Canon R7 - RAW BURST MODE - 1/2 Second Pre-shoot for Wildlife Photography - Gimmick?? or Legit??

00:33:28
https://www.youtube.com/watch?v=tMtCP1MBGfM

概要

TLDRIn this detailed video tutorial, viewers learn how to effectively use the raw burst mode feature of the Canon R7 camera. The video provides insights into camera settings, field use, and how to handle the imaging workflow from capturing to extracting images. The raw burst mode captures a half-second of photos before the shutter button is pressed, enabling photographers to secure the perfect shot in fast-paced situations. The tutorial also demonstrates the review process of images and cautions about compatibility issues with editing software, recommending Canon's Digital Photo Professional for proper image extraction and management. The tutorial stresses experiential learning, encouraging feedback from viewers about what they like in photography adventures.

収穫

  • 📷 Learn to set up Canon R7 camera settings for raw burst mode.
  • 📸 Understand how raw burst mode captures pre-shutter images.
  • 🖥️ Discover how to extract images from the camera using software.
  • 🌲 Tips for photographing wildlife with raw burst mode.
  • 🔍 Review and manage images efficiently.
  • ⚡ Raw burst mode captures fast action shots effectively.
  • 💡 Keep an eye on buffer status to optimize shooting time.
  • 🖼️ Use Canon's DPP for editing and viewing raw burst images conveniently.

タイムライン

  • 00:00:00 - 00:05:00

    The video introduces a detailed guide on using the Canon R7's raw burst mode, explaining its setup and features. It discusses how to leverage the pre-shutter activation to capture images before the shutter button is pressed, emphasizing the importance of understanding this concept for better photography results.

  • 00:05:00 - 00:10:00

    The content covers camera setup, menu navigation, and the enabling of raw burst mode for high-speed image capture. The explanation involves going through camera settings and the implications of this shooting mode, including adjustments to exposure and image quality in burst shooting.

  • 00:10:00 - 00:15:00

    In the field, the video outlines practical steps for using the raw burst mode, detailing how to engage pre-buffering, the significance of holding the shutter button halfway, and managing the buffer's status during bursts. It emphasizes the importance of watching the buffer lights to optimize photography opportunities.

  • 00:15:00 - 00:20:00

    The video elaborates on reviewing captured images, specifically when using raw burst mode. It explains how to access and navigate through the image rolls to discover pre-captured shots, highlighting how this feature allows photographers to catch fleeting moments in rapid succession and how to interpret the visual indicators on the camera.

  • 00:20:00 - 00:25:00

    The process of transferring images from the camera to a computer is covered, along with editing using Digital Photo Professional 4. The video explains the necessity of extracting images from rolls, due to compatibility issues with other software programs, and what steps to take to prepare files for post-processing.

  • 00:25:00 - 00:33:28

    Lastly, the video emphasizes the practical applications of raw burst mode in different photography scenarios and expresses a subjective view on the feature's situational usefulness. It encourages viewers to share their experiences with the mode, fostering engagement while providing a comprehensive guide as a learning tool.

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マインドマップ

ビデオQ&A

  • What is raw burst mode on the Canon R7?

    Raw burst mode allows for pre-shutter image capture, taking photos before the shutter button is fully pressed.

  • How do I enable raw burst mode on the Canon R7?

    Go to the camera menu, select the red camera settings tab, and enable raw burst mode in tab 6.

  • How many frames per second does the raw burst mode shoot?

    It shoots at 30 frames per second.

  • Can I edit images directly on the camera?

    Yes, you can review, rate, and favorite images before transferring them to your computer.

  • What software is recommended for extracting images from raw burst mode?

    Canon's Digital Photo Professional 4 is recommended for extracting images from the raw burst rolls.

  • Can I use Lightroom with raw images from the raw burst mode?

    No, Lightroom cannot open raw images captured in raw burst mode; you must use Canon's software to extract the images first.

  • What type of images does the raw burst mode capture?

    It captures raw images only, not C-RAW or JPEG.

  • Is the raw burst mode useful for wildlife photography?

    Yes, it can be particularly beneficial for capturing fast-moving subjects.

  • How do I review images taken in raw burst mode?

    Use the play icon to access the images, and select the image to open the burst sequence.

  • What happens to the images once I extract them from the role?

    Extracted images are saved as individual files and can be opened in various editing software.

