An Inspector Calls – Episode 4: Sheila Birling

00:15:37
https://www.youtube.com/watch?v=DYk__Uhif1o

Resumen

TLDRSheila Burling, "An Inspector Calls" asaridagi eng rivojlangan qahramonlardan biri bo'lib, spektaklda sezilarli o'zgarishlar ko'rsatadi. U inspektorning tashrifidan chuqur ta'sirlangan bo'lib, Eva Smithning o'limida o'zini aybdor deb hisoblaydi va bu, Boyd va Joy birgalikda senaryoda o'zgarishini ko'rsatadi. Bu asarda Sheilani yosh, chiroyli va beg'ubor qiz sifatida tavsiflangan bo'lib, spektakl davomida uning xarakterida katta o'zgarishlar sodir bo'ladi va u aybsiz va yengil his qiluvchi kishi bo'lganidan afsus va mas'uliyatni qabul qiluvchi shaxsga aylanadi.

Para llevar

  • ✨ Sheila Burling, spektakldagi eng rivojlangan qahramon.
  • 😢 Eva Smithning o'limi uchun chuqur afsusda.
  • 💪 Uchqunli xarakter va o'zini ifodalash.
  • 🔍 Gerald bilan munosabatlar shubhali.
  • 🎭 O'zgarishlar tarbiya olgan yoshi bilan parallel.
  • 🎓 Yosh, mas'uliyatli va yengil his qiluvchi qizdan o'zgacha.
  • 🔗 Oila a'zolariga nisbatan to'g'ri va ochiq gapirish.
  • 🛡️ Inspektorga nisbatan sezgir va qiziqarli.
  • 🔄 Spektakl davomida o'zini yutish.
  • 🚷 O'z xatomini bilib, qaytarmoqdan ehtiyot bo'lish.

Cronología

  • 00:00:00 - 00:05:00

    Bu video "An Inspector Calls" nomli pyesning qahramonlaridan biri bo'lgan Sheila'ni chuqurroq o'rganish uchun davom etadi. Sheila Burling pyes boshida oddiy, shod va bilimsiz qiz sifatida tasvirlangan. U inspektor tashrifi chog'ida katta o'zgarishlarni boshdan kechiradi va u ota-onasidan farqli o'laroq, Eva Smithning o'limidan jiddiy afsusda ekanligini ko'rsatadi. O'yin davomida uning javobgarlik va xayriya mavzulariga bo'lgan munosabati asta-sekin o'zgaradi.

  • 00:05:00 - 00:10:00

    Sheila, inspektor tashrifidan oldin, o'zini biroz bolalarcha, yuzaki va zaharli ko'rsatgan boʻladi, ammo Gerald bilan bo'lgan munosabati vaqtida u oʻzini teng koʻrsatadi va oʻz nuqtai nazarini ifoda etishdan qoʻrqmaydi. Gerald ularning qizlari bilan suhbatlasha boshlagach, Sheila o'zining qisman jiddiy va qisman o'ynoqi usulda munosabat bildira boshlaydi. Inspektor Elaine bilan suhbatda, u Eva Smith bilan oʻz oʻrtasidagi oʻxshashligini tan oladi va oʻzining bexosdan qilingan xatolaridan afsuslanadi.

  • 00:10:00 - 00:15:37

    Sheila inspektor bilan suhbat chog'ida ishonchli va ochiq bo'ladi, u jiddiy afsuslanuvchanligini namoyish etadi. Hatto inspektorning chizig'ini topganidan so'ng, u inspektor ularga oʻz-oʻzini hukm qilish yoʻlini berganligini tushunadi. U oilasi inspektorning maqsadini tushunmasligini his qiladi va pyesning oxirida ular yana eski xatolarga qaytmasligiga umid qiladi. Sheila iliqroq va aql-idrokliroq boʻlib qoladi, shuning uchun oilasidagi yondashuvga frigat boʻlib qoladi.

Mapa mental

Vídeo de preguntas y respuestas

  • Sheila va Eva Smith o'rtasida nima sodir bo'ldi?

    Sheila, Eva Smithni do'kon ma'muriga shikoyat qilib ishdan bo'shatgach, Eva Smithning ishdan bo'shatilishiga sabab bo'ldi.

  • Sheila spektakl davomida qanday o'zgarishlar ko'rsatadi?

