Can AI Replace Motion Designers?

00:19:53
https://www.youtube.com/watch?v=CUe3ZC2Yzas

Sintesi

TLDRDans cette vidéo, Marvin Te, animateur chez Plenty Simple, discute de l'impact de l'intelligence artificielle sur l'animation. Il présente plusieurs technologies IA actuelles, comme Runway Gen 2, et explique pourquoi il pense que l'IA ne remplacera pas les créateurs humains. Selon lui, bien que l'IA puisse automiser certaines tâches, la créativité et la vision artistique des animateurs resteront inestimables. Marvin évoque également des outils potentiels d'IA qui pourraient faciliter le travail des artistes, comme des outils pour le design de personnages ou la simplification de l'animation. Il insiste sur l'importance de maîtriser les bases de l'animation et d'affiner son goût créatif dans un avenir où l'IA joue un rôle de plus en plus important.

Punti di forza

  • 👨‍🎨 Marvin Te est animateur et directeur créatif chez Plenty Simple.
  • 🤖 L'IA ne remplacera pas les artistes, mais complétera leur travail.
  • 🔧 Des outils d'IA comme Runway Gen 2 émergent dans l'animation.
  • 🎨 Les animateurs doivent toujours apprendre les fondamentaux de leur art.
  • 🛠️ Marvin souhaite des outils IA pour faciliter le design et le nettoyage des animations.
  • 🎬 L'IA peut améliorer la créativité en automatisant des tâches répétitives.
  • 📚 Affiner son goût créatif est crucial dans un futur axé sur l'IA.
  • 💡 L'éthique doit être au centre de l'utilisation de l'IA dans l'art.
  • 📈 L'humanité de l'art créatif sera toujours valorisée.
  • 💬 Les débats respectueux sur ces sujets sont encouragés.

Linea temporale

  • 00:00:00 - 00:05:00

    Marvin Te, animateur et directeur créatif d'un studio de design basé aux Philippines, partage son opinion sur l'impact de l'IA dans le monde de l'animation. Il mentionne des technologies telles que Firefly AI dans Photoshop et Wonder Dynamics, qui remplacent des personnes par des personnages 3D. Marvin n'est pas inquiet de se faire remplacer par l'IA, car il croit que les animateurs restent indispensables malgré les avancées technologiques. Il aborde aussi les questions de droits d'auteur et prévoit que l'IA évoluera mais cohabitera avec les animateurs.

  • 00:05:00 - 00:10:00

    Il souligne que, malgré une amélioration de l'IA, les compétences artistiques restent nécessaires. Les décisions créatives, telles que le style d'animation et les émotions, nécessitent toujours un artiste pour guider l'IA. Marvin cite un exemple d'une équipe qui utilise l'IA pour améliorer leur processus, indiquant que l'IA peut servir d'outil pour les animateurs, mais ne peut remplacer la créativité humaine essentielle à l'art.

  • 00:10:00 - 00:19:53

    Marvin croit que l'IA va non seulement coexister avec l'art humain, mais aussi le compléter en permettant aux artistes de se concentrer sur des aspects plus importants comme l'émotion et la narration. Il donne des conseils pour se préparer à un avenir avec l'IA, comme apprendre les fondamentaux, améliorer son goût créatif, et pratiquer ses compétences tout en gardant une approche éthique. Il partage également des idées sur des outils d'IA qu'il aimerait voir pour optimiser le travail des animateurs.

Mappa mentale

Video Domande e Risposte

  • L'IA va-t-elle remplacer les créateurs humains ?

    Non, l'IA ne remplacera pas les créateurs humains, car la créativité et la vision artistique restent essentielles.

  • Quels outils d'IA sont mentionnés dans la vidéo ?

    Les outils mentionnés incluent Photoshop avec Firefly AI, Wonder Dynamics et Runway Gen 2.

  • Comment l'IA peut-elle améliorer l'animation ?

    L'IA peut aider à automatiser des tâches répétitives, permettant aux animateurs de se concentrer sur des aspects créatifs plus importants.

  • Dois-je apprendre l'animation si l'IA est utilisée ?

    Oui, apprendre les fondamentaux de l'animation est essentiel, même avec l'IA.

  • Quels outils d'IA Marvin aimerait-il voir ?