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  • 00:00:06
    [Music]
  • 00:00:12
    so guys this may be a longer video and
  • 00:00:14
    it's going to have different sections
  • 00:00:16
    so within those different sections we're
  • 00:00:18
    going to have
  • 00:00:19
    you know
  • 00:00:20
    how do we set up the camera
  • 00:00:22
    how do we use it in the field how do we
  • 00:00:24
    take the images off the camera to put it
  • 00:00:26
    on the laptop or a computer whatever
  • 00:00:28
    you've got
  • 00:00:29
    how do we open those images up how do we
  • 00:00:32
    look at them how do we extract them
  • 00:00:35
    and all that stuff so use the chapters
  • 00:00:38
    that are in the videos so if you you
  • 00:00:40
    already know how to set it up but you
  • 00:00:41
    want to know how to extract it just jump
  • 00:00:43
    to the parts it's extracting i'd rather
  • 00:00:45
    you watch the whole video it helps me
  • 00:00:46
    out as far as metrics go for the channel
  • 00:00:48
    but if you need to jump ahead just jump
  • 00:00:50
    ahead to the section you need to jump
  • 00:00:51
    ahead of hey everyone welcome back to
  • 00:00:53
    the channel today we're looking at the
  • 00:00:54
    raw burst mode feature on the canon r7
  • 00:00:57
    which is the pre shutter
  • 00:01:00
    activation
  • 00:01:01
    half second capture of images before you
  • 00:01:03
    hit the the button
  • 00:01:05
    it's not after you let off the button
  • 00:01:07
    only before you hit the button so
  • 00:01:08
    remember that so you're not going to get
  • 00:01:10
    that little tail that you may have
  • 00:01:11
    missed you're going to get the stuff
  • 00:01:12
    before your shutter button so we'll
  • 00:01:14
    discuss all that and
  • 00:01:16
    let's get into it
  • 00:01:19
    one question i'd like to ask you guys
  • 00:01:20
    before we get rolling on this in the
  • 00:01:22
    comment section
  • 00:01:24
    is
  • 00:01:25
    i'm doing a lot of these um how to's and
  • 00:01:28
    stuff like that which i love doing but i
  • 00:01:30
    also do like in the field uh photo
  • 00:01:33
    adventures so
  • 00:01:34
    you know if you've seen some of my
  • 00:01:36
    videos tell me what you like or don't
  • 00:01:37
    like about those or what you would like
  • 00:01:39
    to see when i'm out doing photo ventures
  • 00:01:42
    pretty soon i'm fixing to go out and do
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    coastal bears along
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    on kodiak and on the other side of kodi
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    accolade clark and places like that
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    and other things that i'll be going out
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    and doing and we're going to
  • 00:01:55
    above the arctic circle to go see if we
  • 00:01:57
    can find up there to take photographs of
  • 00:02:00
    uh but yeah just leave me some comments
  • 00:02:01
    tell me what you guys think what would
  • 00:02:02
    make it better what would uh you know
  • 00:02:05
    what you guys like to see
  • 00:02:06
    so anyway let's get into this camera
  • 00:02:09
    all right so let's get into the settings
  • 00:02:11
    on the camera and how we set up in the
  • 00:02:13
    menu the robber shooting mode
  • 00:02:16
    so first thing we do is hit the menu
  • 00:02:17
    button
  • 00:02:18
    we're going to go to the very first icon
  • 00:02:20
    in here which is a red menu it's the
  • 00:02:22
    camera
  • 00:02:23
    setting and we're going to go down to
  • 00:02:25
    tab 6
  • 00:02:26
    and we're going to scroll down to raw
  • 00:02:28
    burst mode we're going to hit our set
  • 00:02:30
    button
  • 00:02:31
    that's going to bring up where we do
  • 00:02:32
    disable or enable the raw burst mode
  • 00:02:35
    let's hit the set button again let's
  • 00:02:37
    enable it
  • 00:02:39
    so now that robust mode is enabled where
  • 00:02:42
    we will have this new setting where we
  • 00:02:43
    can do the pre shutter thing
  • 00:02:45
    pre-shooting menu
  • 00:02:47
    what that does is you can enable and
  • 00:02:49
    disable it by default when you open
  • 00:02:51
    start this it enables it
  • 00:02:53
    if you disable it you won't get the half
  • 00:02:55
    second prior to your shutter button
  • 00:02:59
    what this is going to do is going to put
  • 00:03:00
    these images in what they call a roll
  • 00:03:03
    so r-o-l-l dot r-o-l-e
  • 00:03:06
    and those images are going to be one cr3
  • 00:03:09
    for how many rmg you shot if you shot 10
  • 00:03:11
    20 50 600 it's going to be in one roll
  • 00:03:14
    for that burst you took so now we got
  • 00:03:16
    that set up that is all we have to do
  • 00:03:19
    what does this do when this happens
  • 00:03:21
    elsewhere in this menu
  • 00:03:22
    so once you go into the raw burst mode
  • 00:03:26
    it only records raw images not c-raw raw
  • 00:03:29
    or jpeg you can only do this in raw
  • 00:03:32
    so from here in the raw burst mode
  • 00:03:34
    let's go over to our drive function so
  • 00:03:37
    the first thing you'll see on menu one
  • 00:03:39
    your image quality is you can't change
  • 00:03:41
    it which is your jpeg and your raws
  • 00:03:43
    because it's going to be raw only
  • 00:03:46
    the next thing it's going to change your
  • 00:03:47
    exposure compensation is going to go
  • 00:03:49
    away because whatever your first
  • 00:03:51
    exposure you hit is going to stick
  • 00:03:53
    and we're going to get down here to
  • 00:03:56
    color space is going to be locked again
  • 00:03:57
    because whatever you started with is
  • 00:03:59
    what's going to be on here
  • 00:04:04
    where is it
  • 00:04:06
    drive mode here we go
  • 00:04:07
    so you'll notice your drive modes are
  • 00:04:09
    grayed out
  • 00:04:10
    because it's only going to let you shoot
  • 00:04:12
    an h plus it's only gonna let you shoot
  • 00:04:14
    30 frames a second in this raw burst
  • 00:04:16
    mode because it's raw burst
  • 00:04:18
    so those are things you got to remember
  • 00:04:19
    when you go into this mode you're going
  • 00:04:20
    to be in raw and you're going to be in
  • 00:04:22
    30 frames per second
  • 00:04:24
    so just remember that
  • 00:04:26
    let's talk about how do we use this in
  • 00:04:29
    the field so in the field when you're
  • 00:04:32
    running this camera with this raw burst
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    mode on
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    you hold the shutter button down
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    for
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    just halfway push it down and that's
  • 00:04:41
    going to engage that pre-buffer fill up
  • 00:04:44
    and what you'll see on the on your