    Sheila spektakl davomida go'ngarli ayol sifatida o'zgarib, mas'uliyatni qabul qilib, o'z xatomidan saboq oladi.

  • Gerald va Sheila orasidagi munosabatlar nima bilan tugashi mumkin?

    Sheila Geralddan ishonchini yo'qotgan, shuning uchun ular munosabatlarini uzishni muhokama qilishlari mumkin.

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  • 00:00:25
    [Music]
  • 00:00:28
    n
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    [Music]
  • 00:00:36
    welcome back to click revision this
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    video continues our examination of each
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    of the characters in An Inspector Calls
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    this time focusing on Sheila
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    [Music]
  • 00:00:47
    Burling we'll be looking at how Sheila
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    is described at the beginning of the
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    play her relationship with Eva Smith and
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    how she behaved before during and after
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    the inspector's visit in a little more
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    detail
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    [Music]
  • 00:01:08
    Sheila Burling is possibly the most
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    complex character in in spectacles and
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    is certainly the character who shows the
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    most progression throughout the
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    play it's fair to say that unlike her
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    parents Sheila is deeply affected by the
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    inspector's visit and shows a great deal
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    of remorse for the death of Eva Smith
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    this also means that unlike Mr and Mrs
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    Burling her feelings towards some of of
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    the themes of Charity and responsibility
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    change as the play progresses as she
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    says herself she is not the same person
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    at the end of the play as she is when it
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    begins so at the start of the play
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    Sheila could be described as innocent
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    light-hearted or witty and even naive
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    which means she doesn't know much about
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    how the world works the stage directions
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    at the opening of the play tell us that
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    Sheila is a pretty girl in her early 20s
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    very pleased with life and rather
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    excited which doesn't give us much to go
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    on but at least makes her sound like
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    someone who lives an untroubled
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    existence she's pleased with life and
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    everything is going well for her in
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    general she's also rather excited
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    because of her engagement to Gerald and
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    so she should be she's getting engaged
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    to a successful young well-bred local
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    boy and her parents couldn't be happy
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    with the choice she has
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    made is it important that she's a pretty
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    girl well you could argue that Priestley
  • 00:02:25
    could have chosen to describe Sheila as
  • 00:02:26
    pretty so an audience would instantly
  • 00:02:28
    recognize her as someone who lives a
  • 00:02:30
    privileged life here being beautiful is
  • 00:02:33
    just another example of how everything
  • 00:02:35
    comes easily to her so overall she's in
  • 00:02:38
    a bubbly mood and having a lovely time