    Il aimerait des outils pour le design de personnages, le clean-up automatique, et des in-betweens automatiques.

  • Quelle est l'importance de la créativité dans l'animation ?

    La créativité est cruciale pour donner vie à des histoires et des émotions à travers l'animation.

  • L'IA peut-elle créer de l'art sans intervention humaine ?

    Non, même avec des outils d'IA, la direction artistique et la compréhension humaine sont essentielles.

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Scorrimento automatico:
  • 00:00:00
    hi welcome back to our Channel and for
  • 00:00:02
    those that are new here I'm going to
  • 00:00:04
    give a brief introduction about myself
  • 00:00:06
    so I'm Marvin te I'm an animator slash
  • 00:00:10
    creative director here at plenty simple
  • 00:00:12
    so we are a motion Design Studio based
  • 00:00:15
    in the Philippines and we have been in
  • 00:00:18
    the industry for about 10 years now so
  • 00:00:22
    what I'm about to say is only my opinion
  • 00:00:25
    um I may be right but I could also be
  • 00:00:28
    wrong so take this with a grain of salt
  • 00:00:30
    so I'm going to talk about AI currently
  • 00:00:33
    there are a lot of
  • 00:00:35
    um AI Technologies a lot of upcoming AI
  • 00:00:39
    Technologies so Photoshop beta has
  • 00:00:42
    Firefly AI built in so there's
  • 00:00:45
    generative feel and other features and
  • 00:00:48
    there's Wonder Dynamics what it does is
  • 00:00:51
    you have a footage and it will replace
  • 00:00:53
    the people in those footage with 3D
  • 00:00:57
    characters that either you have modeled
  • 00:00:59
    your self or you have purchased on a 3D
  • 00:01:03
    store like sketchfab I think that Wonder
  • 00:01:07
    Dynamics also has like preset 3D models
  • 00:01:12
    that was done by 3D artists so uh that's
  • 00:01:15
    a Wonder Dynamics and then there's
  • 00:01:18
    Runway Gen 2 so this is a generative AI
  • 00:01:22
    so you just describe what you want and
  • 00:01:24
    then with the clip of a button it will
  • 00:01:26
    generate that video and currently it's
  • 00:01:30
    not there yet but the technology the
  • 00:01:33
    technology would only improve so the
  • 00:01:36
    question is will we be replaced by Ai
  • 00:01:40
    and my short answer is no let's be clear
  • 00:01:44
    about this
  • 00:01:46
    um if a company is taking advantage
  • 00:01:49
    against a certain group that is not okay
  • 00:01:52
    it's not okay to use other people's work
  • 00:01:57
    without their permission and profit from
  • 00:02:00
    it I'm not an expert in copyright law so
  • 00:02:03
    I'm not really in the position to say
  • 00:02:06
    what is copyright infringement or not
  • 00:02:09
    but currently there are class action
  • 00:02:12
    lawsuits filed so let's wait what the
  • 00:02:15
    courts think but no matter what we
  • 00:02:18
    believe in I think AI is here to stay in
  • 00:02:22
    the future
  • 00:02:23
    um AI May evolve it may transform there
  • 00:02:27
    may be regulations in place that would
  • 00:02:30
    change how these companies train their
  • 00:02:33
    AI models but AI is here to stay so
  • 00:02:38
    going back to the question I have four
  • 00:02:41
    points why my answer is no
  • 00:02:46
    so Point number one currently
  • 00:02:49
    um the only real AI animation is uh
  • 00:02:53
    Runway gen 2. it's because it's the only
  • 00:02:56
    text to video that I have seen so far
  • 00:03:00
    um I don't consider like stable
  • 00:03:02
    diffusion techniques as AI animation
  • 00:03:05
    because you still need to supply like
  • 00:03:09
    the footage so it's more like a filter
  • 00:03:12
    rather than animation and currently
  • 00:03:16
    Runway Gen 2 doesn't look great it's
  • 00:03:20
    okay but it's not great and even if it
  • 00:03:25
    does produce like a good video it's
  • 00:03:29
    still very clear that an AI has done
  • 00:03:32
    that if you consider like all those
  • 00:03:34
    points
  • 00:03:36
    motion designers are still needed this
  • 00:03:38
    is still in the like early phase it's