  • 00:04:46
    little the little bar over there it'll
  • 00:04:47
    be white it'll try it it'll fill up a
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    little bit and go just at the bottom
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    white what that's telling you is the
  • 00:04:53
    buffer's
  • 00:04:54
    churning it's ready to go so if you hit
  • 00:04:56
    that shutter button and you've got you
  • 00:04:58
    know you've had that white for a half
  • 00:04:59
    second
  • 00:05:01
    it will
  • 00:05:02
    give you that half second of shots prior
  • 00:05:04
    to the shutter button if you're not
  • 00:05:05
    holding that down halfway and you hit
  • 00:05:07
    the shutter you're not going to get a
  • 00:05:09
    pre shutter button clicks because
  • 00:05:11
    there's nothing in the buffer to take a
  • 00:05:13
    picture of
  • 00:05:14
    if you're feathering
  • 00:05:17
    taking pictures
  • 00:05:18
    you're going to get
  • 00:05:20
    say you feather five times you're gonna
  • 00:05:22
    get five cr3s with how many files for
  • 00:05:25
    each one of those feathers so if you had
  • 00:05:28
    10 shots in the first feather you're
  • 00:05:29
    going to have 10 in that roll if you had
  • 00:05:30
    20 the next you have 20 and so on
  • 00:05:33
    and it's not a bad thing but you're
  • 00:05:35
    going to have to go through each of
  • 00:05:36
    those cr3s to extract it through
  • 00:05:39
    the software
  • 00:05:41
    so if you let off the button when you
  • 00:05:43
    have the half second press it's going to
  • 00:05:45
    go red and all that's telling you is
  • 00:05:47
    it's flushing that buffer out
  • 00:05:49
    and while it's still red if you hold it
  • 00:05:51
    down for a half second it's not going to
  • 00:05:52
    be filling the buffer up until the red
  • 00:05:54
    goes away so you got to watch that red
  • 00:05:55
    once it flushes you can hold it for a
  • 00:05:57
    half second again if you've got
  • 00:05:59
    something fast going on and it's it's
  • 00:06:01
    just flushing that buffer for after you
  • 00:06:02
    did half second you can still take a
  • 00:06:04
    picture
  • 00:06:05
    it's just not going to do anything pre
  • 00:06:06
    to that spot
  • 00:06:08
    once that red goes away that that
  • 00:06:10
    buffer's flush you can half press down
  • 00:06:11
    for half second it's going to start
  • 00:06:13
    filling up the buffer again
  • 00:06:15
    so that's how that pre-shot buffer works
  • 00:06:19
    now hold the buffer down for half second
  • 00:06:22
    you do your shot
  • 00:06:24
    and it'll say you just want to hammer it
  • 00:06:25
    to get all the shots you can which i was
  • 00:06:27
    doing when i was recording this on in
  • 00:06:29
    the field
  • 00:06:31
    it'll go red once that bar it'll go
  • 00:06:33
    green as you hold hit the button the
  • 00:06:35
    shutter down then it'll go up there when
  • 00:06:37
    it hits red that means that buffer is
  • 00:06:39
    full and it's got a flush before you can
  • 00:06:41
    take the next picture what's kind of
  • 00:06:43
    cool though you can see it flushing out
  • 00:06:44
    the
  • 00:06:45
    buffer and you know when you can hit the
  • 00:06:47
    thing again
  • 00:06:49
    when you're
  • 00:06:50
    not in this mode and you're shooting
  • 00:06:52
    normally and you hit the buffer it just
  • 00:06:54
    says busy and blinks and then
  • 00:06:56
    it actually clears pretty fast
  • 00:06:59
    when you're normally shooting it depends
  • 00:07:00
    on what you're shooting there so
  • 00:07:02
    not too bad
  • 00:07:04
    and once that buffer flushes once it
  • 00:07:06
    gets out or not when you actually take
  • 00:07:08
    the picture after the buffer flushes
  • 00:07:10
    then you can go in and take your next
  • 00:07:11
    set of pictures
  • 00:07:13
    and that's pretty much how it works
  • 00:07:15
    so the next thing is how do you review
  • 00:07:17
    when you know you took that shot and you
  • 00:07:19
    want to review it when you go on the
  • 00:07:20
    camera so of course you got to hit the
  • 00:07:22
    little play icon to review your pictures
  • 00:07:24
    and when you're going to review your
  • 00:07:26
    pictures what you're going to see when
  • 00:07:28
    you did that shot you're going to see
  • 00:07:30
    one file in there it's going to say one
  • 00:07:32
    so let's say you did the
  • 00:07:35
    three times you did the
  • 00:07:37
    shots on this with the raw burst mode
  • 00:07:39
    you're only going to see three files in
  • 00:07:40
    there and each of those files is going
  • 00:07:42
    to contain the number of images you took
  • 00:07:44
    during that burst
  • 00:07:46
    so what all you do is you hit the set
  • 00:07:48
    button which is our select button which
  • 00:07:50
    is going to open up that camera roll and
  • 00:07:51
    then you can look through it
  • 00:07:53
    and what you're going to see you're
  • 00:07:54
    going to see a yellow icon in there a
  • 00:07:56
    little on the bar of all the images
  • 00:07:58
    it'll say like 16 of 32 or something
  • 00:08:02
    and then what that means is
  • 00:08:05
    you had 15 shots prior to
  • 00:08:08
    that shot and that's that pre-burst so
  • 00:08:10
    everything left that yellow is what
  • 00:08:12
    happened before you hit the shutter
  • 00:08:14
    which is really cool so you're getting
  • 00:08:15
    half second you're getting 15 shots
  • 00:08:17
    right there
  • 00:08:18
    and then everything after that is what
  • 00:08:20
    you would have captured if you weren't
  • 00:08:21
    using this mode if you just hit the
  • 00:08:22
    button
  • 00:08:23
    so it's really neat to see and even
  • 00:08:25
    myself couple times i thought oh i got
  • 00:08:28
    it i hit it you know i've got a little
  • 00:08:29
    bit before but i for sure got the action
  • 00:08:31
    i wanted when i hit the thing
  • 00:08:33
    and as we get to the end i'll tell you
  • 00:08:35
    did i hit it or did the pre-burst you
  • 00:08:38
    know the pre got the pre-burst to
  • 00:08:39
    actually capture what i was
  • 00:08:42
    hoping to capture so
  • 00:08:44
    that's kind of how we use it in the
  • 00:08:45
    field and to review your images
  • 00:08:48
    now let's get into how do we take the
  • 00:08:50
    images off this or column and then put
  • 00:08:53
    it on the computer now you can do
  • 00:08:55
    every bit of your
  • 00:08:58
    pre-whatever you can even edit images in
  • 00:09:00
    these cameras
  • 00:09:01
    you can call your images you can
  • 00:09:04
    do all that fun stuff you can go into
  • 00:09:06
    this
  • 00:09:07
    and extract out of the role each image
  • 00:09:09
    that you want to extract into an area to
  • 00:09:11
    save it
  • 00:09:12
    you can go into that role and you could
  • 00:09:14
    even lock items or favorite items or
