GCSE Media - Superheroes by Stormzy

00:14:29
https://www.youtube.com/watch?v=dF9b8DXTFtI

Summary

TLDREste video es una guía sobre el video musical "Stormzy", que se centra en el análisis de su lenguaje mediático, representación, audiencias e industrias. Se destaca su estilo poco convencional, siendo animado y colorido, lo que atrae a un público joven. A través de la narrativa, Stormzy se presenta como un modelo a seguir, desafiando estereotipos negativos sobre los jóvenes negros. Se exploran temas de empoderamiento, diversidad familiar y la importancia de los modelos a seguir en los medios. El video también aborda cuestiones sociales y políticas, como la brutalidad policial y el movimiento Black Lives Matter, reflejando un contexto cultural relevante.

Takeaways

  • 🎨 Estilo animado y colorido que atrae a un público joven.
  • 💪 Stormzy como modelo a seguir, desafiando estereotipos negativos.
  • 👩‍👧 Representación diversa de mujeres y familias no convencionales.
  • ⚽ El fútbol conecta con audiencias trabajadoras y masculinas.
  • ✊ El hashtag "murky" refleja el compromiso social de Stormzy.
  • 📈 Promoción del video en redes sociales para alcanzar una audiencia global.
  • 📚 Referencias a modelos a seguir en la comunidad negra.
  • 🖤 Mensajes sobre igualdad y empoderamiento en el contexto social.
  • 🎥 Influencias de animaciones y anime en la producción.
  • 🌍 Contexto cultural relevante, incluyendo protestas y movimientos sociales.

Timeline

  • 00:00:00 - 00:05:00

    El video musical de Stormzy presenta un estilo poco convencional, siendo animado y utilizando colores brillantes que atraen a un público joven. A través de una narrativa centrada en la historia, se representa a Stormzy como un modelo a seguir, utilizando ángulos bajos para enfatizar su poder y dominancia. La letra de la canción desafía estereotipos negativos sobre los jóvenes negros, presentándolos como héroes y figuras respetadas, lo que resuena especialmente con una audiencia urbana y trabajadora en el Reino Unido.

  • 00:05:00 - 00:14:29

    A lo largo del video, se abordan temas de diversidad y representación, mostrando tanto a hombres como a mujeres en roles poderosos y desafiando las normas de género. La inclusión de referencias a figuras como Chadwick Boseman y el movimiento Black Lives Matter refuerza el contexto social y cultural del video. Además, la animación de alta calidad y la producción reflejan un presupuesto significativamente mayor que los trabajos anteriores de Stormzy, lo que indica su evolución como artista y su capacidad para atraer a una audiencia global.

Mind Map

Video Q&A

  • ¿Cuál es el estilo del video musical?

    El video es animado y utiliza colores brillantes, lo que es poco convencional para el género rap.

  • ¿Qué mensaje transmite Stormzy en el video?

    Stormzy se presenta como un modelo a seguir, empoderando a los jóvenes negros y desafiando estereotipos negativos.

  • ¿Cómo se representa a las mujeres en el video?

    Se muestra a mujeres en roles diversos, desafiando estereotipos de género y promoviendo la igualdad.

  • ¿Qué temas sociales se abordan en el video?

    El video aborda la brutalidad policial, el movimiento Black Lives Matter y la importancia de la comunidad.

  • ¿Qué tipo de audiencia está dirigida el video?

    El video está dirigido principalmente a un público joven, especialmente a niños y adolescentes.

  • ¿Qué influencias se mencionan en la producción del video?

    Se menciona la influencia de animaciones como "Spider-Man: Into the Spider-Verse" y anime como "Akira".

  • ¿Cómo se representa la familia en el video?

    Se presentan estructuras familiares no convencionales, mostrando diversidad y roles paternos.

  • ¿Qué papel juega el fútbol en el video?

    El fútbol se utiliza para conectar con una audiencia trabajadora y masculina, pero también incluye a mujeres.

