Why It’s A PROBLEM To Make Magi The Kingdom of Magic Seven Season 3

00:18:50
https://www.youtube.com/watch?v=VDU2XDdB3qc

Résumé

TLDRThe video delves into the reasons why a third season of "Magi" has not been produced, despite the series having a significant fanbase and remaining content to adapt. It discusses the financial aspects of anime production, including sales figures and licensing agreements, and highlights the challenges faced by the franchise in a competitive market. The video also suggests ways fans can support the series to potentially influence the decision for a new season.

A retenir

  • 📉 Sales of Magi have declined since the second season.
  • 📺 Streaming services play a crucial role in anime production decisions.
  • 📚 There are still arcs of the manga that could be adapted.
  • 💰 Financial viability is a major factor in continuing a series.
  • 🤔 Fans can influence future seasons through support and engagement.

Chronologie

  • 00:00:00 - 00:05:00

    The video discusses the challenges in producing a third season of the anime 'Magi', highlighting the differences in episode counts compared to other long-running series like 'One Piece' and 'Dragon Ball'. After the second season, there were spin-off episodes, but no new season was produced. The creator emphasizes the importance of understanding the anime industry and how fans can support potential future seasons.

  • 00:05:00 - 00:10:00

    The narrative of 'Magi' revolves around Aladdin, a sheltered young boy, and his journey in a world where Magi, powerful magicians, influence kingdoms. The story explores themes of social status, personal growth, and the harsh realities of life, as Aladdin and his friends encounter various challenges. The characters' development and the unique storytelling approach set 'Magi' apart from other shonen anime, despite its struggles in maintaining popularity and sales.

  • 00:10:00 - 00:18:50

    The video delves into the financial aspects of the anime industry, discussing licensing deals, streaming rights, and the impact of sales on the continuation of series. It highlights the decline in sales for 'Magi' and its spin-off, 'Adventures of Sinbad', which contributed to the hesitation in producing a third season. The creator suggests ways fans can support the series, such as streaming and purchasing manga, while acknowledging the challenges posed by the evolving anime market.

Carte mentale

Vidéo Q&R

  • Why hasn't a third season of Magi been produced?

    The production of a third season has been hindered by various factors including declining sales, licensing issues, and the overall anime market dynamics.

  • What is the current status of the Magi franchise?

    The franchise still has content to adapt, including three more arcs from the manga, but the production companies have not prioritized a new season.

  • How did the sales of Magi compare to other anime?

    While Magi had decent sales, they were not enough to justify the costs of producing a new season compared to other more successful titles.

  • What role do streaming services play in anime production?

    Streaming services can influence the profitability of an anime, and their decisions on licensing can impact whether a series gets continued.

  • What can fans do to support a new season of Magi?

    Fans can support the series by streaming it, discussing it on social media, and purchasing manga volumes.