  • 00:09:17
    even star each one of them
  • 00:09:19
    and i've got friends that they do
  • 00:09:21
    everything in this camera prior to going
  • 00:09:23
    to
  • 00:09:24
    the laptop i don't work that way i
  • 00:09:27
    capture all the images here
  • 00:09:29
    i may review in the field
  • 00:09:31
    and then i go ahead and take the
  • 00:09:33
    card out of the
  • 00:09:34
    camera and the cool thing about these
  • 00:09:37
    new m1 mac laptops is they have an sd
  • 00:09:40
    card reader in it
  • 00:09:41
    and uh they're pretty fast
  • 00:09:44
    now i
  • 00:09:46
    have already pulled these off and put
  • 00:09:47
    them on the computer
  • 00:09:49
    so i'm just going to put this back on my
  • 00:09:50
    camera so i don't forget it because i
  • 00:09:52
    did the other day and i had to use a
  • 00:09:53
    normal v30
  • 00:09:54
    now the cool thing about the v30 card it
  • 00:09:56
    worked pretty good it was quicker to
  • 00:09:58
    fill up the buffer when you're hitting
  • 00:09:59
    30 frames a second you're just rattling
  • 00:10:01
    on it but feathering it still worked
  • 00:10:03
    pretty good a couple times when i was
  • 00:10:04
    feathering with that v30 i hit the
  • 00:10:06
    buffer so you've got to be a little more
  • 00:10:07
    careful because it's slower card
  • 00:10:09
    all right so now once you've got your
  • 00:10:12
    images on your laptop and i put mine on
  • 00:10:15
    a sandisk ssd all my images and videos
  • 00:10:20
    and you put them on there and then all
  • 00:10:21
    you do is you're going to open up
  • 00:10:23
    digital photo professional 4. right now
  • 00:10:25
    that's all i know that will open these
  • 00:10:28
    up besides the camera for extracting the
  • 00:10:30
    images out of the role to ones you want
  • 00:10:34
    and i'll put a link in here where to get
  • 00:10:36
    the digital photo professional for from
  • 00:10:38
    canon it's a european linked site and it
  • 00:10:41
    basically it says pick your camera
  • 00:10:43
    there's no r7 list just pick an r5 r6
  • 00:10:46
    it'll be fine
  • 00:10:47
    and then
  • 00:10:49
    download whatever operating system you
  • 00:10:51
    have mac or windows and do all that fun
  • 00:10:53
    stuff then download it install it
  • 00:10:55
    once you're in digital photo
  • 00:10:56
    professional 4 it did ask me to uh pull
  • 00:11:01
    down the profile so the r7 profile is
  • 00:11:03
    already ready for the digital photo
  • 00:11:04
    professional for
  • 00:11:06
    now once you've got your images
  • 00:11:09
    on the your laptop you've got them on
  • 00:11:11
    your drive or whatever all you do is
  • 00:11:12
    open up photo professional form
  • 00:11:14
    navigate to the folder where your items
  • 00:11:17
    are located and then you have your
  • 00:11:19
    images
  • 00:11:20
    and you'll see each one of these has
  • 00:11:22
    this little icon this little r icon
  • 00:11:23
    that's on every one of these guys mr lar
  • 00:11:26
    that tells you this is a roll
  • 00:11:28
    and i don't think and right now here's a
  • 00:11:30
    movie so it doesn't have the r on it i
  • 00:11:32
    don't but i don't have any single shots
  • 00:11:34
    because this whole
  • 00:11:35
    set of images were all the you know all
  • 00:11:37
    i shot that afternoon was these rolls so
  • 00:11:41
    so i will tell you guys i can't wait
  • 00:11:44
    till i'm using this r7 more to record
  • 00:11:46
    myself uh the video is phenomenal on the
  • 00:11:48
    r5 but that recording time just caught
  • 00:11:51
    me again
  • 00:11:52
    that is a bit annoying at that 30 minute
  • 00:11:54
    marker
  • 00:11:55
    so what you'll notice in this bottom
  • 00:11:56
    right corner is this r in each of these
  • 00:11:58
    pictures tells you this is a roll which
  • 00:12:00
    means it has multiple pictures per
  • 00:12:02
    it will not open in lightroom it will
  • 00:12:04
    not work it won't open in anything this
  • 00:12:06
    single cr3 as it sits
  • 00:12:08
    you have to actually extract these
  • 00:12:10
    images each individually to see those
  • 00:12:13
    items
  • 00:12:14
    in those other programs but as it sits
  • 00:12:16
    right now it tries to open and goes i
  • 00:12:17
    don't there's too much stuff it doesn't
  • 00:12:19
    know what to do with it so lightroom
  • 00:12:20
    gives you an error dxo dxo gives you an
  • 00:12:22
    error already for our seven images but
  • 00:12:24
    it won't open in anything so you have to
  • 00:12:26
    open it up in this digital photo
  • 00:12:28
    professional four or you have to extract
  • 00:12:29
    them each individually from the camera
  • 00:12:31
    to the computer or to a file
  • 00:12:34
    so let's get into what these images how
  • 00:12:37
    the pre-burst looks when you get the
  • 00:12:38
    computer this one is some tree swallows
  • 00:12:40
    that were on a box
  • 00:12:42
    how do you open it how do you open this
  • 00:12:44
    burst step to see all the images you
  • 00:12:46
    have to go up here to the menu bar up
  • 00:12:47
    top and you got to click tools
  • 00:12:49
    from tools you're going to go down to
  • 00:12:51
    start raw burst image tool
  • 00:12:54
    click that
  • 00:12:55
    and now it's going to open up that image
  • 00:12:58
    with all its things all its
  • 00:13:00
    separate images so you'll see down here
  • 00:13:02
    at the bottom
  • 00:13:04
    it says 16 of 53.
  • 00:13:07
    so what does that tell you we are
  • 00:13:08
    sitting with this little flag right here
  • 00:13:10
    which has blue line this little flag
  • 00:13:12
    this dot
  • 00:13:13
    this is the 16th image in the roll
  • 00:13:16
    everything prior to 15 shots prior to
  • 00:13:18
    this are the
  • 00:13:21
    robbers mode pre-shutter hits
  • 00:13:24
    everything after this is where you hit
  • 00:13:27
    in this case right here what happened
  • 00:13:29
    was
  • 00:13:30
    i was watching these there was more than
  • 00:13:33
    one sitting right here on this this
  • 00:13:35
    nesting box this is at potter's marks
  • 00:13:37
    it's a really cool place you come to
  • 00:13:38
    anchorage
  • 00:13:39
    potter's marshmallow place you want to
  • 00:13:40
    stop at to go see a lot of migratory
  • 00:13:42
    birds and and raptors and things like
  • 00:13:44
    that even in the later summer mid-summer
  • 00:13:47
    you'll start to see some bears out there
  • 00:13:49
    because the salmon come into the creek
  • 00:13:50
    so it's a really cool place to visit
  • 00:13:53
    and these
  • 00:13:55
    boxes were set up out there out in the
  • 00:13:57
    field over by the boardwalk
  • 00:13:59
    and these little tree swallows are in
  • 00:14:01
    here nesting so the babies are
  • 00:14:04
    i saw a couple flying out but most of
  • 00:14:06
    them just had their heads sticking out
  • 00:14:07
