
piano there
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let's find a string sample that maybe
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shows that off
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[Music]
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me
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that might seem crazy to you that that's
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a new feature but it's
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that baked in lovely vibrato in the
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sample and it not being
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synthesized really feels beautiful to
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play
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and that's alluding again
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this is the type of person that if you
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were going to do a gig
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and you needed to cover a lot more
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sounds
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this really the piano five a lot of
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people have said to me is it worth
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getting the piano five
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is it worth it if in that little example
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of last train home
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in my in my brain that first the grand
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is like the person who's playing for the
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drinks at a wedding
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when you've come in and you're just
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playing piano covers
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and then this is the keyboard for the
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guy in the band later on
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that night and people are expecting it
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to sound a bit
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more like the record so let's make that
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quick the patch i made at the beginning
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i'll show you what i was thinking
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and we'll hopefully it'll demonstrate
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the differences
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that has only one
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layer one piano layer one sample synth
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layer here we have
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two layers for each section and i used
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that in that little snippet
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so let's make a last train homie type
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thing my homie tap thing
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so i'm in the sun everything's off this
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is what i love about nord as well it's
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all
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on and off knob per function so
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i'm going to turn this layer on and i
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want to find a synth sound
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so i'm going to flick across here
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classics yes and to my ear on the record
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it sounds i mean it sounds really
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totally and so to me
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often they're you're looking for an
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analog horn type sound so listen to that
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pretty much there you're winning already
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that's great
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new feature again we've got unison so
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check this out
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[Music]
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you hear that get thicker off
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on
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[Music]
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i love that because it's different to
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chorus if i use chorus
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[Music]
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it sounds more natural to me that's
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again something that's unique
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over the grand we've got that true
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vibrato
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unison on here but also we've got the
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multi
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layers so that's pretty much enough for
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me synth-wise