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  • 00:00:00
    why it's been a problem to make Maggie season  three hey yeah you I'm sure you're curious to
  • 00:00:05
    know why Maggie isn't on a one-piece art where  it has literally like a thousand episodes or
  • 00:00:10
    even Dragon Ball where they have 100 episodes per  iteration of the series right after the release
  • 00:00:15
    of the second season we received 19 volumes that  were made into five Sinbad spin-off episodes which
  • 00:00:20
    was then made into a full series most fans could  assume from this that that's just the appetizer
  • 00:00:24
    to the main dish being a new season but that  never happened this series is to give you all
  • 00:00:29
    the information I have available to provide you  with a complete story about the pros and cons
  • 00:00:33
    to continuing the next season so if it ever does  come back out you know how to best support it in
  • 00:00:38
    this series I try to best talk about what goes on  behind your favorite anime series and if you like
  • 00:00:42
    this kind of content make sure to leave me a like  and let's set a light go for 2 000 likes also let
  • 00:00:46
    me know down in the comment section who's your  favorite waifu of the series hey from morgiana
  • 00:00:49
    B for coyote Rin C for yamareja and lastly D from  Myers and hayakuren also subscribe if you haven't
  • 00:00:55
    already and if you do comment I subscribed and  I will make sure to comment back to you and make
  • 00:01:00
    sure to watch till the end of the video so you  don't miss anything Aladdin is a young Maggie
  • 00:01:04
    has been sheltered for most of his life he's  looking to explore the world so because of this
  • 00:01:08
    he's a little naive to the new world a magi is a  magician who has an inclination towards magic that
  • 00:01:12
    is so intense that has the potential to shape the  world and because of that they have significant
  • 00:01:16
    influence each Maga chooses a worthy candidate to  become a king Magis are meant to supervise their
  • 00:01:20
    elected representatives as they build a country  and shape the world Alibaba is the secret love
  • 00:01:24
    child of a peasant woman and a king and works  towards his goal of earning enough money to start
  • 00:01:28
    exploring the dungeons while loading a card he  finds the young Magi eating some watermelons and
  • 00:01:33
    we're soon told about the dungeons with it being  a strange ruin that appeared a couple years ago if
  • 00:01:37
    a person is able to capture one they'll receive  wealth and power Fit For A King storing a magic
  • 00:01:41
    vessel containing a gin it's almost like you're  telling the audience that this is going to be a
  • 00:01:45
    tale of Rags to Riches the Underdog Story where  you too can have Fame and Fortune and we think
  • 00:01:51
    we're gonna go on this Fantastical world but this  can be misleading just because someone conquers a
  • 00:01:55
    dungeon doesn't automatically make them omnipotent  or anything the power of the daijin is limited
  • 00:02:00
    did and even experienced dungeon captures can be  defeated with this being of course where the magic
  • 00:02:04
    runs out every character still is human and just  as we're getting our hopes up our characters get
  • 00:02:09
    a taste of this reality their world how everyone  around them acts around the social statuses or
  • 00:02:14
    money and this is where they meet morgiana a  slave girl who comes from a tribe of Warriors
  • 00:02:18
    but now has to serve Jamil equivalent to like a  young Lord Aladdin is confused why everyone is
  • 00:02:24
    openly mistreating her with either Alibaba bowing  his head or trying not to get involved the people
  • 00:02:28
    that violate the social status laws are sent to  the Executioner so they're afraid so they don't
  • 00:02:33
    get involved Aladdin isn't able to accept this  using a lot of his powers based on his emotions
  • 00:02:38
    from meeting the young Magi Alibaba goes against  the audience but I'm able to teach morgiana how
  • 00:02:42
    to break her mental chains they're having a  newfound goal of finding her Homeland the plot
  • 00:02:47
    is mostly about wars between Empires countries  Aladdin learns that not all Magis have the same
  • 00:02:52
    goal making them potential enemies their episode  plot structure sounds rather easy but is hard to
  • 00:02:57
    accomplish first a main lead would be left to a  new location meet a new character that's given a
  • 00:03:02
    bit of development then they'll be tasked with  fixing a problem from time to time one of the
  • 00:03:06
    new characters would die and the main lead would  be forced to take away a new life lesson despite
  • 00:03:11
    there being three main leads as customary for  shonen's I believe the characters do have a
  • 00:03:15
    particularly good job of showcasing their own  unique personality they do form a traveling party
  • 00:03:20
    but everyone in there is voluntarily there and  they have no problems departing from one another
  • 00:03:24
    on their own Journey which if anything mirrors  the real world we're all main characters in our
