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I compose a lot of music for different
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projects there's one rule I use that
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helps me write better music with less
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stress less overwhelm more fun and
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creativity when I forget this rule which
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is too often writing gets harder more
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overwhelming less creative not so fun so
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I'm going to show you that rule plus
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three different examples of how I've
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used it and how you can use it too so
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here's the rule the more limits you set
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the more freedom you get this comes from
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the legendary composer Igor Stravinsky
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he said The more constraints one impose
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es the more one frees oneself of the
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chains that shackle the spirit and he
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goes even further he says my freedom
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will be so much the greater and more
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meaningful the more narrowly I limit my
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field of action and the more I surround
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myself with obstacles and this is one of
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the greatest composers of the 20th
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century so the reason I'm making this is
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cuz I was producing for a client
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recently and I was getting overwhelmed
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by the scope of the project you know I
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work in a modern Daw I've got literally
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hundreds if not thousands of instruments
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to choose from it sometimes feels like
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when I scroll through my library I just
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have infinite options and in reality
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it's just too much what winds up
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happening is you get decision fatigue
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and it can make a project feel really
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overwhelming and daunting so the answer
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is to set limits this Narrows your focus
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down instead of thinking how do I make
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this song with infinity options it
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becomes how do I make this song with
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only four instruments or with only these
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notes or with only these plugins and
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then the whole creative act becomes this
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fun challenge or problem to solve rather
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than an overwhelming obst obstacle to
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overcome so let me walk you through
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three ways that I've used limitations
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recently in my own music and how you can
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do it too the first limit is limit your
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instruments I find it interesting that
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so many of the great composers wouldn't
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mainly write just for orchestra and I
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think it's so tempting for amateur
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composers to always want to write for
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full massive Orchestra but the great
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composers were so often writing for very
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few instruments string quartets or trios
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or quintets just three four five
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instruments I remember talking with
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Austin wintery and he says I'm composing
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my next game score for four tubers I
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said why four tubers and he said cuz I
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want to and I sort of get that because
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when you create these constraints or
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limitations it makes the rest of the
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creative act a lot more fun how do I
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make this game score work with just four
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tubers so here's how I used it I had to
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write this arrangement of In The Bleak
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Midwinter at Christmas Carol for only
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three High voices and weirdly I found
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this much more fun than when I've
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written Coral music for eight voices or
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16 voices writing for just three voices
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creates all these mini challenges you
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know how do I create Harmony and Melody
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from only three voices how do you create
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motion and momentum from three voices
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and there are other things like how do I
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make sure each voice gets to sing one
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verse and then how do I smoothly change
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key so that here the alto can sing a
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verse in her range how many different
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textures can I create with just three
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lines I loved finding this one for the
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final verse where it goes
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[Music]
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I guarantee I wouldn't have come up with
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that kind of texture or something nearly
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as nice if I'd been writing for 16
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voices and writing in this way also
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created more surprises for me it
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reminded me of the beautiful Simplicity
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that you can create from just three
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lines like if you listen to this ending
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[Music]
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that all comes from limiting your scope
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if I hadn't limited it that would never
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have been written I'll put the whole
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piece on my channel in case you want to
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listen to that or if you want to perform
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it write to me you know I'd love that
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the next way I impose limits on my
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composing is by limiting the number of
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notes limit the scale so I wanted to
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write something huge and orchestral you
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know shamefully I actually never
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finished this project because real life
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got in the way but in order to set a
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limit I decided to limit how many notes
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I was allowed to use in the scale this
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was inspired by Alan Silvestri I've been
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studying his score to Back to the Future
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and I loved how he would use the
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octatonic scale in action sequences and
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I wrote them on a piece of paper so I
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think it was E F G A B flat C CSH and
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dsh and I wasn't allowed to use any
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other notes and I was amazed at the
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harmonies and chords and progressions
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and key changes that you can come up
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with when you're only using eight notes
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and that limitation made composing a
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whole lot more fun it made it like a
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game like a challenge you know you're
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problem solving it's no longer
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overwhelming but it becomes a fun
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constraint so here's a little snippet of
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how far you can go with just eight notes
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so the next kind of limitation I would
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call A Creative challenge or a creative
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limitation Challenge and you can go wild
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with what kind of limits you set here so
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during covid I was literally locked in a
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friend's house for months but the cool
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thing was her downstairs was filled with
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really interesting instruments so I
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thought what if I compose something
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using only her instruments plus any
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other free instruments that other people
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have created during Co and so I looked
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through websites like piano book to find
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free instruments that were created
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during lockdown so I wasn't limiting the
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number of instruments I was using I
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wasn't limiting the number of notes I
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could use it was a creative limit create
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music using only the free things that I
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have around me in isolation and that
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made the whole thing so much more fun
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and it also created a really cool piece
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of content that did pretty well on my
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Instagram
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[Music]
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[Music]
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so that's the rule and that's just three
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of infinite ways that you can use this
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rule so let me know in the comments if
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you have other cool ideas or constraints
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that you could use to make your music
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more creative and that's what I'm going
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to do now I'm going to create some
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constraints to make my current project
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more fun creative and less overwhelming