  • ¿Qué importancia tiene el hashtag "murky" en el video?

    El hashtag refleja la marca de Stormzy y su compromiso con organizaciones comunitarias.

  • ¿Cómo se promocionó el video?

    El video fue promocionado en su sitio web y redes sociales, alcanzando una audiencia global.

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  • 00:00:00
    hello and welcome to my easy to
  • 00:00:02
    understand Guide to the storm Z music
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    video
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    superheroes this is going to be
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    particularly relevant for you if you are
  • 00:00:08
    on the educast exam board for gcsc as it
  • 00:00:12
    appears as one of the optional set music
  • 00:00:14
    videos for study you need to understand
  • 00:00:16
    media language representation audiences
  • 00:00:19
    and industries for this music video and
  • 00:00:21
    this video of mine is going to cover
  • 00:00:23
    basically a little bit of everything so
  • 00:00:25
    the video has quite an unconventional
  • 00:00:27
    style being that it's animated quite
  • 00:00:30
    unusual for a music video particularly
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    in this kind of like rap genre um so
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    having it being kind of very bright
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    colors and kind of quite comic and
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    graphic and style is quite unusual but
  • 00:00:41
    it also helps to Target quite a young
  • 00:00:43
    audience the bright colors are very
  • 00:00:46
    kid-like it's got very positive
  • 00:00:47
    uplifting Vibes and you get that from
  • 00:00:50
    the music and the sound as well the bird
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    song at the beginning is quite uplifting
  • 00:00:54
    quite hopeful also in a music video we
  • 00:00:57
    typically expect to see a lot of the
  • 00:00:59
    actual artist performing we don't really
  • 00:01:01
    get that in this music video although
  • 00:01:03
    we're seeing a kind of Comic version of
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    storm Z it's not him so it's it's quite
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    different quite unconventional that
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    we're not seeing him perform the vast
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    majority of the music video is narrative
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    based it's a story um and again that
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    might be quite appealing for a young
  • 00:01:18
    audience storms is represented as very
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    powerful somebody to look up to to
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    Aspire to be a role model and you can
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    see this through the use of repeated low
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    angles making him look more dominant
  • 00:01:30
    there's lots of workingclass urban
  • 00:01:32
    settings in this video so lots of what
  • 00:01:34
    look like kind of Estates tower blocks
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    lots of urban buildings graffiti and
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    this is going to help it um appeal to
  • 00:01:42
    quite a kind of urban workingclass
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    audience particularly a British audience
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    as well because it feels like a very
  • 00:01:48
    British uh town and those wire fences
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    along with the tight framing of the
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    camera just encourages us to see these
  • 00:01:55
    boys as being trapped in these areas
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    stormy uses a lot of words within the
  • 00:02:00
    lyrics that really um create positive
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    uplifting and Powerful representations
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    of young black people so for example he
  • 00:02:09
    says in the lyrics a young black king
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    makes young black people seem respected
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    idolized powerful and dominant and this
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    challenges a lot of the negative