  • 00:03:30
    own story and we might have friends but we don't  have to depart from those friends to reach our
  • 00:03:35
    own destination this is hard to do an anime like  ask yourself this Tale one piece gorillagan can
  • 00:03:41
    they focus on the would-be side characters and it  still be good and the reason why Maggi is similar
  • 00:03:46
    to these animes is because they have multiple  main leads the audience can find interesting to
  • 00:03:51
    advance the story enough with what it feels like  an endless amount of Adventures that can go on the
  • 00:03:55
    settings are Lively which at times makes you just  want to smile and dance around but can also go
  • 00:03:59
    into to more adult slash mature topics the other  children stay away from like the fact that they're
  • 00:04:04
    all kids but they know there's a place in the city  where they can go to where beautiful women will
  • 00:04:09
    surround them and will be willing to do anything  as long as they have money or a title and how not
  • 00:04:14
    everyone has a grand title they have their own day  job with Moe's just trying to just get by willing
  • 00:04:19
    to work any job no matter how demeaning that could  be with other people having open prejudice against
  • 00:04:25
    other people Maggie has a unique interpretation of  Arabian style season two of Magi ends on chapter
  • 00:04:30
    199 of the manga with this being the eighth Arc  as far as remaining content they can add they have
  • 00:04:36
    three more arcs that have not been adapted yet the  alma Tehran Arc the co-empire art final Arc but
  • 00:04:43
    I'm also not finishing the adventures of Sinbad  so there's still enough content to adapt to say
  • 00:04:48
    a movie or two seasons streaming this isn't all be  a new segment on these videos but it can no longer
  • 00:04:53
    be ignored now the information here is probably  the most interesting but without a doubt is the
  • 00:04:58
    hardest to actually put a pin on hopefully this  will be more clear in the future to make these
  • 00:05:01
    videos easier so take it with a grain of salt but  also just want to point out this segment alone
  • 00:05:05
    could be its own video Magi license are streaming  rights back in 2013 to MBS with this being their
  • 00:05:10
    native country of Japan madman entertainment  which is based in Australia takaze which is in
  • 00:05:15
    the UK and anyplex of America which is in the  name America obviously I'm going to be talking
  • 00:05:20
    about America anyplace then did a deal to give  the streaming rights to Netflix and Crunchyroll
  • 00:05:24
    this honestly so far is the best deal possible  you see the way licensing works for animes is
  • 00:05:30
    they're broken down into royalty based with an mg  that being a minimum guaranteed or flat base with
  • 00:05:36
    upfront deals in general streaming services  at the time like Crunchyroll and Funimation
  • 00:05:42
    you're still gonna be mentioned paid the minimum  and offered royalties so animes could make their
  • 00:05:48
    money back over time briefly talk about this  in my last video that being the trendy 7 video
  • 00:05:52
    that has a lot of information that I guess people  just found a little boring so they didn't watch
  • 00:05:56
    it as much but there's a lot of information  in that video but in that video I basically
  • 00:06:00
    explained that most animes make their money back  years later like a seven year plan type of thing
  • 00:06:05
    for example while sites like Netflix plus Disney  plus and I guess you could say Hulu paid a flat
  • 00:06:10
    rate year deal Maggie came out in 2012 and 2013.  the first year it could be considered an A plus
  • 00:06:16
    priority given his early season placing and the  amount of episodes it got but the second year
  • 00:06:21
    I would say the priority fell off a little bit  with it being an A minus based on this I think
  • 00:06:25
    it's fair to say that they were paid 400 000  per episode in 2012 and probably around 250
  • 00:06:30
    000 per episode in 2013 altogether 16 million 250  000. now this seems like a lot of money but funny
  • 00:06:36
    enough this is usually used for the funding of  the animation but for reference I think this
  • 00:06:40
    is just what Crunchyroll game later the anime  was licensed to Netflix a different one with
  • 00:06:45
    them probably paying an upfront cost winning a  package of Magi and Sinbad streaming the animes
  • 00:06:50
    worldwide so I wouldn't be surprised if they  doubled with crunchwrote paid for the rights
  • 00:06:54
    so yeah I personally think the streaming deal  for Maggie now is worth about 60 million but
  • 00:06:58
    made about 32 million five hundred thousand what  makes this number probably a bit less is because
  • 00:07:04
    anyplex is the lead producer with MBS also on  the board licensing the anime to themselves
  • 00:07:09
    then getting a long-term deal with Crunchyroll  in an upfront bag with Netflix allegedly Blu-ray
  • 00:07:15
    I think I could also add a disclaimer for this  section now as well if you are up to date in
  • 00:07:19
    the anime industry then you know it's changed a  lot over the last years and I mean a lot really