  • 00:03:41
    still in the development phase and the
  • 00:03:42
    technology would only improve over time
  • 00:03:45
    and I wouldn't be surprised that in the
  • 00:03:48
    next few years you wouldn't anymore
  • 00:03:50
    distinguish or differentiate
  • 00:03:53
    um or you couldn't even tell the
  • 00:03:55
    difference between AI animation and
  • 00:03:57
    human animation and this this leads me
  • 00:04:01
    to my point number two so let's say
  • 00:04:05
    um AI has improved so much that it could
  • 00:04:08
    do animation it could do good animation
  • 00:04:10
    and let us say that in this future the
  • 00:04:15
    ethical aspect of AI has been resolved
  • 00:04:18
    in this future is creativity dead is
  • 00:04:22
    motion design dead and my answer is
  • 00:04:25
    still no that is because in order to
  • 00:04:28
    operate the AI to such a high level you
  • 00:04:32
    still need to have the skills AI cannot
  • 00:04:37
    operate itself there needs to be an
  • 00:04:39
    artist behind the AI you need to have
  • 00:04:43
    the concept you need to have like the
  • 00:04:46
    division each artist or motion designer
  • 00:04:49
    has their own like creative direction or
  • 00:04:52
    Vision like what they want like the
  • 00:04:55
    animation to look like and you need this
  • 00:04:58
    to guide the AI let's take for example a
  • 00:05:01
    corridor crew they've experimented with
  • 00:05:04
    AI tools and the results are amazing
  • 00:05:08
    it's a highly creative work and that is
  • 00:05:11
    because they are artists they understand
  • 00:05:14
    composition lighting VFX
  • 00:05:18
    cinematography and
  • 00:05:20
    Etc it's not something that a
  • 00:05:23
    non-creative could just use and the
  • 00:05:27
    results is something like that okay
  • 00:05:29
    let's say AI can do animation but what
  • 00:05:33
    easing will it use will it applies
  • 00:05:37
    squash and stretch will there be
  • 00:05:39
    overlapping actions will the key posts
  • 00:05:42
    be exaggerated or is it more on the
  • 00:05:45
    realistic side these are creative
  • 00:05:48
    decisions that we make as animators and
  • 00:05:51
    if you don't have this skill and you use
  • 00:05:54
    like AI the output would be generic so
  • 00:05:58
    even if AI animation would be widespread
  • 00:06:01
    you still need motion designers to
  • 00:06:04
    operate it and if needed a motion
  • 00:06:06
    designer can make tweaks to the
  • 00:06:08
    animation or maybe create their own
  • 00:06:11
    version of the animation that if in case
  • 00:06:16
    the output doesn't match their Vision so
  • 00:06:19
    I've tried using chat GPT to write a
  • 00:06:23
    caption on one of our Instagram posts
  • 00:06:26
    and it's impressive it's impressive in
  • 00:06:29
    the sense that it's able to write
  • 00:06:31
    something from nothing and it's really
  • 00:06:34
    related on like the the topic that I
  • 00:06:37
    asked it to but it doesn't sound like me
  • 00:06:42
    it doesn't know me it doesn't know my
  • 00:06:45
    personality it doesn't know what I know
  • 00:06:47
    it doesn't know what I'd like to focus
  • 00:06:50
    on I did like a lot of like back and
  • 00:06:53
    forth with chat GPT so that um it would
  • 00:06:57
    sound like me and in the end I had to
  • 00:07:01
    use the output as a starting point and I
  • 00:07:05
    edited it so that the write up would
  • 00:07:07
    sound like me and it would focus on what
  • 00:07:10
    I like to focus on so I think that's
  • 00:07:14
    um
  • 00:07:14
    the possible future that if you're going
  • 00:07:19
    to uh
  • 00:07:21
    use like AI for for animation it may be
  • 00:07:25
    that it would be a good starting point
  • 00:07:28
    but you would have to tweak it you would
  • 00:07:31
    have to replace
  • 00:07:33
    um certain parts with your own animation
  • 00:07:35
    to make it really great Point number
  • 00:07:38
    three I think that AI would actually
  • 00:07:42
    improve creativity
  • 00:07:45
    um there are like multiple layers to a
  • 00:07:47