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    stereotypes that we often see in the
  • 00:02:21
    media of young black men in particular
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    and it creates this idea of the kind of
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    young black people within this video as
  • 00:02:28
    being kind of um prop like Heroes the
  • 00:02:32
    use of football within the narrative
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    also helps to Target quite a kind of
  • 00:02:35
    working class potentially prominantly
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    male audience as well it's not just men
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    though he also refers to young black
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    queens so it's also about targeting
  • 00:02:46
    young black women as well and this
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    representation of young people and in
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    particular young black people as being
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    very powerful is reinforced by lots of
  • 00:02:55
    the superhero imagery and narrative
  • 00:02:57
    within the video we see images of sto
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    storm Z and his friends flying through
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    the sky lots of low angles the kind of
  • 00:03:04
    visual effects and that helps to
  • 00:03:06
    represent them as being supernaturally
  • 00:03:08
    powerful storms is kind of representing
  • 00:03:10
    himself as being somebody very
  • 00:03:12
    trustworthy and reliable he uses words
  • 00:03:14
    in the lyrics such as keep an eye on me
  • 00:03:17
    and rely on me and it makes him seem
  • 00:03:20
    like he's very paternal and caring
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    somebody that's going to look after
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    these people we see images of him
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    hugging the boys patting them on the
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    head it makes him seem like quite a
  • 00:03:30
    responsible adult that's there to look
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    out for them we see a girl here and
  • 00:03:33
    she's in quite a domestic role so she's
  • 00:03:36
    chopping up vegetables she's doing the
  • 00:03:37
    washing up and images of girls in
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    domestic situations are quite common in
  • 00:03:41
    the media the fast-paced editing in the
  • 00:03:43
    shop makes it feel like she's working
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    super fast and that she's very powerful
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    because she's doing so much she's
  • 00:03:51
    serving food to an older person and
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    perhaps this reflects the idea that um
  • 00:03:56
    stormy is wanting to kind of show that
  • 00:03:58
    elderly people should be part of our
  • 00:04:00
    communities that young people have a
  • 00:04:02
    responsibility often to look out for
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    them and that young people are taking
  • 00:04:06
    care of their relatives and their
  • 00:04:08
    families but it is creating quite a
  • 00:04:10
    stereotypical representation of older
  • 00:04:12
    people being perhaps quite dependent on
  • 00:04:14
    younger people to look after them I
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    guess it is showing quite an
  • 00:04:18
    unconventional family structure though
  • 00:04:20
    you're seeing a young girl with an ELD
  • 00:04:22
    living with an elderly relative and so
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    um it's not your typical kind of two
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    parent um family structure so perhaps
  • 00:04:30
    Storm's trying to represent families as
  • 00:04:32
    being quite diverse and not always
  • 00:04:34
    following those kind of typical ideas
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    holding this kind of white light makes
  • 00:04:39
    stormy and the boy feel super powerful
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    um and almost magical and there's a
  • 00:04:44
    really fast-paced monage here with like
  • 00:04:47
    leaping on the cars and doing kind of
  • 00:04:48
    unusual poses um and it's disappearing
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    um it's really about making him seem