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i hear and when you see the video he's
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got feeling gains is there
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maxing it out with the two synths in my
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ears i hear
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something profity and analog horny then
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with
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a digital kind of 80s piano sound so
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let's go to the piano section and let's
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find something there digital full times
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[Music]
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that's just think it's going to blend
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really well
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and then on the other layer let's find
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another digital one
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and go for
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that's what i love about that gets me
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right in the mood and i can layer them
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here
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[Music]
00:14:00
boosh
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bring in the synth
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[Music]
00:14:08
[Applause]
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i can even finish
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get a bit of uh release on there maybe
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put some chorus
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on the
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dx7 sound
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[Music]
00:14:33
and i'll play the part like in a band i
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won't be playing the left hand so
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maybe a touch of reverb
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a little bit less release
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[Music]
00:15:02
so that's the next level that's the nor
00:15:04
piano five you should buy
00:15:06
if you're the type of person that's a
00:15:08
discerning pianist
00:15:10
but you are going to do covers gigs and
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also if you want to rip a solo with that
00:15:16
new sample format not only do you get
00:15:18
the true vibrato
00:15:19
unison but they've managed to make mono
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synth sounds very playable
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without a fully fledged synth engine
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remember these are samples of since so
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check this out
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[Applause]
00:15:49
so if someone was like oh i've broken a
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string you need to do a dodgy solo
00:15:53
i can rip that now on the old nord piano
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i'd have to be rocking with a piano
00:15:59
sound so i get that lovely
00:16:00
to stay no organ no pitch bending mod
00:16:04
but this is aimed at piano players all
00:16:07
three of these are the piano focus ones
00:16:09
let's move to the stage i'll show you
00:16:10
the final
00:16:12
kind of the final countdown tattoo let's
00:16:14
do it
00:16:27
[Music]
00:16:40
third and final keyboard that we're
00:16:42
gonna go through the nord stage three
00:16:44
i'm set at the 76 key version of it i
00:16:50
said i was going to talk about the
00:16:51
actions and the differences what's
00:16:52
interesting about
00:16:54
this one and why we've got this one on
00:16:56
the table
00:16:57
is that this is the hp
00:17:01
action they call it uh i'm not sure what
00:17:04
it stands for i have a pause but
00:17:06
something to do would be impossible this
00:17:07
is the lightest one
00:17:08
and one of the new things with the piano
00:17:11
five
00:17:12
was that the 76 key version and the 88
00:17:16
share exactly the same action which is
00:17:19
awesome but if you want to save weight
00:17:22
and weight is a big deal say you get on
00:17:24
the train every time and i know a lot of
00:17:26
people
00:17:27
are interested in 76 key keyboards
00:17:29
because i get asked a lot
00:17:30
jack is there a cheaper alternative and
00:17:32
sadly it seems to be one of those
00:17:34
things that you only get on really posh
00:17:36
keyboards which you can get
00:17:37
76 key versions uh again go to the sound
00:17:41
technology website
00:17:42
where they really break down i think
00:17:44
there's
00:17:45
rob wallace said there's a he took
00:17:47
pictures of the action so you can really
00:17:49
see the inside of what's going on but
00:17:51
very simply
00:17:52
most actions have the weight here on
00:17:54
this part of the keyboard
00:17:56
and in this key key bed they put the
00:17:59
weight
00:17:59
in the piano at this end and
00:18:03
that has saved weight somehow so it's
00:18:07
much lighter but also it gives it the
00:18:09
feel of a rhodes
00:18:10
piano if you've ever played a fender
00:18:11
rhodes it's just got a different
00:18:13
feel so again if you're a traditionalist
00:18:16
you might want to get the 88 key version
