How To Make Money on the Street

The video discusses the top 10 ways people make money on the street, such as flying signs for charity or using humor. Living on the street isn't ideal, but sometimes necessary for survival. The speaker advises against engaging in violence as a means of survival, noting that it can lead to more problems. They also discuss the risks of confrontation in crowded areas like Times Square and the importance of respecting territories. There's a personal reflection on their reluctance to panhandle despite needing money during tough times.

One method discussed is panhandling on trains, where people give a speech about their plight and ask for change. Although it's a way to make money, the speaker describes it as undesirable and highlights the varying success of individuals, sometimes depending on their charisma or sympathy tactics, such as saying they need money for their dog. The decline in DVD sales on trains due to digital media is noted, alongside the entertainment of impromptu performances, which can be annoyingly intrusive yet sometimes impressively skillful.

Selling water is another strategy, involving minimal investment for significant returns, especially in high-traffic areas. However, the speaker emphasizes the territorial nature of street selling, particularly in NYC, where newcomers could face hostility from established vendors. The legal issues and disdain from authorities and other street performers are mentioned, alongside chaotic conflicts known as "water wars." The speaker advises new sellers to find their own spots and treat this method as a temporary solution rather than a career.

Street musicians are another focus, admired for their courage and skill. The necessity of respecting other performers' spaces is emphasized, with anecdotes of how conflicts can arise between musicians in crowded areas and the need for cooperation or systems. Examples of successful musicians making a living and thriving through unique offerings, like selling CDs, are shared, along with tips for newcomers to find originality and a respectful way to perform publicly.

The speaker then moves to discuss acrobats and other performers such as those in costumes, emphasizing the impact of presentation and audience interaction. Attractions like street acrobats can be financially rewarding but also invite competition and territorial disputes. There's criticism of costume performers for aggressive tactics with tourists, and some humorous reflections on poorly executed setups, suggesting that more effort yields better financial results. Again, the advice leans towards respectful and dignified hustling.