  • 00:04:54
    very skilled very powerful very magical
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    Supernatural and exciting we reading a
  • 00:05:00
    book here again making him seem quite
  • 00:05:02
    educated quite academic and the book
  • 00:05:04
    He's reading is quite interesting as
  • 00:05:06
    well it's a book by mallerie Blackman
  • 00:05:08
    and now stormy was in the BBC adaptation
  • 00:05:11
    of her book so it's kind of
  • 00:05:13
    cross-promoting something else that
  • 00:05:14
    stormy was involved with the actual
  • 00:05:17
    Narrative of the book is a lot about um
  • 00:05:19
    racial discrimination and equality so
  • 00:05:22
    again tying in with this theme about
  • 00:05:24
    race um and ethnicity being important in
  • 00:05:27
    this music video and perhaps young
  • 00:05:30
    people might see this as encouraging
  • 00:05:31
    them to be more academic um seeing an
  • 00:05:34
    older adult male reading a book and and
  • 00:05:37
    being educated might Inspire them also
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    the images of police here might reflect
  • 00:05:42
    the kind of social cultural political
  • 00:05:44
    contexts of police brutality
  • 00:05:47
    particularly towards young black men in
  • 00:05:49
    the community he continues to challenge
  • 00:05:51
    some gender conventions by talking about
  • 00:05:54
    women can be Kings too um and this again
  • 00:05:57
    kind of makes women seem powerful
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    um and dominant and he does also reflect
  • 00:06:02
    a lot of issues that girls have to deal
  • 00:06:04
    with on a day-to-day basis so we see a
  • 00:06:06
    girl looking in the mirror looking quite
  • 00:06:08
    sad and anxious um almost like she's
  • 00:06:10
    judging her body and again this may
  • 00:06:12
    reflect a lot of social cultural issues
  • 00:06:14
    that girls have to face about body image
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    and feelings of inequality and
  • 00:06:19
    selfworth and particularly when she
  • 00:06:21
    looks at images of her hair as well it
  • 00:06:23
    may reflect the idea that a lot of young
  • 00:06:26
    black girls feel um they lack confidence
  • 00:06:29
    about hair because they often don't see
  • 00:06:31
    images of other women with similar hair
  • 00:06:34
    types in the media but when she looks at
  • 00:06:36
    a poster of little Sims in the
  • 00:06:38
    background um and she sees uh the girl's
  • 00:06:40
    braids in the poster she then seems to
  • 00:06:42
    be proud of her own hair so perhaps this
  • 00:06:45
    is kind of signifying this idea that
  • 00:06:47
    young people need to have role models
  • 00:06:49
    that look like them in the media they
  • 00:06:51
    need to be able to see people that they
  • 00:06:54
    can relate to and look up to and just
  • 00:06:57
    like earlier where we saw the girl being
  • 00:06:58
    quite domestic in the kitchen we're now
  • 00:07:00
    seeing quite stereotypical ideas of boys
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    here as well so we're getting ideas here
  • 00:07:05
    of boys in a classroom being quite
  • 00:07:07
    academic working with maths on the board
  • 00:07:10
    um and we often see um you know images
  • 00:07:12
    of people with glasses it we sort of
  • 00:07:14
    associate it with being kind of
  • 00:07:16
    archetypal geek character in the media
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    so we immediately get the idea that this
  • 00:07:20
    boy is very clever very wise and we
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    often see that stereotype of boys being
  • 00:07:26
    more involved in kind of stem based
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    subjects the tens flying through the air
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    could be a kind of intertextual
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    reference first of all it makes him seem
  • 00:07:34
    powerful um and again Supernatural but
  • 00:07:36
    it may also remind several audiences of
  • 00:07:39
    different media products some people may
  • 00:07:41
    see this as references to films like the
  • 00:07:43
    Matrix some people may see it as
  • 00:07:45
    references to stories like Matilda
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    children kind of using their inner power
  • 00:07:51
    or people using their inner power and
  • 00:07:53
    mental abilities to kind of break
  • 00:07:55
    through Society stormy saves a boy here
  • 00:07:59