  • 00:07:24
    ever since streaming became the preferred way that  you watch your shows with Crunchyroll I mean Sony
  • 00:07:30
    as our new anime overlords with them deciding  a lot of how the industry Market is going to
  • 00:07:35
    be run with streaming now moving up into the 80  billion territory as the end of 2022 even with
  • 00:07:40
    the streaming services in the red they're hoping  to turn a profit years later here with each play
  • 00:07:45
    worth a fraction of a cent as a YouTuber you  can already kind of understand these numbers
  • 00:07:49
    a bit better than most probably could and you  can understand how long it took for creators
  • 00:07:53
    to actually be paid a good wage but streaming  is the future with industry trying to push us
  • 00:07:57
    into a buying of digital copies instead of printed  copies traditionally about 80 of the revenue came
  • 00:08:03
    from Blu-rays and DVDs but that number keeps going  down over the years and is being pushed out which
  • 00:08:08
    isn't a bad thing it has some real positive sides  to it the industry is finally doing what we've
  • 00:08:13
    been calling to do for years and be more diverse  in their revenue now let's introduce production
  • 00:08:18
    companies or the bosses that own your favorite  anime is maki serialized in 2009 in Chicago Coons
  • 00:08:23
    weekly showing in Sunday until 2017. during  this they advertise the anime to sell manga
  • 00:08:29
    copies where there being six committees backing  it who funny enough kept their stake in the second
  • 00:08:33
    season this is not common based on this I think  it's fair to say that 80 Flex owns a majority of
  • 00:08:38
    the animation rights with a close second going  to Chicago Coons production company which is a
  • 00:08:42
    subsidiary company of the hoto sabashi group who  Hado shows like saki komisan called the night
  • 00:08:47
    and the all-time popular show in spy X family  along with a radio and TV network there's also a
  • 00:08:53
    merchandising company that deals with the figures  CDs and trading cards to be honest these companies
  • 00:08:58
    have a scary amazing track record picking the most  successfully or critically acclaimed animes of all
  • 00:09:03
    time the first season of Magi sold 72 279 copies  this number is higher than the average for sure
  • 00:09:10
    but they're not all-time numbers for Shonen so  keep that in mind the second season sold 31 735
  • 00:09:17
    copies again for most seasonal animes this is an  acceptable number and even for modern day numbers
  • 00:09:23
    very acceptable but with the genre and the big  backing that was pushed for this Anime Plus The
  • 00:09:29
    Upfront cost needed to make it I can somewhat  understand them not wanting to continue because
  • 00:09:35
    these numbers usually tend to just go down and  then this happened Maggie Adventures of Sinbad
  • 00:09:40
    now this anime is actually really good and this  show probably meant to to be the hype for a third
  • 00:09:45
    season but it sold an embarrassing number of  copies being a thousand and seventy this steep
  • 00:09:51
    decline is quite hard to ignore like I said they  are now multiple ways to make a profitable anime
  • 00:09:56
    but keep in mind this show came around in the  2010s where it's hard to do and wasn't really
  • 00:10:01
    seen as a good idea in the US also keep in mind  the blues were 80 of the profit so understandably
  • 00:10:07
    the other committees put a pin on the idea of a  season three other goods sold I feel the series
  • 00:10:11
    did all right for itself being better than the  average titles with it having an anime manga video
  • 00:10:16
    games regular merchandising CDs and a stage play  and yeah I know the idea of a stage play is kind
  • 00:10:22
    of weird for your favorite anime especially in  the west like no one's going to a stage play but
  • 00:10:26
    as weird as it sounds anime is having a stage play  goes back deep into their marketing schemes with
  • 00:10:30
    the earliest being in the 70s oftentimes the voice  actors are Idols or actors so they seamlessly walk
  • 00:10:36
    right into the new role it's like for example  if say Princess Bubblegum from Adventure Time
  • 00:10:41
    had Ariana Grande as the voice act and then she  acted in the stage play plays are more accessible
  • 00:10:46
    to the most die-hard fans who would go to them  regardless of really what you're being given but
  • 00:10:51
    then usually having a low budget to produce and  what them oftentimes doing well the anime has
  • 00:10:55
    great CD sales funny enough you can still buy  a copy of the stage play on Blu-ray actually
  • 00:11:00
    I said too much about the stage play we'll come  back to this later but speaking of Music the main
  • 00:11:04
    op of the anime from Sid's Outsider album sold  38 736 copies with the next appearing at number
  • 00:11:11
    418 spot and then selling at 423 settling 12 741  copies and then 12 568 copies with this being for
  • 00:11:21
    Eden and various songs with this being for season  two four months after the series anime adaptation
  • 00:11:26
