Simms is the person describing their experience in the video.

What happens when moving through the East Wing?

The East Wing feels darker and smoky with a diffraction of light creating blue and red sparkles.

What is unique about the experience in the Western Wing?

The Western Wing is bright and almost blinding, especially at sunset, creating a dramatic visual effect.

How does the experience in the building change upon returning?

Returning through the building offers a new experience and discoveries, emphasizing constant forward movement.

What is the significance of movement according to Irwin?

For Irwin, art is about the experience and interaction one has while moving through the building, not just the static visual elements.

Touring Robert Irwin's Minimalist Marfa Masterpiece "Dawn to Dusk" | Artbound | KCET

00:04:52

https://www.youtube.com/watch?v=hgXeWyOd6LU

Summary

TLDRSimms shares a vivid account of navigating a unique building, emphasizing the interplay of light and space. Initially entering the darker East Wing, visitors encounter intricate light diffraction causing blue and red sparkles. As one progresses to the Southern section and then the bright Western Wing, the experience shifts dramatically, especially notable at sunset when the area is vividly illuminated. Simms highlights that the journey through the building offers constant new experiences, aligning with Irwin's philosophy that art lies in the ongoing, dynamic interaction between one's movement and the space, rather than just the visual elements themselves.

Takeaways

🌌 The East Wing feels darker and smoky with intricate light effects.
🌿 Movement through the building creates a dynamic experience.
🌅 The Western Wing's lighting, especially at sunset, is breathtaking.
🌈 Irwin emphasizes art as an experience, not just a visual.
👣 Every journey through the building offers new discoveries.
🏙️ The Southern part of the building connects the two wings.
✨ Light diffraction creates engaging visual elements.
🔄 Returning through the building brings a fresh perspective.
🔎 Irwin's philosophy highlights forward movement as essential.
🎨 The art lies in the interaction between the visitor and space.

Timeline

00:00:00 - 00:04:52
In this narration, Simms describes his experience navigating an art installation where the journey through space plays a crucial role in the perception of the artwork. As he moves through different wings of a building, the darker east wing with black scrims initiates a mysterious experience with smoky light diffractions. This contrasts with the transition into the lighter south and west wings characterized by bright light and white scrims, especially striking at sunset. Simms emphasizes that as one traverses the installation forward and backward, each experience unfolds differently, embodying the artist Irwin's concept that the true art lies in the viewer's dynamic interaction and unique, evolving perception of the space.

Mind Map

Video Q&A

Who is Simms?
Simms is the person describing their experience in the video.
What happens when moving through the East Wing?
The East Wing feels darker and smoky with a diffraction of light creating blue and red sparkles.
What is unique about the experience in the Western Wing?
The Western Wing is bright and almost blinding, especially at sunset, creating a dramatic visual effect.
How does the experience in the building change upon returning?
Returning through the building offers a new experience and discoveries, emphasizing constant forward movement.
What is the significance of movement according to Irwin?
For Irwin, art is about the experience and interaction one has while moving through the building, not just the static visual elements.