    um kind of Dives in and saves him from
  • 00:08:01
    falling and that makes him seem quite
  • 00:08:03
    heroic and some people may see this as a
  • 00:08:05
    kind of reference to things like Toy
  • 00:08:07
    Story as well the dad braiding his
  • 00:08:09
    daughter's hair challenges some
  • 00:08:10
    representations about men not being
  • 00:08:12
    domestic so it's showing him looking
  • 00:08:14
    after his children doing hair care Etc
  • 00:08:17
    and making him seem quite paternal and
  • 00:08:20
    again this is reinforced when we see the
  • 00:08:22
    images of the dad with his child on his
  • 00:08:23
    shoulders making him seem quite domestic
  • 00:08:26
    and showing him perhaps as a kind of
  • 00:08:28
    single par of
  • 00:08:29
    um family so again a kind of non-typical
  • 00:08:32
    family structure being represented in
  • 00:08:34
    this video the black lives matter
  • 00:08:36
    graffiti on the wall again kind of just
  • 00:08:38
    reflecting the cultural social context
  • 00:08:41
    of what was going on in the media at the
  • 00:08:43
    time and we see people in masks um
  • 00:08:46
    protesting kneeling down that reflects
  • 00:08:48
    the covid pandemic lots of people
  • 00:08:50
    wearing masks at the time um and it also
  • 00:08:53
    reflects a lot of political protests
  • 00:08:55
    that were happening at the time due to
  • 00:08:56
    the death of George Floyd when he was
  • 00:08:58
    murdered by police in America so seeing
  • 00:09:01
    these kind of protests being reflected
  • 00:09:03
    in the video might help bring in a
  • 00:09:05
    global audience but also appeals to that
  • 00:09:08
    kind of black audience who were very um
  • 00:09:11
    determined to see more equality and
  • 00:09:14
    justice the fist in the air is a symbol
  • 00:09:17
    of black power historically that we've
  • 00:09:19
    seen in the media in lots of other
  • 00:09:21
    places so again reinforcing this theme
  • 00:09:25
    of of black power and black equality
  • 00:09:28
    within the clouds there is a kind of
  • 00:09:29
    hashtag being formed with the word murky
  • 00:09:32
    and this is something that reflects
  • 00:09:34
    stormy's brand he actually uses this
  • 00:09:36
    hashtag and he creates donations to
  • 00:09:40
    Black organizations in the UK um and so
  • 00:09:43
    kind of cross promoting his other
  • 00:09:45
    interests and his other campaigns and
  • 00:09:47
    what he does for uh people in the
  • 00:09:49
    community and the hashtag helps to
  • 00:09:51
    Target active audiences a lot of people
  • 00:09:53
    will go online to then find out what the
  • 00:09:55
    hashtag is about there's the
  • 00:09:56
    alliteration black beautiful and brave
  • 00:09:59
    and this alliteration helps to reinforce
  • 00:10:01
    that message to audiences we see a girl
  • 00:10:04
    here playing football and that
  • 00:10:05
    challenges some gender norms for the
  • 00:10:07
    young female audience and she's wearing
  • 00:10:09
    a Marcus rashford top um which again
  • 00:10:12
    links into another young black role
  • 00:10:15
    model within the Sporting Community but
  • 00:10:17
    also ties in with what rashford was
  • 00:10:20
    doing historically at that point in 2020
  • 00:10:23
    which was campaigning for free School
  • 00:10:25
    meals um and more support for young
  • 00:10:28
    people particularly young black people
  • 00:10:30
    but not just young black people um
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    within impoverished communities in
  • 00:10:34
    Britain so we've seen people playing
  • 00:10:36
    football we then go into this graphic
  • 00:10:38
    match of the DJ buttons and that kind of
  • 00:10:41
    maybe reflects typical career
  • 00:10:42
    aspirations of young people and the DJ
  • 00:10:45
    seems to have multiple arms coming out
  • 00:10:47
    of him uh being able to operate
  • 00:10:49
    different things at different times
  • 00:10:51
    maybe makes him seem super powerful and
  • 00:10:53
    very hardworking it's a kind of Montage
  • 00:10:55
    of lots of different families and people
  • 00:10:57
    hugging and embracing and that adds to
  • 00:11:00
    this feeling of kind of diversity and
  • 00:11:02
    inclusivity and seeing him with images
  • 00:11:04
    of a kind of glowing Earth within his
  • 00:11:06
    hands again makes him seem super
  • 00:11:08
    powerful like he is in charge of the
  • 00:11:10
    world on the screen at some point we see
  • 00:11:13
    um some graphics that say RP Chadwick
  • 00:11:16
    Bosman he died in August 2020 and this
  • 00:11:18