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    when we meet her in fact a lot of
  • 00:02:42
    Sheila's dialogue in the early part of
  • 00:02:43
    an inspector calls suggests that she's a
  • 00:02:45
    fairly shallow young woman and before
  • 00:02:47
    the inspector's arrival she comes across
  • 00:02:49
    as a bit childish she makes a lot of
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    jokes and teases Eric and Gerald and
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    uses modern young people words like
  • 00:02:56
    squiffy which her mother disapproves
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    of however we should try not to think of
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    Sheila as just a silly young girl
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    because she's actually quite a strong
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    forceful character let's take a look at
  • 00:03:07
    her first
  • 00:03:09
    line on the surface she's making a joke
  • 00:03:12
    about the sort of purple-faced old men
  • 00:03:14
    who drink a lot of Port but there's more
  • 00:03:16
    information hidden under the surface
  • 00:03:18
    here firstly Sheila's language when she
  • 00:03:20
    says I should Jolly well think not shows
  • 00:03:22
    her to be upper class but not as
  • 00:03:24
    reserved and Posh as her mother the
  • 00:03:26
    phrase Jolly well is about as close to
  • 00:03:28
    swearing in public as an upper class
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    Lady of the time would get secondly by
  • 00:03:32
    contrasting Gerald to the purple-faced
  • 00:03:34
    old men she mentions she's highlighting
  • 00:03:36
    how young and attractive she thinks
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    Gerald is by comparison from this line
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    and the Casual tone she's using and the
  • 00:03:43
    fact they are sat together on stage it's
  • 00:03:45
    clear she admires Gerald and you can
  • 00:03:47
    assume their engagement is based on love
  • 00:03:49
    and isn't just about
  • 00:03:51
    money and finally there's a big clue to
  • 00:03:53
    Sheila's character in the stage
  • 00:03:55
    directions here Sheila is described as
  • 00:03:57
    acting gay and possessively so she's
  • 00:04:00
    almost giddy with happiness and
  • 00:04:02
    light-hearted in the way she speaks but
  • 00:04:04
    she is also possessive so she's
  • 00:04:05
    asserting power over Gerald and is
  • 00:04:07
    putting him in his place even if she's
  • 00:04:09
    making a joke at the same
  • 00:04:11
    time Sheila is a bit spoiled and reacts
  • 00:04:15
    spitefully or passive aggressively to
  • 00:04:16
    things not going how she would have
  • 00:04:18
    wanted she has a habit of being a bit
  • 00:04:21
    bitter or sarcastic towards people even
  • 00:04:23
    when she's joking and is described as
  • 00:04:25
    half playful half serious more than once
  • 00:04:29
    basically when when Sheil is upset she
  • 00:04:30
    takes it out on the people around her as
  • 00:04:33
    Eric says she's got a nasty temper
  • 00:04:35
    sometimes and this is important because
  • 00:04:37
    it's this Snappy nasty reactionary side
  • 00:04:39
    of her character that comes into play
  • 00:04:41
    when she meets Eva Smith but generally
  • 00:04:44
    Sheila is a fairly good judge of
  • 00:04:45
    character she knows her brother better
  • 00:04:47
    than her parents do and is the person to
  • 00:04:49
    reveal Eric's heavy
  • 00:04:51
    drinking furthermore she's already
  • 00:04:54
    suspicious of Gerald over the mysterious
  • 00:04:56
    summer he spent working lots which we
  • 00:04:58
    later find out was spent with Daisy Bron
  • 00:05:00
    and when Gerald recognizes the name of
  • 00:05:02
    the dead girl she notices that Gerald
  • 00:05:04
    clearly knew her look at this
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    line here Sheila is talking on equal
  • 00:05:12
    terms with Gerald and standing up for
  • 00:05:13
    herself at the same time she is also
  • 00:05:16
    extremely sarcastic towards Gerald when
  • 00:05:18
    he tells his story describing him as the
  • 00:05:20
    wonderful fairy Prince and the hero of
  • 00:05:22
    the story we'll cover this aspect of
  • 00:05:25
    Sheila's relationship in more detail in
  • 00:05:26
    Gerald's video but for now just hold on
  • 00:05:29
    to the fact that Sheila is not afraid to
  • 00:05:31
    speak up for herself particularly when
  • 00:05:33
    she feels hurt or wronged after all
  • 00:05:35
    she's still browbeating Gerald about
  • 00:05:37
    spending too much time at work the
  • 00:05:39
    previous summer and that was 7 months
  • 00:05:41
    ago nonetheless Sheila is still a woman
  • 00:05:45
    in 192 and does conform to some of the
  • 00:05:47