    of the box so you'll see a few images
  • 00:14:08
    here's a little head sticking out that's
  • 00:14:10
    the baby wanting some food so parents
  • 00:14:12
    are bringing food back or sitting on top
  • 00:14:14
    of the box well i had two here and i was
  • 00:14:16
    just holding on it because i'm just
  • 00:14:17
    trying to do some examples of
  • 00:14:19
    when they take off take the picture can
  • 00:14:21
    i capture it and what is the pre-burst
  • 00:14:23
    mode
  • 00:14:24
    so you'll see when i hit the shutter the
  • 00:14:25
    very first frame i got on this shutter
  • 00:14:27
    here's the bird there were two birds
  • 00:14:29
    here so i missed them if i go to the
  • 00:14:31
    right which is all my shots there goes
  • 00:14:33
    the bird out of frame
  • 00:14:35
    gone so all these shots i did it was so
  • 00:14:37
    fast
  • 00:14:38
    i held the button down a little longer i
  • 00:14:40
    meant to because i'm like oh they moved
  • 00:14:42
    hit it and i'm just slamming it so you
  • 00:14:43
    kind of you kind of geek out a little
  • 00:14:45
    bit
  • 00:14:46
    now
  • 00:14:47
    again two birds i only see one
  • 00:14:50
    not these images are not anything i
  • 00:14:52
    would go i'm trying to do something
  • 00:14:53
    really cool make some cool images i was
  • 00:14:55
    just trying to show that the how the
  • 00:14:57
    pre-burst the raw burst mode works gotta
  • 00:14:59
    quit saying pre-burst
  • 00:15:00
    so let's look at what happened before i
  • 00:15:03
    hit the shutters when i hit the shutter
  • 00:15:05
    you just saw that you know this is what
  • 00:15:06
    happened if the bird flies off
  • 00:15:08
    i caught it briefly coming off the post
  • 00:15:11
    there but i didn't get you know that was
  • 00:15:13
    it where's the other bird you know
  • 00:15:15
    there's two here i only see one
  • 00:15:17
    and this is what happens a lot of image
  • 00:15:18
    we get there
  • 00:15:19
    so let's look at what happens with this
  • 00:15:21
    robert new roberts mode on this camera
  • 00:15:23
    what did it capture so let's go back in
  • 00:15:25
    time let's just go to this well let's
  • 00:15:27
    just back up one frame at a time
  • 00:15:29
    so prior to that that's where it was
  • 00:15:32
    another one
  • 00:15:34
    by itself
  • 00:15:36
    go back again there he is so again it's
  • 00:15:38
    30 frames second now we're seeing the
  • 00:15:40
    wings of that second bird but now we got
  • 00:15:42
    a pretty cool little shot here because
  • 00:15:43
    this this is a nice neat little bird
  • 00:15:45
    with this wing you know position and
  • 00:15:46
    stuff
  • 00:15:47
    let's go one more you start to see the
  • 00:15:49
    other bird down at the bottom this one
  • 00:15:51
    the top we go one more there's two birds
  • 00:15:53
    now so i had to go back
  • 00:15:56
    five frames four frames
  • 00:15:58
    to get that second bird we back up again
  • 00:16:02
    here they are going off
  • 00:16:04
    so we just go back and these are the
  • 00:16:05
    images we're capturing
  • 00:16:08
    free
  • 00:16:09
    i thought i captured maybe here
  • 00:16:13
    and i didn't i caught it way back here
  • 00:16:16
    you know by the time your brain your
  • 00:16:17
    finger hits that delay these birds are
  • 00:16:19
    so fast all this stuff in here was due
  • 00:16:22
    to that pre
  • 00:16:24
    buffer shot
  • 00:16:27
    just for giggles let's go in and look
  • 00:16:32
    that one image that was kind of i
  • 00:16:34
    thought was kind of neat let's just zoom
  • 00:16:36
    in on this guy
  • 00:16:38
    now dpp
  • 00:16:40
    takes a second to
  • 00:16:43
    read and show you what it's really going
  • 00:16:44
    to look like so it's still trying to do
  • 00:16:46
    its thing now it's in focus
  • 00:16:48
    when you first open up don't freak out
  • 00:16:49
    and you open dpp up your image will look
  • 00:16:52
    blurry
  • 00:16:53
    and then just give it a second it's
  • 00:16:54
    trying to load that camera profile and
  • 00:16:56
    everything once it loads it
  • 00:16:58
    we'll see i mean these birds aren't real
  • 00:17:00
    close to me because i'm i'm using about
  • 00:17:01
    three
  • 00:17:02
    i can look in a minute i think i was
  • 00:17:04
    about 320
  • 00:17:07
    to
  • 00:17:08
    280 i think on this so you know i'm
  • 00:17:12
    you know not real close
  • 00:17:14
    and look at that eye
  • 00:17:17
    it it looks tack sharp it's pretty cool
  • 00:17:19
    especially when you had two birds
  • 00:17:21
    all right let's go to this one next
  • 00:17:23
    i tried to start these in the right
  • 00:17:25
    order i want to look at them we'll see
  • 00:17:27
    so again you click your picture you get
  • 00:17:29
    tools we jump to start robbers mode
  • 00:17:33
    so go here so again i was holding down
  • 00:17:36
    for a half second because i'm at 16. you
  • 00:17:37
    should always see it at 16 because it's
  • 00:17:39
    only capture half second 15 frames
  • 00:17:42
    and so i had 33 frames so let's see what
  • 00:17:44
    i do what did i capture so here's that
  • 00:17:47
    uh little the fledgling here in the nest
  • 00:17:49
    poking out saying feed me feed me feed
  • 00:17:51
    me
  • 00:17:52
    and
  • 00:17:54
    and really i didn't really notice there
  • 00:17:56
    a couple times i'd see that
  • 00:17:57
    red in their mouth when they'd open
  • 00:17:59
    their beak real wide but they were
  • 00:18:01
    moving that little beak so fast i didn't
  • 00:18:02
    notice it so it's pretty cool that 4000
  • 00:18:04
    captures all this little movement
  • 00:18:06
    so let's see what i captured so let's go
  • 00:18:08
    to the right
  • 00:18:10
    and then look i captured much anything
  • 00:18:12
    besides that baby in there keep
  • 00:18:14
    scrolling
  • 00:18:15
    just the baby moving his head and
  • 00:18:17
    barking
  • 00:18:18
    wanting food in there
  • 00:18:21
    so now let's see what did the
  • 00:18:24
    pre-burst capture so here we go back one
  • 00:18:26
    nothing see little feet over in the top
  • 00:18:28
    right when he's trying to land up here
  • 00:18:30
    let's keep going back oh there's the one
  • 00:18:32
    i was concerned about it was this one
  • 00:18:33
    down below
  • 00:18:35
    and there she is he or she whoever it is
  • 00:18:39
    and there it is
  • 00:18:40
    and i believe it was pushing off that so
  • 00:18:43
    it was perched and i was waiting for it
  • 00:18:44
    to push off so let's just look at it
  • 00:18:46
    kind of faster
  • 00:18:48
    these are all the images that i was
  • 00:18:49
    trying to capture and i missed the whole
  • 00:18:51
    sequence
  • 00:18:53
    your brain sitting there thinking i'm
  • 00:18:54
    hitting that fast enough but these birds
  • 00:18:56
    are about like those woodpeckers are
  • 00:18:57