00:18:19
of this
00:18:20
or if you're a really stone cold
00:18:22
classical person and you don't want any
00:18:24
synth stuff
00:18:25
the ground is for you sonically what was
00:18:28
going on there
00:18:28
[Music]
00:18:37
this patch i made yesterday
00:18:40
with the thought of what if john called
00:18:43
me up for the gig man
00:18:45
a lot of viewers like larry can't do it
00:18:48
larry can't do it we need you to come in
00:18:50
and this is why i love the stage three
00:18:53
and i just wanted to show you what's so
00:18:56
good about it
00:18:57
and what you're getting extra because
00:19:00
some people maybe
00:19:00
thought why would i buy the stage of it
00:19:05
because ostensibly we have a similar
00:19:07
sound to the one we made on the piano
00:19:09
five there which is i've got
00:19:12
a layered sound on panel a here i've got
00:19:16
the let's start turning things on and
00:19:18
off and i'll show you how i built it
00:19:23
on panel a we've got this ballad ep
00:19:33
now on the second panel b
00:19:37
i've got this sound which is the digi
00:19:39
ground
00:19:40
[Music]
00:19:50
together
00:19:53
and what you're hearing there is i've
00:19:55
detuned one of the layers
00:19:58
so it gives it that wider almost like a
00:20:00
chorus but i'm not using any chorus
00:20:03
i love the unison feature in the synth
00:20:06
sections
00:20:07
it just seems to have a bit more
00:20:08
solidity to the sound and i think if i
00:20:10
was gigging or if there was a musical
00:20:12
director or john was like
00:20:13
why did he go for that that would be my
00:20:15
answer so that's what we got going
00:20:18
on the piano side of things i've also
00:20:21
used the soft release function
00:20:23
because i just wanted to have that
00:20:26
powdery end to the note not an abrupt
00:20:29
let's turn it off on both and you can
00:20:30
hear the difference
00:20:34
put it back on
00:20:38
see just that tiny little bit these
00:20:40
little this is what the stage three
00:20:43
allows you
00:20:44
again maybe you've moved on from the
00:20:47
wedding geeks or you're a really
00:20:48
exacting wedding keyboard player and you
00:20:50
really want to nail the sound the stage
00:20:52
3 allows you to do that
00:20:54
so we've done the piano bit what did i
00:20:55
do in the synth world i'll turn these
00:20:57
off so we can hear
00:20:59
what's going on in synth town panel a
00:21:01
i've got this sound
00:21:16
i'm looking at the panel that's what i
00:21:17
love about nord i can't really remember
00:21:18
what i did yesterday but i can see
00:21:20
everything's pretty much not perfunction
00:21:22
so i can guide you to what i've done
00:21:24
there
00:21:26
instead of using a sample i'm generating
00:21:29
it
00:21:30
using the synth engine that's a huge
00:21:32
difference right
00:21:33
so because of that i can change the very
00:21:36
core nature of the sound whereas on the
00:21:39
other two we were looking at obviously
00:21:40
they're piano focus it's in the title
00:21:42
nor piano nor grand piano
00:21:44
or stage but i just want to get this
00:21:47
these points across
00:21:49
not a sample this is using the synth
00:21:52
engine so i've got two saw waves there
00:21:55
and i've got a mix of them
00:21:58
change the waveform listen
00:22:09
and i've blended them together i'm using
00:22:11
the unison feature
00:22:19
listen how powerful the unison feature
00:22:20
is
00:22:23
really spreads it out thickens the sound
00:22:27
other thing is that i've got choice over
00:22:29
the filter so i used a
00:22:30
12 db per octave filter
00:22:34
this is the 24 db
00:22:40
a bit brassier moog type one but i like
00:22:44
the
00:22:48
twelve i've also can choose how much of
00:22:51
uh keyboard tracking i get on it
00:22:52
which means that when i play up higher
00:22:55
for example
00:22:59
hear that brighten up because keyboard
00:23:00
tracking essentially opens up the filter
00:23:03
the the higher i go up the keyboard so i
00:23:05
can hear
00:23:06
those imagine if i just had one filter
00:23:09
setting for the whole keyboard
00:23:11
as i'd go up maybe these wouldn't sound
00:23:13
properly
00:23:14
so the filter tracking smartly
00:23:17
expands the filter range so we can hear
00:23:19
those notes i've also got a bit of drive
00:23:21
on there so let's turn this
00:23:22
off and hear that
00:23:27
bit drive
00:23:31
if i max out the drive you can hear how
00:23:36
much that changes the character
00:23:38
again live i'd probably say to john i'll
00:23:41
put a little bit of drive on it because
00:23:42
i want it
00:23:42
to poke it through the mix a little bit
00:23:47
i adjusted the filter to taste the other
00:23:50
thing
00:23:50
that i was trying to demonstrate in the
00:23:52
intro
00:23:54
and maybe actually let's go on to the
00:23:56
next panel let's turn that off
00:23:58
because this is one of those guilty
00:24:00
pleasures that you can get going
00:24:02
now check this sound out
00:24:04
[Music]
00:24:12
now it's low in the mix what have i done
00:24:14
there
00:24:15
if i ever look over i've put it through
00:24:16
a roland jc chorus amplifier if i turn
00:24:19
that off
00:24:23
on given a little bit of drive
00:24:27
the other thing i've got a bit of chorus
00:24:29
on it
00:24:31
off bit of chorus on
00:24:36
essentially a pokey little
00:24:39
sound to give it a bit more sizzle and
00:24:40
when i put them together
00:24:46
just the panel on its own
00:24:48
[Music]
00:24:54
it just gives it a little bit more grime
00:24:56
made it feel a bit more
00:24:57
vintage to me i put them all on together
00:25:01
and we've got this
00:25:02
[Music]
00:25:10
with just a smidge and a reverb to taste
00:25:12
on there now
00:25:13
the next bit that none of these can do