    motion design project there's script
  • 00:07:50
    there's storyboard
  • 00:07:52
    um there's design there's animation
  • 00:07:54
    there's sound design and Etc I'm an
  • 00:07:57
    animator but I could also say that
  • 00:08:00
    animation is not the most important part
  • 00:08:03
    in an animated movie or in an in an
  • 00:08:06
    animated project it's the story can you
  • 00:08:09
    make the audience feel something and if
  • 00:08:12
    AI can do the tedious parts of Animation
  • 00:08:15
    then this would allow us animators to
  • 00:08:19
    focus on the more important aspect of
  • 00:08:22
    the animation pipeline we can focus on
  • 00:08:25
    what can we do to make this scene more
  • 00:08:29
    emotional maybe in the in this future AI
  • 00:08:31
    can like do this really quickly because
  • 00:08:34
    like it would cut down like the time
  • 00:08:38
    um and maybe in this feature we could
  • 00:08:40
    animate a scene in just one to three
  • 00:08:43
    days instead of two to three weeks if
  • 00:08:46
    that is so then we could create a lot of
  • 00:08:48
    versions and then we could try things
  • 00:08:50
    out and then we could try something and
  • 00:08:52
    see if this works or not so now we could
  • 00:08:56
    focus on the story we could now focus on
  • 00:09:00
    the emotional aspect of our animation
  • 00:09:03
    instead of moving pixels instead of like
  • 00:09:07
    moving keyframes incorporating AI to
  • 00:09:10
    automate like some process of the
  • 00:09:11
    animation that would allow us to to look
  • 00:09:14
    back and see the bigger picture and uh
  • 00:09:17
    some may say that I want to create
  • 00:09:20
    something with my own hands otherwise
  • 00:09:23
    it's not art and that's actually my
  • 00:09:26
    point number four even if AI will be
  • 00:09:28
    around human animation and Human Art
  • 00:09:32
    will not go away when every artist are
  • 00:09:36
    painters and photography came along
  • 00:09:40
    didn't kill painting
  • 00:09:42
    when digital tools came along it did not
  • 00:09:46
    kill traditional art and some of you may
  • 00:09:50
    even remember that before some
  • 00:09:53
    traditional artists doesn't consider
  • 00:09:56
    digital art as art but I think now
  • 00:10:00
    almost everyone would agree that digital
  • 00:10:04
    art is Art and when 3D animation came
  • 00:10:08
    along they said 2D is dead and maybe to
  • 00:10:13
    some extent it was because when a 3D
  • 00:10:17
    animation came along there was a drop in
  • 00:10:21
    2D animation in the big screens but
  • 00:10:24
    recently there has been like a
  • 00:10:27
    Resurgence in 2D animation so you see 2D
  • 00:10:32
    animated films you see animated series
  • 00:10:36
    that are very good there's a lot of very
  • 00:10:39
    good anime anime movies 2D commercial
  • 00:10:43
    2D animation is everywhere open an app
  • 00:10:46
    and there's 2D animation 2D is far from
  • 00:10:50
    dead and I think the same will happen to
  • 00:10:54
    um human animation or human art and this
  • 00:10:57
    is just a bold prediction but I think
  • 00:11:01
    that human art and human animation would
  • 00:11:04
    be valued more before frame by frame
  • 00:11:07
    animation is the only way to do
  • 00:11:09
    animation and then different techniques
  • 00:11:13
    were invented discovered like twinning
  • 00:11:16
    the cut out style a rigging Etc that
  • 00:11:21
    allows animators to animate faster but
  • 00:11:25
    frame by frame is far from that frame by
  • 00:11:28
    frame animation is actually a hot skill
  • 00:11:31
    in the motion design world so I think in
  • 00:11:34
    the future people with an eye for
  • 00:11:37
    animation and a hand for animation would
  • 00:11:41
    be valued more and people who has those
  • 00:11:45
    who has those skills and who are really
  • 00:11:48
    good at what they do plus they
  • 00:11:51
    incorporate AI tools into their workflow
  • 00:11:54
    these people would be valued even more
  • 00:11:57
    valued timestan but that's just my
  • 00:12:00
    personal opinion