    was announced in June 2012 the print circulation  of manga went from three main copies of the first
  • 00:11:31
    12 volumes to 6.5 million copies of the first  14 volume with it increasing to over 18 million
  • 00:11:36
    copies in May 2015 then to 25 million copies by  April that same year I say all that to say it's
  • 00:11:42
    crazy to think that they have had a video game  series that no one's ever heard of and just did
  • 00:11:47
    poorly they had four in total two of them being  on 3DS the first being titled after the anime's
  • 00:11:51
    name with attacking the first season with it later  being removed from Nintendo's eShop Within magy's
  • 00:11:56
    A Whole New World talking about season two as  for the two mobile games they're not even more
  • 00:12:00
    from memory there was a card game and then there  was an RPG game it would be an understatement to
  • 00:12:04
    say that the franchise dropped the ball here but  I'm trying to use Japan's most popular console to
  • 00:12:08
    further push their fantasy into the households of  Japan they were hoping that Nintendo's audience
  • 00:12:12
    would give them a long-term future with a video  game but that just simply didn't pan out being
  • 00:12:17
    costly with them obviously missing on the vastly  large and accessible audience of mobile which this
  • 00:12:23
    is another callback to my Trinity Seven where  I basically go over how much mobile games can
  • 00:12:27
    actually make for anime with it being big enough  to be the main driving force of your Revenue it's
  • 00:12:32
    easy for me to say this in hindsight but this  could have been the easiest and most profitable
  • 00:12:36
    Avenue for modern animes that they could have  discovered but that didn't happen and there are
  • 00:12:41
    four games that they did make are forgettable and  if anything thing put them in a bigger deficit
  • 00:12:45
    light novels flash printed works this is based  where I just go over how much they made with
  • 00:12:48
    the printed work like we already know Maggie had  37 volumes of the manga selling over 25 million
  • 00:12:53
    copies and if you just want to go with easy math  you put each copywork at ten dollars given this
  • 00:12:57
    I think it's fair to say that they've made 300  million dollars from the manga sales now this is
  • 00:13:01
    just me doing the most basic of calculations of  how many copies they sold average price of the
  • 00:13:05
    books I mean come on granted I will say this is  on the high end as always because I'm not counting
  • 00:13:09
    distributions and how many other people you have  to pay along the way now for the adventures of
  • 00:13:13
    Sinbad which is honestly more debatable in terms  of how much they actually sold but there being
  • 00:13:17
    less information available with this purely being  calculated by me and not in some other official
  • 00:13:22
    Source but given this I think they sold three  million 461 867 copies making around a little
  • 00:13:29
    over 38 million geez and when I'm doing this  calculation this calculation also is really only
  • 00:13:35
    based on Japan mainly because I didn't feel like  doing the NPR stuff uh if you if you don't know
  • 00:13:41
    let's go back to 27. granted this number is only  me cow calculating Japan's numbers that they gave
  • 00:13:45
    not going off of the United States Summers for  example or you can call me Lisa but I'm not going
  • 00:13:50
    through every method possible to be fair Sinbad  did outperform some of the later chapters of Magi
  • 00:13:55
    making it understandable why they wanted to Pivot  to Sinbad to restore up some hype to get a third
  • 00:14:01
    season in Monkey that's why it's hard to really  fault them with Sinbad now let's talk about the
  • 00:14:05
    author what does she feel about this series it's  kind of hard sometimes to even get something like
  • 00:14:10
    this from the author but it definitely hits home  a little bit more when you do the other gave a
  • 00:14:15
    goodbye article wishing more kids would just watch  more Shonen and not grow out of the genre what
  • 00:14:20
    I took from this is people in the Shonen genre  buy a lot at the start throughout their life and
  • 00:14:24
    then they leave becoming adults yes but leaving  to watch other anime genres with this usually
  • 00:14:29
    being how a lot of young boys get into anime only  coming back for the big and best showings that are
  • 00:14:37
    there like one piece Naruto Dragon Ball making  it harder to keep an eye into over years and
  • 00:14:43
    hindsight against say maybe she should have kept  going with the manga series and then eventually
  • 00:14:47
    10 years later you know look at what you created  but it's hard to really dispute someone as close
  • 00:14:52
    to the work as the author so overall it's a four  out of five formula follows a lot of what other
  • 00:14:56
    showings had at the time but in an Arabian fantasy  world instead of the traditional anime formula of
  • 00:15:01
    Japan the world felt alive and for the most part  right but it also had dark elements and deeper
  • 00:15:07