00:25:16
and which i showed off a little bit is
00:25:17
say i walk in
00:25:19
and i listen to the record and to me
00:25:21
that kind of matched
00:25:22
the brightness it may seem a bit dull to
00:25:24
you but put it on next to the record i
00:25:26
thought that was pretty
00:25:28
bang on and when i do a gig i always
00:25:30
start with a record because
00:25:31
that's what you're getting paid to do to
00:25:33
replicate the record at first
00:25:34
if i go in and a bit like people stay
00:25:37
with guitars
00:25:38
maybe at home you were playing it on the
00:25:40
net pickup but you turned up to the gig
00:25:41
you realized no one could hear it so you
00:25:43
flicked it to the bridge
00:25:45
i've got these pitch bender mob wheels
00:25:46
here and now the whole world of morphing
00:25:49
now morphing can is essentially
00:25:52
using either the wheel after
00:25:56
touch or a control pedal to control
00:25:58
almost anything on the nord up and down
00:26:00
and all manner all at once things have
00:26:02
been go down things to be going up
00:26:04
in this instance i thought well if i
00:26:06
went into that rehearsal
00:26:11
that's too dark so what i did was i've
00:26:14
mapped
00:26:14
the filter cut off to
00:26:18
this wheel i've also put a little
00:26:22
i've made this control the wet dry mix
00:26:25
of a ping ponging high past
00:26:29
delay
00:26:32
and you'll hear that come in and that's
00:26:35
me again thinking like how can i make a
00:26:37
good impression
00:26:38
how can i give myself options in the
00:26:40
moment and that's what the stage gives
00:26:41
you so check it out
00:26:44
too dark ah cool
00:26:47
[Music]
00:26:51
and it also means that towards the end
00:26:52
of the song uh
00:26:54
i saw the kimmel performance and at the
00:26:57
end they're kind of going between a
00:26:59
they're rocking on a or something i
00:27:02
[Music]
00:27:04
think
00:27:07
[Music]
00:27:24
so i can kick in without that
00:27:29
oh cool but we're at the gate i got
00:27:32
freaking steve jordan there
00:27:33
give me a bit of that shrinky shrink
00:27:34
ring on the cymbals i want to match him
00:27:36
and be like
00:27:39
[Music]
00:27:40
get me my gin and tonic i'm going to the
00:27:42
club
00:27:45
that's what this can do a little bit
00:27:49
um also with the stage three i've got
00:27:52
all the organ stuff in there so maybe
00:27:54
even it was like oh you know we got some
00:27:55
we've got a choir in today
00:27:57
and uh we want to make it sound a little
00:28:00
bit more gospel
00:28:04
[Music]
00:28:11
[Music]
00:28:15
even then with the wheel say i wanted
00:28:17
those to go back i'll do it
00:28:18
wheel hold it down choose where my draw
00:28:21
bars are now when i'm up i've still got
00:28:22
that delay and the
00:28:24
draw bars are all out
00:28:25
[Music]
00:28:28
and that ping-ponging kind of ender gig
00:28:30
thing yeah
00:28:32
but if i want to pull out the draw bars
00:28:35
all smoothly lag
00:28:42
see those fade out so i can have things
00:28:44
going up going down
00:28:45
i could have two control pedals other
00:28:48
things we've got
00:28:49
four outputs so if the sound guy goes
00:28:51
hey jack that organ
00:28:52
i want to treat differently you know
00:28:54
we've got a really posh sound guy
00:28:56
that's cool man i can send my organ out
00:28:57
of a different output and everything i
00:28:59
played today
00:29:00
i played using the triple pedal you get
00:29:03
that
00:29:04
you get this included with the grand and
00:29:07
you get it included with the piano five
00:29:10
you don't get it with the stage three
00:29:11
but it can recognize it and what it does
00:29:14
it allows you again if you're a proper
00:29:16
piano player you might use the other two
00:29:17
but it also unlocks the
00:29:19
noise feature of the soundboard
00:29:22
soundboard noise feature which is really
00:29:25
good when you're just playing exposed
00:29:27
piano on its own
00:29:29
that's pretty much it also i want a call
00:29:31
to arms i made this patch yesterday
00:29:33
i have uh instagram that really doesn't
00:29:36
have any on it because i'm pretty a bit
00:29:37
of an old man when it comes to that but
00:29:39
if you go find it on there we've got a
00:29:41
link below
00:29:42
just send me a message you don't even
00:29:43
have to follow me if you want this patch
00:29:45
i've got it i'm sure there'll only be
00:29:47
about three people so that's fine
00:29:49
i can cope with that i'll email it to
00:29:51
you and this is the patch
00:29:54
we'll leave out the organ but this
00:29:56
should get you going if you've got to
00:29:57
cover it in a function band and you've
00:29:59
got this
00:30:00
and hopefully that gave you enough idea
00:30:01
to go build the sound yourself
00:30:03
if you want a full tutorial on it on how
00:30:05
to play it and all the different parts
00:30:08
let us know in the comments we might do
00:30:09
that another time but thanks teite as
00:30:11
eva
00:30:12
to play us out i'm going to play the
00:30:13
patch i made on the nord stage 3
00:30:16
over a backing track danish pete did for
00:30:18
another video on the guitar channel
00:30:20
where they try to match the guitar sound
00:30:22
check that out as well check out danish
00:30:24
pete all his backing tracks are great to
00:30:25
play along to
00:30:27
uh i might open up a bit of the cut-off
00:30:29
fill and remember if you want the patch
00:30:30
just message me on instagram and i'll
00:30:32
try to send it to you alright
00:30:33
thanks guys hit it dj
00:30:36
[Music]
00:30:49
and i'll surrender
00:31:08
[Music]
00:31:16
[Music]
00:31:20
when i surrendered
00:31:32
[Music]
00:31:40
you
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