  • 00:12:03
    so what can we do to prepare in an AI
  • 00:12:08
    future so the first is to learn the
  • 00:12:12
    fundamentals learn the fundamentals of
  • 00:12:14
    Animation
  • 00:12:16
    um learn proportion Anatomy lighting
  • 00:12:20
    composition
  • 00:12:22
    cinematography
  • 00:12:23
    design principles uh storytelling
  • 00:12:27
    whatever is essential in your field so
  • 00:12:31
    these things are Timeless no matter like
  • 00:12:34
    what software you're going to use no
  • 00:12:36
    matter if you're going to use AI or not
  • 00:12:38
    you are going to need this so focus on
  • 00:12:41
    learning that learn the why learn why do
  • 00:12:46
    you need to use this effect learn why we
  • 00:12:49
    need to use this plugin if you have a
  • 00:12:52
    five-step process learn why you need to
  • 00:12:55
    do step one understand why you need to
  • 00:12:58
    do step two and that's the reason why
  • 00:13:01
    our tutorial Oreos can get very long
  • 00:13:05
    sometimes that's because I take the time
  • 00:13:08
    to explain our thinking process to
  • 00:13:13
    explain the reason behind how we do
  • 00:13:16
    things but it's not only our channel
  • 00:13:18
    that does that so fish out the high
  • 00:13:21
    level stuff second is you need to
  • 00:13:24
    improve your creative taste I think our
  • 00:13:27
    creative taste would play a crucial role
  • 00:13:31
    in an AI future so if you have a good
  • 00:13:35
    taste in design if you have a good taste
  • 00:13:38
    in animation I think you are on the
  • 00:13:41
    right path so how do you improve your
  • 00:13:43
    creative palette so just like our
  • 00:13:45
    physical taste buds right that uh we
  • 00:13:49
    need to eat or to taste
  • 00:13:53
    um different kinds of food different
  • 00:13:54
    Cuisines creatively the equivalent of
  • 00:13:57
    that is to watch good movies to watch
  • 00:14:01
    Good animation to look at posters
  • 00:14:04
    appreciate good posters and if it's
  • 00:14:06
    accessible to you go to museums attend
  • 00:14:10
    design events design conferences meet
  • 00:14:13
    people read books read art books watch
  • 00:14:17
    motion design projects follow highly
  • 00:14:20
    creative people on Instagram and other
  • 00:14:23
    social media feed your mind with ideas
  • 00:14:26
    feed your mind with the good stuff and
  • 00:14:29
    not junk third is as long as it's
  • 00:14:34
    ethical emphasis on ethical
  • 00:14:37
    um try AI don't be afraid of it learn it
  • 00:14:41
    and try to think of creative ways on how
  • 00:14:45
    you can incorporate AI on your workflow
  • 00:14:48
    and AI isn't just limited to generative
  • 00:14:51
    art it's just not limited to you know
  • 00:14:54
    text inputs and that would generate like
  • 00:14:56
    an image or a video there's like a vast
  • 00:15:00
    array of AI tools and like some of them
  • 00:15:02
    would automate a certain of your process
  • 00:15:05
    fourth is to continue to practice hone
  • 00:15:09
    your skills you're going to need it in
  • 00:15:11
    an AI future just like I what I've said
  • 00:15:15
    before
  • 00:15:16
    um human art or human animation will
  • 00:15:19
    never be dead and if you have honed your
  • 00:15:23
    skills
  • 00:15:24
    um that's going to give you an edge for
  • 00:15:26
    the record I'm not using AI I just
  • 00:15:30
    haven't figured out a way to incorporate
  • 00:15:33
    it in my workflow but it is part of my
  • 00:15:38
    to-do list to look into it
  • 00:15:42
    here are some like tools that I like
  • 00:15:46
    want to see from AI like if I'll have my
  • 00:15:49
    way uh these are like the things I want
  • 00:15:52
    to be invented so AI has like a lot of
  • 00:15:57
    potential imagine that you're doing
  • 00:16:00
    character design and you're just gonna
  • 00:16:01
    draw like one angle and with a click of
  • 00:16:04
    a button AI would do like the rest of
  • 00:16:07
    the angles
  • 00:16:08
    AI could do that that would really save
  • 00:16:12
    time I would really like I If that tool