    music video was released in the December
  • 00:11:20
    of that year Chadwick Bosman obviously
  • 00:11:22
    super famous for being in many films but
  • 00:11:24
    in particular black panther where he
  • 00:11:26
    played um you know an incredibly
  • 00:11:28
    powerful superhero that was seen as a
  • 00:11:31
    massive role model to a lot of young
  • 00:11:33
    black children so paying respects to
  • 00:11:36
    other black role models that may have
  • 00:11:38
    inspired Generations in fact he mentions
  • 00:11:41
    multiple black Role Models within the
  • 00:11:43
    video so for example he mentions Venus
  • 00:11:45
    Williams he mentions Serena Williams
  • 00:11:48
    Simone biles so trying to include both
  • 00:11:51
    male and female black role models to
  • 00:11:53
    show that black people can be wealthy
  • 00:11:55
    successful powerful and important when
  • 00:11:58
    the video is released it was actually
  • 00:11:59
    released early in schools in Britain so
  • 00:12:02
    it was shown within schools that had
  • 00:12:04
    opened up it made it have an exclusive
  • 00:12:06
    feel and as though it was particularly
  • 00:12:08
    targeted at young people and it came
  • 00:12:10
    with an exclusive message from stormy as
  • 00:12:13
    well giving them kind of like an
  • 00:12:14
    inspirational speech the rap genre and
  • 00:12:17
    other stormy videos typically have a
  • 00:12:19
    slightly older young adult audience so
  • 00:12:21
    perhaps young men predominantly in their
  • 00:12:23
    kind of early 20s or late teens this
  • 00:12:26
    video definitely has a slightly younger
  • 00:12:28
    audience with the kind of animated feel
  • 00:12:30
    the fact that it was released in a lot
  • 00:12:31
    of schools so this is quite a different
  • 00:12:34
    audience to his usual one he actually
  • 00:12:36
    uses some lyrics from Kesha white song
  • 00:12:39
    Someday from the Tracy Beaker theme tune
  • 00:12:42
    uh Tracy Beaker being a children's TV
  • 00:12:44
    show on the BBC maybe about 15 20 years
  • 00:12:47
    ago um it had quite a cult following so
  • 00:12:50
    maybe that music there might be
  • 00:12:52
    recognizable to his older fans bringing
  • 00:12:54
    in those more kind of millennial
  • 00:12:56
    audiences that may remember the Tracy
  • 00:12:57
    Beaker show the video was promoted on
  • 00:13:00
    his website and on his social media too
  • 00:13:03
    and that helped it reach quite a wide
  • 00:13:04
    Global audience despite it being quite
  • 00:13:07
    British in its appearance when stormy
  • 00:13:10
    first started as an artist he was very
  • 00:13:12
    lowbudget he didn't have a record label
  • 00:13:14
    he started out promoting his music on
  • 00:13:16
    things like YouTube and Spotify um and a
  • 00:13:19
    lot of his first music videos were made
  • 00:13:21
    with virtually no budget at all this
  • 00:13:24
    music video as you can see through the
  • 00:13:25
    animations and the graphics has a
  • 00:13:27
    substantially higher budget than his
  • 00:13:29
    first one 2020 he was signed to uh Def
  • 00:13:32
    Jam which is part of the universal
  • 00:13:34
    record label group and obviously that's
  • 00:13:36
    a much bigger company and so this video
  • 00:13:39
    reflects the much higher budget that
  • 00:13:41
    that would bring the animation studio is
  • 00:13:43
    called tuente uh they're an Argentinian
  • 00:13:46
    company um and they produced this video
  • 00:13:48
    in just eight weeks which is quite
  • 00:13:50
    astounding really um they used quite
  • 00:13:52
    simple backgrounds to cut down on the
  • 00:13:54
    amount of Animation they had to do and
  • 00:13:57
    this did help to reduce costs the
  • 00:13:59
    director was actually kind of
  • 00:14:00
    interviewed previously and said that
  • 00:14:02
    they really did directly take influence
  • 00:14:05
    from um animations uh like Spider-Man
  • 00:14:08
    into the spiderverse so you can see the
  • 00:14:09
    similarities in the style the director
  • 00:14:12
    wanted to retain the British kind of
  • 00:14:14
    feel to it but also wanted to bring in
  • 00:14:16
    influences from anime like Akira and
  • 00:14:18
    Dragon Ball so that was my easy to
  • 00:14:20
    understand guide to this music video if
  • 00:14:23
    you'd like any other videos make sure
  • 00:14:24
    you subscribe to my channel and leave
  • 00:14:26
    any comments below and I'll see what I
  • 00:14:28
    can do can do
Tags
  • Stormzy
  • video musical
  • animación
  • representación
  • audiencia
  • estereotipos
  • empoderamiento
  • diversidad
  • Black Lives Matter
  • cultura