    super fast so we're missing it so this
  • 00:19:00
    is the thing i caught this is everything
  • 00:19:02
    the pre-burst caught
  • 00:19:04
    that is pretty cool
  • 00:19:05
    let's go look at another image see what
  • 00:19:07
    we got
  • 00:19:08
    let's look at this one let's go again
  • 00:19:10
    click the image go to tools
  • 00:19:12
    start robbers tool
  • 00:19:15
    and here it is that there's a 15 before
  • 00:19:17
    here's after he's sitting here saying
  • 00:19:19
    feed me again
  • 00:19:20
    it's all a little bit fleshly too let's
  • 00:19:23
    see what i captured
  • 00:19:28
    nothing besides the head movements and
  • 00:19:30
    stuff so let's look like was before i'm
  • 00:19:32
    just going to move this faster so let's
  • 00:19:33
    go back in time
  • 00:19:35
    that's what i was trying to capture so
  • 00:19:38
    what i saw was this uh
  • 00:19:40
    this guy coming in to land
  • 00:19:42
    and the baby says where's my food i
  • 00:19:44
    don't see any food in the beak but it
  • 00:19:46
    may be there
  • 00:19:47
    so that's what i was looking at so i was
  • 00:19:48
    trying to capture this guy and if this
  • 00:19:50
    wings weren't clipped that's being
  • 00:19:52
    pretty cute little picture
  • 00:19:54
    and let's move to the right that's not
  • 00:19:56
    too bad
  • 00:19:57
    i could do something with this let's see
  • 00:19:58
    how
  • 00:20:00
    in focus this one is let's give it a
  • 00:20:02
    second
  • 00:20:05
    nope it's not bad yeah it's pretty good
  • 00:20:08
    yeah that's not bad i'm considering what
  • 00:20:10
    we got
  • 00:20:12
    yeah let's see if we give it a second to
  • 00:20:14
    catch up so you got the little spinny
  • 00:20:16
    spinny wheel
  • 00:20:19
    there we go so yeah so the focus caught
  • 00:20:21
    this guy which is really cool because
  • 00:20:23
    all i did was hit you know i was
  • 00:20:25
    focusing on these guys first i was
  • 00:20:27
    waiting for this guy to take off is what
  • 00:20:28
    i was probably watching
  • 00:20:30
    and this guy comes in the frame and so i
  • 00:20:33
    just hit the
  • 00:20:34
    you know i had i just moved my single
  • 00:20:35
    point close this guy hit the focus
  • 00:20:37
    grabbed him
  • 00:20:38
    so that's pretty cool zoom out
  • 00:20:41
    so go to the next frame there's wings
  • 00:20:43
    are clipped so this would have been a
  • 00:20:45
    really cool series if i would have
  • 00:20:46
    gotten uh
  • 00:20:48
    this little better again
  • 00:20:51
    i'm zooming in and what happens it's
  • 00:20:53
    still the old picture so it takes a
  • 00:20:54
    second to
  • 00:20:55
    so it looks like it finally hit focus
  • 00:20:58
    um
  • 00:20:59
    pretty good because i really wasn't
  • 00:21:01
    trying hard on this i was just basically
  • 00:21:02
    setting up
  • 00:21:04
    my bass focus methods on these guys and
  • 00:21:06
    i was just holding that you know
  • 00:21:08
    pre-burst and when they got they would
  • 00:21:10
    try to push off or they would come in
  • 00:21:11
    land i'd try to hit the button and see
  • 00:21:13
    what i could capture
  • 00:21:14
    and this one's a really good example
  • 00:21:17
    of
  • 00:21:18
    what it's capturing
  • 00:21:20
    anyway that's that's that image let's go
  • 00:21:22
    to another one
  • 00:21:24
    so again click picture start raw i'll
  • 00:21:27
    try to move to these a little faster now
  • 00:21:29
    again we got the pre-buffer
  • 00:21:31
    uh this is everything i captured
  • 00:21:34
    through the post behind the post
  • 00:21:36
    so i apparently i'm trying to capture
  • 00:21:37
    him coming in so he's
  • 00:21:41
    landing up there i mean he's it locked
  • 00:21:43
    on to him pretty good
  • 00:21:49
    i said i was gonna go through this
  • 00:21:50
    faster and i think once we slow down
  • 00:21:53
    but this is what i captured right well
  • 00:21:55
    after i hit the shutter let's see what
  • 00:21:57
    pre was
  • 00:21:59
    so i was trying to capture this guy
  • 00:22:01
    coming in doing the same thing was doing
  • 00:22:02
    before hovering
  • 00:22:04
    so why didn't i turn my camera a little
  • 00:22:06
    toward the left because i was trying to
  • 00:22:07
    center these guys hoping this guy would
  • 00:22:09
    take off and fly out of the screen not
  • 00:22:11
    one coming in so i was
  • 00:22:13
    you know i could have put the right more
  • 00:22:14
    but i don't know which direction's going
  • 00:22:15
    to go left or right or towards me or
  • 00:22:17
    away from me so i try to put him in the
  • 00:22:18
    center just so i could capture that
  • 00:22:21
    so this is what i
  • 00:22:22
    captured with the pre there's the head
  • 00:22:24
    coming in
  • 00:22:25
    so he's hovering
  • 00:22:28
    over there on the left
  • 00:22:31
    so here's one of those that's
  • 00:22:32
    questionable this is what i'll test the
  • 00:22:33
    r3
  • 00:22:35
    they're just twisting and turning so
  • 00:22:36
    much i think that's what it is this
  • 00:22:38
    could be rolling shutter but i i mean
  • 00:22:40
    it's moving so fast it could be this
  • 00:22:41
    this gives me that could it be is it
  • 00:22:44
    turning i used to see this with my r5
  • 00:22:46
    but again the r5 is not stacked either
  • 00:22:48
    it's 15 frames second it could
  • 00:22:51
    have earlier shutter hit 30 you're going
  • 00:22:53
    to see it i think 30 you're going to see
  • 00:22:55
    it more because it's moving faster
  • 00:22:56
    you're getting more images
  • 00:22:58
    so i'm i'll we'll run the r3 and see
  • 00:23:00
    what happens i'll go out there these
  • 00:23:01
    guys hopefully will be around for this
  • 00:23:03
    weekend so i'll go rent the r3 if it's
  • 00:23:05
    available this weekend during the
  • 00:23:07
    holiday
  • 00:23:08
    and i'm going to run a couple lenses a
  • 00:23:10
    test also
  • 00:23:11
    so that's that picture
  • 00:23:13
    let's go look at another one it's going
  • 00:23:15
    to be a two-hour video again
  • 00:23:20
    we got 15 prior all these are after
  • 00:23:24
    so this one when i hit the shutter i did
  • 00:23:26
    capture
  • 00:23:27
    what i wanted to capture there's the
  • 00:23:29
    bird doing his little
  • 00:23:31
    best tummy bird impression close to the
  • 00:23:33
    box with the baby saying please give me
  • 00:23:35
    some food
  • 00:23:37
    and there you go i didn't see them feed
  • 00:23:39
    them ever i wonder if they're trying to
  • 00:23:40
    make them fledge out
  • 00:23:43
    because they don't see any food going
  • 00:23:44
    out of that one to the baby
  • 00:23:48
    that's interesting
  • 00:23:49
    what did i capture prior let's look
  • 00:23:51
    so prior to that
  • 00:23:54
    nothing so i did good this time
  • 00:23:56
    i probably saw him coming in saw baby