    storytelling where we could understand the  world through Aladdin's eyes as the audience
  • 00:15:11
    I guess what you could say is it had less than  seller numbers than made some sense in ways to
  • 00:15:17
    not keep continuing this isn't about if the anime  was good I think everyone would agree that yeah it
  • 00:15:21
    was but they can also say that maybe there wasn't  a reason to keep continuing the Animated Series I
  • 00:15:26
    would assume andiplex owns the rise of the anime  the manga already finished so the Publishers don't
  • 00:15:30
    have an incentive to keep advertising it with  chrisonia I mean any place I mean Crunchyroll
  • 00:15:35
    having a Stranglehold on anime I can't really see  it coming back unless Crunchyroll feels threatened
  • 00:15:41
    with this coming from the anime exclusivity deals  so it's hopeless well that's what I was going to
  • 00:15:45
    say but something might have had me change my  mind remember how I mentioned the stage plays
  • 00:15:50
    the plays just didn't start back in 2014 or 2017  but in 2020 yes Maggie was green lit to have a
  • 00:15:57
    more low budget musical in 2022 and it seems to be  opening with positive perception with Crunchyroll
  • 00:16:03
    doing a small but still promotion for it I would  assume this was made to serve Japanese interests
  • 00:16:08
    for a globally profitable anime I don't think it's  just some throwaway news like when have you known
  • 00:16:13
    a Japanese anime company to do something out of  the kindness of their hearts yeah not very often
  • 00:16:17
    and still I can point to cases where this wasn't  exactly anything significant like full metal going
  • 00:16:22
    live action Death Note having multiple live action  iterations same for xxholic my little monster and
  • 00:16:27
    this very well could just be a throwaway cash rap  but like we said there's more content they could
  • 00:16:33
    adapt learned in a different age of anime like for  example Devil is a part-timer got a season 2 this
  • 00:16:38
    year like Masami nokun Revenge got a season 2 with  it coming out later on isaka AI smartphone got
  • 00:16:44
    another season so it's not unreasonable to think  that they wouldn't get another season I think the
  • 00:16:49
    show had a crazy amount of things going for itself  but it simply failed to be a tier one Shonen with
  • 00:16:54
    some of the other people it was mentioned with  which isn't the worst thing seeing how close it
  • 00:16:58
    got to tapping into its true potential but as far  as like fans could actually do to best get another
  • 00:17:03
    season I would say there's like three steps step  one would be to watch Orient what is Orient with
  • 00:17:10
    this being the author's second favorite child if  you go to the comments section of that show right
  • 00:17:14
    now people are going to be talking about Maggie  still with them hoping that she's going to be
  • 00:17:18
    greenlit to make another season of Maggie even  how unlikely it is this could still happen Orion
  • 00:17:23
    could be the fire force to Soul Eater where the  author might be inspired to make more correlations
  • 00:17:28
    between the two shows to keep it going even if  it doesn't work out we get a very good story out
  • 00:17:33
    of it step two streaming more of Maggie streaming  is one of the ways companies make a profit after
  • 00:17:38
    several years of it being in the red but it's  sort of like being if enough people kept streaming
  • 00:17:43
    the series repeat the higher up some control to  contact other people they'll see that the anime is
  • 00:17:47
    trending with a story like being if the show went  number one on the Twitter's trending page I can't
  • 00:17:52
    exactly prove this but I kind of seen it happen  and I'm just going off of what my gut is telling
  • 00:17:57
    me lastly step three buy more copies of magi's  manga series and with this I would probably be
  • 00:18:01
    saying like the re-releases of the manga not old  copy with this method probably being the one I
  • 00:18:05
    least suggested of anyone do you see both Annie  Plex and Chicago don't really have a reason to
  • 00:18:10
    promote the series if we look at anyplex they have  ton of Big Time anime series that is streaming
  • 00:18:16
    right now currently that are going crazy and  Chicago has already finished the manga series and
  • 00:18:21
    they've already sold millions of copies the only  reason I even mentioned this as a potential step
  • 00:18:25
    is because the creator of DxD even though he sold  millions of copies is having to tell again people
  • 00:18:31
    to go buy the new releases of their manga copies  that is the only reason I would be mentioning
  • 00:18:36
    this step for this anime I hope you guys have  enjoyed the video make sure you leave me a like
  • 00:18:40
    if you enjoy this kind of content and as always  subscribe if you haven't already if you do comment
  • 00:18:44
    I subscribed and I'll make sure to comment back  to you of course form your own opinion I'm out
Tags
  • Magi
  • anime
  • season three
  • production issues
  • streaming
  • manga
  • licensing
  • fan support
  • financial analysis
  • content adaptation