    stereotypes of the era firstly when
  • 00:05:50
    Gerald is toasting his new bride Sheila
  • 00:05:52
    warns him you be careful or I'll stop
  • 00:05:55
    weeping obviously this is a very sappy
  • 00:05:57
    response and shows her childish innoc
  • 00:06:00
    side additionally when Gerald takes the
  • 00:06:02
    engagement ring out of his pocket Sheila
  • 00:06:04
    refers to it as the one you wanted me to
  • 00:06:06
    have which suggests that Gerald chose
  • 00:06:08
    her engagement ring for her and finally
  • 00:06:11
    once dinner is finished she and her
  • 00:06:13
    mother go into the drawing room and
  • 00:06:15
    leave the dining room to the men which
  • 00:06:17
    means she isn't in the room when the
  • 00:06:18
    inspector arrives by the time she
  • 00:06:20
    returns the inspector has already
  • 00:06:22
    finished questioning Mr Burling and is
  • 00:06:24
    ready to turn his attention to
  • 00:06:27
    her Sheila is the second family member
  • 00:06:30
    to be interviewed by the inspector and
  • 00:06:31
    was the second family member to meet Eva
  • 00:06:34
    Smith Sheila met Eva Smith in January
  • 00:06:37
    1911 that's four months after she'd been
  • 00:06:39
    sacked from Burling and Company now
  • 00:06:42
    Sheila's running with Eva Smith is
  • 00:06:43
    probably the simplest of all the
  • 00:06:45
    berlings Eva Smith was working at
  • 00:06:48
    Milwood a local department store after
  • 00:06:49
    being fired from burling's
  • 00:06:52
    Factory Sheila goes in Milwood and tries
  • 00:06:54
    on aess but looks silly in the thing at
  • 00:06:58
    this point Eva Smith holds the dress up
  • 00:07:00
    and it suits her better than it does
  • 00:07:02
    Sheila Sheila looks over and thinks she
  • 00:07:05
    sees Eva Smith smiling to her boss and
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    because Eva Smith is pretty and
  • 00:07:09
    attractive she feels jealous and
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    embarrassed therefore Sheila complains
  • 00:07:13
    to the manager until Eva Smith is fired
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    from her job I went to the manager and
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    told him that this girl had been very
  • 00:07:20
    impertinent she
  • 00:07:22
    says now there are two important points
  • 00:07:25
    to take away here the first is that
  • 00:07:27
    impertinent is very much a Mrs Burling
  • 00:07:29
    word she uses it three times in the play
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    and there's an argument to be made that
  • 00:07:33
    Sheila was simply copying her mother's
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    behavior when she got Eva Smith fired
  • 00:07:38
    the second thing to take away here is
  • 00:07:40
    the idea that the Burling family is Rich
  • 00:07:42
    and powerful enough in the community
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    that if they make a complaint in a shop
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    it will be followed up if they make a
  • 00:07:48
    threat to take their custom away even if
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    it comes from a stroppy spoiled younger
  • 00:07:51
    daughter of the family it will be taken
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    seriously Sheila says I went to the
  • 00:07:57
    manager at Milwood and I told him that
  • 00:07:59
    if they didn't get rid of that girl I'd
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    never go near the place again and I'd
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    persuade mother to close our account
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    with them the Burling family clearly
  • 00:08:06
    spends a lot of money in the shop and
  • 00:08:08
    Sheila abused her parents' power as
  • 00:08:10
    respected members of the community for
  • 00:08:11
    her own
  • 00:08:13
    gain however Sheila does not react with
  • 00:08:16
    that same sense of false Pride after the
  • 00:08:18
    inspector arrives she is horrified by
  • 00:08:20
    the circumstances of Eva Smith's death
  • 00:08:23
    saying I can't help thinking about this
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    girl destroying herself so horribly she
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    also shows she has a social conscience
  • 00:08:29
    straight away when she finds out Mr
  • 00:08:31
    Burling fired Eva Smith and tells her
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    father I think it was a mean thing to do
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    perhaps that spoils everything for her
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    and but these girls aren't cheap labor
  • 00:08:40
    they're people she is clearly showing
  • 00:08:43
    empathy for the dead girl here and we
  • 00:08:45