  • 00:23:59
    squawking and i hit the shutter and i
  • 00:24:01
    did good so
  • 00:24:02
    my reaction time was better on this one
  • 00:24:04
    but the more time you spend with the
  • 00:24:06
    guys the better
  • 00:24:07
    there that's a pretty cool one little
  • 00:24:09
    feet out ready to land that's kind of
  • 00:24:10
    cool
  • 00:24:13
    let's go to another one
  • 00:24:14
    so i i won that time
  • 00:24:17
    my reaction time was good
  • 00:24:20
    all right we are pre again let's look at
  • 00:24:22
    it coming in the birds coming in i
  • 00:24:24
    captured it what capture prior hey i did
  • 00:24:25
    good again
  • 00:24:29
    well so what i'm getting at is
  • 00:24:30
    you know so your reaction time is pretty
  • 00:24:32
    good you know the first ones were saying
  • 00:24:33
    hey my reaction time is horrible this
  • 00:24:35
    one you know i caught it and it's not
  • 00:24:37
    very you know looks like it was about 15
  • 00:24:40
    frames so i caught it
  • 00:24:43
    now i was out of focus and stuff but
  • 00:24:44
    that's okay it happens a lot
  • 00:24:47
    so that means i always had my focal was
  • 00:24:49
    sticking on this little bird on the pole
  • 00:24:51
    at the time more than him
  • 00:24:53
    it's an angry looking little pose there
  • 00:24:55
    in it
  • 00:24:57
    [Laughter]
  • 00:25:00
    it's amazing once you capture from time
  • 00:25:03
    to time there we go now we're now the
  • 00:25:05
    camera the software caught up it's
  • 00:25:07
    pretty funny little pose
  • 00:25:09
    so let's jump ahead and look at uh
  • 00:25:11
    the arctic turn so i went out to out
  • 00:25:14
    here to look for this arctic turn
  • 00:25:16
    because i knew there's a little stick
  • 00:25:19
    they like to land on when the babies
  • 00:25:21
    weren't fledged out and flying they
  • 00:25:23
    would
  • 00:25:24
    sit on this thing for a lot so a lot of
  • 00:25:26
    people you'll see this perch in a lot of
  • 00:25:28
    pictures from people at potter's marsh
  • 00:25:31
    right now the fledglings are not running
  • 00:25:33
    around
  • 00:25:34
    flying they look like the adults are a
  • 00:25:36
    hair smaller a little darker but they're
  • 00:25:38
    flying with mom and dad out here so
  • 00:25:39
    they'll be gone in a couple days so if
  • 00:25:42
    i'm going to rent this r3 to look at
  • 00:25:43
    this stuff i got to do it pretty quick
  • 00:25:45
    because the same thing with those uh
  • 00:25:46
    tree swallows they'll be gone here in a
  • 00:25:48
    week
  • 00:25:49
    right now it's pretty fun to watch these
  • 00:25:51
    turns
  • 00:25:52
    what has happened is mom and dad will go
  • 00:25:54
    grab a stickleback it's a little fish
  • 00:25:56
    little green looking fish or they'll
  • 00:25:58
    grab a bug or something they will go
  • 00:26:00
    catch one of those
  • 00:26:02
    they'll go fly over to the babies if
  • 00:26:04
    they're not up in the air flying they'll
  • 00:26:05
    entice them to get up in the air and
  • 00:26:07
    they'll kind of just go with one of
  • 00:26:08
    those babies will follow them because
  • 00:26:09
    they want that food
  • 00:26:11
    some others i saw with the baby close to
  • 00:26:13
    them they were doing the dive and kind
  • 00:26:15
    of hitting the water and i guess showed
  • 00:26:17
    them how to catch a fish
  • 00:26:18
    but they will just fly around that baby
  • 00:26:20
    will fly with them and you can really
  • 00:26:22
    tell the difference in the the you know
  • 00:26:24
    the fledglings the sub adults and the
  • 00:26:25
    adults adults are nice graceful
  • 00:26:28
    soft flappy wings so the babies are just
  • 00:26:30
    all erratic and stuff
  • 00:26:32
    but here's this bird flying off the post
  • 00:26:35
    and this one was a good example
  • 00:26:37
    it was really painful because they're
  • 00:26:39
    not hitting this spot as much that's
  • 00:26:40
    kind of guess what i was trying to get
  • 00:26:41
    to they're not landing on this perch as
  • 00:26:43
    much as they were when they're watching
  • 00:26:45
    the nest
  • 00:26:46
    right now they're trying to feed babies
  • 00:26:47
    but this this guy did come
  • 00:26:49
    i don't say bird but two or three times
  • 00:26:51
    it landed there only one time did i get
  • 00:26:53
    captured what i wanted to capture
  • 00:26:55
    because i was distracted by something
  • 00:26:57
    when he took off another bird flying or
  • 00:26:58
    something
  • 00:27:00
    anyway so here is what i captured mr
  • 00:27:03
    scott when he clicked the shutter he got
  • 00:27:05
    it off the pole
  • 00:27:06
    because he sits on that pole so long and
  • 00:27:08
    when he does it you oh crap you gotta
  • 00:27:10
    hit the button
  • 00:27:11
    and
  • 00:27:12
    gone and the whole time i'm having to
  • 00:27:14
    hold that shutter button halfway
  • 00:27:17
    which is kind of annoying but if you
  • 00:27:19
    want to get that
  • 00:27:21
    you've got to have it halfway down at
  • 00:27:22
    least for a half second and i did have a
  • 00:27:24
    half second because again you see i have
  • 00:27:25
    16 to 36
  • 00:27:27
    so this little guy flew off
  • 00:27:29
    and this is what i captured
  • 00:27:33
    so i did from 15 to 36 so i captured
  • 00:27:35
    about 20 frames
  • 00:27:38
    so that's not even one second burst
  • 00:27:40
    yeah that's how quick they blow out of
  • 00:27:42
    there again i had it centered because i
  • 00:27:43
    don't know if he's going right or he's
  • 00:27:44
    going left
  • 00:27:46
    and
  • 00:27:46
    that's what i captured now what did that
  • 00:27:48
    capture the 15 frames prior let's look
  • 00:27:55
    got the whole sequence that i wanted
  • 00:27:57
    everything prior is what i wanted
  • 00:27:59
    after yeah not really what i wanted
  • 00:28:03
    and looking at this
  • 00:28:08
    these are the three frames that i would
  • 00:28:10
    wanted that one's okay
  • 00:28:12
    i mean the wing clipping and all that
  • 00:28:14
    and i'm just saying that what what's
  • 00:28:16
    going on in the picture what i would
  • 00:28:17
    have been after
  • 00:28:18
    for these launch off shots
  • 00:28:20
    is
  • 00:28:22
    this one right here look at the little
  • 00:28:24
    foot coming off the wing posture had
  • 00:28:26
    been not clipped and framed composition
  • 00:28:28
    better been cool and that shot right
  • 00:28:30
    there i think this is the one that i
  • 00:28:32
    would have been after like if i was
  • 00:28:33
    really out there
  • 00:28:34
    trying to this is all i'm going to
  • 00:28:36
    capture i'm wanting these fly-off shots
  • 00:28:37
    because a lot of times when i go in the
  • 00:28:38
    field
  • 00:28:39
    yeah you go find what you can find but
  • 00:28:41
    if you know you've got a subject that
  • 00:28:42