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Subtitles

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00:00:05
SIMMS: THE FIRST TIME I WENT
00:00:06
AFTER THE PIECE HAD BEEN
00:00:08
COMPLETED, I BEGAN TURNING
00:00:09
LEFT...
00:00:18
AND THAT TOOK ME INTO THE EAST
00:00:20
WING, WHICH IS THE DARKER WING.
00:00:23
AND THERE'S THAT LONG DOUBLE
00:00:26
SCRIM, THE BLACK ONE, ON THAT
00:00:27
SIDE.
00:00:38
WHAT YOU WIND UP SEEING IN
00:00:39
THERE OR FEELING--IT'S MORE
00:00:41
THAN SEEING. IT'S A WHOLE KIND
00:00:42
OF EMBODIED ENCOUNTER THAT
00:00:45
TAKES PLACE. BECAUSE IT WAS
00:00:47
THIS DARKER WING, IT STARTED TO
00:00:48
FEEL VERY SMOKY TO ME SOMEHOW.
00:01:04
AS YOU MOVE DOWN, YOU START TO
00:01:06
SEE THESE SUBTLE INTERESTING
00:01:08
KINDS OF--I GUESS THIS
00:01:09
DIFFRACTION OF LIGHT IN THE
00:01:12
SCRIMS, WHICH CREATES THE
00:01:14
IMPRESSION OF BLUE AND RED KIND
00:01:16
OF APPEARING AND KIND OF LIKE
00:01:17
ZAPPING HERE AND THERE, JUST
00:01:19
SPARKLING IN THE SCRIM...
00:01:28
AND SO BECAUSE EVERYTHING
00:01:30
IS STRIPPED DOWN SO
00:01:31
MUCH, THESE LITTLE
00:01:32
EVENTS MATTER, YOU START TO PAY
00:01:34
ATTENTION TO THAT, AND AS YOU
00:01:37
MOVE ALONG, YOU'RE LOOKING OUT
00:01:39
THE WINDOWS. BECAUSE YOU'RE
00:01:42
WALKING AND MOVING, BECAUSE
00:01:45
THERE'S ALWAYS A WINDOW
00:01:47
SOMEWHERE IN YOUR FIELD
00:01:48
OF VISION, THINGS OUTSIDE
00:01:51
ARE CHANGING AS YOU MOVE.
00:02:06
SO THE MOVEMENT INTO THE BACK,
00:02:09
INTO THE SOUTH, NOW YOU TURN
00:02:12
AND YOU MOVE THROUGH THESE
00:02:13
PORTALS...
00:02:51
AND THEN, THERE'S THIS AMAZING,
00:02:54
ALMOST BLINDING EXPERIENCE OF
00:02:55
LIGHT BECAUSE YOU'RE MOVED
00:02:56
TOWARDS THE WHITE SCRIMS, THOSE
00:02:58
PORTALS THAT TAKE YOU INTO THAT
00:02:59
LIGHT WESTERN WING...
00:03:12
WHERE THE STUCCO'S A LITTLE
00:03:14
LIGHTER, WHERE THERE'S NO
00:03:15
WINDOW TINTING, AND WHERE THERE
00:03:16
IS THIS WHITE DOUBLE SCRIM, AND
00:03:22
THEN, COMING DOWN THE LIGHT
00:03:24
SIDE, ESPECIALLY IF YOU'RE AT
00:03:26
SUNSET THERE--BECAUSE THE IDEA
00:03:28
IS THAT'S THE DUSK, THAT'S THE
00:03:30
SIDE WHICH IS THE SUNSET
00:03:31
SIDE--THE PLACE JUST LIGHTS UP.
00:03:33
IT'S UNBELIEVABLE.
00:03:58
THEN, LET'S SAY, YOU TURN
00:03:59
AROUND AND WALK BACK. IT'S NOT
00:04:01
AS THOUGH YOU'RE JUST REPEATING
00:04:02
YOUR STEPS. IT'S A WHOLE NEW
00:04:04
KIND OF UNFOLDING THING WHERE
00:04:06
YOU HAVE NEW DISCOVERIES, AND
00:04:08
SO THAT'S WHERE YOU GET THAT
00:04:10
OPPORTUNITY TO BE THE ARTIST
00:04:12
BECAUSE FOR IRWIN THE ART IS
00:04:14
NOT WHAT YOU SEE THERE. IT'S
00:04:16
WHAT'S HAPPENING, YOU KNOW, IN
00:04:18
YOUR EXPERIENCE AS YOU MOVE
00:04:19
THROUGH IT, AND YOU GO THIS
00:04:20
WAY, AND THEN YOU MOVE BACK THE
00:04:23
OTHER WAY. IT'S ALWAYS
00:04:25
DIFFERENT, EVEN IF ONLY SUBTLY.
00:04:27
SO THAT FOR IRWIN MOVING BACK
00:04:29
AND FORTH IN THIS BUILDING IS
00:04:32
A CONSTANT FORWARD STEPPING.
00:04:35
THERE'S NO POINT IN WHICH
00:04:36
YOU'RE REPEATING YOUR STEPS.
00:04:37
YOU'RE TAKING FORWARD
00:04:38
STEPS ALL THE WAY THROUGH.