    can compare this to Mr burling's yes yes
  • 00:08:48
    response to the death to see just how
  • 00:08:50
    different Sheila is to her father in
  • 00:08:51
    this regard furthermore when she sees
  • 00:08:54
    the inspector's photograph she's so
  • 00:08:56
    horrified at being implicated in Eva
  • 00:08:58
    Smith's death that that she bursts into
  • 00:09:00
    tears and runs out the room and we can
  • 00:09:02
    compare this Behavior to Mrs Burling who
  • 00:09:04
    is so unmoved that she still pretends to
  • 00:09:06
    not recognize the person in the
  • 00:09:08
    picture when Sheila returns again she is
  • 00:09:11
    remorseful she remembers the incident
  • 00:09:14
    and gives the impression that she knew
  • 00:09:15
    she was being unreasonable at the time I
  • 00:09:18
    felt rotten about it at the time and now
  • 00:09:20
    I feel a lot worse she says suggesting
  • 00:09:22
    that she has thought about the incident
  • 00:09:24
    since she asked so I'm really
  • 00:09:27
    responsible and immediately accept the
  • 00:09:29
    idea that she could be in some way to
  • 00:09:31
    blame for Eva Smith's death the stage
  • 00:09:33
    Direction here leaves us in little doubt
  • 00:09:34
    that the inspector has gotten under
  • 00:09:36
    Sheila's skin let's have a look at some
  • 00:09:38
    of Sheila's comments in this section of
  • 00:09:40
    the play in these quotes Sheila is
  • 00:09:43
    explaining herself to the inspector but
  • 00:09:45
    she's not making excuses at all here and
  • 00:09:47
    the inspector isn't judging her
  • 00:09:49
    responses in fact he's not even really
  • 00:09:51
    interrogating Sheila he's just letting
  • 00:09:53
    her talk so she carries on
  • 00:09:56
    talking she says and it just suited her
  • 00:09:59
    she was the right type for it just as I
  • 00:10:01
    was the wrong type she was very pretty
  • 00:10:03
    too with big dark eyes and that didn't
  • 00:10:05
    make it any better how could I know what
  • 00:10:08
    would happen afterwards if she'd been
  • 00:10:09
    some miserable plain little creature I
  • 00:10:11
    don't suppose I'd have done it but she
  • 00:10:13
    was very pretty and looked as if she
  • 00:10:15
    could take care of herself I couldn't be
  • 00:10:17
    sorry for her and if I could help her
  • 00:10:19
    now I would it's the only time I've ever
  • 00:10:21
    done anything like that and I'll never
  • 00:10:23
    never do it again to anybody these lines
  • 00:10:26
    make it clear that Sheila is contrite
  • 00:10:28
    which means she's sorry for what she's
  • 00:10:29
    done she openly admits that she probably
  • 00:10:32
    picked on Eva Smith because she was very
  • 00:10:33
    pretty and regrets her behavior which
  • 00:10:36
    didn't seem to be anything very terrible
  • 00:10:38
    at the time at this point the inspector
  • 00:10:40
    has finished his questioning but Sheila
  • 00:10:42
    feels too guilty to leave the inspector
  • 00:10:44
    has made such an impression on her that
  • 00:10:47
    she feels compelled to stay and hear
  • 00:10:48
    everything as the inspector says she
  • 00:10:51
    feels responsible and if she leaves now
  • 00:10:53
    and doesn't hear anymore then she'll
  • 00:10:55
    feel she's entirely to blame she'll be
  • 00:10:57
    alone with her responsibility the rest
  • 00:10:58
    ofon night all tomorrow all the next
  • 00:11:01
    night here the inspector is recognizing
  • 00:11:04
    that Sheila has shown remorse for her
  • 00:11:05
    actions unlike the older berlings he
  • 00:11:08
    sees that she will be eaten up by the
  • 00:11:10
    guilt he has brought upon her and is
  • 00:11:11
    again compassionate towards her because
  • 00:11:14
    of this compassionate side Sheila is
  • 00:11:16
    clearly fascinated with inspector ghoul
  • 00:11:19
    look at the stage directions here
  • 00:11:21
    there's a sense of wide-eyed Wonder in
  • 00:11:23
    this line a Sheila attempts to
  • 00:11:25
    understand this harsh but kind policeman
  • 00:11:26
    who is tearing her family apart she
  • 00:11:29
    recognizes that the inspector is leading
  • 00:11:30
    them to their own Doom saying he's
  • 00:11:32
    giving us the Rope so we'll hang
  • 00:11:35
    ourselves but because she's fascinated
  • 00:11:37
    by him she carries on trying to break
  • 00:11:39
    down the barriers that her parents and
  • 00:11:40
    Gerald are building in front of the
  • 00:11:42
    inspector so much so that her parents
  • 00:11:44
    begin to treat her like she's change
  • 00:11:46
    sides here Sheila isn't trying to betray
  • 00:11:49
    her family she just wants to get
  • 00:11:51
    everything out in the open and knows is
  • 00:11:53
    inevitable whereas her parents just want
  • 00:11:55
    to try and stall the inspector until he
  • 00:11:57
    runs out of questions and leaves
  • 00:12:00
    so the Burling parents are going to keep