    you know is going to be there
  • 00:28:44
    you've been watching their behavior over
  • 00:28:46
    years or a couple months or a couple
  • 00:28:48
    days
  • 00:28:49
    then you know what you can get and i
  • 00:28:50
    knew in this instance i could go out
  • 00:28:52
    there and i could catch them flying off
  • 00:28:53
    this little post by this
  • 00:28:56
    tree here
  • 00:28:57
    and
  • 00:28:58
    i caught it but actually i didn't catch
  • 00:29:00
    it the robbers mode caught it
  • 00:29:03
    and that's really cool
  • 00:29:05
    so how do what do you do with these
  • 00:29:06
    images once you have them
  • 00:29:10
    you look at them you go okay let me look
  • 00:29:12
    at these images
  • 00:29:13
    so i know that back here somewhere
  • 00:29:16
    let's say this is the image i want to
  • 00:29:19
    extract one more over
  • 00:29:22
    so what you do is you hit this little
  • 00:29:23
    button here which is uh actually don't
  • 00:29:26
    have to do that
  • 00:29:28
    you need to go away
  • 00:29:30
    there is
  • 00:29:33
    there we go
  • 00:29:36
    there is these two down here so if you
  • 00:29:39
    hit this one
  • 00:29:40
    it's going to do the image you got up
  • 00:29:41
    here
  • 00:29:43
    this button you can come in here and say
  • 00:29:44
    i want
  • 00:29:47
    these three images so you can click this
  • 00:29:48
    it's the start see i'll put this little
  • 00:29:50
    flag here
  • 00:29:51
    i can go two more back
  • 00:29:53
    let's go ahead and grab that one and i
  • 00:29:55
    can hit that that's going to be my range
  • 00:29:57
    that i want to do so now if i hit this
  • 00:29:58
    it will extract the range
  • 00:30:00
    so let's go back to the one i like so
  • 00:30:03
    this one so we'll just hit this one i
  • 00:30:04
    want to extract just this image you hit
  • 00:30:06
    that button
  • 00:30:08
    comes up tells you where you want to
  • 00:30:09
    save it that's how simple it is
  • 00:30:12
    so all i got to do is save this where i
  • 00:30:13
    want to save it and then i can open it
  • 00:30:15
    in all my programs because now it is a
  • 00:30:17
    single image it's no longer a roll it's
  • 00:30:19
    a single
  • 00:30:20
    image well guys that's just basically
  • 00:30:23
    how you use the uh
  • 00:30:26
    raw burst mode on this camera it's
  • 00:30:27
    pretty cool
  • 00:30:29
    do i think it's a gimmick do i think
  • 00:30:30
    it's a keeper
  • 00:30:32
    i think it's in between i think it's
  • 00:30:34
    very situational but it's a really cool
  • 00:30:36
    feature uh you can see with these images
  • 00:30:39
    here
  • 00:30:40
    when i missed that the robust if i was
  • 00:30:43
    you know holding it down for a half c
  • 00:30:44
    you know for a little bit it was
  • 00:30:46
    capturing what i want to capture that
  • 00:30:47
    turn i wouldn't have those pictures now
  • 00:30:49
    there's not pictures i'm going to use
  • 00:30:50
    but again if i was really out in the
  • 00:30:52
    field really composition getting it set
  • 00:30:53
    up the way i want to
  • 00:30:55
    that'd have been great same with the
  • 00:30:56
    tree swallows i saw behavior i wouldn't
  • 00:30:58
    have caught i actually may have a few
  • 00:30:59
    pictures here i could use
  • 00:31:01
    uh but
  • 00:31:02
    yeah pretty cool but
  • 00:31:04
    why i say it's situational is you'll
  • 00:31:06
    notice also i i caught them from time to
  • 00:31:09
    time you know the the pre-burst was
  • 00:31:11
    there my timing was good from when i hit
  • 00:31:12
    the shutter
  • 00:31:14
    and that just came from more time
  • 00:31:15
    watching those like these trees was
  • 00:31:17
    watched them longer you know they were
  • 00:31:19
    coming to that spot
  • 00:31:20
    the turn was only there like two or
  • 00:31:22
    three times maybe four times
  • 00:31:24
    and you they just they look like nothing
  • 00:31:27
    they've gone they just pop you know it's
  • 00:31:29
    it's not even half second and they're
  • 00:31:31
    off that route that post
  • 00:31:33
    so you really have to be because they'll
  • 00:31:34
    no longer sleep right now you're holding
  • 00:31:36
    hold oh crap and if you don't hit it
  • 00:31:38
    right and if you're relying only on
  • 00:31:40
    yourself you're probably missing it like
  • 00:31:42
    i do all the time off those posts
  • 00:31:44
    but this raw burst mode it caught coming
  • 00:31:47
    off of there so that makes me now want
  • 00:31:49
    to go back out there and get some good
  • 00:31:50
    comp and try to work on some of those
  • 00:31:52
    jump off shots now that i have this
  • 00:31:53
    pre-burst mode or the robbers mode
  • 00:31:55
    pretty cool
  • 00:31:57
    but for other things it wouldn't be if
  • 00:31:58
    i'm just shooting fox running around uh
  • 00:32:00
    if they're now after feeding yeah i'll
  • 00:32:03
    go i'll i can see me using it when
  • 00:32:05
    they're trying to catch those bowls they
  • 00:32:06
    do that jump thing
  • 00:32:08
    every picture i've gotten is one female
  • 00:32:09
    it's always after she's already hit the
  • 00:32:11
    hit the snow and it's not very good
  • 00:32:12
    picture but now when the winter hits and
  • 00:32:15
    she's doing that hunting those voles in
  • 00:32:16
    his open little fields i'll be using
  • 00:32:18
    this raw burst mode maybe i can catch
  • 00:32:20
    that full jump that'll be really cool so
  • 00:32:23
    that'll be a get i've been wanting that
  • 00:32:24
    shot and i haven't gotten it yet
  • 00:32:27
    but yeah that's why i say it's
  • 00:32:28
    situational other times you don't want
  • 00:32:29
    to use it because you don't be going to
  • 00:32:30
    dpp and going through this it's pretty
  • 00:32:32
    slow and you have to go through those
  • 00:32:33
    rolls pull the pictures you want out
  • 00:32:36
    um it'll take a little longer to call
  • 00:32:37
    than the process i use and i'll go
  • 00:32:40
    through my full workflow process not
  • 00:32:42
    really how to edit but just how i go
  • 00:32:43
    through my workflow process and why do i
  • 00:32:45
    use that process
  • 00:32:48
    after watching this what do you think
  • 00:32:49
    about the you know that was it something
  • 00:32:51
    you'd use if you had it on your camera
  • 00:32:52
    or if you even have the r7 have you used
  • 00:32:54
    it yet i think i think it's pretty cool
  • 00:32:56
    thanks for watching the video and i will
  • 00:32:59
    see you on the next episode you guys
  • 00:33:01
    take care
  • 00:33:04
    [Music]
  • 00:33:19
    [Music]
  • 00:33:28
    you
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  • Canon R7
  • raw burst mode
  • photography tutorial
  • image extraction
  • wildlife photography
  • Canon
  • Digital Photo Professional
  • camera settings
  • video tutorial
  • field usage