  • 00:16:15
    exists I would use that tool next is I
  • 00:16:18
    would like to see an auto shading tool
  • 00:16:21
    so in frame by frame animation you draw
  • 00:16:24
    the character frame by frame and to do
  • 00:16:27
    shading and frame by frame you need to
  • 00:16:30
    do it you need to draw or add the
  • 00:16:32
    shading one by one if I'll get my way
  • 00:16:35
    right to have this tool an AI tool I
  • 00:16:39
    would want that um there's just a button
  • 00:16:42
    you're just gonna like do like one frame
  • 00:16:44
    so that the AI would have like a
  • 00:16:47
    reference
  • 00:16:48
    so you just do one frame for the shading
  • 00:16:50
    and then click like a button and then AI
  • 00:16:53
    would automatically use that information
  • 00:16:56
    to do the shading for the rest of the
  • 00:16:59
    video or for the rest of the frames that
  • 00:17:02
    would be really awesome
  • 00:17:03
    next is auto cleanup so all the things
  • 00:17:07
    I've mentioned before are like
  • 00:17:09
    hypothetical AI tools that I want so
  • 00:17:12
    next is auto cleanup cleanup is a very
  • 00:17:15
    previous process but imagine you're just
  • 00:17:19
    gonna do the sketch and then with just a
  • 00:17:22
    click of a button with AI it's going to
  • 00:17:24
    convert that sketch into a clean line
  • 00:17:27
    art and maybe you'll have an option to
  • 00:17:31
    um like do you want a raster version of
  • 00:17:35
    it or a vector version of it and finally
  • 00:17:38
    Auto in between
  • 00:17:41
    so you just do the key poses and then
  • 00:17:45
    click a button and then AI would do the
  • 00:17:48
    in-betweens and you might say that this
  • 00:17:51
    already exists right there's twinning in
  • 00:17:54
    Adobe animate and in Adobe After Effects
  • 00:17:57
    you've got keyframing but
  • 00:18:00
    um these tools are limited to a rig and
  • 00:18:03
    when you animate you don't draw like the
  • 00:18:05
    key poses right you you move you know
  • 00:18:08
    you move like deeply puppet what I'm
  • 00:18:10
    trying to refer to is that you draw the
  • 00:18:13
    key poses you draw the key poses and
  • 00:18:16
    then a I will draw the in between so
  • 00:18:18
    this is like an AI for frame by frame
  • 00:18:21
    animation wouldn't that be great if like
  • 00:18:24
    all of these tools like exist this is
  • 00:18:27
    the tools that we want as artists not
  • 00:18:30
    the the text to to Art not the text to
  • 00:18:33
    video maybe you know what maybe I'll
  • 00:18:36
    just apply to this AI companies and and
  • 00:18:38
    bring this ideas to them
  • 00:18:41
    just kidding
  • 00:18:43
    if you reach this far thank you very
  • 00:18:46
    much for watching I hope this video was
  • 00:18:50
    insightful and let me know in the
  • 00:18:52
    comment section what you think of this
  • 00:18:54
    video and uh just a reminder to be
  • 00:18:57
    respectful in the comment section
  • 00:19:00
    so um you may agree with me or not and
  • 00:19:04
    um that's okay it's okay to have
  • 00:19:06
    different uh different point of view
  • 00:19:09
    also just a reminder to be always to be
  • 00:19:13
    nice it's because
  • 00:19:15
    um it's a real person on the other side
  • 00:19:17
    of the screen and it doesn't mean that
  • 00:19:20
    uh you have different views that it
  • 00:19:23
    already gives you a permission to be
  • 00:19:26
    rude right so always always be nice uh I
  • 00:19:30
    think uh that's it that's it for this
  • 00:19:32
    video
  • 00:19:33
    and if you liked this video please give
  • 00:19:36
    it a thumbs up and if you haven't
  • 00:19:39
    already please
  • 00:19:40
    um subscribe if you like this kind of uh
  • 00:19:44
    content so um thanks and I hope you'll
  • 00:19:48
    have a nice day take care and I hope to
  • 00:19:51
    see you in the next video
Tag
  • animation
  • intelligence artificielle
  • motion design
  • Marvin Te
  • éviter le remplacement
  • créativité
  • outils IA
  • éthique
  • future de l'animation
  • histoire artistique