  • 00:12:01
    on lying and hiding information but
  • 00:12:03
    Sheila is on a quest for
  • 00:12:06
    truth as a result when the inspector
  • 00:12:08
    finally does leave and her parents and
  • 00:12:11
    later Gerald begin to dismiss the
  • 00:12:13
    inspector's visit Sheila is horrified
  • 00:12:15
    and almost takes on the role of the
  • 00:12:16
    inspector against her family for the
  • 00:12:18
    rest of the play she tells Gerald you
  • 00:12:21
    and I aren't the same people who sat
  • 00:12:23
    down to dinner here and she clearly
  • 00:12:25
    recognizes the gravity and importance of
  • 00:12:27
    the inspector's visit and when the
  • 00:12:29
    inspector is unmasked as not being a
  • 00:12:31
    police officer Sheila's sarcasm returns
  • 00:12:34
    and she remarks I suppose we're all nice
  • 00:12:36
    people now recognizing that even if the
  • 00:12:38
    events weren't real the behavior of the
  • 00:12:40
    berlings most definitely
  • 00:12:43
    was even after Gerald has phone the Mory
  • 00:12:45
    and discovered there is no suicide
  • 00:12:47
    victim and Arthur Burling has returned
  • 00:12:49
    to making jokes and toasting his own
  • 00:12:51
    good health Sheila is still desperate to
  • 00:12:53
    hold on to the lessons the inspector has
  • 00:12:55
    taught them you're forgetting one thing
  • 00:12:57
    I still can't forget everything we said
  • 00:13:00
    had happened really had happened if it
  • 00:13:02
    didn't end tragically then that's lucky
  • 00:13:04
    for us but it might have done she tells
  • 00:13:07
    her family you're pretending
  • 00:13:08
    everything's just as it was before and
  • 00:13:10
    sarcastically suggests so nothing really
  • 00:13:13
    happened so there's nothing to be sorry
  • 00:13:15
    for nothing to learn we can all go on
  • 00:13:16
    behaving just as we did so clearly at
  • 00:13:19
    this point she's genuinely disgusted by
  • 00:13:21
    the behavior of her family in their
  • 00:13:23
    attempts to try and shrug off the
  • 00:13:25
    responsibility of the situation and she
  • 00:13:27
    says to her father you you began to
  • 00:13:29
    learn something and now you've stopped
  • 00:13:32
    you're ready to go on in the same old
  • 00:13:33
    way and you can see that she's really
  • 00:13:36
    sad about this because she feels she's
  • 00:13:38
    become a better person for the
  • 00:13:39
    inspector's visit and is disappointed in
  • 00:13:41
    the rest of the family for not learning
  • 00:13:43
    the same lessons she has she by far
  • 00:13:45
    shows the most mature reaction to the
  • 00:13:48
    inspector's calling which is ironic
  • 00:13:50
    because Mr and Mrs Burling revert
  • 00:13:51
    straight back to treating Sheila as a
  • 00:13:53
    child telling her she's hysterical and
  • 00:13:55
    over
  • 00:13:57
    tired we'll finish this video with an
  • 00:13:59
    interesting question if the berlings are
  • 00:14:01
    right and there is no inspector no dead
  • 00:14:04
    girl and no tragedy for which to answer
  • 00:14:06
    then where does that leave each of them
  • 00:14:08
    well Mr and Mrs Burling have done
  • 00:14:10
    nothing to worry about Eric has stolen a
  • 00:14:12
    bit of money which his family can easily
  • 00:14:14
    afford to repay and gotten a girl
  • 00:14:16
    pregnant somewhere but that's still a
  • 00:14:18
    fixable
  • 00:14:19
    situation but what about Sheila and
  • 00:14:21
    Gerald well Sheila is never going to
  • 00:14:24
    trust her fiance again and we don't know
  • 00:14:26
    where they're going to go from here so
  • 00:14:27
    you could certainly argue that she is
  • 00:14:29
    the only member of the family who still
  • 00:14:31
    stands to be hurt by the inspector's
  • 00:14:33
    visit if you look at it this way it's
  • 00:14:35
    little wonder she's the one person in
  • 00:14:37
    the room who doesn't want to see
  • 00:14:39
    everyone forget the lessons they have
  • 00:14:41
    learned throughout the
  • 00:14:43
    evening well that's all on Sheila for
  • 00:14:45
    now thanks for watching our next video
  • 00:14:48
    will focus on Gerald Croft but we'd
  • 00:14:50
    recommend attempting to write a few
  • 00:14:52
    sentences in answer to each of these
  • 00:14:54
    questions before you move
  • 00:14:57
    on question one what took place between
  • 00:15:00
    Sheila and Eva Smith try to answer
  • 00:15:02
    clearly and in chronological
  • 00:15:05
    order question two how does Sheila's
  • 00:15:08
    Behavior change throughout the
  • 00:15:12
    play question three what do you think
  • 00:15:15
    will happen between Gerald and Sheila
  • 00:15:17
    after the play is finished how would her
  • 00:15:19
    family react to them either staying
  • 00:15:20
    together or breaking up
Etiquetas
  • Sheila Burling
  • An Inspector Calls
  • qahramon rivoji
  • remorse
  • Eva Smith